Jesús Echevarría. Cantaré! Muchas gracias. MUSIC RESOURCE GUIDE VocalEssence Cantaré! Series. Page 1

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Jesús Echevarría Cantaré! Muchas gracias MUSIC RESOURCE GUIDE VocalEssence Cantaré! Series Page 1

Founded in 2010, VocalEssence Music Press is a resource for musicians to discover new music, new composers, new cultures and new ideas. Sheet music is sold online by instant download. Listen to compositions and view perusal scores at www.vemusicpress.org. Founded in 1969, VocalEssence is an essential leading arts organization using the power of choral music as a catalyst for community building. VocalEssence engages, inspires, and entertains through choral performances and education for all ages and cultures. Learn more about VocalEssence and the Cantaré! program at www.vocalessence.org. Cantaré! / Muchas gracias Music Resource Guide Written by Melissa Bergstrom Edited by Kimberly D. Meisten, VocalEssence Designed by Katryn Conlin, Dakota Street Design Special Thanks Philip Brunelle Jesús Echevarría Jeanne Mammen Image Credits Cover Photograph and Page 3: Jesús Echevarría and VocalEssence Cantaré! program students by Jill Rouse Mariachi Instruments: Courtesy of City Heights Music School http://cityheightsmusicschool.com/?attachment_id=195 Guitarrón and Accordion: Public domain http://upload.wikimedia.org/wikipedia/commons/a/af/guitarron.jpg Mariachi Vargas: Public domain www.umslobby.org/index.php/2010/11/people-are-talking-mariachi-vargas-detecalitlan-3842 Mariachi Band Ellas Son, 2011: Courtesy of Zócalo Poets http://zocalopoets.com/category/images/cinco-de-mayo-2012-then-and-now/ Mariachi Singer: Public domain http://upload.wikimedia.org/wikipedia/commons/f/f2/mariachisingersanjuan02.jpg Mariachi Singers: Courtesy of Southwest Texas Junior College http://inet4.swtjc.cc.tx.us/swtjcpublicinf/gala%20photo%20page%202.htm Mariachi Singer: Public domain http://upload.wikimedia.org/wikipedia/commons/5/59/215780193_8f3582d18c_o. jpg Instrumentalists Singing: Public domain http://upload.wikimedia.org/wikipedia/commons/2/27/mario_santiago_y_ Silvestre_Vargas.jpg Children Dancing: Public domain www.metroactive.com/metro/09.19.07/kids-0738.html Map: Public domain www.mapofnorthamerica.org/mexico/ Nick Peter Linda Van Westen Our Lady of Guadalupe: Painting photographed by El Paso Museum of Art, Public Domain wikipedia.org/wiki/file:mexican_oil_paint_on_tin_retablo_of_%27our_lady_of_ Guadalupe %27,_19th_century,_El_Paso_Museum_of_Art.JPG Paintings of children (details): Photograph by Randy Robertson, used with permission. www.flickr.com/photos/randysonofrobert/4151201421/ Purchase the music Cantaré! and Muchas gracias are available for purchase at: www.vocalessencemusicpress.org Page 2

Cantaré! (I Will Sing) Muchas gracias (Many thanks) by Jesús Echevarría Difficulty Level Cantaré! and Muchas gracias are both perfect social songs for elementary-age children s voices or youth ensembles looking for a unison piece (or canon) to use in rehearsals, performances, on tours or in other contexts of the group s life together. Composer s Notes Cantaré! is a song inspired by Mariachi music or Music of the West. Literally everyone in the world has seen a mariachi band on TV or in a movie. There are mariachis in Japan, Russia, Spain, and of course in the United States. However, the music played by these ensembles, known for their big hats and charro suits, has little to do with the original mariachi sound. Mariachi sound is a musical tradition born in the wide-ranging Mexican west, which encompasses parts of the states of Jalisco, Nayarit, Michoacán, and Colima. In its origin, this music is related to Spanish dances of the 17th and 18th centuries. Over time, and as a result of the peculiar way of life of the residents of these states, these dances morphed into a music that displays a lifestyle that is simultaneously happy and brave. How about singing Cantaré! with its music of such deep Mexican roots? Jesús Echevarría plays in the VocalEssence Cantaré! concert with students from Worthington, Minnesota Muchas gracias emerged from a time when I heard the students of Jeanne Mammen [from Prairie Elementary School in Worthington, MN] sing a greeting song in many languages. I thought it was the proper tool to begin a music class. I greatly enjoyed listening to the children thank me for my work with them. They did it with modesty and spontaneity. This is how the piece came to me. It seems to me that it is always useful to teach good manners, but this is also a way to thank them for the beautiful experiences they provided me during my stay in Worthington in September 2010.The music is also modest, with some references to a polka and a fox trot. Page 3

Composer Biography: Jesús Echevarría Jesús Echevarría received a degree in composition at the Higher School of Music of the National Institute of Fine Arts (INBA) and is currently a graduate student of Musicology at the National School of Music of the National Autonomous University of Mexico. He has studied with Mexican folklorist Héctor Sánchez Campero, received the Grant for Creators from the State Fund for Culture and Arts of Baja, California, and was the first place winner of CONACULTA s National Music Promotion composition contest in 2004. Currently based in Mexico City, his works have been performed by prominent Mexican musicians and have included pieces for choir, orchestra, solo instrument, and Mexican folk instruments. Jesús participated as a resident composer in the 2010-2011 VocalEssence Cantaré! Community Engagement program in Worthington, MN. Pronunciation/Translation Guide VOWELS a [ah] father e [eh] or [ey*] egg or they *[ay] is also used for the same sound imitating common English words (kay, day, say) i [ee] machine o [oh] or [ah] open or off u [oo] rule y [ee] heavy VOWEL COMBINATIONS ai, ay [ai] side au [au] found ei, ey [ēi] they eu [ēu] may-you ie- [yeh] yes oi, oy [oy] boy ua [wa] water ue [wē] wait CONSONANTS c [k] before consonant, a, o or u or[s] before e or i ch [ch] chill g [g] get j [h] hot ll [y] yarn ñ [ni] onion q [k] (u that follows is always silent!) cadence r [ř] flipped with tip of tongue rr [řř] rolled/trilled with tip of tongue s [z] before consonants b, d, g, l, m, n, otherwise[s] y [y] yes z [s] yes Page 4

Texts/Translations Cantaré! Cantaré, cantaré, Al compás de este alegre son, Cantaré, cantaré Cantaré con el corazón. Voz de madera Voz de metal Voz de los mares Voz de coral Yo les vengo a cantar A los hermanos Que están aquí Les traigo flores Cantos de mi país Flores de mi país Cantos de mi país. Jesús Echevarría I will sing, I will sing, To the beat of this happy song, I will sing, I will sing, I will sing with my heart. Voice of wood Voice of metal Voice of the seas Voice of the choir I come to sing to you To my Brothers Which are here I brought flowers Songs from my country Flowers from my country Songs from my country. Translation by Jesús Echevarría Cantaré! Pronunciation Guide [kahn-tah-rey ahl kohm-pahs dey ehs-tey ah-leh-grey sohn kohn ehl koh-řah-sohn] Cantaré al compás de este alegre son, con el corazón. (I-will-sing, to-the beat of this happy song, with the heart.) [vohs dey mah-dey-rah meh-tahl lohs mah-rehs koh-řahl] Voz de madera, metal, los mares, coral (Voice of wood, metal, the seas, choir) [yoh leys vehn-goh ah kahn-tahř ah lohs ehr-mahn-ohs kay ehs-than ah-kee] Yo les vengo a cantar A los hermanos Que están aquí (I to-them come to sing To the Brothers Which are here) [leys třey-goh floh-rehs kahn-tohs dey mee pais] Les traigo flores, Cantos de mi país (I brought flowers, Songs from my country) Page 5

Muchas gracias Muchas gracias Gracias tenga usted Muchas gracias Tengas tú también. Es bonito agradecer Si recibes algún bien Con esta sencilla frase Muchas gracias tenga usted Y cómo contestaré Si las gracias me da usted? Dices de nada, dices de nada Muchas gracias tenga usted. Jesús Echevarría Many thanks Thanks to you Many thanks Thanks to you, too. It is nice to be grateful When you receive something good With this simple phrase Many thanks to you. And how should I respond To the thanks you give to me? By saying: you re welcome, you re welcome Many thanks to you. Translation by Katie Villaseñor Muchas gracias Pronunciation Guide [moo-chahs gřah-see-ahs gřah-see-ahs teyn-gah oo-stehd, teyn-gahs too tahm-bee-ehn] Muchas gracias Gracias tenga usted Tengas tú también. (Many thanks Thanks [have]-to you [have]-to you, too.) [ehs boh-nee-toh ah-gřah-dey-sehr see reh-see-behs ahl-goon byehn] Es bonito agradecer Si recibes algún bien (It-is nice to-be-grateful When you-receive something good) [kohn ehs-tah sehn-see-ya fřah-sey moo-chahs gřah-see-ahs teyn-gah oo-stehd] Con esta sencilla frase Muchas gracias tenga usted. (With this simple phrase Many thanks [have]-to you.) [ee koh-moh kohn-tehs-tah-rey see lahs gřah-see-ahs mey dah oo-stehd] Y cómo contestaré Si las gracias me da usted? (And how-should I-respond To the thanks to-me give you?) [dee-seys dey nah-dah moo-chahs gřah-see-ahs teyn-gah oo-stehd] Dices de nada, Muchas gracias tenga usted. (By-saying: it s nothing {=you re welcome}, Many thanks [have]-to you.) Page 6

Musical Analysis Suggestions for using Cantaré! & Muchas gracias in rehearsals, performances and other contexts in Rehearsal Call-and-response with the director (or between individual singer and group) on the mirror-image cantaré calls or the call-and-response opening phrases of muchas gracias (m.1-4, answered by m.5-8) as a signal to return to a focused rehearsal time. Incorporating bodily movement to imitate melodic shapes would make either of these a favorite addition to build range and vocal flexibility to a chorus warm-up. in Performance Concert opener and/or closer (for Cantaré! with audience participation on the refrain), could also work well as a processional piece to be sung as choristers enter the performance space, a transition between ensembles, or as they leave. Allegro Son mariachi & b 8 6 f Ó œ. œ. œ. > > > Can - ta - œ. > œ > œ. > F œ >. ré, can - ta - ré al com - pás de_es-te_a - le - gre œ > œ œ œ œ J œ Repetir dos veces Repeat two times 5 & b œ. œ.. > > œ > œ. œ. > œ f œ. > > œ. > œ œ œ œ œ j œ œ. œ. œ > son, can - ta - ré, can - ta - ré can - ta - ré con el co - ra - zón. in Other Contexts On tours or choir retreats, have the group sing this refrain as a call to meals, to announcements, as a thank-you gift to host site staff, volunteers or churches. Page 7

Student Handout Mariachi (mah-ree-ah-chee) is Music for instruments: Violins, trumpets and/or guitars to play the melody, a high-pitched guitar-like instrument called the vihuela (vee-hway-lah) to add rhythm and a bass guitar called guitarrón (gee-tah-řřohn). Sometimes you will also see a harp, accordion or other instruments that were brought from Europe to Mexico during the colonial period. Page 8

Student Handout Mariachi (mah-ree-ah-chee) is Music for singing: Mariachi music began as part of theater traditions in Mexico and the story in the songs is still important with words about country life (crops, animals, people), love and family. Most of the time mariachi groups don t have one particular singer, but rather all the members sing together or take turns singing solos. Music for dancing: From the very beginning of the mariachi, dancing was a huge part of the tradition and often involved beautiful and colorful costumes for both the men and women. Dance steps are often fast moving steps for the feet, pounding out complicated rhythms on wooden dance floors, while at the same time keeping the upper body and head quite still (sometimes even balancing a glass of water on top of one s head to show off!). Page 9

Student Handout Mexican Etiquette and Customs Por Favor (pohř fah-vohř) = please Muchas gracias (moo-chahs gřah-see-ahs) = Many thanks De Nada (day nah-dah) = You re welcome (It s nothing) Buenos Días (bwey-nohs dee-ahs)= Good morning! Buenos Tardes (bwey-nohs tahř-dehs)= Good afternoon! Buenos Noches (bwey-nohs noh-chehs)= Good evening! Hola! (oh-lah) - Hello! Adios (ah-dee-ohs) = Goodbye Hasta Luego (ah-stah lweh-goh) = See you later Desculpe (days-kool-peh) = Excuse me (said before asking a question, asking for directions, etc) Con permiso (kohn pehř-mee-soh) = Pardon me (to get past people in a crowd) Salud (sah-lood) = Bless you ( health ) Page 10

Student Handout All About Mexico Mexico is a country of great diversity. It is about three times the size of Texas and the landscape is as diverse as its people and customs. Mexico is famous for its beaches and tropical resort destinations in addition to its food, music and art. Mexico Through the Ages Mexico, like the United States, has had a chaotic history. Just as the United States was first inhabited by American Indians, Mexico was first inhabited by indigenous people too. The first-known Mexican society, the Olmecs, lived around 1500 B.C.E. That is over 3500 years ago! Map of Mexico In 1521, an explorer from Spain, Hernán Cortés, conquered the Aztecs and took over Mexico or what the Spanish called New Spain. Just like the United State s American Indians, when the Spanish arrived, most of Mexico s indigenous population died as a result of violence and disease. Mexican Culture Family is a very important part of Mexican society. Families develop close ties spanning generations and even close family friends become part of the extended family. Mexico is also well known for its food. Corn, beans and squash are an important part of a traditional Mexican diet. Main dishes are different depending on where a family lives and how much money they have, but popular Mexican dishes include enchiladas, tamales, tortillas, burritos and soft-shell tacos. Arts and sports are also important in Mexico. Two of Mexico s most famous artists are Frida Kahlo and her husband Diego Rivera. Kahlo is famous for her self-portraits and Rivera is famous for his murals. The best known music is the ranchero, which is popular among mariachi bands. Soccer, or fútbol in Spanish, is the most popular sport in the country; Mexico hosted the 1970 and 1986 FIFA World Cups, the biggest soccer tournament in the world. Other popular sports include boxing; baseball; charreada, a Mexican style rodeo; bullfighting, also known as fiesta brava; and lucha libre, or Mexican style professional wrestling. Depending on where you are, Mexico s landscape can look very different. Northern Mexico is mostly desert and the southern Mexico is covered in lush rainforests and mountains. Mexico even has volcanoes and beautiful beaches where people from all over the world come to visit. Page 11

Student Handout A History of Mexican Music Mexican music can be divided into three general periods: Pre-Hispanic (200 B.C.E.-1521), Colonial (1521-1810), and Independence (1810-present). Pre-Hispanic Unlike most music today, Pre-Hispanic music was used strictly for rituals and ceremonies, never as entertainment. Musicians were highly skilled and revered within society. Instruments were only played when accompanied by singing, and some instruments such as the Aztec teponaztli and huehuetl were divine instruments believed to have supernatural powers. Colonial Throughout the colonial period, music continued to be utilized for its function, not as entertainment, in both Christian and indigenous ceremonies such as Lent and the Fiesta de la Calabaze, or the Festival of Squash held at harvest time. The conquistadors brought new instruments, melodies and forms to the indigenous people of Mexico and introduced this music through the church. The cathedral was the center of musical life in Colonial Mexico where music was the main tool for converting indigenous people to Catholicism. In the early years of the colonial period, Spanish music was intertwined with indigenous Mexican musical traditions, but as time progressed, restrictions on indigenous music increased and the overall sound of Mexican music became more traditionally western. As chamber music was brought to Europe in the 17th and 18th centuries, both organ and antiphonal choral textures became more popular among the great number of church musicians. Opera arrived slightly later in Mexico in the 18th century. It was not long before the rituals and musical styles of the indigenous people of Mexico were all but eradicated. Independence In the early Independence period, musicians experienced a decline in jobs and their social status. Fewer musical instruments were made and dance music grew in popularity. Music conservatories were primarily run by Europeans and directed at men; women played a very small role in early Independence era music. Over time, folk music experienced a resurgence. There are many famous folk genres, but mariachi, a form of the ranchero style, is the most widely recognized Mexican music internationally. Mariachi comes from the French word for marriage; the bands originally played music for weddings and balls. Mariachi bands typically include violins, trumpets and guitars and consist of between seven and 15 musicians. Modern corridos, popular narrative ballads, often discuss politics, events and Mexican or American heroes. With increasing globalization, Mexican music has not escaped international influence. In addition to folk based popular genres, Mexicans also enjoy rock and roll, heavy metal, ska, alternative, classical, jazz and electronic music. Page 12