WELCOME TO. Looking at the world though the lens of theatrical design.

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Transcription:

2014 MEDIA KIT

WELCOME TO Looking at the world though the lens of theatrical design.

CHANCE is a serialized art-book about contemporary theater and design. From the discerning professional seeking fresh air, to those who simply love the stage and appreciate remarkable photography, CHANCE combines uncompromising aesthetic standards with innovative approaches to visualizing and talking about theater. With a professional readership that includes some of the most influential names in producing, design, fashion and theater, CHANCE is a new magazine for a completely new kind of theater artist. Based in New York, CHANCE was founded by designers, dramaturgs and playwrights, and is devoted to finding and documenting innovative work at every level of theater - from Broadway to Off-Off-Broadway, from regional theater to international productions and burlesque - with extraordinarily vivid images that can go straight from our magazine to a designer s studio wall as they seek inspiration. We commission an original photo shoot of every production we cover because we believe that superior visual documentation will transform the way we see and think about the theater and the people who design for it. In CHANCE, a designer s work is shown clearly, often for the first time. We bring our readers on stage, back stage, and into the studio, where we illuminate the true colour, texture, detail of a designer s work. Images are complemented with interviews and conversations, as these extraordinary artists share their process with us. CHANCE is theater for the image-hungry eye. Join us.

PRINT CHANCE is more like an art-book than a magazine. It is printed on archival grade glossy and matte paper stock in landscape orientation with a perfect binding. The magazine runs approximately 250 pages in length, is nearly half an inch thick and 2 feet wide when open. We are commited to keeping the tradition of print alive, and strive to embrace the critical elements that make a serialized art-book about contemporary events in theater truly useful. To honor the extraordinary work of the designers, photographer, and writers that we feature, the morjority of CHANCE s content is kept off-line. In universe of endemically diminished returns in which only the summation of the art is monetized, while the artist is buried in reduction, we strive to preserve the integrity of the work in our magazine, and to consistnently provide images with quality and context. WEB www.chance-magazine.com is a simple yet elegant site where CHANCE readers can continue their exploration of our publication. While the magazine itself is not published on-line, we supplement many of our articles with a signature CHANCE Magazine Video Document. These web videos offer a different angle into the content of our magazine, feature exclusive interviews and never before seen photos, and allow readers to further explore and connect with the artists we feature. The website also links readers to our blog, social media, and subscription page. Overview

INTERVIEW - An extended conversation with a remarkable creator and thinker in world theater accompanied by specially commissioned images illustrating the design in question. MONOGRAPH - A look at the sketches, models and preparatory/investigative documents of a designer, often from a previous generation PLAY - Completely unique, Play asks: what if we use a new play to inspire an original, narrative driven photo-shoot. Play is unlike anything you have ever seen before in theater photography. FOCUS - An in-depth, high resolution still-life photo essay of a single design, featuring an innovative photographic process. PERFORMANCE - Our innovative photographic eye trained on live performance. BOOK - Photographic innovator Stephen Joseph takes us into the studios of todays leading designers in stunning 360 degree panoramas where we ask them to talk about the books that have had the most persistent and decisive affect on their point of view. REALITY - A backstage or offstage shoot of people working in theater. PORTFOLIO - A comprehensive look at the work of a designer over a span of productions. DOCUMENT - A clean, noise-free look at a handful of designs with illuminating commentary and conversations about the path to creation and revision. Content

READERSHIP FREQUENCY 3 times a year SUBSCRIBERS 998 NEWSSTAND 600 AMAZON.COM US/EUROPE 500 TCG 250 LIBRARIES 12 EDUCATION 187 2013 GROWTH RATE 273% READERS PER COPY 5 TOTAL AUDIENCE 12,000 PRICING COVER PRICE $20.00 ANNUAL SUBSCRIPTION $50.00 NEWSTAND CHANCE s Sell Rate 82% Average Sell Rate 28% DISTRIBUTION Paid 95% Controlled 5% PAID DISTRIBUTION Newsstand 25% Subscription 70% Comp List 5% GOLBAL DISTRIBUTION United States 85% Asia 2.5% Canada 2.5% Europe 10% AUDIENCE CHANCE is a magazine for the 21st century theater designer: visually bold but never emptily flashy, opinionated but also collaborative, extremely aware of tradition but never trapped by it. Yet CHANCE is also more: we re a magazine for designers in other fields, for theater professionals in other disciplines, for those who simply love the stage, and for people who just appreciate remarkable photography (we pride ourselves on photo shoots that combine the highest technical standards with innovative new approaches to documenting theater). With an influential readership that will include the most established names in producing, design, fashion and theater, CHANCE is a new magazine for a completely new kind of designer. Distribution

ISSUE SPACE CLOSE MATERIAL CLOSE ON SALE CHANCE 02 November 1 st November 15 th January 1 st THE BOX CHANCE 03 May 1 st May 7 th July 15 th COUTURE-STAGE Volume 1 CHANCE 04 COUTURE-STAGE Volume 2 August 1 st August 15 th October 1 st CHANCE 05 COMMUNITY November 1 st November 15 th January 1 st CHANCE 06 March 15 th April 1 st July 15 th Calendar

SINGLE PAGE $1,500 DOUBLE SPREAD $2,750 INSIDE FRONT COVER SPREAD $3,250 OUTSIDE BACK COVER $5,121 INSIDE BACK COVER (Single pg.) $2,000 OPPOSITE TOC $1,500 OPPOSITE FOREWARD $1,500 OPPOSITE MASTHEAD $1,500 Open rates are negotiable based on committed paging levels. These page rates are NET and do not include agency commission. It is the responsibility of the agency to add on their commission. Rates

GENERAL Magazine reserves the right to decline any advertisement. In the event of an error, Magazine s liability shall not exceed the cost of the space occupied by the error. The publisher is not liable for delays in delivery or for non-delivery or any condition affecting production or delivery in any manner. Original art will be accepted only at customer s risk CONTRACTS Acceptance of contract advertising rates by customer constitutes contract agreement. In the case of unfulfilled yearly contracts, charges will be adjusted in accordance with the rate applicable to the number of insertions actually placed. Rates are based on the number of insertions used in one contract year and not on total amount of space. PAYMENTS Full payments must come with materials. Additional charges for foreign currency exchange/ clearance will be referred to the customer account. Foreign payments should be made by direct dollar transfer on a U.S. bank to Magazine. All bills are due upon receipt. There will be an interest charge of $1.55 per month on overdue accounts. CANCELLATIONS Cancellation Fee is $500 for any ad cancelled within three days after material deadline. No cancellation will be accepted after the magazine has gone to press. Payment & Contracts

PDF FILES Print-ready PDF files ONLY. Ad materials can be supplied as spreads or can be broken down into single pages. All files must include issue # and brand name. Spreads supplied as a single page must have corresponding sides labeled RHP or LHP. Please include all fonts, hi-res CMYK images, logos, and graphics, and provide a color-accurate proof at 100%. Advertisers assume responsibility for quality of ad reproduction if a professional matchprint is not supplied by published material close date. IMAGES Minimum 350 dpi CMYK format LINE SCREEN 175 lines per inch FULL PAGE TRIM SIZE W 300mm x H 227mm W 11.811 in. x 8.94 in. BLEED SIZE 3.175mm.125 in. 2/3 PAGE TRIM SIZE W 200mm x H 227mm W 7.87 in. x 8.94 in. BLEED SIZE 3.175mm.125 in. 1/2 PAGE TRIM SIZE W 150mm x H 227mm W 5.91 in. x 8.94 in. BLEED SIZE 3.175mm.125 in. SCREEN ANGLES FOR YOUR PROOF 15 Cyan, 75 Magenta 30 Yellow, 45 Black FORWARD ADVERTISING ARTWORK TO: Soraya Kadjar Advertising Director 32 Union Square East #1214 New York, NY 10003 Tel 646-232-6468 Soraya@chance-magazine.com 1/3 PAGE VERTICAL TRIM SIZE W 100mm x H 227mm W 3.94 in. x 8.94 in. BLEED SIZE 3.175mm.125 in. TYPESETTING All type and elements must be at least 6 mm or 0.25 from trim. GUTTER SAFETY 6 mm or 0.25 Specifications

JUNGHYUN LEE Advertising Director fitzpatton@chance-magazine.com 32 Union Square East #1214 New York, NY 10003 (646) 382-6113 FITZ PATTON Editor fitzpatton@chance-magazine.com 32 Union Square East #1214 New York, NY 10003 (646) 232-6468 Contacts

THE MISSION OF CHANCE is to develop and deepen a strongly visual dialogue about theater from the perspective of design, photography, architecture, art and music, and to bring this conversation to readers worldwide. We strive to express this in a measure equal to the passion, education, and aesthetic rigor that potentiates the most impactful productions, large and small. When burdened with the everyday, the lustre of design can be dimmed by budgets, exhaustion and unrewarded compromise, but the drive to perfect it endures undiminished. The goal of CHANCE is to move now private discussions about aesthetics to the national stage and ignite an active, focused, art-driven dialogue about what makes theater dangerous and to discover, in the act, the transformative potential of theater as literature, as philosophy, as art, installation and sculpture. This is a universe of endemically diminished returns in which only the summation of the art is monetized, while the artist is buried in reduction. The ensuing silence for designers, for artists, for creators is truly deafening. While originally begun to end the silence for theater artists and to activate a dialogue about art and design amongst those who care about it most, CHANCE accepts the more challenging project, in concert with our esteemed friends in art and literature editorial, to embrace the critical points that make a serialized art-book about contemporary events in theater truly useful: A from-the-ground-up, honest connection with our readers, completely original photography, A strong, curatorial frame of reference, and a thorough exploration of the field. The potential for theater as a dangerous element of change within a nearly uniformly somnambulant society is striking. We believe that by carefully activating design through imagery, CHANCE can unlock this transformative potential, release the poetic strength within, and drive theater to a new level of confrontation and engagement within a largely numb and silent world. Fitz Patton, Editor

C H A N C E 32 Union Square East #1214 New York, NY 10025 646-232-6468 www.chance-magazine.com EDITOR Fitz Patton (fitzpatton@chance-magazine.com) GRAPHIC DESIGN Dane Laffrey (dane@chance-magazine.com) Fitz Patton (fitzpatton@chance-magazine.com) Riley Teahan (riley@chance-magazine.com) ADVERTISING DIRECTOR Soraya Kadjar (soraya@chance-magazine.com) LEAD DESIGN EDITOR Dane Laffrey (dane@chance-magazine.com) DESIGN EDITORS Camille Assaf (camille@chance-magazine.com) Junghyun Georgia Lee (jgl@chance-magazine.com) MONOGRAPH EDITOR Martha W Steketee (martha@chance-magazine.com) VIDEO EDITOR William Cusick (william@chance-magazine.com) EDITORIAL DIRECTOR Sean Cunningham (sean@chance-magazine.com) PRINCIPAL PHOTOGRAPHERS Charlie Erickson (charlie@chance-magazine.com) Stephen Joseph (sjjoseph@chance-magazine.com) Plamen Petkov (plamen@chance-magazine.com) Chris Owyoung (chris.owyoung@gmail.com) Fabrice Trombert (fabrice@chance-magazine.com) CONTRIBUTING EDITORS Trip Cullman Barbara Eldredge (b.r.eldredge@gmail.com) Barry Jay Kaplan (barry.kaplan@yale.edu) Drew Lichtenberg (drew.lichtenberg@gmail.com) Scott Pask (sdpask@aol.com) Matthew Richards (richardsld@mac.com) Lee Savage (lee@wingspace.com) INTERNS Nicholas Corda (nicholas.corda@gmail.com) Soojin Park (soojinp88@gmail.com) DISTRIBUTION MANAGEMENT Speedimpex New York (Headquarters) Office: 35-02 48th Avenue Long Island City New York, 11101. Tel: +1-718-392-7477 Fax: +1-718-361-0815 infony@speedimpex.com CONTRIBUTING PHOTOGRAPHERS Emily Smith (emilysmithphoto@yahoo.com) Carole Rosegg (Carolrosegg@aol.com) EVA CREATION KENNETH COLLINS TEMPORARY DISTORTION GENERAL COUNSEL Sherri Streams (sherri@chance-magazine.com) M A G A Z I N E

C Magazine 32 Union Square East #1214 New York, NY 10003 www.chance-magazine.com