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Transcription:

a division o Alred JAZZ CHARLIE ARER Arranged y RICH SIGLER INSTRUMENTATION Conductor 1st E Alto Saxophone nd E Alto Saxophone 1st B Tenor Saxophone nd B Tenor Saxophone E Baritone Saxophone (Optional) 1st B Trumpet nd B Trumpet 3rd B Trumpet 4th B Trumpet (Optional) 1st Tromone nd Tromone 3rd Tromone (Optional) 4th Tromone (Optional) Guitar Chords Guitar (Optional) iano Optional Alternate arts C lute Tua Horn in (Doules 1st Tromone) 1st Baritone TC/B Tenor Saxophone (Doules 1st Tromone) nd Baritone TC/B Tenor Saxophone (Doules nd Tromone) revie Only

NOTES TO THE CONDUCTOR This chart has a Latin-eel, so the eighth notes are even or straight, not sung Rootop or marcato accents () are detached and accented ut not short like a staccato think daht Quarter notes ith no articulations are generally long or ull value or the rhythm section, this is a Latin eel throughout, although, to simpliy or the inexperienced drummer, I ve notated kind o a rock pattern starting at the eginning The Latin eel ill come rom the cross-stick pattern (third space up on the sta) I strongly suggest the ensemle have the opportunity to listen to the demo recording provided y Alred at alredcom This ill greatly assist the teaching process listening is essential to jazz education I the drummer is amiliar ith Latin patterns, encourage him or her to play their on emellishments or interpretation o the ritten part The groove should e a ossa nova eel, then going to a montuno pattern here notated as in measure 41, or example Again, or the inexperienced drummer, he or she can simply change the cross-stick pattern as notated, and perhaps sitch to a dierent ride cymal i possile At measure 57, the drummer should sitch to the closed hi-hat, and again the cross-stick pattern changes to all 4 doneats The ass player should play electric ass, i possile iano and guitar should play ith conidence on the sustained notes in the introduction The harmonic oundation ill e estalished y the chord instruments until measure 1, as the horn parts are all unison Meanhile, the drums and ass, ith the repetitive ritten pattern, ill provide the rhythmic interest Oserve the descending chords that occur in measure 18, or example take a closer look They just go don chromatically y hal steps Rhythm players ill need to atch or this reak in the comping pattern in measures 18, 38 and 54 Don t get too comortale repeating the pattern, or you ll miss it! iano and guitar ill need to practice the montuno pattern at measure 41 It is repetitive, so once mastered, it ill e easy It recurs later in the chart as ell or the inds, oserve that the horns reak into harmony in measure 8, so the inner parts ill need to play out a it or alance Make sure the counter line ith the tenors and tromones eginning in 30 is This line should e ehind the harmonized melody in the rest o the horns Even though it happens eteen the statements o the melody, it should not e as loud Spend some rehearsal time ith the horns coming in ith conidence in measure 8 on the and o the eat the tendency is to e late, so practice anticipating that entrance, or jumping on it Horns should all play conidently at measure 55 hen the rhythm section drops out or to measures Also, in the sustained section at measure 57, the moving inner parts should play out to emphasize the passing tones and harmony Horns can keep the dynamic level don at measure 101 or the unison soli no need to play loud in unisons Then uild into measure 109, the shout section The unison lines rom measure 117 out should come out, especially the ari and 4th tromone, i possile The instruments playing the sustain in those measures should play dynamically soter so that the lo unison line can e heard lease enjoy! Rich Sigler Rich Sigler revie Only Rich Sigler is jazz trumpeter and assistant music director or the USA Airmen o Note In addition, Rich is the creator o the Jazz ont used in inale music notation sotare An acclaimed composer, arranger, educator and producer, his music and perormances have een eatured ith many artists to include Jerry Bergonzi, Rosanna Vitro, James Williams, hil Woods, Nicholas ayton, Slide Hampton, Dizzy Gillespie, Michael and Randy Brecker, eter Erskine, Bo Mintzer, and Clark Terry

CONDUCTOR 36035S C lute (Optional) 1st EÑ Alto Saxophone nd EÑ Alto Saxophone 1st BÑ Tenor Saxophone nd BÑ Tenor Saxophone EÑ Baritone Saxophone (Optional) 1st BÑ Trumpet nd BÑ Trumpet 3rd BÑ Trumpet 4th BÑ Trumpet (Optional) 1st Tromone nd Tromone 3rd Tromone (Optional) 4th Tromone (Optional) Guitar (Optional) iano Electric c c c c c c c c c c c c c c c Tempo å = 13-146 Bossa Nova B Z c c c Cross Stick c 1 MY LITTLE SUEDE SHOES E 9/B 3 revie Only 4 B Z 5 6 E H/B 1956 (Reneed) ATLANTIC MUSIC COR This Arrangement 011 ATLANTIC MUSIC COR All Rights Reserved including ulic erormance Used y ermission By CHARLIE ARER Arranged y RICH SIGLER 7 ill 8

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no Elec ~9} B Z B Z ê Time 9 10 E 9/B E 9/B 11 1 - - revie Only B Z B Z 13 14 E H/B E H/B 15 16

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no B Z B Z 17 # n # n n n n n D Z CZ BZ n n # n n ê ê ê 18 N A B Z B 7 E H A 19 A ill ê 0-3 - {1} B Z unis unis unis unis B Z Cross Stick ê 1 revie Only E 9/B E 9/B 3 4

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no B Z B Z 5 6 E 9/B E 9/B 7 ill - 4-8 {9} B Z B Z Cross Stick ê 9 revie Only 30 - - - - - - E 9/B E 9/B 31 3

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no B Z B Z 33 34 E H/B E H/B 35-5 - 36 # # # E 9/B B ß E 9/B B ß n n # 37 n # n # n n n # n # n # # n n n n n n n # n n D Z CZ ê ê ê 38 BZ unis # unis # unis # N unis # unis # N unis # unis # unis # N unis # N unis # B Z n revie Only ê 39 Soli /Bones N Soli /Bones Soli unis N Soli unis Soli unis N Soli unis E ill 40 Cross Stick

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {41}ˆ Montuno A B Z È B 7 E 7 È B Z C7 È B 7 Cross Stick ê 41 n 4 n n n n A 43 Soli # (sax soli) (sax soli) # Soli # A A A A n k A B Z È B 7 E 7 n - n - 6 - n 44 Soli N 45 N N È B Z # # 46 C7 - - - - - k È B 7 - revie Only 47 - N N unis unis unis unis E E ill 48 unis

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {49} È B Z È B Z Cross Stick ê 49 n 50 È B Z E 7 A 51 È B Z E 7-7 - 5 # # n È È ~~~~~~~~ B 7 B 7 53 B ß B ß n # n n # # n n n n n n # n n D Z CZ BZ ê ê ê 54 To Coda ı N N N N A A revie Only B Z A N A A 55 ill 56

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {57} E Ê/B Cross Stick n n n n E /B n 57 B W 58 E Ê/B n n n n E /B n 59 B W 60-8 - E Ê/B n n n n E /B n 61 B W 6 revie Only N N B 6 B 6 N 63 ill 64 Solo

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {65} Bossa Nova DÈ 65 G7 È B 7 È B 7 È B 7 Cross Stick ê EÈ AÈ n 66 DÈ A 67 G7 È B 7 E 7 È B 7 E 7 È B 7 C 7 AÍ E 7 CÍ 68 CÍ CÍ - 9 - DÈ 69 G7 È B 7 È B 7 È B 7 EÈ # # n AZ CZ 70 C7 CZ DÈ NA n # N 71 G7 È B 7 È B 7 revie Only n È B 7 E H C H E H E H 7 ill

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {73} DÈ 73 G7 È B 7 EÈ A7 <! # 9 5 # È B 7 C7<! # 9 5 È B 7 C7 <! # 9 5 n C7 <! # 9 5 74 DÈ # 75 G7 È B 7 E 7 C 7 A7 # # n n n n E 7 C7/E n È B 7 È B 7 E 7 C7/E n n C7/E n 76-10 - DÈ - # - k N k - - - - A A k - 77 G7 È B 7 GÌ È È B 7 EÌ N N # GÌ GÌ 78 A7 C7 C7 n C7 n n n n n DÈ N # N N A n Gö È B ö E H È B ö E H revie Only È B ö E H A 79 CH N ill 80

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {81} Solo Montuno B # CZ A B Z 81 A B Z A Cross Stick B Z ê DÈ # AÈ 8 N 83 C7 È B 7 E 7 È B 7 E 7 È B 7 7 DÈ E 7 n k n - n 84-11 - # # Cö # # # È B ö GÍ 85 È B ö GÍ È B ö n n n n n n AÍ D # # # # C C GÍ C 86 A N N N A A A A A ~~~~~~~ È B 7 k - È B 7 revie Only 87 C7 È B 7 - E E E ill 88 Cross Stick

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {89} Bossa Nova C; È B ; È B ; È B ; 89 # AÈ n DÈ 90 GÎ C; - # Î B ; E 7 Î B ; E 7 Î B ; A 91-1 - 7 DÍ N - E 7 9 CÍ CÍ CÍ # - È n È È Cö B ö B ö B ö 93 N E Z - D Z A D Z n - n n 94 /Tpt 1 N N A 95 CZ C; ~~~~~~~ B Z B ; E revie Only ê 96

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {97} Drum Solo Solo 97 98 99 100 Soli {101Ç Unis Ensemle - 13 - n # n # n n n # n n n n n n n n n n 101 n # # # # # # # n n A N N N N N N N A # N # N n A A n A n A revie Only 10 103 104 105 106

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no # # # # # # # # # # # # # # # 107 # N # N N n n ê ill 108 n Bossa Nova {109Ç N N N N N N N Î B ; N Î B ; È B 7 ê 109 - - - - k k - k k N k - - - - A n 110 È B ; E 7 È B ; È B 7 111-14 - n - k k E 7 E 7 A - - - k k k k - - - - 11 CÍ CÍ CÍ Í B ; Í B ; Í B ; 113 n # # n n # n n n n GÍ n GÍ n n # n revie Only GÍ Cï 114 Cï Cï N N A È A A 115 B 9 È B 9 È B 9 E E ill DS ˆ al Coda 116

lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no ı Coda # # # # # # # # # # /B ills 117 # # # # # # # # # n # B ß n n 118 A B Z A - 15-119 N - N - - - - N k k k k - - - ê # # # # # 10 # # # # # # # # # # # revie Only 11 1

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