ZB418F Grade 4 $8.00 THE MOLLY MARCH SAMPLE. Composed by. Craig Skeffington. Neil A. Kjos Music Company Publisher
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1 Grade 4 $8.00 THE MOLLY MARCH Composed y Craig Skeington K O S A Z Z E N S E M B L E S I G N A T U R E S E R I E S Neil A. Kos Music Company ulisher
2 2 The Composer Craig Skeington has een the and director at South ortland High School in Maine since His perorming groups have on numerous honors during that time, including the Maine State azz estival 8 times; the Berklee College o Music estival tice, in 1995 and again in 2001; and Musicest Orlando once, in In 200, Craig as aarded Music Educator o the Year y the Maine Music Educator s Association. He has een Maine s azz Activities Vice - resident as ell as it s Instrumental azz Chair. Craig has also served as resident o the Maine Band Director s Association. This past year, Craig as recognized y the national magazine School Band and Orchestra as one o the 50 and directors that make a dierence o As a Ne England area trumpet player, Craig has a ide variety o perormance credits. These include orking ith Natalie Cole, Barry Manilo, Colin Raye, the Glenn Miller Big Band, the Ne York Voices and touring ith the Artie Sha Orchestra. As a memer o the Ne Hampshire ased Seacoast Big Band, Craig has perormed ith artists such as Boy She, Louis Bellson, Bo Mintzer, rank oster, Clark Terry and Bo lorence. As a composer and arranger, Craig has studied ith Bo lorence, Toshiko Akioshi and Don Stratton. His pieces appear in the most recent W epper catalog and NYSSMA manual, as ell as having een revieed in the International Association o azz Educator s ournal. In Decemer o 2007, his music as programed at the prestigious Mid - West Band and Orchestra clinic in Chicago. His music is pulished y the Neil A. Kos Music Company in San Diego, Ca.; y AlredBelin Music (ormerly Warner Brothers); and y Manduca Music in ortland, ME. Groups ranging rom middle school azz ands to college and military ands have perormed his music. Craig is currently an adunct sta memer at the University o Southern Maine here he teaches applied azz arranging. Craig currently resides in South ortland ith his ie Carrie and their to daughters, Hannah and Molly. The Composition The Molly March is a Second Line piece that I rote or my daughter Molly ack in Mostly this request came rom Molly hersel in response to her ig sister having a tune named or her ( The Hannah Shule ) ack in 2000! I anted to do something dierent ith this composition, not ust another sing piece. I really like the groove o the Second Line eel, and the harmony is inluenced y the great pop musician Sting, hose music I love. The term Second Line reers to the traditional Ne Orleans uneral procession. The music played as the procession moved rom the church to the cemetery as slo and mournul. olloing the service, the procession leading ack to the church as accompanied y more rousing music. assersy and others ho ere not a part o the uneral oten oined this part o the procession, orming a second line ehind the original mourners. In preparing the piece, ork or a light eel in the rhythm section, especially ith the Drummer. The Second Line groove is generated primarily y the snare, e careul on the volume. On the ridge at measure 25, the groove changes up slightly - almost to a Hip Hop eel, returning to the Second Line at measure 41. Keep the and volume under the muted Trumpets ust prior to the solo section. On the Sax soli at measure 111, encourage the Lead Alto to dig in and e aggressive ith tons o support rom the hole section. As the piece uilds toards the inal shout at measures 14 and 151, ork or and alance at the high dynamic level and have the drums really go ater kicking the and s igures. As the chart inds don, have the Saxes stagger reathe to keep the chord sounding until the inal resolution. I hope that you ind this piece as interesting as Molly does, and that your group enoys putting it together. Best o luck! Craig Instrumentation List Trumpet Tromone
3 Conductor Approx. erormance time - :55 The Molly March Composed y Craig Skeington unky Second Line March h = 96 4 Trumpet Tromone As Is As Is 4 4 æ Hi- Hat oot æ æ Neil A. Kos Music Company, 482 utland Drive, San Diego, Caliornia International copyright secured. All rights reserved. rinted in the U.S.A. WARNING! The contents o this pulication are protected y copyright la. To copy or reproduce them y any method is an inringement o the copyright la. Anyone ho reproduces copyrighted matter is suect to sustantial penalties and assessments or each inringement.
4 4 Trumpet Tromone 7 Cra sh Cymal n n So li Tr umpet 4 ~9}.. So li Al to Sax 1 æ # # æ 11 n n 12 # #
5 5.. {17}. Trumpet Tromone Lead.... Si mile (8)
6 6. # n #.. Trumpet Tromone... # n # (4) Sa x Tro mones
7 7 {25} Trumpet Tromone Comp - ad Li... Rid e C ymal A! Í. (Alter Groove Slightly on Bridge) n n n n Í Í.. Í A! Í. Si mile
8 8 {} Saxes Trumpet Tromone Í Í.. Í N N N N Í Í Í (8) (4)
9 9 Trumpet Tromone A! Í. Sa x Tro mones E! Z.. 8 B! Z B! Z B! Z. 9.. Û.... As Is As Is 40 {41}.... Har mon Mute Cu p Mute Har mon Mute Cu p Mute Snare Drum Groove (Same as ~9} ) æ
10 10. # n #.. Trumpet Tromone... # # # n # N æ Si mile Tr umpets
11 11 Trumpet Tromone {49} # # #.... # n n # # n # # # # # # n N N N N N A n
12 12 {57} Decrescendo Trumpet Tromone Decrescendo Decrescendo Decrescendo Decrescendo Decrescendo Decrescendo Open Decrescendo Decrescendo Decrescendo 55 Decrescendo Decrescendo Decrescendo Decrescendo Decrescendo Decrescendo Open Open Open æ 59 60
13 1 {6} Trumpet Tromone Comp - ad Li. Solo Ÿ. Z. D! H BH BH ## n #. (4)
14 14 {71} Trumpet Tromone N D! Ÿ D! Ÿ B! Ÿ A! Ÿ A! Ÿ.. Z.. n Ÿ N. Ÿ. Z. (8)
15 15 Trumpet Tromone BH ## n # D! H BH. N D! Ÿ D! Ÿ B! Ÿ A! Ÿ A! Ÿ.. Z.. n Ÿ N. (4) (8)
16 16 Trumpet Tromone {79} U nison U nison U nison U nison.. B! Í A!. Í # # # #. n GÍ N N Í Í.. Í..... B! Í.. A!. Í. #. ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~ n Ride Cymal Groove (Same As {25} ) (4) Sa xes Enter
17 17 ~~ {87} Trumpet Tromone ~~ ~~ ~~. GÍ N N Í Í.. Í.... B! Í A!. Í. n AÈG n N N N N # GÈ GÈ GÈ. # # # (8) (4) Tro mon es Enter
18 18 Trumpet Tromone Brass... ß ß ß N. ß B! ÍC. ß. ß. ß. ß A! ŸB! A! ŸB!.. A! ŸB! #... CZ.... B! Z B! Z.. B! Z.. 9 # n. n 94 {95} Ÿ N. As Is 95 N Snare Drum Groove (Same as ~9} ).... Z. 96
19 19 Trumpet Tromone BH ## n # D! H BH..... N - N - N - N - N D! Ÿ D! Ÿ.... B! Ÿ A! Ÿ A! Ÿ Z.. n Ÿ N. (4) (8)
20 20 {1 0} Trumpet Tromone Ÿ Z D! H n ß ß ß ß n ß ß ß BH BH ## n # ß N D! Ÿ D! Ÿ B! Ÿ A! Ÿ A! Ÿ.. Brass
21 21 Trumpet Tromone Z Ÿ N.. n. {1 11} Soli BH BH ## n # (8) Sa x Soli (4)
22 22 í - -. {1 19} ÿ. Trumpet Tromone í í í í D! Ÿ D! Ÿ A! Ÿ A! Ÿ..... n..... ÿ ÿ n ÿ ÿ... n. #.. (8)
23 2. N # N -. Trumpet Tromone N BH BH ## n #.. n... N # n # D! Ÿ D! Ÿ - N - - N - A! Ÿ A! Ÿ n. (4) (8)
24 24 {1 27} Trumpet Tromone A! Ï A! Ï Û Û... N.. Î Û. Î... Û.... n Û Û Û Û Û. Ride Cymal Groove (Same As {25} ) Tr om ones
25 25 Trumpet Tromone # N # N # N # N - n - n - n # - n. N... Î Û. Î... Û Û Û CÎG. CÎG... (-) (-) (-) (-) (-) (-) (-) (-) n {1 5} n Û.... Û n N - N - - N - - N # - - N N - - n Î Û Û Î..... Û... Û Û. 1 Saxes. 14 Tr om ones
26 26 Trumpet Tromone A! ŸB! Û. GÈA! Û Û A! ŸB! GÈA! A! ŸG GÈ Û. A! ŸG GÈ... ill n n G Û. B G! Û Û G B G!. n Î B! Z Û. Î B! Z... ill. 142 {1 4}.... As Is 14 Snare Drum Groove (Same as ~9} )
27 27. # n #.. n Trumpet Tromone... # # # n n n # # #... N n n n.... ill
28 28 Trumpet Tromone {1 51} Opt io nal 8va í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í. í
29 29 Trumpet Tromone # N # N N {1 59} N N N Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï....,.,.,.,, Ï
30 0 St agge r Br eathing Gradual Decrescendo Trumpet Tromone Gradual Decrescendo Gradual Decrescendo Gradual Decrescendo Gradual Decrescendo Gradual Decrescendo Gradual Decrescendo Gradual Decrescendo... Gradual Decrescendo
31 1 U Trumpet Tromone... U U U U U U U U U U U U U U U U 171
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Y JH YOUNG AND LUS Grade layable by ull band, symphony orchestra, or band and strings combined! 686 EAGLES AMONG US rian almages - Conductor s ull Score 8 - lute - Oboe - assoon 5 - Clarinet 5 - Clarinet
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Dedicated to and Perormed y the Glades Middle School Jazz Ensemle at the 2015 Midest Band linic, Erich Rivero, Director Saor de ua (Taste o ua) onductor 1st E Alto Saxophone 2nd E Alto Saxophone 1st B
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Tale o Contents / Perormance Notes Toms, Bay, TOMS! / 1:51... 3 In Toms, Bay, TOMS! the drum set player needs to lay don a solid rock groove. The tempo o the piece is marked 108 and shouldn t e played
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Duration: :10 EVIEW REV W The all o Troy Ryan Meeoer Instrumentation: lute - 8 Ooe - 1 arinet 1 - arinet 2 - B Bass Clarinet - 1 E Alto Saxohone 1-2 E Alto Saxohone 2-2 B Tenor Saxohone - 2 E tone Saxohone
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STANDARD O EXCELLENCE azz In Concert AZZ ENSEMBLE GRADE 1 DIRECTOR SCORE ZB405 $800 red Sturm Que Pasa, Kielasa Correlated ith the STANDARD O EXCELLENCE AZZ ENSEMBLE METHOD Neil A Kos Music Comany, Pulisher
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By Lou Donaldson Arranged y Terry White INSTRMENTATION 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone (Optional) E Baritone Saxophone (Optional) 1st B Trumpet 2nd
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By ntonio Jobim rranged by Victor López INSTRUMENTTION Conductor C lute (Optional) 1st Eb lto Saxophone nd Eb lto Saxophone 1st Bb Tenor Saxophone nd Bb Tenor Saxophone Eb Baritone Saxophone (Optional)
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SB100 PUBLIATIONS AVAILABLE: SB100 / Score$19 SB101 lute / Ooe / Violin (with D)$19 SB102 Trumpet / larinet (with D)$19 SB103 rench Horn (with D)$19 SB10 Tromone / Tua / ello (with D)$19 SB107 Alto Saxophone
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