SOME IMPORTANT SECONDARY SOURCES ON SHAKESPEARE

Similar documents
Further reading. Which edition if Shakespeare should I buy?

Love, Sex and Death: English Renaissance Tragedy - IS252 - Cathy Parsons

Love, Sex and Death: English Renaissance Tragedy - IS252 - Cathy Parsons

Shakepeare and his Time. Code: ECTS Credits: 6. Degree Type Year Semester

The Renaissance: Desire in Poetry and Drama from Shakespeare to Milton

BIBLIOGRAPHY. A.L. Rowse, The Annotated Shakespeare: Complete Works, illustrated Orbis. Complete Knowledge of Shakespeare, London: penguin, 1994.

Texts: The Spanish Tragedy by Thomas Kyd, Hamlet, by William Shakespeare,

Bibliography - I ( Books referred to in this study )

Shakespeare s Tragedies

Theories of Reading I ELI1010

JACOBEAN POETRY AND PROSE

Introduction to American Literature 358: :227 AHp Major Topics and Authors in American Literature 358: :228 AHp

Fall English 97r. The Rhetoric of Color in the English Renaissance Elizabeth Weckhurst Office hours: tba

DECONSTRUCTION: A CRITIQUE

Course Description 2018 Department of English University of Kalyani

SHAKESPEARE: TEXT & PERFORMANCE AME_6_ STP. Faculty of Arts and Human Sciences

English (ENGL) English (ENGL) 1

Introduction to American Literature 358: :227 AHp Major Topics and Authors in American Literature 358: :228 AHp

THE LYRIC POEM. in this web service Cambridge University Press.

English 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring

FIELD III: ENGLISH LITERATURE FROM AS PUBLISHED DECEMBER 2017 STATEMENT OF EXPECTATIONS

Syllabus for ENGL 304: Shakespeare STAGING GENDER AND POLITICS FROM EARLY TRAGEDY AND COMEDY TO LATE ROMANCE

Jill Lepore Just the Facts, Ma am, March 24, A history of history and fiction.

Early Modern English Poetry

Peace and War in Shakespeare and his Age. English 524A / English Sean Lawrence. Description

Boston University British Programmes Seminar in Shakespeare Studies CAS EN 368 B (Elective B) Fall 2009

UNIVERSITY OF MUMBAI

Literature 300/English 300/Comparative Literature 511: Introduction to the Theory of Literature

English English ENG 221. Literature/Culture/Ideas. ENG 222. Genre(s). ENG 235. Survey of English Literature: From Beowulf to the Eighteenth Century.

Modern Criticism and Theory

Eng 104: Introduction to Literature Fiction

The Meaning Of Shakespeare, Volume 1 (Phoenix Books) PDF

Shakespearean Editing and Why It Matters

PETER BROOK: FROM "MARAT/SADE" TO THE PRESENT

English 100A Literary History I Autumn Jennifer Summit and Roland Greene

BIBLIOGRAPHY. Bill Ashcroft, Gareth Griffiths and Helen Tiffin, eds., The Postcolonial Studies Reader, London: Routledge, 1995

INTERTEXTUALITY - LANGUAGE TRADITON IN CINEMA

Literature and Cultural Theory Preliminary Exam Texts. Major Fields of Literature and Culture British Literature and Culture: Early Modern

Philip Joseph Kain. Santa Clara University Scotts Valley, CA Santa Clara, CA fax

NOTES ON THE CREATION OF LITERARY HISTORIES AND THE DIVERSITY OF THE SEMIOSPHERE Angela Locatelli

MYRIAD-MINDED SHAKESPEARE

Bibliography. Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York:

Music in Film. Module Outline Leeds International Summer School

SOUTH CAROLINA STATE UNIVERSITY

ANALYSING TEXTS General Editor: Nicholas Marsh Published

THE POLITICAL PHILOSOPHY OF G.W.F. HEGEL

Habits of Reading. Bibliography. Nicholas Baker, A Potencie of Life: Books in Society: The Clark Lectures (1993).

Shakespeare and European Modernity

A Contentious Axiom: Romeo and Juliet vis-à-vis Othello Rhetorical Dichotomy or Equality

Richard Wollheim on the Art of Painting

PROBLEM FATHERS IN SHAKESPEARE AND RENAISSANCE DRAMA

REFASHIONING BEN JONSON

Sketch Outline. I: Introduction A: Romeo and Juliet as a romantic paragon. B: Beatrice and Benedick having a rougher but truer version of love.

The History and the Culture of His Time

: Tragic Drama across Time and Space

Instructor: Lorraine Affourtit Office Hours: McHenry Library cafe, T/Th 4:30-5:30 pm

J.P.Sommerville THE EMERGENCE OF MODERN BRITAIN

Visual Culture Theory

East Asian Civilization: Modern Era (01:214:242) Spring 2018 Monday/Thursday 9:50 am 11:10 am HC-N106. Instructor: Peng Liu Scott Hall 337

WORKS CITED FORMATS. Smith, Mildred P. The Great Big Apple. New York: Houghton Mifflin, Print.

1.8. Requisitos mínimos de asistencia a las sesiones presenciales / Minimum attendance requirement

English. English 80 Basic Language Skills. English 82 Introduction to Reading Skills. Students will: English 84 Development of Reading and Writing

Garcia 1. Ph.D. in English, University of Illinois at Urbana-Champaign, Urbana, IL, 2007.

History 615: Topics in Early Modern Europe

Undercutting the Realism-Irrealism Debate: John Dewey and the Neo-Pragmatists

Cognitive analysis applied to the literary genre: the concepts of body and nature in the Shakespearean tragedy of King Lear

LIT Shakespeare

Classical Chinese Popular Fiction & Drama in Translation (01:165: 242) Spring 2018 Monday/Wednesday 1:10 pm 2:30 pm HC-S126

Friends, Romans, countrymen, lend me. Introduction to Shakespeare and Julius Caesar

Student Guide to Referencing

Course Numbering System

DEPARTMENT OF ENGLISH GOVT. V.Y.T. PG. AUTONOMOUS COLLEGE DURG SYLLABUS M.A. ENGLISH I SEMESTER - SESSION PAPER- I (POETRY I)

11.015J/21H104J. Riots, Strikes, and Conspiracies in American History. Fall (A HASS-D, Communications Intensive Subject.)

Black Bourgeoisie (Collier Books) By Edward Franklin Frazier READ ONLINE

LISS1015 Music in Film

References for Editing Shakespearean Text

D.K.M.COLLEGE FOR WOMEN (AUTONOMOUS),VELLORE-1.

SPRING GRADUATE CURRICULUM 2009

The Second Shepherds Play and Early Drama Studies Bibliography

DEGREE IN ENGLISH STUDIES. SUBJECT CONTENTS.

SHAKESPEARE S INDIVIDUALISM

A didactic unit about women and cinema

Department of English. Summer Reading for Students Commencing Studies in Single Honours English Literature in September 2016

Facultad de Filosofía y Letras Colegio de Letras Modernas Departamento de Letras Inglesas

The Hegel Marx Connection

Modern Criticism and Theory A Reader

S h a k e s pe a re s Wi d ow s

Shakespeare s Last Plays: The Winter s Tale to Two Noble Kinsmen

Postcolonialism and Religious Studies. Course Syllabus

Required Books: Course Reserves:

SOED-GE.2325: The Learning of Culture Fall 2015, Wednesdays, 10:40 a.m. 12:20 p.m.

Music, Culture, and Society: A Reader (review)

THIS AND THAT: JEWISHNESS IN THE DANCES OF DANIEL NAGRIN

The Reign of James VI and I

1) COURSE FOUNDATION:

Gross, Robert A. The Minutemen and Their World. New York: Hill and Wang, 1976.

Shakespearean Criticism: King John And Henry VIII: Critical Essays READ ONLINE

HANDBOOK OF RESEARCH ON WRITING HISTORY, SOCIETY, SCHOOL, INDIVIDUAL, TEXT. Edited by CHARLES BAZERMAN. University of California, Santa Barbara

History 348: The Hispanic World,

COURSE SLO ASSESSMENT 4-YEAR TIMELINE REPORT (ECC)

Transcription:

1 SOME IMPORTANT SECONDARY SOURCES ON SHAKESPEARE Richard L. W. Clarke Please note that the list below is meant to be neither exhaustive nor a fait accompli. I shall add to it from time to time as I discover new items of relevance. Please check back occasionally for updated versions. THE HISTORICAL, SOCIAL AND POLITICAL CONTEXT Aers, David. Literature, Language and Society in England 1580-1680. Totowa, NJ: Barnes and Noble, 1987. Axton, Mary. The Queen s Two Bodies: Drama and the Elizabethan Succession. London: Royal Historical Society, 1977. Black, J. B. The Reign of Elizabeth 1558-1603. Oxford: Clarendon, 1959. Bray, Alan. Homosexuality in Renaissance England. London: Gay Men's, 1982. Burckhardt, Jakob C. The Civilization of the Renaissance. New York: Harper and Row, 1958. Cressy, David. Describing the Social Order of Elizabethan and Stuart England. Literature and History 3 (1976): 29-44. Davis, Natalie. "Woman on Top: Symbolic Sexual Inversion and Political Disorder in Early Modern Europe." Society and Culture in Early Modern France: Eight Essays. Stanford, CA: Stanford UP, 1975. 124-151. Figgis, John Neville. The Divine Right of Kings. London: CUP, 1934. Fletcher, Anthony, and John Stevenson, eds. Order and Disorder in Early Modern England. Cambridge: Cambridge UP, 1985. Helgerson, Richard. Forms of Nationhood: the Elizabethan Writing Of England. Chicago: U of Chicago P, 1992. Hill, Christopher. The World Turned Upside Down: Radical Ideas during the English Revolution. Harmondsworth: Penguin, 1975. Hooper, Wilfred. "The Tudor Sumptuary Laws." English Historical Review 30 (1915): 433-49. Houlbrooke, Ralph. The English Family, 1450-1700. London: Longman, 1984. Hull, Suzanne W. Chaste, Silent and Obedient: English Books For Women 1475-1640. San Marino: Huntington Library, 1982. Kantorowicz, Ernst H. The King s Two Bodies: A Study in Medieval Political Theology. New Jersey: Princeton UP, 1957. Laslett, Peter. The World We Have Lost. London: Methuen, 1965. Lockyer, Roger. Tudor and Stuart Britain 1471-1714. London: Longman, 1964. Neale, J. E. Elizabeth I and Her Parliaments, 1584-1601. London: Jonathan Cape, 1957. Pagden, Anthony. European Encounters with the New World: from Renaissance to Romanticism. New Haven: Yale UP, 1993. Pollock, Linda. Forgotten Children: Parent-Child Relationships from 1500 to 1900. Cambridge: Cambridge UP, 1983. Reay, Barry, ed. Popular Culture in Seventeenth Century England. London: Croom Helm, 1985. Schochet, Gordon. Patriarchalism in Political Thought: The Authoritarian Family and Political Speculation and Attitudes in Seventeenth Century England. Oxford: Blackwell, 1975.

2 Stone, Lawrence. The Crisis of the Aristocracy, 1558-1641. Oxford: Clarendon, 1965. ---. Social Change and Revolution in England 1501-1540. London: Longman, 1965. ---. "Social Mobility in England, 1500-1700." Past and Present 33 (1966): 16-55. ---. The Causes of the English Revolution 1529-1642. London: Routledge and Kegan Paul, 1972. ---. The Family, Sex and Marriage in England, 1500-1800. New York: Harper, 1977. Strong, Roy. The Cult of Elizabeth. London: Thames and Hudson, 1977. ---. Gloriana: the Portraits of Queen Elizabeth I. London: Thames and Hudson, 1987. Underdown, David. Revel, Riot and Rebellion: Popular Politics and Culture in England, 1603-1660. Oxford: Clarendon, 1985. Walvin, James. The Black Presence: a Documentary History of the Negro in England, 1555-1860. London: Orbach and Chambers, 1971. Willson, David Harris. King James VI and I. Oxford: Oxford UP, 1956. Wrightson, Keith. English Society 1580-1680. New Brunswick, NJ: Rutgers UP, 1982. THE PHILOSOPHICAL AND RELIGIOUS CONTEXT Cassirer, Ernst. The Individual and the Cosmos in Renaissance Philosophy. Trans. Mario Domandi. Oxford: Blackwell, 1963. Lovejoy, A. O. The Great Chain of Being. Cambridge, MA: Harvard UP, 1936. Tillyard, E. M. The Elizabethan World Picture. London: Chatto and Windus, 1943. Literary History: TRADITIONAL (LIBERAL HUMANIST) CRITICISM Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare. 8 vols. London: Routledge and Kegan Paul, 1973. Genre-Oriented Criticism: Barber, C. L. Shakespeare's Festive Comedy: a Study of Dramatic Form and Its Relation to Social Custom. Princeton: Princeton UP, 1959. Bradley, A. C. Shakespearean Tragedy. London: Macmillan, 1961. Felperin, Howard. Shakespearean Romance. Princeton: Princeton UP, 1972. Frye, Northrop. A Natural Perspective: the Development of Shakespearean Comedy and Romance. New York: Columbia UP, 1965. Kay, Carol McGinnis, and Henry E. Jacobs. Shakespeare's Romances Reconsidered. Lincoln: U of Nebraska P, 1978. Kermode, Frank. Shakespeare: the Final Plays. London: Longman, 1963. Moseley, C. W. R. D. Shakespeare's History Plays: Richard II to Henry V, the Making of a King. Harmondsworth: Penguin, 1988. Ribner, Irving. The English History Play in the Age of Shakespeare. London: Routledge, 1965. Linguistic and Rhetorical Criticism: Mahood, M. M. Shakespeare s Wordplay. London: Routledge, 1957. Skinner, Quentin. Forensic Shakespeare. Oxford: OUP, 2014.

3 General: Danby, John F. Shakespeare s Doctrine of Nature. London: Faber and Faber, 1961. Kott, Jan. Shakespeare Our Contemporary. London: Methuen, 1967. General: CONTEMPORARY CRITICISM Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance Drama. London: Methuen, 1985. Drakakis, John, ed. Alternative Shakespeares. London: Methuen, 1985. Garber, Marjorie, ed. Cannibals, Witches, and Divorce: Estranging the Renaissance. Baltimore: Johns Hopkins UP, 1987. Kastan, David Scott, and Peter Stallybrass, eds. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. London: Routledge, 1991. Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: U of Chicago P, 1988. Parker, Patricia. Shakespeare from the Margins: Language, Culture, Context. Chicago: U of Chicago P, 1996. Partridge, Eric. Shakespeare's Bawdy. London: Routledge, 1990. Genre-Oriented Criticism: Bishop, T. G. Shakespeare and the Theatre of Wonder. Cambridge: Cambridge UP, 1996. Bloom, Harold, ed. William Shakespeare: Comedies and Romances. New York: Chelsea, 1986. Bloom, Harold, ed. William Shakespeare: Histories and Poems. New York: Chelsea, 1986. Bloom, Harold, ed. William Shakespeare: the Tragedies. New York: Chelsea, 1985. Drakakis, John ed. Shakespearean Tragedy. London: Longman, 1992. Marxist and Structuralist Marxist Criticism: Barker, Francis, et al., eds. 1642: Literature and Power in the Seventeenth Century. Colchester: U of Essex P, 1981. Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. Chicago: U of Chicago P, 1984. Dollimore, Jonathan, and Alan Sinfield, eds. Political Shakespeare: New Essays in Cultural Materialism. Ithaca: Cornell UP, 1994. Goldberg, Jonathan. James I and the Politics of Literature: Jonson, Shakespeare, Donne and their Contemporaries. Baltimore: John Hopkins UP, 1983. Holderness, Graham. The Shakespeare Myth. Manchester: Manchester UP, 1988. Howard, Jean E., and Marion F. O'Connor, eds. Shakespeare Reproduced: The Text in History and Ideology. New York: Methuen, 1987. Montrose, Louis Adrian. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. Chicago: U of Chicago P, 1996. Patterson, Annabel M. Shakespeare and the Popular Voice. Oxford: Blackwell, 1989. Sinfield, Alan. Literature in Protestant England: 1580-1660. London: Croom Helm, 1983. ---. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Berkeley: U of California P, 1992.

4 Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Trans. Robert Schwartz. Baltimore: Johns Hopkins UP, 1978. Phenomenological / Existential / Hermeneutical Criticism: Psychoanalytic and Structuralist Psychoanalytic Criticism: Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare s Plays, Hamlet to The Tempest. London: Routledge, 1992. Schwartz, Murray M., and Coppélia Kahn, eds. Representing Shakespeare: New Psychoanalytic Essays. Baltimore: Johns Hopkins UP, 1980. Post-Structuralist Approaches I: Deconstructive Criticism: Parker, Patricia, and Geoffrey Hartman, eds. Shakespeare and the Question of Theory. London: Methuen, 1985. Post-Structuralist Approaches II: Dialogic (Bakhtinian) Criticism: Bristol, Michael. Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England. New York: Methuen, 1985. Stallybrass, Peter, and Allon White. The Politics and Poetics of Transgression. London: Methuen, 1986. Post-Structuralist Approaches III: Foucauldian Criticism: Greenblatt, Stephen J. 1980. Renaissance Self-Fashioning from More to Shakespeare. Chicago: U of Chicago P, 1980. ---. Shakespearean Negotiations: the Circulation of Social Energy in Renaissance England. Berkeley: U of California P, 1988. Orgel, Stephen. The Illusion of Power: Political Theatre in the English Renaissance. Berkeley: U of California P, 1975. Tennenhouse, Leonard. Power on Display: the Politics of Shakespeare's Genres. New York: Methuen, 1986. Post-Structuralist Approaches IV: Semiotic and Structuralist Criticism: Pragmatist Criticism: Feminist / Gender-Oriented Criticism: Belsey, Catherine. "Disrupting Sexual Difference: Meaning and Gender in the Comedies." Alternative Shakespeares. Ed. John Drakakis. London: Methuen, 1985. 166-190.

5 Boose, Lynda E. "The Family in Shakespeare Studies; or--studies in the Family of Shakespeareans; or--the Politics of Politics." Renaissance Quarterly 40 (1987): 707-742. Breitenberg, Mark. Anxious Masculinity in Early Modern England. Cambridge: Cambridge UP, 1996. Dusinberre, Juliet. Shakespeare and the Nature of Women. New York: Macmillan, 1975. Erickson, Peter. Patriarchal Structures in Shakespeare s Drama. Berkeley: U of California P, 1985. Ferguson, Margaret W., Maureen Quilligan, and Nancy J. Vickers, eds. Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Chicago: U. of Chicago P, 1986. French, Marilyn. Shakespeare s Division of Experience. New York: Summit, 1981. Garner, Shirley Nelson, and Madelon Sprengnether, eds. 1996. Shakespearean Tragedy and Gender. Bloomington: Indiana UP, 1996. Hendricks, Margo, and Patricia Parker, eds. Women, 'Race' and Writing in the Early Modern Period. London: Routledge, 1994. Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Totowa, NJ: Barnes and Noble, 1983. Kahn, Coppelia. Man s Estate: Masculine Identity in Shakespeare. Berkeley: U of California P, 1981. Lenz, Carolyn, Ruth Swift, Gayle Greene, and Carol Thomas Neely, eds. The Woman's Part: Feminist Criticism of Shakespeare. Urbana, IL: U of Illinois P, 1980. Loomba, Ania. Gender, Race, Renaissance Drama. Manchester: Manchester UP, 1989. Neely, Carol Thomas. Broken Nuptials in Shakespeare s Plays. New Haven: Yale UP, 1985. Wayne, Valerie, ed. The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ithaca: Cornell UP, 1991. Williamson, Marilyn. The Patriarchy of Shakespeare's Comedies. Detroit: Wayne State UP, 1986. Woodbridge, Linda. Women and the English Renaissance: Literature and the Nature of Womankind, 1540 to 1620. Urbana, IL: U of Illinois P, 1984. Queer / Sexuality-Oriented Criticism: Smith, Bruce. Homosexual Desire in Shakespeare's England: A Cultural Poetics. Chicago: U of Chicago P, 1991. Traub, Valerie. Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama. London: Routledge, 1992. Zimmerman, Susan, ed. Erotic Politics: Desire on the Renaissance Stage. London: Routledge, 1992. Post-colonial / African American / Race-Oriented Criticism: D Amico, Jack. The Moor in English Renaissance Drama. Tampa: U of South Florida P, 1991. Barthelemy, Anthony Gerard. Black Face Maligned Race: The Representation of Blacks in English Drama from Shakespeare to Southerne. Baton Rouge: Louisiana State UP, 1987. Bernheimer, Richard. Wild Men in the Middle Ages: A Study in Art, Sentiment and Demonology. Cambridge, MA: Harvard UP, 1952. Cohen, Derek. Shylock and the Idea of the Jew. Jewish Presences in English Literature.

6 Ed. Derek Cohen and Deborah Heller. Montreal-Kingston: McGill-Queen s UP, 1990. 25-39. Dabydeen, David, ed. The Black Presence in English Literature. Manchester: Manchester UP, 1985. Friedman, John Block. 1981. The Monstrous Races in Medieval Art and Thought. Cambridge, MA: Harvard UP, 1981. Greenblatt, Stephen. Marvelous Possessions: the Wonder of the New World. Chicago: U of Chicago P, 1991. Hendricks, Margo, and Patricia Parker, eds. Women, 'Race' and Writing in the Early Modern Period. London: Routledge, 1994. Jones, Eldred. Othello s Countrymen: the African in English Renaissance Drama. London: Oxford UP, 1965. Loomba, Ania. Gender, Race, Renaissance Drama. Manchester: Manchester UP, 1989. Tokson, Elliot H. The Popular Image of the Black Man in English Drama, 1550-1688. Boston: G. K. Hall, 1982. Shakespeare Quarterly Shakespeare Survey Journals