The Art in Painting Manuscripts, circa AIP

Transcription

1 The Art in Painting Manuscripts, circa AIP Finding aid prepared by Adrienne Pruitt This finding aid was produced using the Archivists' Toolkit June 13, 2017 Describing Archives: A Content Standard The Barnes Foundation Archives 2025 Benjamin Franklin Parkway Philadelphia, PA Telephone: (215) reference@barnesfoundation.org Barnes Foundation Archives 2006

2 Table of Contents Summary Information... 3 Historical Note...4 Scope and Content...5 Arrangement...6 Administrative Information...6 Related Materials... 7 Controlled Access Headings...7 Collection Inventory... 9 Series I. First edition, Barnes Foundation Press... 9 Series II. First edition, Harcourt Brace& Co Series III. Second edition Series IV. Third edition Page 2 -

3 Summary Information Repository Barnes Foundation Archives Creator Barnes, Albert C. (Coombs), Title The Art in Painting Manuscripts Date circa Extent Linear feet Language English Abstract This collection consists of background materials, travel notes, manuscript and typescript drafts, galley proofs, page proofs, final printed text blocks, and promotional materials for the three editions of The Art in Painting by Albert C. Barnes. Preferred Citation [Author]. [Description of item], [date]. Art in Painting Manuscripts, Barnes Foundation Archives, Philadelphia, PA. Reprinted with permission. - Page 3 -

4 Historical Note Dr. Albert C. Barnes established the Barnes Foundation in 1922 to promote the advancement of education and the appreciation of the fine arts. In late January 1925, Dr. Barnes s book of aesthetic philosophy and art criticism, The Art in Painting, was privately published by the Barnes Foundation Press in a first edition of one thousand copies. It was intended to be an experiment in the adaptation to plastic art of the principles of the scientific method. By early fall1925, the book had nearly sold out, prompting Dr. Barnes to contact Harcourt Brace & Company about the possibility of a new printing. Although Harcourt expressed reservations about reprinting a book that had been previously published, they believed The Art in Painting to be so original and important that they were willing to accept the project. Dr. Barnes, with his characteristic business acumen, suggested that it be published as a first edition again, as the market for the book was largely untouched. With some additions and deletions, including a new frontispiece and a rewritten preface, The Art in Painting was republished as a first edition by Harcourt Brace & Company in April A year later Dr. Barnes proposed another edition to include his recent studies of German, Dutch, Flemish, and French artistic traditions. This edition would incorporate the contributions of a new Barnes Foundation employee, Violette de Mazia, whom Dr. Barnes had hired as French teacher in 1925 and who by 1927 had taken Thomas Munro s place as a teacher of art and aesthetics at the Foundation. The working method for The Art in Painting, and for other books by Dr. Barnes and staff at the Foundation, was frequently collaborative in nature. Henry Hart, who handled the publication of Barnes s The Art of Henri-Matisse for Scribner s in 1933, described the process in his later biography of Barnes. Hart wrote that the sections dealing with aesthetics and philosophy were checked by Laurence Buermeyer, while Mary Mullen was responsible for correcting grammar and punctuation and Violette de Mazia did research for the painting analyses. Internal evidence and correspondence suggest that this view is largely correct, although Buermeyer in particular probably played a larger role than Hart credited. Buermeyer, called Harold by Foundation staff because of his resemblance to silent film star Harold Lloyd, wrote chapter drafts based on Dr. Barnes s notes for the first editions of The Art in Painting and revised, condensed, and rewrote chapters for the second and third editions. He did not accompany Dr. Barnes on the trips to Europe that inspired the second edition, however, and was not able to contribute as much to its writing. Violette de Mazia, Foundation teacher Jeannette Portenar, and secretaries Mary Mullen and Laura V. Geiger did travel with Dr. Barnes to Europe in 1927 for research purposes. They helped to complete the second edition, published in May In 1931 and 1934 Dr. Barnes submitted proposals for a new edition to Harcourt Brace & Company, but the Depression had an adverse effect on book sales, and each time the publisher declined. Nor was Dr. Barnes willing to undertake the cost of publication, as he had for the second edition. He was, in any case, busy with other work. He and Violette de Mazia coauthored three books in four years: The French Primitives and Their Forms (1931), The Art of Henri-Matisse (1933), and The Art of Renoir (1935). Much of their research for these books is integrated into the third edition of The Art in Painting, published by Harcourt Brace & Company in April Foundation employees Cynthia Flannery Stine and Philip Jenney helped to compile information, type drafts, and copy edit the manuscript. While the - Page 4 -

5 second edition was substantially the same with the addition of chapters on German, French, Dutch, and Sienese traditions, the third edition was completely rewritten and half of the one hundred and twentytwo illustrations were replaced. The book reflects Dr. Barnes s current interests, with references to the art of the Pennsylvania Dutch, Georgia O Keeffe, Charles Demuth, and Surrealism. The third edition was the last, as Dr. Barnes moved on to other projects. The Art in Painting has since gone through seven reprintings and is still used in the Barnes Foundation s educational programs. Sources 1 Barnes, Albert C. The Art in Painting. Merion, Pa: The Barnes Foundation Press, 1925, xi. 2. The Art in Painting. 2nd ed. New York: Harcourt Brace & Company, 1928, The Art in Painting. 3rd ed. New York: Harcourt Brace & Company, Hart, Henry. Dr. Barnes of Merion, an Appreciation. New York: Farrar, Straus, 1963, Albert C. Barnes. Letter to John J. Coss, February 19, Albert C. Barnes Correspondence, Barnes Foundation Archives. 6 Bryant Teachers Bureau. Letter to Albert C. Barnes, September 15, Albert C. Barnes Correspondence, Barnes Foundation Archives. 7 Albert C. Barnes and Barnes Foundation staff. Letters with Harcourt Brace & Company, , 1931, 1934, Albert C. Barnes Correspondence, Barnes Foundation Archives. Scope and Content This collection consists of background materials, drafts, proofs, and final printed text of the three editions of The Art in Painting by Albert C. Barnes. Background materials include notes taken by students in the course in art appreciation sponsored by the Barnes Foundation and taught by Thomas Munro at the University of Pennsylvania in 1925, as well as travel notes gathered by Barnes and his staff during the course of several trips abroad in the 1920s and 1930s. Some travel notes are in shorthand, and many are written on ship s note paper or on hotel stationery. They consist of analyses of artists and paintings in particular galleries, museums, churches, and collections in New York, London, Paris, Venice, Florence, Rome, and Berlin. Only travel notes directly pertaining to The Art in Painting are found here. Trips often provided source material for more than one book, and travel notes that served as the basis for multiple works may be found in the separate collection, Travel Writings. Drafts of The Art in Painting are in manuscript, typescript, carbon copy, mimeograph copy, galley, and page proof form, and are frequently corrected by Barnes and by his associates Laurence Buermeyer, Violette de Mazia, Mary Mullen, Laura V. Geiger, Thomas Munro, Cynthia Flannery Stine, and Philip Jenney. These drafts provide evidence of Barnes s work methods, which were highly collaborative, and demonstrate the evolution of his thinking on art. Early drafts of the first edition painting analyses - Page 5 -

6 sometimes contain information regarding the original placement of artworks that were displayed in Dr. Barnes s home before the Barnes Foundation gallery was completed. This collection also contains promotional materials for The Art in Painting and reprints of reviews. Arrangement Arrangement is by edition. Within each edition, material is arranged chronologically from earliest drafts to the final printed text. Within these chronological stages, chapters are generally arranged in the order of the final printed text. Administrative Information Publication Information Barnes Foundation Archives 2006 Access Restrictions This collection is open for research to qualified researchers by appointment only. Please contact the Archives and Library Department for information on access and research. Use Restrictions The Barnes Foundation's writings files are the physical property of the Barnes Foundation Archives. The Foundation holds literary rights only for material created by staff of the Foundation and material given to the Foundation with such rights specifically assigned. For all other material, literary rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for determining the identity of rights holders and obtaining their permission for publication and for other purposes where stated. Acquisition Information These records were part of a writings file housed in the Barnes Foundation s administration building storage area. Processed By - Page 6 -

7 Adrienne Pruitt. Finding aid written by Adrienne Pruitt, May Related Materials Related Collections Albert C. Barnes Correspondence. Barnes Foundation Archives, Philadelphia, PA. Controlled Access Headings Corporate Name(s) Harcourt Brace & Company The Barnes Foundation William J. Dornan Genre(s) Carbon copies Dummies (printed matter) Galley proofs Manuscripts for publication Notebooks Page proofs Text blocks Typescripts Geographic Name(s) Lower Merion (Pa.: Township) Philadelphia (Pa.) - Page 7 -

8 Personal Name(s) Barnes, Albert C. (Coombs), Buermeyer, Laurence, De Mazia, Violette, Geiger, Laura V. Jenney, Philip, Mullen, Mary, Mullen, Nelle E., Munro, Thomas, Portenar, Jeannette Stine, Cynthia Flannery, Subject(s) Aesthetics Art Study and teaching Manuscripts Painting Painting History Visual literacy - Page 8 -

9 Series I. First edition, Barnes Foundation Press The Art in Painting Manuscripts, circa AIP Collection Inventory Series I. First edition, Barnes Foundation Press Arrangement This series is arranged in five subseries: 1. Background materials; 2. Drafts; 3. Proofs; 4. Final notes and corrections; 5. Printed text. Subseries 1. Background materials Extent:.21 linear feet Arrangement This subseries is arranged in original order. "Drawing." Typescript notes circa Folder(s) "Cimabue - Raphael." Carbon copy notes circa Folder(s) "Louvre Notes." Notes in typescript, carbon copy, and manuscript form circa Folder(s) "National Gallery, London, Notes." Carbon copy and manuscript notes circa Folder(s) Extent: 2.71 linear feet - Page 9 -

10 Arrangement This subseries is arranged in four sub-subseries: A. Earliest drafts; B. Early drafts; C. Intermediate drafts; D. Late drafts. Within each sub-subseries, drafts are arranged by state (version 1, version 2, etc.) within the order of the final printed text. Sub-subseries A. Earliest drafts "Tentative notes, etc., on book on Painting." Draft, typescript, corrected Folder(s) Draft by Laurence Buermeyer, corrected by Buermeyer and Dr. Barnes. "Drawing." Draft, carbon copies circa Folder(s) Includes a handwritten memo from "Jane" (Laura V. Geiger) to "Mary" (Mullen) regarding "Harold" (Laurence Buermeyer). "Elements of Painting, Dawn of Modern Painting." Draft, carbon copies, corrected circa Folder(s) Draft by Laurence Buermeyer. "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, carbon copies, corrected circa Folder(s) - Page 10 -

11 Corrections by Laura V. Geiger. "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, carbon copies, corrected, and manuscript notes circa Folder(s) Includes manuscript notes to incorporate pages of a draft by Laurence Buermeyer. Corrections by Laura V. Geiger. "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, carbon copies, corrected circa Folder(s) Includes "Louvre Notes" and "National Gallery, London, Notes" along with instructions for their incorporation into the main text. "Color." Draft, typescript, and carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. - Page 11 -

12 "Raphael - The Transfiguration, The Castelfranco Giorgione, Titian - The Assumption." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Laura V. Geiger. "Henri." Draft, typescript, corrected circa Folder(s) Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. "Analyses - Matisse." Draft, typescript and carbon copies, corrected circa Folder(s) Some manuscript titles by Laura V. Geiger. Sub-subseries B. Early drafts "Summary - version 1." Draft, typescript, corrected, incomplete circa Folder(s) "Summary - version 2." Draft, carbon copies circa Folder(s) "Elements of Painting, Plastic Form." Draft, carbon copies, corrected, incomplete, and manuscript notes circa Folder(s) - Page 12 -

13 Includes manuscript notes to incorporate pages of a draft by Laurence Buermeyer. Corrections by Laura V. Geiger. "Elements of Painting, Plastic Form, Color, Composition." Draft, typescript and carbon copies, corrected circa Folder(s) "Plastic Form." Draft, typescript and carbon copies, fragment circa Folder(s) "Drawing." Draft, typescript, corrected, incomplete circa Folder(s) "Drawing." Draft, carbon copies, corrected circa Folder(s) Draft by Laurence Buermeyer, incorporating changes by Dr. Barnes, with corrections by Mary Mullen. "The Dawn of Modern Painting." Draft, mimeograph copies, incomplete circa Folder(s) "Impressionism." Draft, typescript, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Pissarro." Draft, typescript, corrected circa Folder(s) "Manet." Draft, typescript and carbon copies, corrected circa Folder(s) - Page 13 -

14 Corrections by Dr. Barnes and Mary Mullen. "Renoir." Draft, manuscript, corrected circa Folder(s) "Renoir." Draft, carbon copies, corrected circa Folder(s) Corrections by Laura V. Geiger. "Renoir, version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "Degas." Draft, typescript and carbon copies, corrected circa Folder(s) Includes a manuscript memo from Dr. Barnes to "Jane" (Laura V. Geiger) regarding rearrangement of the text. "Degas, version 2." Draft, carbon copies circa Folder(s) "Cezanne." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. - Page 14 -

15 "Van Gogh." Draft, typescript, corrected circa Folder(s) "Gauguin." Draft, typescript, corrected circa Folder(s) "Maurice Denis." Draft, typescript, corrected, and carbon copies circa Folder(s) "Bonnard and Villard." Draft, typescript, corrected, and carbon copies circa Folder(s) "Contemporary American Painting - Lawson, Glackens." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. Published chapter title, "The Impressionist Tradition in America." "Contemporary American Painting - Eakins, Luks, Henri." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. Published chapter title, "The Manet Tradition in America." "Contemporary American Painting - Henri, version 2." Draft, typescript, corrected circa Folder(s) Published chapter title, "The Manet Tradition in America." "Matisse." Draft, carbon copies and mimeograph copies, corrected circa Folder(s) - Page 15 -

16 "Soutine." Draft, typescript, corrected circa Folder(s) "Pascin." Draft, typescript, corrected circa Folder(s) "Modigliani." Draft, typescript, corrected, and carbon copies circa Folder(s) "Henri Rousseau (le Douanier)." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Utrillo." Draft, carbon copies circa Folder(s) "Roualt." Draft, typescript, corrected, and carbon copies circa Folder(s) "Kisling." Draft, carbon copies circa Folder(s) "Demuth." Draft, carbon copies circa Folder(s) "Chirico." Draft, carbon copies circa Folder(s) "Summary of Younger Contemporary Painters." Draft, carbon copies, corrected circa Folder(s) Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. Published chapter title, "Other Contemporaries." - Page 16 -

17 "Summary of Younger Contemporary Painters, version 2." Draft, carbon copies circa Folder(s) Draft by Laurence Buermeyer incorporating changes by Dr. Barnes. "Analyses - Monet." Draft, carbon copies circa Folder(s) "Development of Renoir's Technique, Analyses." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen and Laura V. Geiger. "Development of Renoir's Technique, version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Laura V. Geiger. "Analyses - Renoir, Girl at Cafe Table." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. Includes a handwritten memo instructing that this analysis be omitted from the final book. - Page 17 -

18 "Analyses - Renoir, The Bathers." Draft, typescript, corrected circa Folder(s) "Development of Cezanne's Technique." Draft, typescript, corrected circa Folder(s) "Development of Cezanne's Technique." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "Analyses - Cezanne." Draft, typescript, corrected circa Folder(s) "Analyses - Cezanne, Portrait of Madame Cezanne." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer and Mary Mullen. "Analyses - Matisse." Draft, typescript, corrected circa Folder(s) "Analyses - Picasso." Draft, typescript, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Copies returned by Mr. Munro." Drafts, carbon copies, corrected circa Folder(s) - Page 18 -

19 Copies sent to Thomas Munro and returned unchanged. Includes drafts of the following chapters: Transition to Modern Painting, Impressionism, Cezanne, Renoir, Pissarro, Seurat, Van Gogh, Matisse, Picasso, Contemporary American Painting, Goya, Degas. Corrections by Mary Mullen. "Harold's - not used." Drafts, typescript, carbon copies, and manuscript, corrected circa Folder(s) Drafts by Laurence Buermeyer, with corrections by Dr. Barnes. Includes drafts of the following chapters: Cezanne, Pascin, Impressionism, Matisse, Renoir, Academicism, Picasso, Academic Art Criticism, Method and Design, Glackens, Prendergast. Also includes a manuscript draft on Renoir by Dr. Barnes. Sub-subseries C. Intermediate drafts "Elements of Painting, Plastic Form." Draft, carbon copies, corrected, incomplete circa Folder(s) Intermediate draft combining earlier drafts by Laurence Buermeyer and Dr. Barnes. Corrections by Mary Mullen. "French Painting Between Poussin and David." Draft, carbon copies circa Folder(s) "Velasquez." Draft, carbon copies circa Folder(s) "Rembrandt, Dutch Painting after Rembrandt." Draft, carbon copies circa Folder(s) - Page 19 -

20 "Daumier." Draft, carbon copies circa Folder(s) "Moderns." Drafts, typescript and carbon copies, corrected, and notes in typescript, carbon copy, and manuscript form circa Folder(s) Includes drafts of chapters and analyses for modern and contemporary painters. Also includes drafts of Plastic Form, Academicism, and manuscript notes by Dr. Barnes regarding Derain and Renoir. "Transition to Modern Painting." Draft, typescript, corrected circa Folder(s) "Transition to Modern Painting, version 2." Draft, carbon copies, incomplete circa Folder(s) "Impressionism." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "Impressionism, Seurat." Draft, typescript, corrected circa Folder(s) "Impressionism - version 2." Draft, carbon copies circa Folder(s) "Manet." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. - Page 20 -

21 "Renoir." Draft, carbon copies circa Folder(s) "Puvis de Chavannes." Draft, carbon copies, corrected circa Folder(s) Corrections by Laura V. Geiger. "Puvis de Chavannes, version 2." Draft, carbon copies circa Folder(s) "Van Gogh." Draft, typescript and carbon copies, corrected circa Folder(s) "Van Gogh - version 2." Draft, carbon copies circa Folder(s) "Van Gogh - version 3." Draft, carbon copies, corrected circa Folder(s) "Van Gogh - version 4." Draft, carbon copies circa Folder(s) "Gauguin." Draft, carbon copies, corrected circa Folder(s) Corrections by Laura V. Geiger. "Gauguin, version 2." Draft, carbon copies circa Folder(s) "Maurice Denis." Draft, typescript, corrected circa Folder(s) "Maurice Denis, version 2." Draft, carbon copy circa Folder(s) - Page 21 -

22 "Maurice Denis, version 3." Draft, carbon copy circa Folder(s) "Bonnard." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Bonnard, version 2." Draft, carbon copies circa Folder(s) "Contemporary American Painting." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. Published chapter title, "The Impressionist Tradition in America." "Lawson." Draft, typescript, corrected circa Folder(s) "Lawson, version 2." Draft, carbon copies circa Folder(s) "Maurice Prendergast." Draft, carbon copies, corrected circa Folder(s) "Maurice Prendergast, version 2." Draft, carbon copies circa Folder(s) "Maurice Prendergast, version 3." Draft, carbon copies circa Folder(s) "Manet Tradition." Draft, typescript, corrected circa Folder(s) - Page 22 -

23 "Manet Tradition - version 2." Draft, typescript, corrected, incomplete, and carbon copies circa Folder(s) "The Manet Tradition, version 3." Draft, carbon copy, incomplete circa Folder(s) "Transition to Contemporary Painting." Draft, carbon copies, corrected circa Folder(s) Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. "Transition to Contemporary Painting, version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Laura V. Geiger. "Contemporary Painting." Draft, typescript, corrected, and carbon copies circa Folder(s) "Matisse." Draft, typescript, corrected, incomplete circa Folder(s) "Picasso, Picasso Analyses." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Soutine." Draft, typescript, corrected circa Folder(s) - Page 23 -

24 "Soutine - version 2." Draft, typescript, corrected circa Folder(s) Corrections by Mary Mullen. "Pascin." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "Pascin, version 2." Draft, carbon copies circa Folder(s) "Intermediate Chapter Drafts." Drafts, typescript and carbon copies, corrected circa Folder(s) Includes drafts of the following chapters: Glackens, Maurice Prendergast, Bonnard, Gauguin, Puvis de Chavannes, Denis, Pascin. "Modigliani." Draft, typescript, corrected circa Folder(s) "Modigliani - version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Utrillo." Draft, typescript, corrected, and carbon copies circa Folder(s) - Page 24 -

25 "Utrillo, version 2." Draft, carbon copies circa Folder(s) "Rouault." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Kisling." Draft, typescript, corrected circa Folder(s) "Kisling - version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Demuth." Draft, typescript and carbon copies, corrected circa Folder(s) "Demuth - version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer and Mary Mullen. "Lotiron." Draft, carbon copies circa Folder(s) "Derain." Draft, typescript and carbon copies, corrected circa Folder(s) "Derain, version 2." Draft, carbon copies circa Folder(s) - Page 25 -

26 "Chirico." Draft, typescript, corrected, and carbon copies circa Folder(s) "Chirico - version 2." Draft, carbon copies, corrected circa Folder(s) "Method and Design." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Academic Art-Criticism." Draft, typescript, corrected circa Folder(s) "Academic Art-Criticism." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "Academic Art-Criticism - Elie Faure." Draft, carbon copies, corrected circa Folder(s) "Academic Art-Criticism - Elie Faure - version 2." Draft, carbon copies, incomplete circa Folder(s) "Analyses - Giotto." Draft, carbon copies, incomplete circa Folder(s) "Analyses." Draft, typescript and carbon copies, corrected, incomplete circa Folder(s) - Page 26 -

27 Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. Includes analyses of Andrea del Castagno, Fra Filippo Lippi, Piero della Francesca, Verrochio, Leonardo da Vinco, Raphael, Albertinelli, Pollaiuolo, Cosima Tura, Piero di Cosimo, Mantegna, Vivarini, Rembrandt. "Analyses - Andrea del Castagno." Draft, carbon copies, incomplete circa Folder(s) "Development of Renoir's Technique." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Development of Renoir's Technique - version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Development of Renoir's Technique - version 2, Development of Cezanne's Technique. " Drafts, carbon copies, corrected, and manuscript notes circa Folder(s) Includes manuscript list of corrections by Mary Mullen. "Analyses - Renoir, The Bathers." Draft, typescript and carbon copies, corrected circa Folder(s) - Page 27 -

28 Corrections by Laurence Buermeyer. "Analyses - Renoir, The Bathers - version 2." Draft, carbon copies, incomplete circa Folder(s) "Development of Cezanne's Technique." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. "Development of Cezanne's Technique." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. "Development of Cezanne's Technique - version 2." Draft, carbon copies, incomplete circa Folder(s) "Analyses - Van Gogh." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Analyses - Bonnard." Draft, carbon copies, corrected circa Folder(s) "Analyses - Glackens." Draft, typescript and carbon copies, corrected circa Folder(s) - Page 28 -

29 Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. "Analyses - Glackens." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. "Analyses - Prendergast." Draft, typescript, corrected circa Folder(s) "Analyses - Matisse." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. "Analyses." Drafts, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. Includes analyses of Cezanne, Van Gogh, Glackens, Prendergast, Eakins, Luks, and Matisse. "Analyses - Picasso." Draft, typescript, corrected circa Folder(s) "Analyses - Picasso, version 2." Draft, carbon copies, corrected circa Folder(s) Corrections by Laurence Buermeyer. - Page 29 -

30 Sub-subseries D. Late drafts "Preface." Draft, typescript and carbon copies, corrected January Folder(s) "Preface, version 2." Draft, carbon copies January Folder(s) "Table of Contents." Draft, carbon copies circa Folder(s) "Plastic Form." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Plastic Form - version 2." Draft, carbon copies, incomplete circa Folder(s) "Color." Draft, typescript and carbon copies, corrected, incomplete circa Folder(s) "Color - version 2." Draft, carbon copies, incomplete circa Folder(s) "Giotto." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Giotto - version 2." Draft, carbon copies, incomplete circa Folder(s) "Raphael." Draft, typescript, corrected circa Folder(s) - Page 30 -

31 "Michelangelo, Raphael version 2." Draft, carbon copies, incomplete circa Folder(s) "Titian, Tintoretto, Paolo Veronese." Draft, typescript, corrected circa Folder(s) Corrections by Dr. Barnes and Laurence Buermeyer. "Titian, Tintoretto, Paolo Veronese - version 2." Draft, carbon copies circa Folder(s) "El Greco." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. "El Greco - version 2." Draft, typescript and carbon copies circa Folder(s) "Dutch Painting after Rembrandt." Draft, carbon copies, corrected circa Folder(s) "Dutch Painting after Rembrandt - version 2." Draft, carbon copies circa Folder(s) "Portraiture." Draft, carbon copies, incomplete circa Folder(s) "Daumier." Draft, typescript, corrected circa Folder(s) "Daumier, version 2." Draft, carbon copies circa Folder(s) "Courbet." Draft, typescript, corrected circa Folder(s) - Page 31 -

32 "Courbet - version 2." Draft, carbon copies circa Folder(s) "Landscape." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Laurence Buermeyer. "Landscape - version 2." Draft, carbon copies, corrected, incomplete circa Folder(s) "Impressionism, Manet." Draft, typescript, corrected, incomplete circa Folder(s) "Impressionism, Manet - version 2." Draft, carbon copies, incomplete circa Folder(s) "Glackens." Draft, carbon copies circa Folder(s) "Maurice Prendergast." Draft, typescript, corrected, incomplete circa Folder(s) "Maurice Prendergast - version 2." Draft, carbon copies, incomplete circa Folder(s) "Contemporary Painting." Draft, carbon copies, corrected circa Folder(s) "Soutine." Draft, typescript, corrected, incomplete, and carbon copies circa Folder(s) Corrections by Dr. Barnes and Laurence Buermeyer. "Soutine - version 2." Draft, carbon copies, incomplete circa Folder(s) - Page 32 -

33 "Modigliani." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Laurence Buermeyer and Mary Mullen. "Modigliani - version 2." Draft, carbon copies, incomplete circa Folder(s) "Henri Rousseau (le Douanier)." Draft, carbon copy circa Folder(s) "Lotiron." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Laurence Buermeyer. "Lotiron - version 2." Draft, carbon copies, incomplete circa Folder(s) "Chirico." Draft, typescript, corrected circa Folder(s) Corrections by Dr. Barnes and Laurence Buermeyer. "Chirico - version 2." Draft, carbon copies circa Folder(s) "Method." Draft, carbon copies, incomplete circa Folder(s) "Late Chapter Drafts." Drafts, typescript, carbon copies, and mimeograph copies,corrected, incomplete circa Folder(s) - Page 33 -

34 Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. Includes drafts of the following chapters: Impressionism, Manet, Renoir, Degas, Cezanne, Puvis de Chavannes, The Post-Impressionists, The Impressionist Tradition in America,Contemporary Painting, Matisse, Picasso, Soutine, Pascin, Modigliani, Other Contemporaries, Method and Design, Academic Art Criticism. "Goya, Modern Painting, Contemporary Painting, Method and Design." Drafts, carbon copies, corrected circa Folder(s) "Academic Art-Criticism." Draft, carbon copies, corrected circa Folder(s) "Analyses - Piero della Francesca." Draft, carbon copies, incomplete circa Folder(s) "Analyses - Pollaiulo, Cosimo Tura." Draft, carbon copies, incomplete circa Folder(s) "Analyses - Manni, Pisanello, Ghirlandiao." Draft, typescript, corrected circa Folder(s) Corrections by Laurence Buermeyer and Mary Mullen. "Analyses - Piero di Cosimo to Cranach." Draft, carbon copies, incomplete circa Folder(s) Includes analyses of Piero di Cosimo, Bellini, Tintoretto, Longhi, Caneletto, the Caraccis, Van Eyck, Rubens, Gerard David, Guido Reni, Perugino, Lorenzetti, and Cranach, and of Manni, Pisanello, and Ghirlandaio - version 2. "Analyses - Guido Reni to Cranach." Draft, carbon copies, corrected circa Folder(s) - Page 34 -

35 Corrections by Mary Mullen. Includes analyses of Guido Reni, Lorenzetti, Manni, Pisanello, Perugino, Ghirlandiao, Cranach. "Analyses - Guido Reni to Cranach, version 2." Draft, carbon copies circa Folder(s) "Analyses - Rembrandt." Draft, carbon copies, incomplete circa Folder(s) "Analyses - Watteau." Draft, typescript and carbon copies, corrected circa Folder(s) Draft by Laurence Buermeyer, with corrections by Buermeyer, Mary Mullen, and Dr. Barnes. "Analyses - Watteau - version 2." Draft, carbon copies circa Folder(s) "Analyses - Turner." Draft, carbon copies, corrected circa Folder(s) "Analyses - Giotto to Cranach." Draft, typescript and carbon copies, corrected, incomplete circa Folder(s) Draft by Laurence Buermeyer, with corrections by Buermeyer, Mary Mullen, and Dr. Barnes. "Analyses - Giotto to Potter." Draft, carbon copies, corrected, incomplete circa Folder(s) "Analyses - Cezanne." Draft, carbon copies circa Folder(s) - Page 35 -

36 Subseries 3. Proofs "Analyses - Glackens." Draft, carbon copies circa Folder(s) "Analyses - Maurice Prendergast." Draft, carbon copies circa Folder(s) "Analyses." Final draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. "List of Paintings." Draft, carbon copies circa November Folder(s) Includes the text of a telegram regarding paintings by Picasso. "Index." Draft, typescript, corrected circa Folder(s) Subseries 3. Proofs Extent: 1.21 linear feet Arrangement This subseries is arranged in two sub-subseries: A. Galley proofs; B. Page proofs. Within each subsubseries, proofs are arranged by state (earlier, later, etc.) within the order of the final printed text. Sub-subseries A. Galley proofs "Table of Contents." Galley proof circa Page 36 -

37 Subseries 3. Proofs "Books I - V, Method and Design, Academic Art Criticism." Galley proofs, corrected October 14, 1924 Corrections by Dr. Barnes and Mary Mullen. "Analyses." Galley proof, corrected, incomplete circa 1924 Corrections by Laurence Buermeyer. Includes analyses of the Padua Giottos, Pietro Lorenzetti, Simone Martini, Manni, Pisanello. "Analyses." Galley proofs, corrected circa 1924 Corrections by Mary Mullen and Laura V. Geiger. "Index." Galley proofs, corrected December 9, 1924 Corrections by Mary Mullen. Sub-subseries B. Page proofs "Earlier page proofs." Page proofs, corrected, incomplete circa Page 37 -

38 Subseries 3. Proofs Corrections by Dr. Barnes and Mary Mullen. Includes Book I, Chaper IV, Subsection V ("Form and Matter") through Analyses. "Earlier page proofs - Analyses." Page proofs, corrected, incomplete circa 1924 Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. "Earlier page proof - List of Paintings." Page proof, corrected, incomplete circa Folder(s) Corrections by Mary Mullen. "Later page proofs - Preface, List of Illustrations." Page proofs, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Later page proofs." Page proofs, corrected circa Box(es) Corrections by Dr. Barnes and Mary Mullen. Includes full text except Preface and Illustrations. "Later page proofs - Illustrations." Page proofs, corrected circa Folder(s) - Page 38 -

39 Subseries 4. Final notes and corrections The Art in Painting Manuscripts, circa AIP Corrections by Dr. Barnes and Mary Mullen. Subseries 4. Final notes and corrections Extent:.21 linear feet Arrangement This subseries is arranged in original order. These materials were found together in an envelope marked Special Paragraphs, and the decision was made to keep them in original order and describe them at folder level in order to give readers a better idea of the contents and of Dr. Barnes s working process. Manuscript notes regarding illustrations circa Folder(s) Notes indicating that some plates from An Approach to Art by Mary Mullen were re-used for The Art in Painting. Original order has been maintained. Blurb for The Aesthetic Experience by Laurence Buermeyer, carbon copies circa Folder(s) Blurb, typescript, corrected, and carbon copies circa Folder(s) Copy for advertising leaflet, draft, carbon copies, corrected circa Folder(s) Includes advertising leaflet for An Approach to Art by Mary Mullen. Blurbs for The Art in Painting and The Aesthetic Experience, draft, typescript, corrected circa Folder(s) - Page 39 -

40 Subseries 4. Final notes and corrections The Art in Painting Manuscripts, circa AIP Draft by Laurence Buermeyer, with corrections by Dr. Barnes. Copy for advertising leaflet for The Aesthetic Experience by Laurence Buermeyer, typescript and carbon copies, corrected circa Folder(s) Manuscript notes regarding illustrations circa Folder(s) Manuscript list of corrections circa Folder(s) Manuscript notes regarding illustrations circa Folder(s) "Front matter, Preface, Table of Contents." Draft, carbon copies, corrected circa Folder(s) Title pages, printed text, carbon copies, and manuscript circa Folder(s) "List of Paintings." Draft, manuscript circa Folder(s) Manuscript notes regarding illustrations circa Folder(s) "Index." Draft, manuscript circa Folder(s) "Illustrations." Page proofs circa Folder(s) Manuscript notes regarding catalog data circa Folder(s) - Page 40 -

41 Subseries 4. Final notes and corrections The Art in Painting Manuscripts, circa AIP Includes a note from Laurence Buermeyer to Thomas Munro, regarding birth and death dates for a list of artists, with Munro's reply on the reverse. "List of Paintings." Manuscript notes circa Folder(s) Manuscript list of corrections circa Folder(s) Manuscript notes regarding Egyptian dynasties circa Folder(s) "Academic Art Criticism." Drafts, page proofs and typescript, corrected circa Folder(s) Corrections by Dr. Barnes, Laurence Buermeyer, and Mary Mullen. "Illustrations." Page proofs, corrected circa Folder(s) Corrections by Mary Mullen and Thomas Munro. "Development of Cezanne's Technique." Page proofs, corrected, incomplete circa Folder(s) "Analyses, List of Paintings." Page proofs, corrected, incomplete circa Folder(s) Corrections by Mary Mullen and Laurence Buermeyer. "Index." Galley proofs, corrected December 9, Folder(s) - Page 41 -

42 Subseries 5. Printed text Corrections by Laurence Buermeyer and Mary Mullen. "Transition to Modern Painting." Draft, typescript, corrected circa Folder(s) Subseries 5. Printed text Extent:.54 linear feet "Final set." Printed text and page proofs, corrected, incomplete circa Box Corrections by Dr. Barnes and Mary Mullen. Includes instructions to printer to print 1,000 copies. Series II. First edition, Harcourt Brace& Co Arrangement This series is arranged in five subseries: 1. Background materials; 2. Drafts; 3. Notes and corrections; 4. Proofs; 5. Printed text. Subseries 1. Background materials Arrangement This subseries is arranged in original order. "Fine Arts V: Modern Art." Notebooks with manuscript notes Folder(s) - Page 42 -

43 Notes by Sarah E. Nusbaum taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. "Fine Arts V: Modern Art." Notebooks with manuscript notes Folder(s) Notes by Carolyn H. Baum taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. "Fine Arts V: Modern Art." Notebooks with manuscript notes Folder(s) Notes by R. S. Berg taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. "Fine Arts V: Modern Art." Notebooks with manuscript notes Folder(s) Notes by B. W. Sutro taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. "Analyses - Assisi Giottos." Draft, typescript and carbon copies, corrected circa Folder(s) Copy for dust jacket, dummies, corrected, carbon copies, and reprints Folder(s) - Page 43 -

44 Subseries 3. Notes and corrections Includes reprints of a review of The Art in Painting by Joseph Wood Krutch, from The Nation, March 19, Subseries 3. Notes and corrections "Corrections - Art in Painting." Typescript and manuscript lists of corrections circa Folder(s) Lists of changes to be made between the Barnes Foundation Press edition and the Harcourt Brace & Company edition of The Art in Painting. Subseries 4. Proofs Galley proofs and printed text, corrected, incomplete Corrections by Mary Mullen and Dr. Barnes. Cut and uncut page proofs, corrected, incomplete March 1926 Corrections by Mary Mullen and Dr. Barnes. Subseries 5. Printed text - Page 44 -

45 Series III. Second edition Unsewn and uncut text blocks Box(es) Printed text, unsewn, incomplete Box(es) Disassembled text blocks, unsewn and some uncut, with no annotations. Used to assemble second edition. Series III. Second edition Arrangement This series is arranged in four subseries: 1. Background materials; 2. Drafts; 3. Proofs; 4. Printed text. Subseries 1. Background materials Dates: Extent:.21 linear feet Arrangement This subseries is arranged in original order. "Analyses." Manuscript notes circa Folder(s) Notes on and early drafts of analyses of Grünewald, H. Burgkmair, Konrat Witz, Schongauer, Bernhard Strigel, Ulrich Apt, Dürer, Hans Baldung Grien, Lucas Cranach, and M. Schaffner, some written on ship's stationery from the S.S. "Minnetonka." - Page 45 -

46 Subseries 1. Background materials "Revise - Cologne." Carbon copy notes circa Folder(s) Notes on particular artworks, with manuscript annotations by Dr. Barnes and Violette de Mazia. "Albrecht Dürer." Carbon copy notes June Folder(s) Manuscript annotations by Violette de Mazia. "Hans Holbein." Carbon copy notes circa Folder(s) Manuscript annotations by Violette de Mazia. Carbon copy travel notes June Folder(s) Travel notes describing particular paintings in museums in The Hague, Amsterdam, Berlin, and Munich, with manuscript annotations by Violette de Mazia. "Grünewald." Carbon copy notes circa Folder(s) "Vienna - notes made by A. C. B., June 13, 1927." Carbon copy notes June 13, Folder(s) - Page 46 -

47 Subseries 1. Background materials Manuscript annotations by Violette de Mazia. "Notes made by Doctor in Louvre." Carbon copy notes Folder(s) Manuscript annotations by Violette de Mazia. "London, Nation Gallery." Carbon copy notes July Folder(s) Manuscript annotations by Mary Mullen. Includes instructions for incorporation into the second edition of The Art in Painting. Notebook with manuscript notes regarding German art July Folder(s) Notes by Violette de Mazia and Jeannette Portenar, taken down in shorthand by Laura V. Geiger. "Albrecht Dürer, Hans Holbein." Carbon copy notes circa Folder(s) Corrections by Dr. Barnes and Laura V. Geiger. "Metropolitan Museum, New York City, September 21, 1927." Mimeograph copy notes September 21, Folder(s) - Page 47 -

48 "French Primitives, F. Kleinberger Galleries, New York, Oct. 26, 1927." Carbon copy notes October 26, Folder(s) Manuscript travel notes circa Folder(s) Travel notes describing particular paintings, some written on hotel stationery from Berlin and Paris. Includes a note from Dr. Barnes to Nelle E. Mullen. "Dutch Tradition." Outline, manuscript circa Folder(s) Dates: Extent: 2.88 linear feet Arrangement This subseries is arranged in four sub-subseries: A. Earliest drafts; B. Early drafts; C. Intermediate drafts; D. Late drafts. Within each sub-subseries, drafts are arranged by state (version 1, version 2, etc.) within the order of the final printed text. Sub-subseries A. Earliest drafts "Appendix - Cologne School." Draft, typescript, corrected circa Folder(s) "Master of the Altarpiece from the Cologne Laurenziuskirche." Draft, typescript, corrected, incomplete circa Folder(s) - Page 48 -

49 Corrections by Violette de Mazia and Mary Mullen. "Master of the Altarpiece from the Cologne Laurenziuskirche - version 2." Draft, typescript and carbon copies, corrected, incomplete circa Folder(s) "German Tradition." Drafts, manuscript, and manuscript notes circa Folder(s) "German Tradition." Draft, typescript and carbon copies, corrected, and manuscript notes circa Folder(s) Corrections by Dr. Barnes, Violette de Mazia, and Mary Mullen. Includes a manuscript draft on Hans Holbein in Violette de Mazia's handwriting, and a typescript draft and manuscript notes on ship's stationery from the S.S. "Minnetonka." Also includes analyses of Grünewald, Dürer, and Bartholomew Bruyn. "German Tradition, Analyses." Draft, mimeograph and carbon copies circa Folder(s) "German Tradition, Flemish Tradition." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Mary Mullen, and Violette de Mazia. "Flemish Tradition." Draft, carbon copies, corrected circa Folder(s) "Dutch Tradition." Draft, carbon copies, corrected circa Folder(s) - Page 49 -

50 "Analyses - Master of Marienleben, Master of St. Severin." Draft, carbon copies, corrected circa Folder(s) "Analyses - Stephan Lochner, Master of Marienleben, Master of St. Severin." Draft, typescript and carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes, Violette de Mazia, and Mary Mullen. "Analyses - Grünewald." Draft, carbon copies, corrected circa Folder(s) "Analyses - Dürer." Draft, carbon copies, corrected circa Folder(s) "Analyses - Bartholomew Bruyn." Draft, carbon copies, corrected circa Folder(s) Corrections by Dr. Barnes and Mary Mullen. "Analyses - Vermeer." Draft, carbon copies, corrected circa Folder(s) Sub-subseries B. Early drafts "Preface." Draft, manuscript, corrected circa Folder(s) "Sienese Tradition." Draft, typescript and carbon copies, corrected circa Folder(s) "Goya." Draft, carbon copies, corrected circa Folder(s) - Page 50 -

51 "German Tradition." Draft, carbon copies, incomplete circa Folder(s) "German Tradition - version 2." Draft, typescript and carbon copies, corrected circa Folder(s) "German Tradition - Bernhard Strigel." Draft, typescript, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Violette de Mazia. "German Tradition - Bernhard Strigel." Draft, carbon copies, corrected, incomplete circa Folder(s) Corrections by Mary Mullen. "German Tradition - Grünewald." Draft, carbon copies, corrected, incomplete circa Folder(s) Corrections by Dr. Barnes and Violette de Mazia. "German Tradition - Lukas Cranach, Hans Baldung Grien, Hans Holbein." Draft, carbon copies, corrected circa Folder(s) Corrections by Mary Mullen. - Page 51 -

52 "Roger van der Weyden, Ulrich Apt." Draft, carbon copies, corrected, fragments circa Folder(s) "Jan van Eyck, Roger van der Weyden." Draft, typescript and carbon copies, corrected circa Folder(s) "Jan van Goyen." Draft, typescript, corrected, incomplete circa Folder(s) "Salomon van Ruysdael." Draft, typescript, corrected, incomplete circa Folder(s) "French Primitives." Draft, typescript and manuscript, corrected circa Folder(s) "American Painting." Draft, carbon copies, corrected circa Folder(s) Corrections by Violette de Mazia. "American Painting." Draft, typescript, corrected circa Folder(s) Corrections by Dr. Barnes and Violette de Mazia. "Soutine." Draft, typescript and carbon copies, corrected circa Folder(s) Draft by Laurence Buermeyer, with corrections by Dr. Barnes, Violette de Mazia, and Mary Mullen. - Page 52 -