Index. profiling, 93 verification, 96 Average amplitude, 53

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1 Index A AARON, 10, 293, 317 Abstract features, 50 Abstract landmark, 172 Accidental discovery, 40 Active learning, 220, 231 Aesthetic utility, 249, 255 Aesthetics, 130, 199, 293, 319, 321, 330 Affective computing, 318 Aggressive, 259, 280 Algebraic semiotics, 299 Algorithmic decoratism, 211 Alloy blending, 304, 307 Alternative histories, 18 Alvar Alto plan, 162 Anticipation, 136 note, 142 spectral, 140, 146, 148, 151 Anticipatory learning, 238 Anxiety, 209 Appraisal, 92, 321 Architectural design, 160 Architectural design diagrams, 177 Aristotle, 130 Artistic style, 4, 107 Art of war, 281 Artwork, 21 Assemblage, 205 Asymmetric utilities, 281 Attention, 132, 253 Attitude, 92 Attribution, 3, 23, 82, 120 Audience, 82 Audio basis, 140 Augmented Transition Networks, 54 Author, 82 Authorship attribution, 82, 120 deceptive, 98 profiling, 93 verification, 96 Average amplitude, 53 B Bach, 46, 47, 141, 242 Baiting, 260 Baroque, 46, 47 Bayes Rule, 264 Bayesian belief, 263 Bayesian logistic regression, 87 Beat strength, 53 Be-Bop, 49 Be-bop style, 47 Beethoven, 46, 47, 146 Beliefs, 8, 265 Biology, 101 Black Metal, 49 Blending colors, 14 concepts, 296 principles, 313 styles, 71 Blues, 52 Bluffing, 260 Brightness, 12 British National Corpus, 64 C Cell phone, 56 Cepstrum, 140 Characteristics, 4, 48, 115, 250, 319 Chemistry, 101 Chinese lattice, 29 Choice, 18, 60, 81, 116, 249 authorial, 81, 113 blending principle, 314 constraints, 8, 253 framing, 130 S. Argamon et al. (eds.), The Structure of Style, DOI / , C Springer-Verlag Berlin Heidelberg

2 334 Index frequency-based, 69 imitation, 64 linguistic, 60, 89, 113 meaning, 89 model, 139 musical, 129 narrative, 298 stylistic, 60, 116 Classical, 46, 47 Classifier, 50 Clustering, 183 Coding gain, 132 Cognition, 231, 253, 321 Cognitive behavior, 10 challenges, 257 judgments, 140 linguistics, 295 listening, 134, 151 science, 165, 222, 293 styles, 268 Cohesion, 91, 120 Collage, 204 Colorists, 11 Comfort, 326 Command and control, 257 Commonsense reasoning, 273 Communication channel, 133 Communicative act, 82 Communities of association, 84 Communities of practice, 84 Compositionality, 24 Computational stylistics, 60, 80, 85, 104, 114 Computer simulation, 5 Conceptual blending theory, 296 Concurrency, 53 Conditional entropy, 133, 143 Configurational structure, 18 Conjunctions, 91 Constraints, 8, 62, 68, 116, 175, 200, 249, 306 Content, 83 Content-independence, 81 Context, 84, 116, 163, 210, 223, 321 Contrapuntal, 48 Contrast, 12 Conventionalization, 116 Corpus blogs, 93 feedback reports, 68 newsprint, 118 rabbinics, 97 scientific articles, 100 Correspondence, 163 Counterpoint, 48 Customization, 324 D Dance music, 53 Death Metal, 49 Decisions, 248 Denotational meaning, 80, 299 Design, 29, 160, 323 Design corpus, 177 Diagnosis, 248 Diego Velázquez, 207 Discourse communities, 84 Disoptimal blending, 312 Document planning, 62 Doom Metal, 49 Drawing machines, 11, 13 Dyna architecture, 232 E Economic utility, 249, 252 Effort, 263 Embedding, 24, 27 EMI, 54 Emotional force, 140 Emotion in music, 55 Emotions, 47, 49, 318 Entropy, 133, 256 Ergonomic utility, 250, 253 Evaluative language, 92 Expectancy, 136 Expectations, 49, 256, 322 music, 130, 222 textual, 60, 118 Expected, 249 Expected utility, 266 Experience, 129, 153, 207, 231, 297 Experimental sciences, 99 Experiments in musical intelligence, 54 F Factor analysis, 67, 94 Factor oracle, 221, 223 suffix link trees, 225 suffix structure, 225 Failure, 284 Familiarity, 140, 143 Fast brain, 131 Features, 25 configurational, 121 content-independence, 81 function words, 88 functional lexical, 89

3 Index 335 linguistic, 67, 120 musical, 234 selection, 175 spectral, 140 structural, 294 syntactic, 88 textual, 81 Feelings, 92, 130, 152, 249, 318 Floor plan, 3 Flow, 256 Flow experience, 153 Foraging, 254 Formal analysis, 18 Formal characteristics, 4 Formal style, 69 Framing, 130, 136, 150 Frank Lloyd Wright, 162 Frantic, 51 Fun, 128, 150, 251, 256 Functional lexical features, 89 Functional style, 118 G Gambling, 253 Game theory, 257, 261 Gaming, 323 Generative constraints, 200 Genre, 47, 60, 68, 70, 85, 115, 117 analysis, 99 classification, 52 modelling, 68 Geology, 101 Gin martini, 21 Golden mean, 5 Good old-fashioned artificial intelligence, 295 Grammar, 29, 54, 88, 298 Grammaticalization, 116 Gratification, 329 GRIOT, 292, 306 H Hair Metal, 49 Handel, 47 Hard-Bop, 49 Harmonicity, 53 Haydn, 47 High, 52 Historical period, 47 Historical sciences, 99 Homophony, 48 Hue, 12 Human style, 294 I Identity, 26, 80 Ideology, 84 Imitation, 71, 221, 242 Implication-realization, 130, 322 Improvisation, 219, 222, 294 Improvisational styles, 51 Incremental parsing, 223 Individual style, 9, 72, 118 Industries, 324 Inference, 263 Influence, 129, 130, 132, 241 Influential information, 130, 131 Informal style, 69 Informatic utility, 249, 253 Information dynamics, 128, 132, 137, 146 Information rate, 132, 135 Information source, 132 Information theory, 131, 324 Instrumentation, 49 Interaction, 220, 320 automatic, 230 different modes, 232 knowledge-based, 226 reflexive, 220 Interactions, 275 Interactive music, 51 Interactive narrative, 292 Interactivity, 200, 206 Intertext, 84 Interval calculus, 174 Investment, 263 Itzhak Perlman, 46 J Jacob Tchérnikhov, 38 K K-L distance, 123, 137 Knowledge, 328 L Label, 51 Language, 323 Lattice, 35 Levels of style, 250, 318, 319 Lexical preferences, 72 Linear classifier, 87 Linguistic conventions, 116 Listening model, 132, 151 Logic of making, 8 Loose, 259, 273

4 336 Index Louis Kahn, 162 Low, 52 Lyrical, 51 M Machine learning, 51, 70, 86, 220 Manner, 80 Marginal discounting, 252 Markov decision process, 234 Markov Model, 53, 139, 220 Meaning, 45, 80, 115, 129, 249, 318 Medium, 83 Memory-based learning, 239 Mental resources, 132 Mereotopology, 173 Meta-learning topology, 229 Metaphor theory, 296 Microplanning, 62 Microstructure, 10 Mies van der Rohe, 168 Miles Davis, 46 Minimality, 163 Modality, 91 Model selection, 132 Modulation, 49 Mondrian, 6, 166 Money, 263, 327 Montage, 205 Monteverdi, 47 Moore s Law, 202 Mordent, 48 Morphology, 170 Mozart, 46, 47 Music, 45, 129, 220, 323 generation, 54 recommendation, 53 Musical form, 138, 143, 146 dimensions, 138 structural, 148 Musical information, 52 Musical information dynamics, 128 Musical perception, 140 Musical styles, 46, 139 Mutual information, 133, 151 N Naïve bayes classification, 87 Narrative, 118, 293, 297, 310 Nash equilibrium, 267 Natural intelligence, 318, 323 Neoplasticism, 8 Neruda, 312 Neural networks, 166 Normative style, 131, 263 O Objective description, 6 Objective meaning, 45 Ontological narrative, 209 Ontology, 84, 307 Opposition, 90 Optimality principles, 296 Ornamentation, 48 OSC protocol, 227 P Painting machines, 14 Painting style, 4 Paleontology, 101 Pared-down poker, 258 Parts-of-speech, 88 Part-whole relations, 173 Passive, 259, 280 Pattern, 29, 54, 117, 139, 171, 224, 250, 320 Paul Klee, 38, 331 Pauline, 69 Peirce, C. S., 299 Perception, 248, 317, 330 Perceptual present, 138, 151 Performance rules, 56 Personal music libraries, 53 Perspective, 206 Physics, 101 Piano sonata, 54 Plagiarism, 23 Playlists, 53 Pleasure, 127, 128, 150, 255, 321, 329 Poetic style, 305 Poetry, 292, 305 Pointillistic, 51 Poker, 257 Pollock, 6 Polymorphic poem, 306 Popular musical, 49 Post-Bop, 49 Power Metal, 49 Preferences style, 72 Prelude, 141 Probabilistic suffix trees, 223 Purpose, 83, 248 Q Qualitative encoding, 168 Quote, 52 R Rationality, 129, 252 Reading, 113, 210 Realization, 62

5 Index 337 Recognition, 23 Recurrence, 143, 222 matrix, 139 spectral, 151 term, 120 Recursion, 23 Reference, 80 Reggae, 50 Register, 85 Reinforcement learning, 231 Relative entropy, 137 Relative frequency, 89 Relevance feedback, 176 Renaissance, 47 Representation, 328 Rhetorical assessment, 91 Rhythmic patterns, 50 Ring tones, 56 Risk assessment, 283 Risk averse, 259 Risk seeking, 259 Rock style, 47 Romantic, 47 Rules, 22 S Saturation, 12 Saussure, 299 Schema, 62, 131, 151, 167 image, 296 interpretation, 130 learned, 138 natural, 132 Scientific methodology, 99 Scientific rhetoric, 100 Scientific writing, 99 Self-organizing maps, 166, 175 Semantic constraints, 54 Semantic features, 174 Semantics, 319, 320 Semiotics, 299 morphisms, 301 spaces, 299 style, 294 Sergei Eisenstein, 205 Shannon, 319, 324 Shape patterns, 171 Short-term memory, 138 Sign systems, 300 Similarity, 143, 162 Simulations, 9, 18 SkillSum, 62 Slow brain, 131 Social context, 84, 230 Social conventions, 47 Socialization, 326 Social roles, 84 Social values, 298 Sociolinguistics, 80, 297 Sonata, 146, 148 Sonata form, 49 Sound color, 47 Sound texture, 144 Spectral anticipation, 140, 151 Spectral recurrence, 146, 148, 151 Spectrum, 52 Statistical music modelling, 223 Statistics, 86, 120, 144 Structural blending, 301 Structure mapping, 262, 281 Style space, 273 Stylistic analysis, 6 Stylistic facets, 84 Stylistic re-injection, 221 Stylometrics, 85, 120 Suffix link trees, 225 Support vector machines, 87 Surprise, 139, 249 Symmetry, 30, 36, 162 Syncopated, 51 Syntactic blending, 305 Syntax, 63, 88, 305 System failures, 285 Systemic functional grammar, 88 T TALE-SPIN, 291 Television, 201 Term frequency, 64, 86, 120 Term recurrence, 120 Terror networks, 280 Texts, 113 classification, 86 generation, 59, 292 Textual genre, 115 Textual style, 60, 79, 113 Textual variation, 114 Texture, 46 Tight, 259, 273 Tilt, 256 Titian, 5 Topology, 173 Training set, 50 Transformations, 36 Transposed, 48 Triangle inequality, 162

6 338 Index Trill, 48 Troiage, 203 Troiage aesthetic, 200 Turing test, 55 Turn, 48 U Uncertainty, 133, 151, 248 Unmasking, 97 Unsupervised learning, 175, 231 Utility, 248, 249, 252 V Variable Markov models, 223 Vector space representation, 86, 144 Verisimilitude, 204 Vermeer forgeries, 5 Video game, 209, 326 Virtual worlds, 203 Visual arts, 4 Visual resonance, 7 Visuo-spatial similarity, 160 Vitruvius, 23 Vivaldi, 47 Vocal styles, 50 Voice, 48 Voronoi forms, 212 Voyager, 293 W Weaver, 319 Winnow, 87 Wittkower, 3 Z Zipf s Law, 249

Automatic Polyphonic Music Composition Using the EMILE and ABL Grammar Inductors *

Automatic Polyphonic Music Composition Using the EMILE and ABL Grammar Inductors * David Ortega-Pacheco and Hiram Calvo Centro de Investigación en Computación, Instituto Politécnico Nacional, Av. Juan