182 BIBLIOGRAPHY Barrett Browning, E. (1993). Aurora Leigh. Ed. K. McSweeney. Oxford: Oxford University Beaumont, M. (Ed.) (2007). Adventures in Reali

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1 BIBLIOGRAPHY Adams, J. E. (1995). Dandies and Desert Saints. Ithaca, NY: Cornell University [Anon.] (1850, May 9). The Exhibition of the Royal Academy. Third notice. London Times, 20(484), p. 5. [Anon.] (1850, May 14). Exhibition of the Royal Academy [Christ in the House of His Parents review]. Illustrated London News, p [Anon.] (1850, May 18). Pathological Exhibition at the Royal Academy (Noticed by our surgical advisor). Punch, 19, p [Anon.] (1850, June 1). The Royal Academy Exhibition. The Builder, [Anon.] (1850, July). The Pictures of the Season. Blackwood s Edinburgh Magazine, p. 82. [Anon.] (1857, December 29). Recent Novels Mr. Kingsley s Two Years Ago. The Times. [Anon.] (2009). Review of Jane Eyre. In R. Maitzen (Ed.), The Victorian Art of Fiction: Nineteenth-Century Essays on the Novel. Peterborough, ON: Broadview. Armstrong, N. (1999). Fiction in the Age of Photography. Cambridge, MA: Harvard University Armstrong, N. (2005). How Novels Think: British Fiction and the Limits of Individualism from New York: Columbia University Bajac, Q. (2002). Discoveries: The Invention of Photography. New York: Harry N. Abrams. Bakhtin, M. M. (2001). From Discourse in the Novel. In V. B. Leitch et al. (Eds), The Norton Anthology of Theory and Criticism. New York: W.W. Norton. The Author(s) 2016 D. Brown, Representing Realists in Victorian Literature and Criticism, Palgrave Studies in Nineteenth-Century Writing and Culture, DOI /

2 182 BIBLIOGRAPHY Barrett Browning, E. (1993). Aurora Leigh. Ed. K. McSweeney. Oxford: Oxford University Beaumont, M. (Ed.) (2007). Adventures in Realism. Malden, MA: Blackwell Belsey, C. (2002). Critical Practice. London: Routledge. Benvenuto, R. (1973, Autumn). Lippo and Andrea: The Pro and Contra of Browning s Realism. Studies in English Literature, , 13(4), Bersani, L. (1984). A Future for Astyanax. New York: Columbia University Bonaparte, F. (1979). The Triptych and the Cross: The Central Myths of George Eliot s Poetic Imagination. New York: New York University Boucicault, D. (1861). The Octoroon; or, Life in Louisiana. [New York]: Printed, Not Published. Accessed July 31, Braddon, M. E. (1996). Eleanor s Victory. Stroud, UK: Alan Sutton. Braddon, M. E. (1998). The Doctor s Wife. Ed. Lyn Pykett. Oxford: Oxford University Braddon, M. E. (1999). John Marchmont s Legacy. Ed. T. Sasaki and N. Page. Oxford: Oxford University Brantlinger, P. (1998). The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century British Fiction. Bloomington, IN: Indiana University Briefel, A. (2015). The Racial Hand in the Victorian Imagination. Cambridge: Cambridge University Bronte, C. (2000). Jane Eyre. Ed. R. Nemesvari. Peterborough, ON: Broadview Browning, R. (2011a). Fra Lippo Lippi. Representative Poetry Online. library.utoronto.ca/poems/fra-lippo-lippi. Accessed July 31, Browning, R. (2011b). Andrea del Sarto. Representative Poetry Online. library.utoronto.ca/poems/andrea-del-sarto. Accessed July 31, Browning, R. (2015). Pictor Ignotus. The Literature Network. online-literature.com/robert-browning/men-and-women/5/. Accessed July 31, Bullen, J. B. (1972, August). Browning s Pictor Ignotus and Vasari s Life of Fra Bartolommeo di San Marco. The Review of English Studies, New Series, 23(91), Bullen, J.B. (1994). The Myth of the Renaissance in Nineteenth-Century Writing. Oxford: Clarendon Bush, D. (1957). Mythology and the Romantic Tradition in English Poetry. New York: Pageant Book Company. Buzard, J. (2005). Disorienting Fiction: The Auto-ethnographic Work of Nineteenth-Century British Novels. Princeton, NJ: Princeton University Byerly, A. (1997). Realism, Representation, and the Arts in Nineteenth-Century Literature. Cambridge: Cambridge University

3 BIBLIOGRAPHY 183 Carlyle, T. (1966). On Heroes, Hero Worship and the Heroic in History. Ed. C. Niemeyer. Lincoln, NE: University of Nebraska Carroll, D. (1992). George Eliot and the Conflict of Interpretations: A Reading of the Novels. Cambridge: Cambridge University Collins, W. (1993). Hide and Seek. Ed. C. Peters. Oxford: Oxford University Courbet, G. (1998). Letter to Young Artists. In C. Harrison and P. Wood with J. Gaiger (Eds), Art in Theory : An Anthology of Changing Ideas. Oxford: Blackwell. Courbet, G. (1998). Statement on Realism. In C. Harrison and P. Wood with J. Gaiger (Eds), Art in Theory : An Anthology of Changing Ideas. Oxford: Blackwell. Cowling, M. (1989). The Artist as Anthropologist. Cambridge: Cambridge University Crary, J. (1991). Techniques of the Observer. Cambridge, MA: MIT Cronin, M. (1999). Henry Gowan, William Makepeace Thackeray, and The Dignity of Literature Controversy. Dickens Quarterly, 16(2), 104. Delacroix, E. (1998). February 22, In C. Harrison and P. Wood with J. Gaiger (Eds), Art in Theory : An Anthology of Changing Ideas. Oxford: Blackwell. DeLaura, D. J. (1980, May). The Context of Browning s Painter Poems. PMLA, 95(3), Dickens, C. (1850, June 15). Old Lamps for New Ones. Household Words, 12, Dickens, C. (1999a). Little Dorrit. London: Everyman. Dickens, C. (1999b). Oliver Twist. Ed. Stephen Gill. Oxford: Oxford University Dijkstra, B. (1986). Idols of Perversity. Oxford: Oxford University du Maurier, G. (1998). Trilby. Oxford: Oxford University Dupras, J. (1987). Fra Lippo Lippi, Browning s Naughty Hierophant. Browning Institute Studies, 15, Ehrenreich, B. (2010). Texts for Nothing? On Tom McCarthy. The Nation, 4th Nov. Available from: Accessed September 11, Eisner, E. (2007). Elizabeth Barrett Browning and the Energies of Fandom. Victorian Review, 33(2), Eliot, G. (1973). Scenes of Clerical Life. Ed. D. Lodge. London: Penguin Books. Eliot, G. (2005a). Adam Bede. Ed. M. Waldron. Toronto, ON: Broadview. Eliot, G. (2005b). Romola. London: Penguin Books. Eliot, G. (2006). Silly Novels by Lady Novelists. In S. Greenblatt, et al. (Eds), The Norton Anthology of English Literature. Vol. E. New York: W.W. Norton & Company.

4 184 BIBLIOGRAPHY Ermarth, E. D. (1983). Realism and Consensus in the English Novel. Princeton, NJ: Princeton University Errington, L. (1984). Social and Religious Themes in English Art New York: Garland. Flint, K. (2000). The Victorians and the Visual Imagination. Cambridge: Cambridge University Fraser, H. (1992). The Victorians and Renaissance Italy. Oxford: Blackwell. Freedgood, E. (2006). The Ideas in Things. Chicago: University of Chicago Frick, P. (1985). Wilkie Collins and John Ruskin. Victorians Institute Journal, 13, Forsyth, R. A. (1961). The Temper of Pre-Raphaelitism and the Concern with Natural Detail. English Studies in Africa, 4(2), Garratt, P. (2009, Spring). Ruskin s Modern Painters and the Visual Language of Reality. Journal of Victorian Culture, 14(1), Gikandi, S. (1996). Maps of Englishness: Writing Identity in the Culture of Colonialism. New York: Columbia University Gilbert, P. (1997). Disease, Desire and the Body in Victorian Women s Popular Novels. Cambridge: Cambridge University Gilbert, P. (2000). Braddon and Victorian Realism: Joshua Haggard s Daughter. In M. Tromp, P. Gilbert and A. Haynie (Eds), Beyond Sensation: Mary Elizabeth Braddon in Context. Albany, NY: State University of New York Gilbert, P. (Ed.) (2011). A Companion to Sensation Fiction. Malden: Wiley- Blackwell. Gilmore, D. (2013). The Victorian Novel and the Space of Art. Cambridge: Cambridge University Gissing, G. (2008). New Grub Street. Ed. S. Arata. Toronto: Broadview. Gossin, P. (1996). All Danae to the Stars : Nineteenth-Century Representations of Women in the Cosmos. Victorian Studies, 40(1), Green-Lewis, J. (1997). Framing the Victorians: Photography and the Culture of Realism. Ithaca, NY: Cornell University Greenwood, C. (1998). An Imperceptible Start: The Sight of Humanity in Romola. In C. Levine and M. W. Turner (Eds), From Author to Text: Rereading George Eliot s Romola. Aldershot, UK: Ashgate. Hartley, L. (2001). Physiognomy and the Meaning of Expression in Nineteenth- Century Culture. Cambridge: Cambridge University Hawley, J. C. (1991). Charles Kingsley and Literary Theory of the 1850s. Victorian Literature and Culture, 19, Healy, D. (1984, Fall). Fra Lippo Lippi and Andrea del Sarto as Complementary Poems. Studies in Browning and His Circle, 12, Horsman, A. (1990). The Victorian Novel. Oxford: Oxford University Hunt, W. H. (1905). Pre-Raphaelitism and the Pre-Raphaelite Brotherhood. 2 Vols. London: Macmillan and Co.

5 BIBLIOGRAPHY 185 Iser, W. (2006). How to Do Theory. Malden, MA: Blackwell. Jameson, F. (2013). The Antinomies of Realism. London: Verso. John, J. (2003). Dickens s Villains: Melodrama, Character, Popular Culture. Oxford: Oxford University Kaminsky, A. R. (Ed.) (1964). Literary Criticism of George Henry Lewes. Lincoln, NE: University of Nebraska Kenyon, F. G. (Ed.) (1898). The Letters of Elizabeth Barrett Browning. New York: The Macmillan Company. Kingsley, C. (1849, July). North Devon. Fraser s Magazine. Available from Accessed September 11, Kingsley, C. (1863, May October). Henrietta Browne s Picture of The Sisters of Charity. The Fine Arts Quarterly Review, 1, Kingsley, C. (1877a). Yeast. 8th ed. London: Macmillan and Co. Kingsley, C. (1877b). Charles Kingsley: His Letters and Memories of His Life. Ed. F. G. Kingsley. New York: Charles Scribner s Sons. Kingsley, C. (2006a). Alton Locke. Charleston, SC: BiblioBazaar. Kingsley, C. (2006b). At Last: A Christmas in the West Indies. Charleston, SC: BiblioBazaar. Kingsley, C. (2006c). Two Years Ago. Charleston, SC: BiblioBazaar. Kingsley, C. (2012). Westward Ho! Available from Accessed September 11, Klaver, J.M.I. (2006). The Apostle of the Flesh. A Critical Life of Charles Kingsley. Leiden, The Netherlands: Brill. Kurnick, D. (2011). Empty Houses: Theatrical Failure and the Novel. Princeton, NJ: Princeton University Landow, G. P. (2015). Pre-Raphaelites: An Introduction. Victorian Web. Available from Accessed September 11, Leahy, A. (2005). Ruskin and the Evil of the Raphaelesque in Hide and Seek. Wilkie Collins Society Journal, 8, Levine, G. (1970). Romola as Fable. In B. Hardy (Ed.), Critical Essays on George Eliot (pp ). London: Routledge & Kegan Paul. Levine, G. (1983). The Realistic Imagination. Chicago, IL: University of Chicago Levine, C. (2003). The Serious Pleasures of Suspense. Charlottesville, VA: University of Virginia Losano, A. (2008). The Woman Painter in Victorian Literature. Columbus, OH: Ohio State University Marcus, S. (2002). Comparative Sapphism. In The Literary Channel: The International Invention of the Novel. Princeton, NJ: Princeton University Martinez, M. (2003). Women Poets and the Sister Arts in Nineteenth-Century England. Victorian Poetry, 41(4),

6 186 BIBLIOGRAPHY Masson, D. (1859). British Novelists and Their Styles: Being a Critical Sketch of the History of British Prose Fiction. London: Macmillan and Co. Matz, A. (2010). Satire in an Age of Realism. Cambridge: Cambridge University McGann, J. (2000). Dante Gabriel Rossetti and the Game that Must be Lost. New Haven, CT: Yale University McGann, J. (2008). Scholarly Commentary for Hand and Soul. The Rossetti Archive. Available from Accessed September 11, Millais, J. G. (1899). The Life and Letters of Sir John Everett Millais. Vol. I. New York: Frederick A. Stokes Company. Miller, D.A. (1989). The Novel and the Police. Los Angeles, CA: University of California Mitchell, W.J.T. (1994). Picture Theory. Chicago, IL: University of Chicago Morris, P. (2003). Realism. London: Routledge. Nemesvari, R. (2006). Judged by a Purely Literary Standard : Sensation Fiction, Horizons of Expectation, and the Generic Construction of Victorian Realism. In K. Harrison and R. Fantina (Eds), Beyond Sensations: Essays on a Scandalous Genre. Columbus, OH: Ohio State University Nochlin, L. (1971). Realism. London: Penguin. Novak, D. (2008). Realism, Photography, and Nineteenth-Century Fiction. Cambridge: Cambridge University O Gorman, F. (2000). More interesting than all the books, save one : Charles Kingsley s Construction of Natural History. In J. John and A. Jenkins (Eds), Rethinking Victorian Culture. London: Macmillan. O Gorman, F. (2002). The Victorian Novel. Oxford: Blackwell. Oliphant, M. (1855, June). The Rev. Charles Kingsley. Blackwood s Edinburgh Magazine, pp Ormond, L. (1998). Angels and Archangels: Romola and the Paintings of Florence. In C. Levine and M. W. Turner (Eds), From Author to Text: Re-reading George Eliot s Romola. Aldershot, UK: Ashgate. Otter, C. (2008). The Victorian Eye. Chicago, IL: University of Chicago The Oxford English Dictionary. (2009). 2nd ed. Oxford: Oxford University Pater, W. (2008). Dante Gabriel Rossetti. In J. McGann (Ed.), Appreciations, With an Essay on Style. The Rossetti Archive. London: Macmillan. Pearl, S. (2010). About Faces: Physiognomy in Nineteenth-Century Britain. Cambridge, MA: Harvard University Pollock, M. S. (1996). The Anti-Canonical Realism of Elizabeth Barrett Browning s Lord Walter s Wife. Studies in the Literary Imagination, 29(1), Pratt, M. L. (1992). Imperial Eyes: Travel Writing and Transculturation. London: Routledge.

7 BIBLIOGRAPHY 187 Rena-Dozier, E. (2006). Novel Histories: The Rise of the Novel in the Nineteenth-Century. Diss. Chicago, IL: University of Chicago. Riede, D. (1992). Dante Gabriel Rossetti Revisited. New York: Twayne Publishers. Rignall, J. (Ed.) (2000). Oxford Reader s Companion to George Eliot. Oxford: Oxford University Rosen, C. and Zerner, H. (1984). Romanticism and Realism: The Mythology of Nineteenth-Century Art. New York: Viking. Rossetti, W. M. (Ed.) (1901). The Germ: Thoughts Towards Nature in Poetry, Literature and Art. London: Elliot Stock. Facsimile. (2006). Teddington, Middlesex UK: Echo Library. Rossetti, D. G. (1999a). Hand and Soul. In J. Marsh (Ed.), Dante Gabriel Rossetti: Collected Writings. London: J.M. Dent. Rossetti, D. G. (1999b). The Portrait. In J. Marsh (Ed.), Dante Gabriel Rossetti: Collected Writings. London: J.M. Dent. Rossetti, D. G. (2008). Jenny. The Rossetti Archive. Available from rossettiarchive.org. Accessed September 11, Rossetti, W. M. (1867). Fine Art, Chiefly Contemporary. London and Cambridge: Macmillan and Co. Rossetti, W. M. (1975). The P.R.B. Journal: William Michael Rossetti s Diary of the Pre-Raphaelite Brotherhood Ed. W. Fredeman. Oxford: Clarendon Ruskin, J. (1851). The Pre-Raffaelites. London Times, Letter to the Editor, May 13, pp Ruskin, J. (1906). Pre-Raphaelitism and Other Essays and Lectures on Art with Introduction by Laurence Binyon. London, J.M. Dent & Col. Ruskin, J. (1987). Modern Painters. Ed. D. Barrie. New York: Alfred A. Knopf. Ruskin, J. (1998). The Genius of John Ruskin: Selections from his Writings. Ed. J. D. Rosenberg. Charlottesville, VA: University of Virginia Ruskin, J. (2004). Selected Writings. Ed. D. Birch. Oxford: Oxford University Ruskin, J. (2007). On the Old Road Volume 2 (of 2). Available from gutenberg.org. Accessed September 11, Ruskin, J. (2010). The Complete Works of John Ruskin. Ed. E. T. Cook and A. Wedderburn. London: George Allen. Shires, L. (2009). Perspectives: Modes of Viewing and Knowing in Nineteenth- Century England. Columbus, OH: The Ohio State University Siegel, J. (2000). Desire & Excess: The Nineteenth-Century Culture of Art. Princeton, NJ: Princeton University Smith, L. (1995). Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites. Cambridge: Cambridge University

8 188 BIBLIOGRAPHY Smith, R. (2013). Blazing a Trail for Hypnotic Hyper-Realism: Pre-Raphaelites at the National Gallery of Art. New York Times, March nytimes.com/2013/03/29/arts/design/pre-raphaelites-at-national-galleryof-art.html. Stone, M. (1987). Genre Subversion and Gender Inversion: The Princess and Aurora Leigh. Victorian Poetry, 25(2), Sullivan, W. J. (1972, March). Piero di Cosimo and the Higher Primitivism in Romola. Nineteenth-Century Fiction, 26(4), Sussman, H. (1995). Victorian Masculinities. Cambridge: Cambridge University Teukolsky, R. (2013). The Literate Eye: Victorian Art Writing and Modern Aesthetics. Oxford: Oxford University Trollope, A. (1950). Barchester Towers and The Warden. Ed. H. Hatcher. New York: Random House. Watt, I. (1957). The Rise of the Novel. Berkeley, CA: University of California Werner, M. (2005). Pre-Raphaelite Painting and Nineteenth-Century Realism. Cambridge: Cambridge University Wilde, O. (2008). The Picture of Dorian Gray. Ed. J. Bristow. Oxford: Oxford University Williams, I. (1974). The Realist Novel in England. London: Macmillan. Witemeyer, H. (1979). George Eliot and the Visual Arts. New Haven, CT: Yale University Wolff, R. L. (1979). Sensational Victorian: The Life & Fiction of Mary Elizabeth Braddon. New York: Garland Publishing. Wood, E. (1894). Dante Rossetti and the Pre-Raphaelite Movement. London: Sampson Low, Marston and Co., Ltd., St. Dunstan s House.

9 INDEX A acting, see realism, and performance actor characters, 11, , 108, 139 Agassiz, Louis, 113n21 Armstrong, Nancy, 6, 14n1, 96, 97, 137 artist characters, 13, 52 53, 58 59, 74 in Andrea del Sarto, 13, 116, 119, 122, 127, 130 in Aurora Leigh, 11, 13, 52 54, 56 59, 60 68, 71, 74 76, 77n12, 132, 133, 159 in Eleanor s Victory, 14, 170 in Fra Lippo Lippi, 13, 116, 117, 119, , 124, 127, 130, 143 in Hand and Soul, in Hide and Seek, 14, 148, 152, 153, 161, 164, 169 in John Marchmont s Legacy, 14, 162, 163, 167 The Lady s Mile, 170 in Little Dorrit, 25 in New Grub Street, 176, 177, 179 in North Devon, 13, 79, 91, , 104, 108, 110 in Pictor Ignotus, 13, 116, 119, 121, , 127, in Romola, 11, 13, 39, 95, , , in Trilby, 175, 176 in Two Years Ago, 13, 79, 80, 84, 90, 91, 94, 103, 108, 110 in Yeast, 13, 79 80, 87 91, 94 96, , , , 110 B Bakhtin, Mikhail, 48n7 Barrett Browning, Elizabeth, 11, 12, 13, 52 53, 54 55, 56, 57 59, 60, 64, 65, 66, 67, 68, 69, 74, 75 76, 79 80, 85, 95, 111n4, 116, 132, 133, 134, 143, 148, 157 Aurora Leigh, 60 (also see artist characters in) Boucicault, Dion, 113n20 The Author(s) 2016 D. Brown, Representing Realists in Victorian Literature and Criticism, Palgrave Studies in Nineteenth-Century Writing and Culture, DOI /

10 190 INDEX Braddon, Mary Elizabeth, 12, 14, , 152, , 170, The Doctor s Wife, 147, 162 Eleanor s Victory, 162, 166 John Marchmont s Legacy, 14, 162, 163 Joshua Haggard s Daughter, 162 Lady Audley s Secret, 162 The Lady s Mile, 170 Brantlinger, Patrick, , 158, 161, 166, 172 Brontë, Anne, See also The Tenant of Wildfell Hall Brontë, Charlotte, 10, 53 54, 78n12 Brontë, Emily, Browning, Robert, 9, 12, 13, 38, 56, 85, 110, 116, 148 Andrea del Sarto (see artist characters in) Fra Lippo Lippi (see artist characters in) Pictor Ignotus (see artist characters in) Byerly, Alison, 15n8, 59, 67 C Carlyle, Thomas, 54, 55 56, 58, 76, 85, 88, 93, 100, 157 Christ in the House of His Parents, see Millais, John Everett Christianity, 3, 8, 9, 13, 16n12, 19, 53, 54, 55, 56, 65, 66, 82, 90, 103, 110, 118, 120, 133, 134, 141, 145n6, 145n7, 152, 165, 166, 171, 172 Collins, Charles Allston, 49n9, 153 Collins, Wilkie, 12, 14, 49n9, 148, , 160, , Antonina, 151 Hide and Seek, 14, 148, 152, 153, 161, 164, 169 (see also artist characters in) Poor Miss Finch, 151 The Woman in White, 152, 162 Collins, William, R.A., 153, 154, 173n8 colonization, 97 98, 103 competition, see realism, and performance consensus, see realism and Courbet, Gustave, see realism (French) Crary, Jonathan, 6, 7, 87 D Danae myth, 69, 71, 78n12 Delacroix, Eugène, 52, 56, 75, 148, 174n12, 176 DeLaura, David J., 81, 85 86, 94, 112n11, 112n15, 116, 119, 120, , 125, 127, 129 Dickens, Charles, 12, 18, 21, 22 30, 43, 44, 47, 48n3, 81, 82, 84 Little Dorrit, see artist characters in DuMaurier, George, 176, 177, 179 E Eliot, George, 5, 7, 8 14, 39, 43, 45, 46, 56, 80, 82, 86, 87, 94, 95, 110, 111, , , , 145n6, 146n14, , Adam Bede, 5, 10, 80, 82, 131, 136, 137 Middlemarch, 152 The Mill on the Floss, 151

11 INDEX 191 Romola, 11, 13, 39, 95, , , 145n5, 145n6, 145n11, 163 (see also artist characters in) The Sad Fortunes of the Rev. Amos Barton, 150 Silas Marner, 151 Silly Novels by Lady Novelists, 150 empiricism, see realism and enlightenment, see realism and exhortation, see realism as F Flaubert, Gustave, 162, 177 Flint, Kate, 6 Fraser, Hillary, 117, 118, 132 Freedgood, Elaine, 7, 67, 143 Frith, William Powell, 164 G The Germ, 34 35, 49n12 Gikandi, Simon, 101 Gilbert, Pamela, 29, 162, 173n1, 173n2 Gissing, George, Green-Lewis, Jennifer, 6, 7, 36, 171 H Hardy, Thomas, 177 Hunt, William Holman, 8, 18, 21, 22, 34, 49n14, 49n15, 54, 77n2, 153, 173n4, 173n6, 173n9, 176 I idealism, 18, 23, 24, 27, 29, 30, 38, 45, 48n8, 56, 57, 62, 65, 66, 74, 81, 82, 86, 93, 120, 121, 133, 149, 176 identity class, 11 gender, 57, 91 nation, 13 race, 11, 91 individualism, see realism and interart relationships, 15n8 J Jameson, Anna, 120 Jameson, Frederick, 15n1, 176 Jane Eyre, 53 54, 78n12 Jauss, Hans Robert, 32 K Kingsley, Charles, 11 13, 48n3, 76, , 111n2, 112n11, 112n12, 112n15, 112n16, 112n17, 113n21, 116, 120, 121, 127, 130, , 134, 137, 144n3, 152 Alton Locke, 83, 89 92, 106 art criticism, 120 North Devon, 13, 79, 96, , 112n17, 113n18 Two Years Ago, 13, 79 80, 84, 90 91, 94, 103, 108, 110, 113n21 Westward Ho!, 96, , 112n17 Yeast, 13, 79, 87 96, , 104, L labor, see realism and Landow, George, 19 Landseer, Edwin, 93, 99 Levine, Caroline, 135, 143, 154, 173n3

12 192 INDEX Levine, George, 4, 31 33, 36 39, 46, 55, 58, 75, 145n5, 178 Lewes, George Henry, 9 10, 27, 29 30, 33, 47, 48n5, 52, 64, 75, 82, 135, 138, 149 literality, see realism and Little Dorrit, see artist characters in Losano, Antonia, 3, 53 M Madame Bovary, 162 Marcus, Sharon, 16n12, 23, 30, 82 marketability, see realism, and performance Masson, David, 12, 24 26, 33, 43, 47, 48n5, 56, 62, 63, 82, materialism, see realism, and empiricism Matz, Aaron, 23, McGann, Jerome, 35 39, 41 42, 49n16 Millais, John Everett, 18, 20 23, 29, 32, 34, 36, 44, 47, 49n9, 49n14, 49n15, 54, 65, 154, 171, 176 Mitchell, W.J.T., 2 3, 90 91, 123 mysticism, see realism and N natural history, 96, 101 Nemesvari, Richard, 78n12, , 165 Nietzsche, Friedrich, 146n14 Nochlin, Linda, 15n5, 15n8, 19 Novak, Daniel, 6 7, 68, 109 O objectivity, see realism, and empiricism Of the Pathetic Fallacy, see Ruskin, John Oliphant, Margaret, 80 Otter, Chris, 7 P Pater, Walter, 12, 18, 42, 176 Pearl, Sharrona, 7, 11, 89, 104, 112n12 performance, see realism and perspective, see realism and photography, 6 8, 66, 68, 80, 91, 94, , , 113n20, 113n21 See also realism physiognomy, 7, 13, 89, 112n12 Platonism, see Christianity Pratt, Mary Louise, , 112n18 Pre-Raphaelites, 4 5, 12, 17 25, 29 35, 38, 40, 42 47, 48n2, 49n12, 52, 54, 55, 58, 63, 66, 76, 80, 84, 85, 95, 105, 108, 111n3, 118, 143, 148, 155, , 169, 171, 176 Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, see Hunt, William Holman R realism, 17 49, and consensus, 3, 7, 15n2, 16n10, 46 and discipline, 65 and empiricism, 9, 10, 14, 85, 136, 142 and Enlightenment, 3, 4, 15n5, 105 as exhortation, 10, 135, 136, 142, 143 as high art, 11, 13, 51, 75, 144 and ideology, 85, 87, 90, 120, 141

13 INDEX 193 and individualism, 3, 6, 18, 47, 109, 116, 117, 120 (also see identity) and labor, 20, 32, 33, 35, 53, 55 56, 60, 163, 170, 171, 179 and literality, 36, 39 and mysticism, 40, 58, 65, 68, 76, 95 and performance, 7, 13, 139, 166 and perspective, 13, 15n8, 53, 109, 116, 120, 131, 143, 144n1, 170 as poetry, 13, 24, 33, 42, 43, 47, 51 53, 56, 59, 62, 73 76, 95, 132, 139, 148, 149 and secularism, 111 and ugliness, 21, 25, 27, 29, 81, 84 realism (French), 4, 15n4, 15n5, 19, 23, 40, 45, 77n9, 155, 162, 173n9 religious characters (Savonarola), 137 Renaissance, 11, 13 14, 15n2, 18, 31, 39, 46, 86, 95, , 124, 125, 130, 131 Reynolds, Joshua, 18, 32 34, 51, 62, 77n4, , 156, 157 Rio, Alexis-François, see DeLaura, David J. Rosen, Charles, Rossetti, Dante Gabriel, 12, 17, 18, 34, 36, 42, 43, 61, 76, 78n11, 171 Hand and Soul, 17, 34, 35, 37, The Portrait (Sonnet), 40, 72 Rossetti, William Michael, 1, 12, 17, 21, 23, 24, 36 Royal Academy of Art, 17, 18, 47 Ruskin, John, 5, 9 12, 30, 31, 33, 36, 42, 45, 47, 48n8, 49n9, 49n10, 51, 58, 62, 68, 74, 75, 77n4, 77n6, 79, 82 85, 87, 94, 95, 109, 111n5, 111n6, 111n7, 132, 134, 139, 148, , 163, 167, 173n5, 173n9, 174n10 S The Scapegoat, see Hunt, William Holman secularism, see realism and sensation fiction, 11 12, 14, 111, 144, 150, 151, 161, 172, 173n1, 178 Shires, Linda, 16n10 skepticism, see realism, and empiricism Smith, Lindsay, 8, 22, 88, 98, 103, 110 spiritualism, see realism, and mysticism subjectivity, see realism, and empiricism Sussman, Herbert, 20, 55 56, 112n13 T The Tenant of Wildfell Hall, 53 Teukolsky, Rachel, 15n1, 15n8 Thackeray, William, 18, 24, 25 26, 44, 47, 48n5, 63, 81, 176 Trollope, Anthony, 28 30, 47, 49n9, 52 Turner, J.M.W., , 167, 173n9 U ugliness, see realism and

14 194 INDEX V visual culture, 8, 16, 52, 59, 66 also see realism W Watt, Ian, 3 4, 15n5, 77n9 Werner, Marcia, 54 55, 58 Wilde, Oscar, 176, 179 Wittemeyer, Hugh, 9 Wood, Esther, 43 46, 52, 66, 95, 118, 176, 179 Wuthering Heights, Z Zerner, Henry, see Rosen, Charles

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