TRANSGRESSION AND DEFORMATION THE STAGGERING MOMENT BETWEEN CHAOS AND ORDER
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1 TRANSGRESSION AND DEFORMATION THE STAGGERING MOMENT BETWEEN CHAOS AND ORDER
2 READYMADES A term coined by Duchamp in 1915 to describe prefabricated, often mass-produced objects isolated from their functional context (de-contextualization) and elevated to the status of art by the mere act of an artist s selection and designation. Defying the notion of beauty.
3 IDEALIZED FORM
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5 ABSTRACTION FEMINISM PERFORMANCE
6 Joel-Peter Witkin
7 Joel-Peter Witkin
8 Dian Arbus
9 Olivier De Sagazan
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11 CHAORDIC PRINCIPLE: a system of organization that blends characteristics of chaos and order, to establish a harmonious coexistence displaying characteristics of both, with neither chaotic nor ordered behavior dominating.
12 CHAORDIC PRINCIPLE: a system of organization that blends characteristics of chaos and order, to establish a harmonious coexistence displaying characteristics of both, with neither chaotic nor ordered behavior dominating.
13 The grotesque is defined by what it does to boundaries, transgressing, merging, overflowing, destabilizing them. Put more bluntly, the grotesque is a boundary creature. GROTESQUE. -Frances Connelly
14 The grotesque is defined by what it does to boundaries, transgressing, merging, overflowing, destabilizing them. Put more bluntly, the grotesque is a boundary creature. GROTESQUE. -Frances Connelly
15 The grotesque is defined by what it does to boundaries, transgressing, merging, overflowing, destabilizing them. Put more bluntly, the grotesque is a boundary creature. GROTESQUE. -Frances Connelly
16 The carnival is the people s second life, organized on the base of laughter it is the world standing on its head. CARNIVALESQUE. -Mikhail Bakhtin
17 It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. What does not respect borders, positions, rules. The in-between, the ambiguous, the composit. ABJECTION. - Julia Kristeva
18 CHAORDIC PRINCIPLE: a system of organization that blends characteristics of chaos and order, to establish a harmonious coexistence displaying characteristics of both, with neither chaotic nor ordered behavior dominating.
19 CHAORDIC PRINCIPLE: a system of organization that blends characteristics of chaos and order, to establish a harmonious coexistence displaying characteristics of both, with neither chaotic nor ordered behavior dominating.
20 Gregory Crewdson, Untitled, 1998
21 Gregory Crewdson, Untitled, 2002
22 Gregory Crewdson, Untitled, 1998
23 Gregory Crewdson, Untitled, 2007
24 Gregory Crewdson, Untitled, 2002
25 Yayoi Kusama
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30 Horizontality is a desire to give up, to sleep. Verticality is an attempt to escape. Hanging and floating are states of ambivalence. - Louise Bourgeois
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32 George Bataille introduced the notion of l informe : A dictionary begins when it no longer gives the meaning of words, but their tasks. Thus, Formless is not only an adjective having a given meaning, but a term that serves to bring things down into the world, generally requiring that each thing have its form. What it designates has no rights in any sense and gets itself squashed everywhere, like a spider or an earthworm. In fact, for academic men to be happy, the universe would have to take shape. All of philosophy has no other goal: it is a matter of giving a frock coat to what is a mathematical frock coat. On the other hand, affirming that the universe resembles nothing and is only formless, amounts to saying that the universe is something like a spider or spit. What Bataille means by Formlessness is that art should be brought down to earth, off of its pedestal where it has been standing since antiquity. For Bataille, creativity is in the process; it is supposed to be dirty, mixed up with ashes, mud and disgrace. The Formless, in a way, is abstract and indefinable Bataille himself claims that a word has no definition. It is performative, rather than explanatory.
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