Fake Book 1. pre 1923 Ver 1.1

Transcription

1 ake Book 1 pre 1923 Ver 1.1 Eb

2 The reole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at:

3 This ake Book has been assembled with tunes that have all been written prior to Therefore these are all out of copyright in the US. I hope you enjoy the tunes. This fakebook has been produced in the following versions: Treble Bb Treble Eb Treble Bass lef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The reole Jazz Band kyeates@yahoo.com

4 th 12 Street Rag... 1 ood Man Is Hard To ind... 2 fghanistan... 3 fter The Ball Is Over... 6 fter You ve one... 4 ggravatin Papa... 8 int We ot un... 7 labama Jubilee...18 lcoholic Blues lexander s Ragtime Band lice Blue own ll The irls o razy mazing race merican Patrol nd They alled It ixieland ny Time pril Showers t a eorgia amp Meeting......,,,. 23 t The evil s Ball t The Jazz Band Ball unt Hagar s Blues valon Baby Won t You Please ome Home Back To Storyville Ballin The Jack Beale Street Blues Blue and Broken Hearted Blues My Naughty Sweetie ives to Me. 40 Bluin The Blues By The Light of the Silvery Moon areless Love hicago hina Boy hinatown, My hinatown leopatra Had a Jazz Band reole Belles urse of n ching Heart ardanella arktown Strutter s Ball ear Old Southland ixieland Jazz Band One Step own mong The Sheltering Palms own By the Riverside own Home Rag own In Borneo Isle own IN Honky Tonk Town own in Jungle Town own Yonder Easy Rider s one Eccentric Eh La Bas idgety eet lee S Bird loatin own That Old reen River loatin own TO otton Town oolish Questions rankie nd Johnnie rizzly Bear Rag He May Be Your Man Hesitating Blues High Society Hindustan Hot Lips I in t onna ive Nobody None of My Jelly Roll I an t Let Em Suffer I Never Knew I could Love nybody I want to do the Bear at ance I Wish I ould Shimmy Like My Sister Kate Ida, Sweet s pple ider If You Were The Only irl IN The World 110 Indiana Ja a Japanese Sandman

5 Jazz Baby Jazz Me Blues Jelly Roll Blues Just a Little While to Stay Here King hanticleer Lasses andy Lassus Trombone Lazy addy Limehouse Blues Livery Stable Blues (Vocal) Livery Stable Blues Long one Love Nest Lovin Sam Ma, He s Making Eyes t Me Mama on t llow Mandy Margie Memphis Blues Midnight in Moscow Missouri Waltz My Bucket's ot a Hole In It My addy Rocks Me My Honey s Lovin rms Oh Oh By Jingo Oh idn t He Ramble Old Rugged ross Ole Miss On The lamo Ory s reole Trombone Ostrich Walk Over The Waves Panama Pearls Poor Butterfly Pretty Baby Riverside Blues Rock Bye Your Baby Rose of Picardy Rose O Washington Square Rose Room Royal arden Blues Rufe Johnsons Harmony Band Runnin' Wild Sailing own hesapeke Bay San Satanic Blues Second Hand Rose Sensation Shake It and Break It Sheik of raby Singin' The Blues Sister Kate Skeleton Jangle Sobbin' Blues Some of These ays Some Sweet ay Somebody Stole My al Someday Sweetheart St. James Infirmary St. Louis Blues Stockyard Strut Storyville Blues Strut Miss Lizzie Stumbling Suez Swanee T'aint Nobody's Business If I o Tain t Nothin Else But Jazz Take Me TO The Land Of Jazz That a a Strain That ixie Jazz That s Plenty

6 There'll Be Some hanges Made Tiger Rag Til we Meet gain Tishomingo Blues Toot, Toot, Tootsie Tuck me to Sleep Under The Bamboo Tree Wabash Blues Waitin or The Robert E Lee Walkin' the og Washington and Lee Swing Way own Yonder in New Orleans When Ragtime Rosie Ragged The Rosary When The Midnight hoo hoo Leaves When The Saints When You Wore Tulip When You re Million Miles rom Nowhere Where id Robinson rusoe o WhiffenPoof Song Whispering Wild herries Rag World IS Waiting or The Sunrise Yama Yama Man Yellow og Blues You ve ot TO See Your Mama Ev ry Night

7 th Street Rag Euday L. Bowman B Standard oo Wackadoo chorus Back to top with INtro 7 Etc

8 q = 100 Eb TREBLE ood Man is Hard to ind 9 7 dim I My heart's sad and I am all re gret m the day that I a lone my dim was born, and man treats me mean. that man I ever seen 7 oh 13 my B hap pi ness is less to day, my heart is broke and that is why I say. Lord a 17 good man 7 is hard to find 7 you al ways get the other kind just when you think that he's with some other gal then you rave see him in his grave your pal, you look 7 so if your man and you all m is nice to find him fool in' "round take crave my #7 #7 ad you wan na vice 7 7 and 31 hug him in the morn in' kiss 7 him ev' ry night give him plenty lov in' treat 7 him right 7 cuz a good man now a days is hard to find, so hard to find.

9 In theland of f ghan is º tan, / She swore by the stars up a bove her that But there came an oth er one 7 Hindu man is lone ly and blue. by B In 7 7 the f 7 fair Œ Š7 In his dreams he's call ghan is fghanistan º day, 7 tan, o a sis, Wait There's a Hin du maid and a man. / he was the one to stolehis Hin du maiden a way. / William Wilander & Harry onelly 1920 Break Break There's ing º for ing to love her. / 7 a car a van her. / Break Unison 1 bar you, nd for you on ly Œ Š7 7 / 'ross the des ert sand, we will find a tem ple, / Therewill be a bri dal day for you,my i dol, in f ghan is tan. 7 7

10 q = fter You've one Now won't you list en honey while I say How could you tell me that you're 4 7 Em m7 7 goin' a way? on't say that we must part, on't you breakyour ba by's heart. 9 7 Bm You know thati'veloved you for these ma ny years, Loved you both night and Em7 m 7 m7 7 ay Ohhoney ba bycan't you seemy tears? Listen whilei say.

11 17 B fteryou've gone, m6 Eb TREBLE 9 and left mecry in' fteryou've gone, Bm7 there'snodeny in' You'll feel blue You'll feel sad you'll missthedearest pal you've ever had. 25 m6 9 Bm7 E9 There'll come a time now don't for get it, There'llcomea time, when you'll regret it. 29 m7 m7 m6 Some day When you grow lone 9 ly m7 Your heart will break like mine and 32 Em7 you'll dim7 6 want meonly f ter you've gone m7 7 6 f ter you've gone way. 7 Solos at "B"

12 q = 100 fter The Ball 7 harles K Harris B 7 Bb Bdim m Bb 7 Bb Bdim 7 7 B Bº m 7 7 º

13 q = Ev m 'ry morn ing, Ev 'ry eve ning, 7 7 Not much mon ey, Oh, but hon E The rent's un 7 But an ven if m y way, we paid, dear, 7 ey 7 in't we got in't we got fun! 7 fun! We have'nt a car, m dear. We'll stay as we are, owe the gro cer 7 7 Tax col lec tor's get ting clos There's noth ing sur in't We ot un er, the rich er 7 on't we have Still we have 7 Bm Em get rich and thepoor Kahn & Egan Whiting 1921 fun? 7 fun! get poor er 29 In the mean time in be tween time m in't We ot un!

14 I know a trif lin' man, He lives in Birm ing ham, 7 oth er night, He had named Man dy plain 7 ly sta ted she was ag ggravatin' Papa 7 a fight with a gal gra va They call him "Trif lin' Sam". º 'Way down in l a bam'. ted, n she shout Roy Turk & Russell Robinson ed 7 out to 7 Brymm, 7 him: Now the nd she

15 you try to two time g B "g gra va tin' pa pa, 7 you g gra 7 on't Treat en while I get you step out with a But me kind or let me told, 7 high brown ba by, ggravatin' Papa Eb TREBLE I'll do an y thing you be, me, Stop mess in' 'round, sweet Break 2 bars I'll smack you down and I say, when you go strut tin', o your strut tin' round my way. I said don't two time me. I mean just let me be. gra va tin' pa pa, List jel ly roll. 7 don't mean may be! yes, an y thing you E 7 So Now Now 7 say. va tin' pa pa, pa pa pa pa, pa, pa, If 41 Just treat me 7 pret ty, 7 Stop Time Play beats 1 & 4 as marked Be nice and 7 sweet, 'ause I pos sess º º a forty four that don't re peat! You best be careful, s yon can be, 'ause I can beat you do in' whatyou'redoin to me, Once you weresteady Once you were true, But papa, nowsweet ma macan't de pend on you, 45 7 g gra va tin' pa pa, on't you try to two time me!

16 7 lcoholic Blues lbert Von Tilzer m 9 Bb7 13 B Vamp Em just I Prohi bi tion, that'sthe name, proa bi tion drives me in sane. I'm so thirs ty soon I'll die, I'm sim ply gon na 'vap o rate or run dry. did n't hes i tate I did I cut my coal, When Mis ter Hoover said to cut my din n't frown. ner down, I cut my sug ar but now they've cut deep in side my soul. I've got the

17 lcoholic Blues Eb TREBLE blues, I've got the Blues, I'vegot 7 the al co hol ic blues. There's blues, I've got the Blues, since they am pu ta ted booze. 37 m no more beer my heart to cheer, good Bars are closed and night clubs too, lord bye y whis lord key y 40 used what to make to me fris do, ky. So So long long hi hi ball, ball, good good bye bye gin, gin, Solos at "" 43 tell me when you're com tell me when you're com in' in' Bb7 back a back a gain. gain.

18 VERSE Irving Berlin, 1911 lexander's Ragtime Band 1 Oh, ma hon ey, Oh,ma hon ey, Bet ter hur ry and let's me an der, Oh, ma hon ey, Oh, ma hon ey, There's a fid dle with notesthatscreech es, 5 in't you go Like a chick in', in't you go en, Like a chick in' en, To nd thelead the clar i er man, net 8 rag gedme terman? Oh, ma hon ey, Oh,ma hon ey, Let me take you to is a colored pet, ome and lis ten, ome and lis ten, To a class i cal 12 0 l ex an der's grand stand, brass band, band what's peach es, come now, some how, 15 in't you com in' a long? ome on and Bet ter hur ry a long.

19 hear, hear, So E That's land. long. man. 7 na ome on and hear, ome on and They can play l ex an hear! a bu tur al that you want der's Rag time It's the gle call like you ne just the best est band what am, ome on a long. Up to the man! 7 Let me take best Band. ome on and band in the ver heard be fore. to go to war. you by ho ney lamb. ome on a the hand. Who's the lea der of the band. dim lexander's Ragtime Band Eb TREBLE Up to the 1 nd if you 45 care to hear the Swa nee Ri ver played in rag time. ome on and hear, ome on and hear, l ex ander's Ragtime Band,

20 Eb Treble h = 100 Stop Time2 Bars:... ll The irls o razy 7 1 Kid Ory 1916 Stop Time2 Bars: Hon raz B 7 girls on go their craz knees ey'bout the way I y 'bout the way I y'bout sayin' walk walk. the way "Ba thati by," walk The Sayin' way "Ba thatiwalk Solos Begin Here Yes, Yes, all they 7 the fall girls on by," go their ll the craz knees Hon raz y 'bout pleadin' ey 'bout y 'bout the the the way way way "Ba I I that by," walk walk walk, 'Bout 7 30 Say the in' way "Ba On to "" after last solo: that I walk, by," They fall

21 1 33 horus: 1st Time Soft: The rils go razy "bout the Way I Walk Eb Treble limax horus: ad lib:

22 In my sweet lice Blue own (4/4) 1 Mcarthy/Tierney lit tle lice Blue own, When I º / first wan dered down in to town, I was both proud and shy, s I felt ev 'ry eye, But in 7 13 'ry shop win dow I'd primp, pass ing by; Then in B ev man B ner of fash ion I'dfrown, 7 7 Eº nd the 7/E world seemed to smile all a round. 'Til it 25 B B º / 9 7 wilt ed I wore it, I'll al ways a dore it, My 29 B sweet lit tle lice Blue own.

23 1 mazing race Twas ma grace zing that Through ma ny 7 3 grace, taught dang how my ers sweet heart toils the to and sound, fear, snares, That nd we 5 saved grace have a my al 3 wretch fears rea like re dy me. lieved. come. I How T'was 9 once pre grace was cious that lost did brought but that us now grace safe am ap thus found, pear, far, was the and 13 Bm blind hour grace but I will 3 now first lead I be us see. lieved. home.

24 q = Eb7 Mando lins, vio lins, Ev'ry body tun in' up,the funbe gins, omethis way, Em Mu sic sweet, rag to nights B 'round don't de lay, Better hurry honey dear,or you'll be missin' Eb7 your feet. It's 7 time treat, oes right to you head and trick les a re mind down in old l a bam: see ea like a 7 er a memo ry find er of You ought to con Jones when he rat tles them bones, OldPar son Brown danc in' clown, 7 unt Jem i ma who is past eighty three Shout in' "I'm full o' pep! Wtachyo' step, watch yo' step!" Oneleg ged round on his toe, Hail, Hail, Joe danced a min min Threwa way his cane and hol lered,"let her labama Jubilee eorge Obb the gang's all here for an l abam a Jubi lee. 7 7 go!" 1 Oh Hon ey

25 nd They alled It ixieland for the rose, nd they called it ix ie land. They built a 1 Raymond Egan & Richard Whiting They built a lit tle garden sum mer breeze to keep the snows far a way from ix ie land. They built the 9 E 7 fin est place I've known, When they built my home sweet home, Nothing 13 7 wasforgot teninthe land of cot ton,from the cloverto the honey comb, nd then they 17 B took an an gel from the skies, nd they gave her heart to me. She had a 21 7 bit of heav en in her eyes, Justas blue as blue can be. They put some fine 7 twice spring chickens inthe land, ndtaught as nice as Par a dise, my Mammyhowtouseafrying pan.they madeit nd they called 7 it ix ie land.

26 merican Patrol.W. Meacham E 7 17 B º B 29

27 ny Time 1 Herbert Lawson? in n y time blue, you'refeel ing lone n y time m ly, n y time youfeeldownheart ed, you'refeel ing Thatwill prove your lovefor me is true. n y time you'rethink ing 20 3 'bout me, That'sthe time I'll bethink ing of 24 7 you, So an y time you say you 28 want me back a gain, that's the time I'll come back home to #0 you. n y you.

28 Tho' pril pril Showers Show ers may come your way, E Louis Silvers & Bud esylva 1921 They bring the flo wers 7 that bloom in E 7 May. So if its rain m ing have no re grets, 13 Be causeit 7 isn'train ing rainyou know,it's rain ing vi o lets. nd where you 18 see clouds upon the hills, E 7 yousoonwill see crowds of daffo 24 m dils, So keep on m look ing for a blue bird, and list 'ning for his E 29 7 song, when 7 ev er pril Sho wers come a E long.

29 t a eorgia camp Meeting Eb TREBLE 2 bars unison w/ larinet trill B bars unison 7 ine 27 Edim dim 7 Back to "B" for solos, after last solo play "" once

30 I had a dream last t The evil's Ball Irving Berlin 1913 night, Thatfilledme full of fright: I dreamt that I was with the 4 ev il be low. In his great big fier y hall, Where the ev il was giv ing a Ball. I checked my coatand hat and started gaz ing at the merry crowd that came to witness the show. nd I 13 must con fess to you, There were ma ny there I knew. t the

31 t The evil's Ball Eb TREBLE 17 2 B evil's Ball, t the evil's Ball, I saw the 21 º º 25 cute Mrs. ev il, so prettyand fat, ressed in a lit tle red fire man's hat. Eph reham,the leader man,wha led the band last all, He played the music at the 29 evil's Hall. I saw the I caught a glimpse of mymother in law, ancing with the evil, Oh! the lit tle ev il, 41 Ball, In theevil's funniest dev il that I ever saw, Taking the tick ets from folks at the door, ancing at the evil's Ball. t the

32 q = 180 Em t The Jazz Band Ball Original ixieland Jazz band Em B dim dim 7

33 Old deacon Splivin, + unt Hagar's Blues His flock was giv in' + the way of liv in' right. W.. HNY m 7 º Said he"no swing in', No ragtime sing in' to night". 9 m7 Up jumped unt Hagar 7 and shouted out with all her might: 7 m 7 13 B "Why all thisrazz in', aboutthe jazz in'? My boys have just come home, With latest music, 7 They play it on the sax o phone" Oh my, just lis ten!" 7 the deacon shouted with a moan. 7

34 º Eb TREBLE 7 Hear unt Hagar's children harmoniz ing. Hear that sweet mel o dy, It's m like a choir from on high broke loose. If the 33 m devil brought it, the good Lawd sent it right down to me. Letthe 37 7 º con gre gation join 7 while I sing those lov in' unt 7 Ha 7 gar's Blues. 41 Oh, 7 'taint no use you preach in', Oh, 'tain't no use o'teach in' 7 Such jazzapation 46 such modula tion, When myfeetsay dance, I justcan'trefuse, WhenI hear that mel o dy they call the blues, 7 unt Hagar's hildren Blues.

35 I found valon L Jolson 1920 my love in va lon, Be 5 side the bay, I 9 left my love in va lon, and sailed a way. I B dream Em dusk so of her and va lon from 'til I think I'll m6 7 7 Em7 dawn. trav va lon. nd el on, to

36 7 o in' back 3 to Sto ryville, that's Back To Storyville 7 wherei long 7 to be, Louis rmstrong in't notime to ask me why. Ev'rything'bout Sto ry ville is 6 just a part of me, Since 7 I wasjust this high. 7 o in' 9 B 7 back to ol' e sire, I know my way a round, riends I knowwill 7 shake my hand Noth in' changes on e sire, that streetof my home town, 7 the street where I'll take my stand. There's a

37 Back To Storyville Eb TREBLE drop a round most anytime you choose. There's a 21 cafe called "The Pup" that's never shut, so you can la dy tailored up in somethin' cut low, she Ø7 7 7 rolls the ol' pi an o with the"jelly Roll Blues". oin' 7 back to Sto ry ville, I'm gon na' take my horn, my nifty suit, my brush andcomb Oh I justcan'twait un til I'm back where I was born, My Sto ry ville, my home.

38 Bbº I've got the blues, I could on Em7 7 ly make Bbº I feel b5 I'm goin'to tel e graph you ba whenyou're gone lone. When Ba I'm by won't you please 7 so Em you under stand. 7 all Ihave tried you left you brokemy º hour in the day, Baby Won't You Please ome Home #º for come in heart, 7b5 7 you will hear me say, lone 7 7 ly, B+ Em7 Itsurely would Bbº I'd give the world be by, s you won't you please come home, lorn, #º home, Em vain, Em7 I wor ry all 'cause never no more m7 day 7 long. your mamma's all Eb9 7 grand. Em7 to call your name. Be causei neverthoughtwe'd part. 7 Baby won't you please come home. larence Williams and Harles Warfield if "ause a Ev 'ry

39 Blue (nd Broken Hearted) B Blue, Blue, Blue, Eº be cause we're part and bro ken heart There was a time I was jol Eº and oh! so lone an Lou Handman ed, ed. You know the rea son I'm mel chol 7 ly, ly, & y True, I want you on We made a blun der and lots of time I won der 7 you're blue too. E ly. if

40 E olks in eor It's being done gia's at Ballin' The Jack 7 7 'bout to go in ets, ll so sane Since that new all the ca bar cie hris Smith 1913 dance ty 4 º 7 down in eorgia came; I'm the on ly persowho's to blame, now has got thecraze, It's the best dance done in modern days, 7 7 I'm the par ty intro duced it there, B so! That is why I rave a bout it so! 9 B E 7 7 ive me cre dit to know a thing or two, ive Play some good Rag that will make you prance; Old me crefolks, dit folks, young 12 º 7 E 7 for springing new; I will show this something lit tledanceto you, all try to do the dance, Joinright in now while you gotthe chance, 15 7 B When I do you'll say that it's a bear! 7 Once a gain the steps to you I'll show:

41 2 17 Ballin' The Jack Eb TREBLE irstyou putyour two knees close up tight, Then you sway'em to theleft then you 20 sway'em to the right, 7 Step around thefloor kind of nice and light, Then you 23 Twist a round and twist 7 a round with all your might, 25 Stretch lovin' armsstraight out in space, Then you do 28 le and grace Swing your foot way 'round then bring it E back, Now 31 the Ea gle Rock with sty that's what I call "Ball in the Jack". 7 Solos at ""

42 Beale St. Blues You'll 3 see see Beale pret Hog ty Nose Street ould Browns rest talk, 'rants in and If beau hit Beale ti lin ful gowns, a fe's, Street could talk, You'll see You'll see Mar ried 5 m 7 7 tail Jugs or that mades tell and of hand by me gone downs. days. You'll nd meet hon est plac es, once men, plac nd es, men_would have_to pack their bags and walk. Ex cept one or two, Who 8 m pick Now just a sham, nev pock ets skilled, er drink booze, You'll find that You'll see nd the bus' ness old en blind man nev er clos balls on e es 'til nough to pave the corner who sings some the these bod y hets killed. New Je ru sa lem. You'll If Beale Street Blues.. Well I'd

43 Beale St. Blues 2 Eb TREBLE 12 B 7 7 rath er goin' to be the here, river, Than an May y place I be bye and know. bye. I I'd saidi'm rath er be there, Than an y place I know I said I'd 16 m rath goin' to rath er er be the be here, river, there, Than nd Than an there's an y a y place rea place I son I know. why: know It's Be gon cause na the New 20 7 take the ser geant or to make me go. riv er's wet and Beale Street's done gone dry. York may be all right,but Beale Street's paved with gold m 7 íf going back to "" Well I'm I'd

44 q = pp Bluin' The Blues 7 f Henry Ragas Eb Eb7 7 B pp f 21 7 Eb

45 pp Eb7 Eb TREBLE 7 7 Eb Solos f Eb E E 7 7 pp f

46 h = 100 There are Blues My Naughty Sweetie ives To Me 1919 Em Blues Blues Blues that that that you you you dim get get get from when from Em wor sin sweet There There ry gle ie When are are she m Blues Blues phones 6 that that to you will an dim get give th from you er m pain, pain, guy, nd nd nd 7 there there there are are are Blues Blues Blues when when when you're you're your lone lone hon ly ly ey or or spends 11 Em your your all one one of and and your on on mon The The ly, ly, ey, nd 7 Blues Blues Blues you you when can can she nev nev tells er er you ex ex a plain; plain; lie; There There There are are are 17 Em Blues Blues Blues that that that you you you dim get get get from from when Em long long mar ing ing ried But To Wish the hold ing m blu some that Blues est one you on could that your be be knee, free, mean tax wine kind, est i for cabs, two, re But But The The The the the the 7 Blues Blues kind sort kind kind my my of of of of naught naught Blues Blues Blues Blues y y my that's that that's sweet sweet sweet on al good ie ie ie my way and 9 gives gives gives mind, stabs, blue, to to to me. me. me. They're ome omes () the from from There There There ve ry hi ring hav ing are are are

47 1 This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, id you ever notice that Peter O Toole is the only Hollywood actor to have a first and last name with a phallic reference? But I won t be doing any such thing. So stop reading this. It is a waste of your time. I won t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. s a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.

48 dim By the Light of the Silvery Moon Place park scene dark, ct two, scene new, Sil Ros v'ry moon es bloom dim is shin ing thru ing all a round us Edwards & Edward Madden 1909 Bmin thetrees, theplace. 5 Bmin 7 ast two, ast three, 7 Bmin me, you, you, me Preach Bm7 Sound of kiss es float er with a sol Bm7 ing on the breeze. emn look ing face. 9 dim ct one, be hoir sings, bell gun i rings Preach a logue, "where er, "You are m6 woud you wed for like to spoon?" e E ver more." 13 E m m m7 My ct cue, two, with all you, through, Un Ev der neath the r'y night the sil v'ry moon. same en core. By the

49 2 17 B Light By the Light of the Silvery Moon Eb TREBLE of the sil ve ry Moon, 7 I want to 21 spoon, to my ho ney I'll croon #0 love's tune; Ho ney 25 moon, Keep a shin in' in June, 7 Bm 7 Your sil Bm v'ry 29 beams will bring m love's m dreams, we'll be cud dl ing soon, By the sil ve ry Moon.

50 areless Love 6 Love, oh love oh care less love. You fly 7 right thru my head B like wine. m ma ny a gal, and you near You've broke ly broke this heart of the heart mine. of 24 If I were a little bird, 7 I'd fly from tree to m tree. 29 I'd build my nest way up in the air where the 33 bad boys could not both er me. 40 Now I wear my a pron high, 7 Now I wear my a pron high, m 45 Now I wear my a pron high, and he nev er, nev er pass es by.

51 E º 7 7 hi ca go, hi ca go, hicago 7 tod red isher dl' in' town, That tod dl'in' town, hi ca go, hi ca go, I'll show you a round, I love it, town B that 7 ly 7 Bet your bottom dol lar you lose the blues in hi ca go, hi ca go, The Bil Sun State Street, that great street, B 7(b5) do 7 day could not E º things they don't I 7 shut just want to say, /E º/E 7 down! 7 do on Broad way, 7 7 justwant to say, Say, 7 On They 25 They havethetimethetime of their life, Eº I saw a man, he danced with his wife, In hi º 7 7 ca go hi ca go my home town!

52 hinatown, My hinatown Jean Schwartz & William Jerome 1906 When the town is fast a sleep, 5 nd it's mid night in the sky, 9 That's the time the fes tive hink, 13 B 7 Starts to wink his oth er eye. 17 B Starts to wink his dream y eye, 21 La zi ly you'll hear him sigh: E&7

53 E&7 Where na town, my the lights are low, na town, Hearts oth rift ream 7 that know no hi hi ing to and fro. y, dream er land B E&7 Hearts mond seem light eyes hinatown, My hinatown &7 of na town, brown, E&7 7/ B 6 E 6/ 7 and Eb TREBLE lifeseems bright, In 53 y, hi l dream y hi na town. º B 7

54 5 9 q = hi lose Sand m While B Bud Moon while na boy go sleep, your 7 eyes 7 don't peep, man soon will come, I soft ly hum. 7 dha smiles 7 man loves their watch on you you, too. 7 hi na boy hina Boy Winfree/Boutelje 1922 go they keep, sleep. 7 So,

55 º 7 The urse of n ching Heart l Piantadosi hope 7 made dragged soul B fooled though curse me you're º what I is am me down and down fied. 7 with in me died. tered me you're not º each 7 from º true 7 of an ach and the I ing un shat ev / still start. 7 to sat 'ry 7 7 day, til dream, º heart. love you, / You I You the You You nd That's the

56 leopatra Had Jazz Band Jack oogan & Jimmy Morgan 1917 E 7 7 E His to ry re peats it self, So the wise men say. I be 5 E 7 Bº B& lieve they're right be cause last night I heard pe cu liar mus ic play. 9 E In 7 7 º º 13 6 ly 7 goes to 6 prove 7 that E 6 7 a dream it takes me back two thou sand years a go. Which on gyp tians were not slow. le o patra had a

57 leopatra Had Jazz Band Eb TREBLE B jazz jazz 7 band, dance, In her cas tle on the E Nile. In her queer E gyp tian style. Ev 'ry night She she gave & won 7 Marc a E/ n to ny, With her syn co pa ted har mo ny. nd while they E / 7 29 º 7/ pyr a mids, 'Neath the old E gyp tian moon, E º Sphinx was 37 7 played, She swayed. She knew she had him all the while. In the sha dow of the looking on and 7(b5) said: "There'll be a wed ding soon". º 7 But 7 the E real his tor ic scan dal, was le o lost her san dal as she danced to the strains of the E gyp tian jazz band tune. E

58 reole Belles #

59 Interlude B 7 º 7 7 Belle shine 7 I love her well I'llcall her mine, My cre ole belle Whenstars shine My my lit dar I I'll dar tle lin' reole Belles Eb TREBLE love call 7 ba her her lin' my by my well mine, re re N My re ole Whenstars Belle my my ole ole Belle. dar lit lin' tle 55 ba dar by my lin' my re re ole Belle. ole Belle Solos at ""; Out horus use Melody from "."

60 ardanella elix Bernard & Johnny Black own beside the arda nel la Bay, Where Or i en tal breezes play, By Therelives alonesomemaid r me the ar danelles with glowing eyes, nian She looks a crossthe seas and 17 3 sighs, ndweavesherlovespellso si re nian. 21 B 7(b5) Soon I shall return to Turke stan E I will 7(b5) ask for her heart and hand. E Break Bass

61 ardanella Eb TREBLE 29 2 Oh, sweet arda nel la, I loveyourharem eyes. 33 I'm a lucky fellow To capturesuch a prize. Oh llah 37 knowsmy lovefor you, ndhe tells you to be true, 7 41 arda nel la, oh hear my sigh, Break 1 bar My Or i en tal, Oh, one sweet ardanella, girl in my ha rem when you're mine. Preparethe wedding wine, 7 7 Eº There'll be 7/E We'llbuild a 53 7 tent just like the children of the Or i ent. º 57 Oh, sweet ardanella, Mystarof love di vine.

62 º I've got some We'll meet our arktown Strutter's Ball 7 good news hon high toned 7 neigh ey, bors, n in n ex vi hi Sheldon Brooks 1917 º ta bi tion tion to the of the 4 7 ark "ba town by Ball. olls", It's a nd each 7 ver one y swell will do af their 7 fair, best, 7 ll Just the to 7 E "high out 7 browns" will be there. I'll wear my high silk hat and a frock tail coat, class all therest. nd there'llbe dancersfrom ev'ry for eign land, º 7 You The 11 wear your Par is gown clas sic, buck and wing, and your and the E new silk shawl, There ain't no doubt a wood en clog. We'll win that fif &7 ty 14 B 7 E 7 bout it babe, We'll be the best dressed in the hall. I'll be dol lar prize When we step out and "Walk the og".

63 2 17 B arktown Strutters' Ball Eb TREBLE down to get you in a taxi hon ey, You'd bet terberead y a bouthalf past eight /B Now dear ie don't be late I want to be º m7 7 there when the band starts play ing, Re 25 member when we get there hon ey, The two steps I'm goin'to have'em all. oin' to 29 º danceout both my shoes, When they play the"jel ly Roll Blues" To 7 33 mor row night at the ar town Strut ter's Ball. 7 dim m7 7 I'll be

64 ear Old Southland Henry reamer & Turner Layton I want & to stray / B 7 / to the town I was born, & / / My home town, My lit tle home town. & / / I I want want ear, ear, hear you long, long ing to play & to hear º "o long, you my / & & go long, South callheart º /E dear old 7 ear ear 7 go long, Old Old ing is each go Sputh corn, to yearn morn, To feel it, B Bº long to school". land, land, I used to steal º I for in the cot ton and Mother say 29 how just I to long see me. ing. to once Tuba roam more 7 º nd nd I I back the it. to land my I old love Kenthat tuck Swan y ee home. shore.

65 q = B m7 m7 m m #dim m ixieland Jazz Band one Step m Bb Bdim 3 7 7

66 5 wait own own mong The Sheltering Palms a mong the shelter ing palms, for me; Oh hon ey wait for me; be Olman 1914 Oh hon ey Meet Out B How 7 How own me down by the old old en ate, where 9 the sun goes down a bout eight. my love is burn ing, burn ing, burn ing, my heart 7 7 Eº is yearning, yearning, yearning to 7 7 mong the Shel ter 7 ing Palms, be Oh hon ey wait for me.

67 q = 180 own By The Riverside 1 on na lay down my sword and shield down by the riv er side, 5 9 down by the riv er side, own by the riv er side. on na lay down my sword and shield down by the riv er side down by the 14 riv er side. in't gon na stu dy war no more I ain't gon na stu dy war no more I ain't gon na stu dy that war no more I ain't gon na stu dy war no more I ain't gon na stu dy war no 28 more you know I'll stu dy war no more. 2. onna stick my sword in the golden sand 3. onna put on my long white robe 4. onna put on my starry crown 5. onna shake hands around the world

68 Jun 7 gle, Jun gle, Jun Jun B In ar a way in Jun gle land, gle land, Where they play up on the sand, 7 own In Borneo Isle 7 gle 7 sand. the eve ning when the day Herny reamer & J. Turner Layton 1917 Tuba Tuba Toms etc. & Toms Tuba Toms etc is cool er 'ry bod y does the Boo la Boo la nd they say that mon key band, 7 7 gle, Jun gle, Jun ev Tum bles, Stum bles, s they bun gle thru the jun gle.

69 own In Borneo Isle Eb TREBLE own in Bor ne o, own in Bor ne o, / º own in Bor ne o Isle. I love to 7/B º 7/ 7 45 see those wild men danc ing a round, nd those real wild wo men in swim min'! 49 7 own in Bor ne o, Where I want to go, ll they wear is a smile, º 56 nd ev'ry evening when the lights are low, Oh, Oh, 62 7 Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh! How they toad al o, To the mus ic slow, own in Bor ne o Isle.

70 /E 6/ B E 7 E 7 7 B6 º E own Home Rag Wilbur. Sweatman B B B B 7 B /E 6/ B B B B 7 7 Play "" Once and end

71 Verse Em own in Jungle Town 7 7b5 Edward Madden and Theodore Morse B 7 B horus B soon. 7 pret When 7 own Singsthat mel mon in jungle town, 7 hon ey moon is com ing Then you'll hear a ser en ade, To a ty mon key maid, m7 º 7 º 7 that chim pan zee up in the tree, o dy. I'll key doodle doo way own In Jun 7 gle Town. 7 be true to my

72 B It's Bill Johnson said one day, "We've been to nearly Ifyou sug gestto me, We both will own in HonkyTonk Town hris Smith & harles Mcarron 1915 ev' go and do His sweettie said, "My ear, I got it straight from Mose, ry place To his E in someoth er the thing up liza May, town. E novel ty, brown!" there is this placei hear, who bringsthe clothes. Hon ky Ton ky Town, down where the gals are brown. E 29 (b5) That's where the mu sic grows.

73 33 2 own in HonkyTonk Town Eb TREBLE ome, Honey, let's go down to Honky Tonky Town, 37 it's un derneath the ground, where all the fun is found There'l! be sing ing wait ers, sing ing syn co pa ters, danc cin' to pi a no played by Mis ter Brown. 49 Heplays pi ano queer, He on ly playsby ear, 53 You want to staya year, The music thatyou hear, would 57 ev en start a mon key, danc ing with a don key, 61 own in Hon key Ton ky Town.

74 7 own Yonder Rail road train, Rail road train, Hur ry some more. 7 L. Wolfe ilbert Put a lit tle steam on just like nev er be fore. Hus tle on, Bus tle on, I've got the blues Yearn ing for my Swan ee shore, Broth er if you on ly knew, 21 7 You'd want to hur ry up too. 7

75 25 2 B own yonder some one beckons to me, own Yonder Eb TREBLE own yonder some one reckons on me. I seemto see a race in mem o ry, 7 º 7/ BReak 2 Bars more and more, Ev 'ry day, my mam my land, You're sim ply grand Between the Natchez andthe Robert E. Lee. Swanee shore I miss you own Yonderwhenthe folksgetthe news, on't wonderat the Hul la ba loos There's dad dy and mam my, There's Eph raim and Sam 60 7 my, Wait in' down yon der or me. 7 7

76 q = I Easy Rider's one Shelton Brooks wonder where my Easy Ri der'sgone to day He 5 7 ne ver told me he was goin' a way. If 9 7 Em he was here he'd win the race If not first he'd get a place. ash 13 7 in our tick ets for a jol ly joy ride right a way I'm 17 7 los ing all my money that is why I'm blue. To 21 7 win a race he knows just what to do. I'd 25 7 Emin 29 put all my junk in pawn to bet on an y horse that Jock ey's on, wonder where my Ea sy Rider's gone. I gone Oh I

77 Eh Las Bas º Traditional Eh la bas, (band sings echo) Eh la Bas, Eh la bas, Eh la bas, 7 º 13 7 Tra la la Sis Boom Bah Eh la 17 bas, B can't Or speak y Solos here after Vocal rench, sang not that in a a pinch so jun rench in a Eh la bas Well I 7 I don't know what it means. But it fine ol' re ole way, but the 21 7 sounds real good, like I knew it would, like down in New Or on ly a jun I can say is Lais sez les bon temps leans, rou lez!. I So 25 7 love let to the hear good that times clari net burn roll my friends, and and hear let them the trom bone mus ic gliss play, es I'd To 29 7 like mor to row sing may rench when I take my nev er come to turn be, but so that let's ain't the kinda love it band up that this is to day Eh Eh la la Vocal Back to Top

78 Eccentric J. Russell Robinson 1921 º B Solos: 7 7 7

79 Solos Begin Here first time Eccentric Eb TREBLE º 7 3 fter last solo play "" as written then on to "" 57 º º 7 Tag º pp f 7

80 7 idgety eet The Original ixieland Jazz Band º º º Bar break B Stop time 4 bars

81 2 38 idgety eet Eb TREBLE B B B B 7 62 B

82 loatin' own That Old reen River 5 oncert pitch I've been float in' down that 7 7 old 7 reen Riv ooper 1915 er on the 9 good ship "Rock and Rye," But I 13 wad ed too far, I got stuck on a bar I was 17 there 7 all a lone, Wish in' that I was home. The ship got wrecked with the cap tain and crew, nd there was on ly one thing I could do; I 29 had get to drink that whole back home to you! reen Riv er dry to No Repeat irst Time On To Vocal Solos at ""

83 loatin' own That Old reen River Eb TREBLE Verse Interlude: B #º #º Verse Vocal: Half #º past four, an #º Mc raw, 45 He came a' creep in' to his wif 7 ey's door She had been waitin' up half the night or 53 an to come home and go to bed. #º #º 57 an ny smiled, like a child, 61 But then his wife's eyes grew ve ry wild! 65 this "Where have you been all night?" is what an ny re plied: she cried, nd.s. to "" I've been Back to "" for Vocal and Solos

84 5 7 loatin' own To otton Town B º I just dropped in to see you all and say, I leave to day, I'm on my way. 7 &. Henri Klickman 1919 B º 9 I'm go in' back to sun ny ix ie land, º 13 /E That's why I came to shake you by the hand. 7 & B 7 B º The min ute when I cross that ix ie Line, No º 7 B º & B º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, 29 /E Ø7/E To that gal of mine: 7

85 loat º in' on the /E loatin' own To otton Town Eb TREBLE 7/ er down to ey, in' down, ton Town. Just hear that º in' down, my hon float loat riv ot whis º 7 Break 2 bars tle toot! toot! toot in' a way, nd those dark ies sing in', ban jos ringin''til the break of day. Hon ey lamb, my lit tle hon ey lamb, 7 º /E 7/ E 7 I'll come back to you and l a bam; While fields of sug ar cane seem to wel come me a gain, 7 61 E 7 7 loat in' own To ot ton Town. 7

86 lee s Bird B 7 B E 7 Mary S.B. ana lee as a bird to your moun tain, Thou who art wea ry of sin. He will protect thee for ev er, Wipe ev 'ry fall ing tear. 5 B 7 B 7 B o to the clear flow ing foun tain, Where you may wash and be clean. He will for sake thee oh er. so nev Shel tered ten der ly there. 9 B ly for the aven ger is near thee, all and the E 6 Sav iour will B hear 7 thee. Haste then, The hours are fly ing, Spend not the ment in mo sigh ing. 13 B 7 B 7 B E He on his bos om will bear thee, Thou who art wea ry of sin. Oh easefromyour sor row and cry ing, The Sav iour will wipe ev 'ry tear, The 17 B thou who art 7 wea Sav iour will wipeev 'ry ry of B 7 B 7 B 7 B sin. tear.

87 5 rankiewent down rankie and John niewere sworeto said to be true the fat to the to each rankie nd Johnnie a buck et bar lovers. 7 oth er, ten der, Just Just "Has as corner, Oh, Lordy how for theycould love! as of º in est man been here? thestars beer. Traditional a 1 7 They She bove. my lovtrue 8 E 7 7 He washer man, But he doneher wrong. He was my man, Buthe'sdone me wrong".

88 5 7 loatin' own To otton Town B º I just dropped in to see you all and say, I leave to day, I'm on my way. 7 &. Henri Klickman 1919 B º 9 I'm go in' back to sun ny ix ie land, º 13 /E That's why I came to shake you by the hand. 7 & B 7 B º The min ute when I cross that ix ie Line, No º 7 B º & B º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, 29 /E Ø7/E To that gal of mine: 7

89 loat º in' on the /E loatin' own To otton Town Eb TREBLE 7/ er down to ey, in' down, ton Town. Just hear that º in' down, my hon float loat riv ot whis º 7 Break 2 bars tle toot! toot! toot in' a way, nd those dark ies sing in', ban jos ringin''til the break of day. Hon ey lamb, my lit tle hon ey lamb, 7 º /E 7/ E 7 I'll come back to you and l a bam; While fields of sug ar cane seem to wel come me a gain, 7 61 E 7 7 loat in' own To ot ton Town. 7

90 q = 152 Eb TREBLE oolish Questions 1915 Now you've Now Now let's 5 all heard fool ish then there's that say the ele vator ques per per tions son son and you who's al should for no ways doubt won der why hanging 'around the place get to close the door, nd Some nd 9 E one he will watch ask es you you a take fool ish ques tion but your shav ing brush and ex pect a sen si ble re ply Like start to lath er up your face. nd you should hap pen to tumble down let's say for ty se ven floors. nd 13 when you take your girl some as you give your can ra dy zor Say just its prelim when you hit the bot tom and you're lying there in in af ar ter y tea The wave You ert Some 17 first thing she'll do is wrin kle up her nose and ask "Is it for me?" know that fool will come up to you and ask "re you gonna shave? fool will stick his stick his down the shaft and ask, "re you hurt?"

91 Ma pared he'd an see ing B oo or for have aw gi nal he of it brush time lish ques tion no your shav the ful nd and Pa ing fu ne hurry would now paint or I ral and have com I'll my ing it's just now this want E for love and ele take self ed down it up your I hope it You the then vator's a this that this doubt reply that utter your some taste die just oth of la too you is you dy er ter re I re ing guy soap. on. slow. ply hope ply moan I I Ned It just like was usual No No No, No, it's I'm he I want way. no ther fool ish ques way. way. way. to al ly for not just was ed take ways saves tion you my so a your pre though B E hear B way, B just B Ned them ev' ry day. re oolish Questions Eb TREBLE Then there's this fel low who meets 7 nd he asks you why you're all dressed up and this turn ing from the fu ner ral E of dear nd as you're ring ing out your hank ie he'll ask "Is 7 in to shav ori lot You'll you on your is what you say. You're old bro ther Ned dead?" Back To "B"

92 Bass rizzly Bear Rag eorge Botsford 1910 Break 21 B º ine

93 37 2 rizzly Bear Rag Eb TREBLE º 7 Break E 7 Stop time as Marked Break Back to "B" Play to ine

94 He May Be Your Man (But HE omes To See Me Sometimes) Lemuel owler 1922 Miss Miss 5 Min Lu nie dy º 7 Lee from Tennes see was known to reen was some l'il queen, and jeal ous 7 be quite rough. as could be. 9 When her man went out at night They would al ways dis n y time and an y where She would al waysstruther 7 a 7 stuff. Now gree. own 13 Sadie Snow, at the ball, º she at had Moon a shine beau Hall, 7 she where loved ev him 'ry night bod and y'd 7 day. go, 17 7 Un til Min Was Miss Min nie nie, 7 shook drink a shim in' plen my and ty and 7 7 stole hug his gin' heart Lu a way. dy's beau Poor Sa die Lu near ly dies, dy was mad as well, but Min Min nie on ly sighed, then 7 Eº 7 I heardher say: nie said"i will tell you now so you'll know" He

95 2 He May Be Your Man Eb TREBLE B 7 may be your man but he comes to see me nd when he's with you he's al 7 ways got me on some times his mind. 7 I 33 ain'tno m vampire that is ture, But I can cert' nly take you man from you My wicked smile, My wicked walk, I've got the kind of eyes that seem 7 to talk, It's 41 no need of cry 7 in' and it's 7 no use to weep and mourn I love you man and I'm gonna take him for my own, my own may I don't mean, in't no need to be so bold, ofget tin' rough, 7 be your man but he comes to see me 7 but I just want, 'cause I'mjust right 7 some times. toget you told, He to do 7 7 my stuff +

96 Hel Sun If º lo day I en tral what's night was Hesitating Blues my whis beau key, the pro and º mat posed you ter with to were this a line? me. cup,i'd W.. Handy º / #º Bm I Said dive want she'd to be to talk to hap the bot py tom that if his and High Brown wif ie I'd nev er come mine. be up, Tell Said me how he, "How Oh, How long long long 6 will I have to wait? Please give me will I have to wait? ome be my do I have to wait? an I 9 2 wife get 9 8 my it Kate, now, or do Why do Why do I have you you to hes hes hes i i i tate? tate? tate? B What I I you de had say can't clined him wo man, talk to just for She my a was Brown? stall, tall. He She storm left make last that me night night think blowed on 'bout the the my

97 2 16 / #º Bm Hesitating Blues Eb TREBLE 1 wires all an par non a down. Ball. sol. Tell me Hon ey Oh, how how How long long long will will do I I I have have have to to to wait? wait? wait? Oh, won't WIll an you he I tell come get me back it now, now, now, do Why do or I will have you he to hes hes hes i i i tate? tate? tate? 7 7 na tion is the thief of time, So all the wise owls say, 7 put I'd be 7 left may save nine", off, To mor row's not to day. Some bod y's bound to lose. his, He'd be mine, nd I'dbe feel ing gay. 7 7 Pro cras ti "one stitch 7 Left in time nd if you a lone to grieve and pine, My best friend's gone a way, He's gone and me The Hes i ta ting Blues. Pickup to horus 7 7

98 B 7 Em Em Em Em dim 7 Solos Here 7 7 dim High Society

99 2 High Society Eb TREBLE 73 m m Tuba 80 m m E dim

100 Bb larinet Solo as played By lphonse Picou High Society Eb TREBLE º 3 3

101 5 q = Hin stopped Hin du stan, to rest our tir ed car where dim 7 7 a van, paint du stan, we where the Hin 7 21 pur Hin ed pea cock proud du ple sun bird flahsed ly spreads his stan, fan 7 a cross the sand, where the 9 9 m m 25 met du stan 7 29 her and the world Hindustan be Oliver Wallace & Harold Weeks gan. where I

102 q = 180 Hot Lips Bb There's a boy that's in our band, nd how he blows that horn, 5 in est since you're born, When he starts you're gone. Bb7 º 9 They all call him Hot lips for He blows real red hot notes, nd ev' ry body on the floor just floats that's what they say: He's got hot 17 B Bº 7 lips, when he plays jazz, He draws out steps, like no one has. You're on your

103 Hot Lips Eb TREBLE 2 25 m6 + 7 º toes and shakes your shoes, Boy how he Solo Break +7 goes, WHen he plays Blues. I watch the 33 Bº 7 crowd, un til he's through, He can be proud, rare 7 45 THey're cu ckoo too. Stop Time Time: m m Bº boy you must de clare is there, with two hot lips. his mus ic's you know the Solos at "B" +7

104 I in't onna ive Nobody None of My Jelly Roll º 7 larence Williams & Spencer Williams Lit tle Wil ly reen from New Or leans, a greed y boy was he. His sister Til ly reen was real ly mean, and ver y stin gy, too. 5 B º He al ways want ed lots of kids just to keep him com pan y. One She al ways want ed some of what you had but gave she noth ing to you. 9 7 day When his mom her mom bought him a Toot bought her a sie jel ly º 7 Roll, the best can dy that was made. roll, to hide it she would try. 13 B º /E 7(b5)/ 7 When When the the kids kids be would gan ask to her hang for a a round, bite, lit you'd tle hear Wil Til ly ly said: cry: I I 17 ain't gon na' give no bod y none of my Toot sie Roll, (Toot sic Rol!) I ain't gon na' give no bod y none of my jel ly roll. (jel ly roll) I 21 7 would n't give you a piece of my sweet, not to save your soul! (save your soul!)

105 I in't onna ive Nobody None of My Jelly Roll Eb TREBLE 25 2 ad dy told me to day, Just be fore he went a way, If I'd Mom ma told me to day, Just be fore she went a way; be a good boy, If I'd be He'd a bring me a good lit tle 7 Two Bar Break toy; nd I'm my ad dy's pride and joy! You girl, She might put my hair in curls! You know there ain't no need in your just hang in' a round, (hang in' a round) I 37 7 know you want it, but I'm a gon na' turn you down. My 41 º Toot sic Roll is sweet! nd you know it can't be beat! I 45 jel ly roll is sweet! º / know you want it, but you can't have it! I ain't a gon na' give you none! 7 Back TO "" 49 Interlude to Second Verse B º 7 7 B º 7 7

106 I an't Let 'Em Suffer Henry reamer & Turner Layton 1918 & 5 Love to see them smile. 7 E º 7/ I love to see the fellows hap py all the while. That shows they're jol ly and ev 'ry thing I love to see the fellows hap py all the while. & 13 E E º / 7 It's cru el, So cru el, To let them plead. Oh, I

107 I an't Let 'Em Suffer Eb TREBLE B 7 can't let'em suffer 7 for the want of love. It's a shameto let'em plead. No I shan't let'em suffer no for the want of love, use tryin'to stall, I When I know just what theyneed cry: 7 just 7 just got Lov 7 can't got to take'em just "Oh, ome and kiss me, Sweet ie", to make'em /E in' kiss es let 'em suffer, I'll 7 in my lov in' arms, can't save them all! 7 / B 7 I'mbound to 7/B fall. 7 be my turtle dove, pro vide, or the want of E / ot to keep'em out of harm. 7 Un love! 7/ My hon ey /E love. til they're sat is fied. Now there's But when they 7 Then I've Then I've 'ause I