Fake Book 1. pre 1923 Ver Tuba

Transcription

1 ake Book 1 pre 1923 Ver. 1.1 Tuba

2 The reole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at:

3 This ake Book has been assembled with tunes that have all been written prior to Therefore these are all out of copyright in the USA. I hope you enjoy the tunes. This fakebook has been produced in the following versions: Treble Treble Eb Treble Bass lef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The reole Jazz Band kyeates@yahoo.com

4 th 12 Street Rag... 1 A Good Man Is Hard To ind... 2 Afghanistan... 3 After The Ball Is Over... 6 After You ve Gone... 4 Aggravatin Papa... 8 A int We Got un... 7 Alabama Jubilee...18 Alcoholic Blues Alexander s Ragtime Band Alice Blue Gown All The Girls Go razy Amazing Grace American Patrol And They alled It Dixieland Any Time April Showers At a Georgia amp Meeting......,,,. 23 At The Devil s Ball At The Jazz Band Ball Aunt Hagar s Blues Avalon Baby Won t You Please ome Home Back To Storyville Ballin The Jack Beale Street Blues Blue and Broken Hearted Blues My Naughty Sweetie Gives to Me. 40 Bluin The Blues By The Light of the Silvery Moon areless Love hicago hina Boy hinatown, My hinatown leopatra Had a Jazz Band reole Belles urse of An Aching Heart Dardanella Darktown Strutter s Ball Dear Old Southland Dixieland Jazz Band One Step Down Among The Sheltering Palms Down By the Riverside Down Home Rag Down In Borneo Isle Down IN Honky Tonk Town Down in Jungle Town Down Yonder Easy Rider s Gone Eccentric Eh La Bas idgety eet lee AS A Bird loatin Down That Old Green River loatin Down TO otton Town oolish Questions rankie And Johnnie Grizzly Bear Rag He May Be Your Man Hesitating Blues High Society Hindustan Hot Lips I Ain t Gonna Give Nobody None of My Jelly Roll I an t Let Em Suffer I Never Knew I could Love Anybody I want to do the Bear at Dance I Wish I ould Shimmy Like My Sister Kate Ida, Sweet As Apple ider If You Were The Only Girl IN The World 110 Indiana Ja Da Japanese Sandman

5 Jazz Baby Jazz Me Blues Jelly Roll Blues Just a Little While to Stay Here King hanticleer Lasses andy Lassus Trombone Lazy Daddy Limehouse Blues Livery Stable Blues (Vocal) Livery Stable Blues Long Gone Love Nest Lovin Sam Ma, He s Making Eyes At Me Mama Don t Allow Mandy Margie Memphis Blues Midnight in Moscow Missouri Waltz My Bucket's Got a Hole In It My Daddy Rocks Me My Honey s Lovin Arms Oh Oh By Jingo Oh Didn t He Ramble Old Rugged ross Ole Miss On The Alamo Ory s reole Trombone Ostrich Walk Over The Waves Panama Pearls Poor Butterfly Pretty Baby Riverside Blues Rock A Bye Your Baby Rose of Picardy Rose O Washington Square Rose Room Royal Garden Blues Rufe Johnsons Harmony Band Runnin' Wild Sailing Down hesapeke Bay San Satanic Blues Second Hand Rose Sensation Shake It and Break It Sheik of Araby Singin' The Blues Sister Kate Skeleton Jangle Sobbin' Blues Some of These Days Some Sweet Day Somebody Stole My Gal Someday Sweetheart St. James Infirmary St. Louis Blues Stockyard Strut Storyville Blues Strut Miss Lizzie Stumbling Suez Swanee T'aint Nobody's Business If I Do Tain t Nothin Else But Jazz Take Me TO The Land Of Jazz That Da Da Strain That Dixie Jazz That s A Plenty

6 There'll Be Some hanges Made Tiger Rag Til we Meet Again Tishomingo Blues Toot, Toot, Tootsie Tuck me to Sleep Under The Bamboo Tree Wabash Blues Waitin or The Robert E Lee Walkin' the Dog Washington and Lee Swing Way Down Yonder in New Orleans When Ragtime Rosie Ragged The Rosary When The Midnight hoo hoo Leaves When The Saints When You Wore A Tulip When You re A Million Miles rom Nowhere Where Did Robinson rusoe Go WhiffenPoof Song Whispering Wild herries Rag World IS Waiting or The Sunrise Yama Yama Man Yellow Dog Blues You ve Got TO See Your Mama Ev ry Night

7 B7 12th Street Rag Euday L. Bowman A B A B7 7 A 7 Standard Doo Wackadoo chorus Back to top with INtro Etc A

8 q = 100 TUBA A A Good Man is Hard to ind 9 7 Bdim7 5 9 I My heart's sad and I am all re gret m the day that I a lone my Bdim was born, and man treats me mean. that man I ever seen 7 oh B my hap pi ness is less to day, my heart good man 7 when you think that is hard to find 7 he's with some other gal then you rave see him in his grave you al ways get is broke and that is why I say. your pal, you look 7 so if hug him in the morn in' kiss him ev' ry night 7 your man and you all m is nice the other kind Lord a just to find him fool in' "round take crave my #7 #7 you wan na ad vice 7 7 and give him plenty lov in' treat him right cuz a 7 7 good man now a days is hard to find, so hard to find.

9 A 7 In the land of Af ghan is º tan, / She swore by the stars up a bove her that But there came an oth er one 7 Hindu man is lone ly and blue. by B In 7 7 the Af 7 fair Œ Š7 his dreams he's call ing ghan is Afghanistan º day, 7 In tan, A There's a Hin du maid and a / he was the one to man. stolehis Hin du maiden a way. /E A There's o a sis, Wait ing William Wilander & Harry Donelly 1920 Break Bº for to Break love her. 7 a car a van her. A / A / Break Unison 1 bar you, And for you on ly 'ross the /E Œ Š7 There will be a bri dal 7 des ert sand, dayfor you,my i A we dol, 7 in /B will find a tem Af ghan is A tan. ple,

10 q = A After You've Gone Now won't you list en honey while I say How could you tell methat you're 4 7 Gm m7 7 goin' a way? Don't say that we must part, Don't you breakyour ba by's heart. 9 7 You know thati'veloved you for these ma Dm ny years, Loved you both night and 12 Eb7 Day 7 Gm7 Ohhoney ba m bycan't you seemy 7 m7 7 tears? Listen whilei say.

11 17 Eb B Ebm6 TUBA Afteryou've gone, and left mecry in' Afteryou've gone, Ab9 Dm7 there'snodeny in' You'll feel blue You'll feel sad you'll missthedearest pal you've ev er had. 25 Eb Ebm6 There'll come a time now don't for get it, There'llcomea time, when Ab9 Dm7 G9 you'll regret it. 29 m7 Some day m7 When Ebm6 you grow lone Ab9 ly Am7 Your heart will break like mine and 32 Gm7 you'll Edim7 want meonly Af 6 m7 ter you've gone 7 6 Af ter you've gonea way. 7 Solos at "B"

12 9 q = A B D 7 Ab A m Db Ddim7 Ab 7 7 Ab m Db 7 Ab Db Ddim Ab 7 Ab A A D Dº A 7 7 A A After The Ball 7 º7 7 A A 7 7 A 7 A 7 Ab 7 harles K Harris 1891

13 5 q = 185 Ev E 'ry morn Not much mon ing, Ev 'ry eve E B7 ning, Ain't we got B7 B7 E 9 The rent's un Am E E But an E ven if Am ey, Oh, but hon y way, we paid, dear, E7 ey Ain't we got fun! 7 fun! We have'nt a car, Am dear. We'll stay as we are, owe the gro cer Tax col lec tor's get ting clos E B7 Don't we have B7 B7 E er Still we have A7 Dm Gm There's noth ing sur In the mean time Ain't We Got un er, the rich get rich and the poor fun? 7 fun! E Am in be tween time Ain't We Got Kahn & Egan Whiting 1921 get poor er un!

14 Roy Turk & Russell Robinson 1922 A A I know a trif lin' man, He lives in Birm ing ham, 7 oth er night, He had named Man dy plain 7 ly sta ted she was ag Aggravatin' Papa a fight with a gal gra va They call him "Trif lin' Sam". 'Way down in Al a bam'. 7 ted, An she shout ed 7 out to 7 Brymm, him: Eº Now the And she

15 "Ag gra va tin' pa pa, Don't you try to two time Ag A B E7 you Ag gra A But 7 7 Treat en while I get you told, 41 step out with a me kind or let me 7 high brown ba by, 7 A I'll do an y thing you be, me, Stop mess in' 'round, sweet I'll smack you down and I say, when you go strut tin', Do your strut tin' round my way. Stop Time Play beats 1 & 4 as marked A I said don't two time me. I mean just let me gra va tin' pa pa, List jel ly roll. be. 7 Break 2 bars don't mean may be! yes, an y thing you say. G A So Now Now Aº 7 Aggravatin' Papa TUBA va tin' pa pa, pa pa If pa pa, pa, pa, Aº Just treat me pret ty, Be nice and sweet, 'ause I possess a forty four thatdon't re peat! You best be careful, As yon can be, 'ause I can beat you do in' whatyou'redoin to me, Once you weresteady Once you were true, But papa, nowsweet mamacan't de pend on you, 45 7 Ag gra va tin' pa pa, Don't you try to two time me! 7 A A 2

16 A Alcoholic Blues Albert Von Tilzer m B Db Gm just I Vamp Prohi bi tion, that's the name, pro a bi tion drives me in sane. I'm so thirs ty soon I'll die, I'm sim ply gon na 'vap o rate or run dry. didn't hes i tate I did I cut my coal, When Mister Hoover said to cut my din n't frown. ner down, I cut my sug ar but now they've cut deep in side my soul. I've got the

17 Alcoholic Blues TUBA D 7 blues, I've got the Blues, I've got the al co hol ic blues. There's blues, I've got the Blues, since they am pu ta ted booze. 37 no Bars more are beer closed my and m heart night to clubs cheer, too, good lord bye y whis lord key y 40 used what to make to me fris do, ky. So So long long hi hi ball, ball, good good bye bye gin, gin, 43 Db7 Solos at "D" tell tell me me when when you're you're com com in' in' back back a a gain. gain.

18 VERSE Irving Berlin, 1911 Oh, ma hon Oh, ma hon Alexander's Ragtime Band ey, ey, Oh,ma hon Oh, ma hon ey, ey, Better There's hur a fid ry dle and let's with notes me that 1 an der, screech es, 5 Ain't Like a you go chick in', Ain't en, Like you go a chick in' en, To And the the lead clar er man, i net 8 rag gedme terman? Oh, ma hon ey, Oh,ma hon ey, Letmetake you to is a col ored pet, ome and lis ten, ome and lis ten, To a class i cal 12 Al band ex what's an peach der's es, grand come stand, brass now, some 0 band, how, 15 Ain't you com in' a long? ome on and Bet ter hur ry a long.

19 17 21 hear, ome on and hear, Alexander's Ragtime Band TUBA Al ex an der's Rag time Band. ome on and hear, So G land. na ome on and They can play a bu hear! tur al that you want It's the gle call like you ne best band in the ver heardbe fore. to go to war That's long. just the best est band what am, ho ney lamb. ome on a ome on a long. Let me take you by the hand. Up to the 41 man. Up to the man! Who's the lea der of the band. 7 7 dim And if you 45 care to hear the Swa nee Ri ver played in rag time. ome on and hear, ome on and hear, Al ex ander's Ragtime Band,

20 Tuba h = 100 A All The Girls Go razy Stop Time2 Bars:... Kid Ory 1916 Eb Eb Eb Eb 7 Stop Time2 Bars: Eb Eb Eb Eb 12 Solos Begin Here 7 7 All the B Hon raz Eb girls on go their craz knees ey'bout the way I y 'bout the way I y 'bout say in' walk walk. the way "Ba thati by," walk The 7 way Sayin' "Ba thatiwalk 7 Eb craz knees Hon raz y 'bout pleadin' ey'bout y 'bout the the the way way way "Ba I I that by," walk walk walk, Yes, Yes, 'Bout Say all the they fall 7 the in' way "Ba 7 girls on On to "" after last solo: by," go their that I walk, by," They fall

21 Eb 33 horus: 1st Time Soft: The Grils go razy "bout the Way I Walk Tuba Eb D limax horus: ad lib: Eb Eb 60 7 Eb7

22 A In my sweet Alice Blue Gown (4/4) B7 lit tle A lice Blue Gown, When I A7 1 Mcarthy/Tierney E 7 º / first wan dered down in to town, I was A7 both proud and shy, As I felt ev 'ry eye, But in B ev man 'ry shop win dow I'd primp, B7 ion I'dfrown, A7 pass ing by; Then in And the 21 D world seemed to E7 7 Gº E7/G smile all a round. 'Til it 25 D D º /E ner of fash wilt ed I wore it, I'll al ways a 9 A7 dore it, My 29 D sweet lit tle A lice Blue Gown.

23 Amazing Grace 1 A Twas ma grace zing that Through ma ny 7 3 grace, taught dang how my ers sweet heart toils the to and sound, fear, snares, That And we 5 3 saved grace have a my al wretch fears rea like re dy me. lieved. come. I How T'was 9 once pre grace was cious that lost did brought but that us now grace safe am ap thus found, pear, far, was the and 13 Dm blind hour grace but I will 3 now first lead I be us see. lieved. home.

24 A q = 160 Gb7 Mando lins, vio lins, Ev'ry body tun in' up,the funbe gins, omethis way, Gm don't de lay, Gb7 Music sweet, rag to nights B 'round your feet. It's 7 Better hurryhoney dear,or you'll be missin' time treat, Goes right to you head and trick les a re mind down in old Al a bam: see Dea like a 7 er a memo ry find er of You ought to con Jones when he rat tles them bones, OldPar son Brown danc in' clown, 7 7 Aunt Jem i ma who is past eighty three Shout in' "I'm full o' pep! Wtachyo' step, watch yo' step!" Oneleg ged round on his toe, Hail, Hail, Eb min Alabama Jubilee 1 George Obb 1915 min Threwa way his cane and hol lered,"let her the gang's all here for an Al abam a Jubi lee. 7 Joe danced a go!" 3 Oh Hon ey

25 A 7 B They built a lit tle garden sum mer breeze to keep the snows fin est place I've known, for the rose, And they called it Dix ie land. They built a far a way from Dix ie land. They built the G 7 When they built my home sweet home, 7 A Nothing was forgot ten in the land of cot ton, from the clover to the honey comb, And then they took 7 bit 29 an an gel from the skies, And they gave of heav en in her eyes, Just as blue herheart to me. She had a as blue can be. They put some fine spring chickens in the land, And taughtmymammyhowtousea frying pan.theymadeit 7 twice as nice as And They alled It Dixieland Par a dise, And they called 7 it Dix ie Raymond Egan & Richard Whiting 1916 land. 1

26 American Patrol.W. Meacham 1891 A G 7 17 B º D 29

27 8 14 Any time blue, you'refeel ing lone An y time Any Time m ly, An y time youfeeldownheart ed, Herbert Lawson? in 1921 you'refeel ing Thatwill 1 prove your lovefor me is true. An y time you'rethink ing 'bout A7 you, me, That's the time So an y time I'll bethink ing of you say you 28 want me back a gain, that's the time I'll come back home to #0 you. An y you.

28 Tho' A pril Show April Showers ers may come your way, G They bring the Louis Silvers & Bud DeSylva 1921 flo wers 7 that bloom in G E7 May. So if its rain Am ing have no re grets, 13 Be causeit A7 is n't rain ing rain you know,it's rain ing vi o lets. And where you 18 see clouds upon the hills, G E7 you soon will see crowds of daffo 24 Am dils, So keep on m look ing for a blue bird, and list 'ning for his G 29 E7 A7 G song, when ev er A pril Sho wers come a long.

29 At a Georgia camp Meeting 2 bars unison w/ larinet trill 7 5 A 7 Eb Eb 17 2 bars unison 7 ine 21 B Gdim Eb Edim 7 Back to "B" for solos, after last solo play "A" once

30 At The Devil's Ball TUBA A A Irving Berlin 1913 I had a dream last night, Thatfilledme full of fright: I dreamt that I was with the 4 A Dev il be low. In his great big fier y hall, Where the 7 Dev E7 il was giv ing a Ball. I checked my A 10 A coatand hat and started gaz ing at the merry crowd that came to witness the show. And I 13 must con fess to you, There were ma ny there I knew. At the

31 At The Devil's Ball TUBA 17 2 B Devil's Ball, At the Devil's Ball, I saw the 21 cute Mrs. Dev il, so pretty and fat, º º 25 Dressed in a lit tle red fire man's hat. Eph reham,the leader man,wha led the band last all, He played the music at the 29 I saw the 33 ever saw, Taking the tick ets from folks at the door, 37 E7 A I caught a glimpse of mymother in law, Dancing with the Devil, Oh! the lit tle Dev il, 41 Devil's Ball, In thedevil's Hall. funniest dev il that I Dancing at the Devil's Ball. At the

32 5 9 q = A B Gm 7 7 Gm 7 Eb Edim 7 7 At The Jazz Band Ball Eb Edim 7 Original Dixieland Jazz band

33 W.. HANDY 1921 A Eb + Eb + Eb Eb7 Olddea con Splivin, Aunt Hagar's Blues Hisflock was giv in' the wayof liv in' right. 5 Ab7 Said he"no swing in', m 7 Noragtime sing in' to night". Eb Eº 9 m7 7 Eb Eb7 Ab Abm Eb 7 Upjumped AuntHa gar and shouted out with all hermight: 13 B Eb Eb7 "Why all this razz in', a boutthe jazz in'? Myboyshave just comehome, 17 Ab7 Withla test music, 7 Eb They play it on thesaxo phone". 21 Ab7 Oh my, just lis ten!" 7 thedea con shoutedwith a moan. Eb Ab7 Eb

34 2 25 Eb Eb7 Ab Aº Eb TUBA HearAunt Ha gar's chil drenharmoniz ing. Hear thatsweetmel 7 Eb B7 7 Eb o dy, It's 29 Ebm like a Eb7 choir B7 from on high broke loose. 7 If the 33 Ebm Eb7 B7 dev il brought it, the good Lawd sent it right 7 down to me. Let the 37 Eb Eb7 Ab Aº Eb con gre ga tion join 7 while I sing Eb those lov in' Aunt B7 Ha 7 Eb gar's Blues. 41 D Eb Oh, Eb7 'taint no use youpreach in', Oh, 'tain't no use o'teach in' Ab7 Such jazzapa tion 46 such modu la tion, Eb Whenmy feetsay dance,i just can't re fuse, WhenI hear Eb that mel o dy they call the blues, 7 Aunt Ha Eb gar's hild ren Blues.

35 5 9 I side A found my love in A va lon, Be the Avalon bay, AL Jolson 1920 I B left sailed dream Gm dusk so Gm7 my love in A va lon, and +7 a E7 way. I of her and A va lon from 'til E7 I think I'll Eb7 m6 dawn. trav And el on, to Eb7 A va lon.

36 A 7 Go in' back Back To Storyville to Sto ryville, that's 7 wherei long E7 to be, Louis Armstrong A 7 3 Ain't notime to ask me why. Ev'rything'bout Sto ry ville is 6 just a part of me, Since I wasjust this high. Go in' 9 B back to ol' De sire, I know my way a round, riends I knowwill shake my hand. 12 A 7 3 Noth in' changes on De sire, that streetof my home town, A 7 the 15 street where I'll take my stand. There's a

37 Back To Storyville TUBA A drop a round most anytime you choose. There's a 21 A cafe called "The Pup" that's never shut, so you can la dy tailored up in somethin' cut low, she 23 Ø7 7 rolls the ol' pi an o with the"jelly Roll Blues". Goin' 25 D back to Story ville, I'm gon na' take my horn, my nifty suit, my brush and comb. 28 A 7 3 Oh I justcan'twait un til I'm back where I was born, 31 My Sto ry ville, my home.

38 Baby Won't You Please ome Home larence Williams and Harles Warfield Dbº I've got the blues, I could on Gm7 7 ly make Dbº I feel b5 I'm goin'to tel e graph you ba whenyou're gone A Ba I'm by won't you please so Gm you under stand. 7 all for come 7 7 lone 7 ly, D+ Gm7 Itsurely would Dbº I'd give the world be by, As you won't you please come home, lorn, #º home, Gm7 I wor ry all 'cause day 7 long. your mamma's all 7 grand. Eb Gm7 if "ause a 20 lone. 7 #º Ihave tried in Gm vain, 3 neverno more Gb9 to call your name When you left you brokemy heart, BecauseI neverthoughtwe'd part. m7 Eb Ev 'ry 29 Eb Eº Ab7b5 7 hour in the day, you will hear me say, Baby won't you please come home.

39 A Blue, be cause we're part ed, Blue, and bro ken heart ed. B Blue (And Broken Hearted) Gº There was a time I was jol You know the rea son I'm mel an chol y. Gº Lou Handman ly, & Blue, and oh! so lone ly, We made a blun der and 7 G ly. True, I want you on lots of time I won der if you're blue too.

40 A G olks It's in being done gia's Georat Ballin' The Jack A7 7 hris Smith 1913 dance ty 4 º 7 'bout to go in ets, All so sane Since that new all the ca bar cie down in Georgithecraze, It's the best dance done in modern came; I'm the on ly personwho's to now has got blame, days, 7 7 I'm the par ty intro duced it there, D so! That is why I rave a bout it so! 9 B G A7 7 Give me cre dit Play some good Rag to know a thing or two, Give me crefolks, dit that will make you prance; Old folks, young 12 º 7 G 7 for springing something new; I will show this lit tledanceto you, all try to do the dance, Join right in now while you got the chance, 15 7 When I do you'll say that it's a bear! D 7 Once a gain the steps to you I'll show:

41 17 2 Ballin' The Jack TUBA irstyou putyour two knees close up tight, Then you sway'em to theleft thenyou 20 sway'em to the right, 7 Step around thefloor kind of nice and light, Then you 23 Twist a round and twist 7 a round with all your might, 25 D Stretch lovin' armsstraight out in space, Then you do 28 le and grace Swing your foot way 'round then bring it back, Now G 31 the Ea gle Rock with sty that's what I call "Ball in the Jack". 7 Solos at ""

42 Beale St. Blues TUBA You'll 3 A see see Beale pret Hog ty Nose Street ould Browns rest talk, 'rants in and If beau hit Beale ti lin ful gowns, a fe's, Street could talk, You'll see You'll see Mar ried 5 Eb m 7 7 tail Jugs or that mades tell and of hand by me gone downs. days. You'll And meet plac hon est es, once men, plac And es, men_would have_to pack their bags and walk. Ex cept one or two, Who 8 Eb Ebm pick Now just a sham, nev pock ets skilled, er drink booze, You'll find that You'll see And the bus' ness Gold en blind man nev er clos balls on e es 'til nough to pave the corner who sings some the these bod y hets killed. New Je ru sa lem. You'll If Beale Street Blues.. Well I'd

43 Beale St. Blues 2 12 B Eb 7 Eb Eb7 TUBA rath er goin' to be the here, river, Than an May y place I be bye and know. bye. I'd I saidi'm rath er be there, Than an y place I know I said I'd 16 Ab Abm rath goin' rath er to er be the river, be here, there, Than And Than an there's an y a y place rea place I son I know. why: know Eb It's Be gon cause na the New 7 20 take the ser geant or to make me go. riv er's wet and Beale Street's done gone dry. York may be all right,but Beale Street's paved with gold. Eb Eb7 Ab Abm Eb E7 7 íf going back to "A" 22 Well I'm I'd

44 h = 100 There are Blues My Naughty Sweetie Gives To Me 1919 Gm Blues Blues Blues that that that you you you Ebdim get get get from when from Gm wor sin sweet There There ry gle ie When are are she m Blues Blues phones 6 Abdim m Eb7 that that to you will an get give th from you er pain, pain, guy, And And And there there there are are are Blues Blues Blues when when when you're lone you're lone your hon ly ly ey or or spends 11 Gm your your all one one of and and your on on mon The The ly, ly, ey, And A7 Blues Blues Blues you you when can can she nev nev tells er er you ex ex a plain; plain; lie; There There There are are are 17 Gm Blues Blues Blues that that that you you you Ebdim get get get from from when Gm long long mar ing ing ried But To Wish the hold ing m blu some that Blues est one you on could that your be be knee, free, 24 Are But But the the the sort kind kind of of of Blues Blues Blues that's that that's on al good my way and mind, stabs, blue, They're ome omes the from from ve ry hi ring hav ing 28 mean tax wine kind, est i for cabs, two, The The The 7 Blues Blues kind my my of naught naught Blues y y my sweet sweet sweet ie ie ie 9 gives gives gives to to to me. me. me. () There There There are are are

45 q = Eb pp Bluin' The Blues 7 f Henry Ragas A 7 9 Eb7 Gb7 A7 Ab B Gb7 7 pp f 21 Eb7 Gb7 A7 Ab

46 29 2 TUBA Gb7 7 pp f Solos 33 Eb7 Gb7 7 A7 Ab D 7 45 Eb7 Gb7 A7 Ab E G 7 7 pp f

47 1 1 This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, Did you ever notice that Peter O Toole is the only Hollywood actor to have a first and last name with a phallic reference? But I won t be doing any such thing. So stop reading this. It is a waste of your time. I won t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. As a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.

48 A By the Light of the Silvery Moon dim dim Gus Edwards & Edward Madden 1909 Dmin Place Act park two, scene scene dark, new, Sil Ros v'ry moon es bloom is shin ing thru ing all a round thetrees, the place. 5 Dmin E7 A7 Dmin Dm7 Dm7 ast ast two, three, me, you, you, me Sound of Preach er kiss with es float a sol ing emn on the look ing breeze. face. 9 dim m6 G Act hoir one, sings, be bell gun Di rings Preach a er, logue, "You "where are woud wed you for like to e ver spoon?" more." 13 G Em Am Am7 My Act cue, two, with all you, through, Un Ev der neath the r'y night the sil v'ry moon. same en core. By the

49 By the Light of the Silvery Moon TUBA 2 17 B E7 Light of the sil ve ry Moon, I want to 21 spoon, to my ho ney I'll croon #0 love's tune; Ho ney 25 moon, Keep a shin in' in June, A7 Dm A7 Your sil Dm v'ry 29 m Am beams will bring love's dreams, we'll be cud dl ing 31 E7 A7 soon, By the sil ve ry Moon.

50 A areless Love B Love, oh thru my head ma ny a gal, love like wine. m oh care less love. and you near You've broke ly broke this heart of You fly 7 the heart mine. right of If I were I'd build a little bird, my 7 nest I'd fly way up from tree to m in the air tree. where the bad Now boys I wear could my a pron high, Now I not both er me. 7 wear my Now a I wear my a pronhigh, m pron high, and he nev er, nev er pass es by.

51 red isher 1922 A G º hi ca go, hi ca go, hi ca go, hi ca go, I'll show Bet your bottom dollar you lose the blues in hi ca 7 town ly 7 that Bil Sun hicago day could not tod dl' in' town, you a round, I love shut 7 down! it, That tod dl'in' town, go, hi ca go, The /G Eº/G 7 On 17 B G º StateStreet, that great street, D 7(b5) do things they don't They have thetimethetime 7 A 7 I do of their life, justwant to say, on Broad way, justwant to say, Say, Gº They I saw a man, he danced with his wife, In hi º 7 ca go hi ca go my home town!

52 hinatown, My hinatown Jean Schwartz & William Jerome 1906 E When the town is fast a sleep, 5 And it's mid night in the sky, E 9 E That's the time the fes tive hink, 13 D 7 A Starts to wink his oth er eye. 17 D Starts to wink his dream y eye, 21 G&7 La zi ly you'll hear him sigh:

53 25 2 A G&7 hinatown, My hinatown TUBA Where the lights are low, E7 A hi na town, my hi na town, Hearts that know no oth er land Drift ing to and fro. G&7 41 B G&7 Dream y, dream y, hi na town, &7 6 A7/E D G 6/ A7 Hearts seem light and life seems bright, In 53 Al mond eyes of brown, dream y hi na town. º D 7

54 hina Boy q = 160 Winfree/Boutelje 1922 A hi lose Sand m While B Ab Bud na boy go sleep, your E7 eyes Eb7 don't peep, man soon will come, I soft ly hum. Eb7 dha smiles on Ab you, Eb7 21 Ab Moon Eb7 man loves you Ab too. So, 25 Ab Eb7 while their watch they keep, Ab 29 hi na boy go sleep.

55 º 7 A hope 7 made dragged B soul me you're The urse of An Aching Heart º what I is am me down and down fied. 7 with in me died. º 7 to day, til Al Piantadosi 1913 You I You the You tered each A7 sat un shat and ev 'ry E º dream, / fooled me from the start. And Eº / though you're not true I still love you, That's the curse 7 of an ach ing heart. You

56 leopatra Had A Jazz Band Jack oogan & Jimmy Morgan 1917 A G His E7 A7 to ry re peats it self, G So the wise men say. I be 5 G lieve B they're right be A cause A7 last night I heard pe cu liar mus ic Dº D& play. 9 G In a E7 dream it A7 takes sand º years E a go. º Which 13 E 6 ly A7 goes to E 6 prove A7 that E E 6 A7 me back two thou on gyp tians were not slow. B le o pa tra had a

57 leopatra Had A Jazz Band TUBA A7 B jazz jazz A7 band, dance, G In her cas tle on the Nile. In her queer E gyp tian style. B Ev 'ry night She E& she gave won E7 Marc a A7 played, to A7 pyr a A 7 In the sha dow of looking E7 ny, E 6 7 º She mids, on A7/E swayed. and With her syn co pa ted A7 G/B An har mo ny. She knew she had him all the 'Neath the old E gyp tian moon, 7(b5) said: "There'll be a wed ding soon". A7 G A G while. B Bº B7 B / And while B G A º Sphinx B But E 7 they was B7 the the real his tor ic scan dal, was le o lost her san dal as she 45 A 6 danced to A 6 the strains of the E gyp tian jazz band G tune.

58 reole Belles # E A

59 2 Interlude B 7 º 7 7 Eb Belle shine 7 ba dar I love her well I'll call her mine, Eb My cre ole belle Whenstars shine by my lin' my re re My my I I'll lit dar ole ole dar tle lin' love call 7 ba her her Belle. Belle. lin' by well mine, reole Belles TUBA my my re re N My re ole Whenstars 7 7 my my ole ole Belle Belle. dar lit lin' tle Solos at ""; Out horus use Melody from "A."

60 Dardanella elix Bernard & Johnny Black A Down beside the Darda nel la Bay, Where Or i en tal breezes 9 3 play, Therelives alonesome maid Ar me nian 13 By the Dar danelles with glowing eyes, She looks a crossthe seas and 17 3 sighs, Andweavesherlovespell so si re ni an. 21 B A (b5) 7 Soon I shall return to Turke stan. A 25 G I will A7(b5) ask for her heart and hand. G Break Bass

61 Dardanella TUBA 29 2 Oh, sweet Darda nel la, I loveyourharem eyes. 33 I'm a luck y fellow To capturesuch a prize. Oh Allah 37 knows my lovefor you, Andhe tells you to be true, A D Darda nel la, oh hear my sigh, My Or i en tal, Oh, sweet Dardanella, Preparethe wedding wine, There'll be Break 1 bar 49 one girl in my ha rem when you're mine. E7 7 Gº E7/G We'll build a 53 A7 º tent just like the children of the Or i ent. 57 Oh, sweet Dardanel la, Mystar of love di vine.

62 A I've We'll º got meet some our Darktown Strutter's Ball 7 good high news toned 7 hon neigh ey, bors, An An in ex vi hi Sheldon Brooks 1917 º ta bi tion tion to of the the 4 7 Dark "ba town by Ball. Dolls", It's a And each 7 ver one y swell will do af their 7 fair, best, 7 All Just the to 7 G "high out class browns" will be all there. therest. 7 I'll wear my Andthere'llbe high º silk hat and a dancersfromev'ry 7 frocktail for eign coat, land, You The 11 wear your Par is gown and your G new silk shawl, There ain't no &7 doubt a clas sic, buck and wing, and the wood en clog. We'll win that fif ty 14 D 7 G 7 bout it babe, We'll be the best dressed in the hall. I'll be dol lar prize When we step out and "Walk the Dog".

63 Darktown Strutters' Ball 2 17 B TUBA down to get you in a taxi hon ey, You'd bet ter beread y a bouthalf past eight /D º m7 7 Now dearie don't be late I want to be there when the band starts play ing, Re 25 member when we get there hon ey, The two steps I'm goin'to have'em all. Goin' to 29 Eb dance out both my shoes, Eº When they play A7 the"jel ly Roll Blues" To 33 7 mor row night at the Dar town Strut ter's Ball. dim m7 7 I'll be

64 Dear Old Southland Henry reamer & Turner Layton 1921 TUBA E& I want to stray A / /E to the town I was born, E& My home town, A / /E My lit tle home town. 5 D 7 E& it, A / /E I used to steal it A E& A / A 7 A º 7 D Dº 25 Dear, Dear Old Sputh land, I Dear, & Dear Old & land, Bº Bº Tuba for 29 long, long to land my I A º old love /G how just I to I want to play in the cot ton and corn, To feel I want to hear dear old Mother each morn, say ing "Go long, go long, go long, go long to school". South hear you callheart ing to me. And I you my is yearn ing. And I Kenthat tuck Swan long see y ee to once home. shore. roam more back the

65 q = A B Eb m7 m7 Eb Eb Eb m m #dim Eb 7 Eb7 D Dixieland Jazz Band one Step Ab Ab Eb Eb Ab m m 7 Eb7 Ab Ab Db Ddim Ab 7 7 Eb Ab Ab 3

66 5 9 A Down wait 7 Meet Down Among The Sheltering Palms A7 a mong the shel ter A 7 ing palms, for me; Oh hon ey wait for me; me down by the old Gold en Gate, Abe Olman 1914 Oh hon ey 13 Out where the sun goes down 9 a bout eight B How my love is burn ing, burn ing, burn ing, 21 How my heart is yearning, yearning, yearning to be 7 Gº Down 9 wait 9 for me. A7 A mong the Shel ter A 7 ing Palms, Oh hon ey

67 5 q = Gonna lay down my sword and shield down by the riv er side, Down By The Riverside down by the river side, Down by the riv er side. Gonna 1 lay down my sword and shield down by the river side down by the riv er side. study war no more A Ain't gon na study war no more I ain't gonna stu dy that I war no more ain't gonna 28 more I ain't gonna stu you know I'll stu dy war no more dy war no I ain't gonna stu dy war no more. 2. Gonna stick my sword in the golden sand 3. Gonna put on my long white robe 4. Gonna put on my starry crown 5. Gonna shake hands around the world

68 A Jun B gle, Jun gle, Jun Jun In gle, Jun gle, Jun ev ar Down In Borneo Isle a way in Jun gle land, gle land, Where they play up on the sand, 7 gle sand. the eve ning when the day Tuba & Toms is cool er 'ry bod y does the Boo la Boo la. And they say that mon key band, Herny reamer & J. Turner Layton 1917 Tuba Toms etc. Tuba Toms etc 29 7 Tum bles, Stumbles, As they bun gle thru the jun gle.

69 Down In Borneo Isle TUBA 33 2 Down in Bor ne o, Down in Bor ne o, 37 Down in Bor ne o Isle. I Eº love to 41 / /D see those wild men danc Eº B7/ ing a round, 45 And those real wild wo men in swim min'! D Down in Bor ne o, Where I want to go, All they wear is a smile, º And ev'ry evening when the lights are low, Oh, Oh, 62 Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh! How they toad al o, 67 To the mus ic slow, 7 Down in Bor ne o A 7 Isle.

70 Down Home Rag Wilbur. Sweatman A 7 /G A 6/ /G A 6/ B G 7 G 7 7 D6 º G D A A 7 D D A A 7 A A 7 D D A A A 7 D A 7 A A D A A D 7 37 A D A A D 7 A Play "A" Once and end

71 A Verse Gm Down in Jungle Town Edward Madden and Theodore Morse 1908 A7 A7b D A7 D A horus B soon. 7 Down in jungle town, 7 A honey moon is com ing Then you'll hear a ser en ade, To a º 7 Bº pret When 7 Singsthat mel mon ty mon key maid, m7 that chim pan zee up in the tree, o dy. I'll key doodle doo way Down In Jun 7 gle Town. 7 be true to my

72 A hris Smith & harles Mcarron A Down in HonkyTonk Town Bill Johnson said one day, If you sug gestto me, A ry place Tohis E in liza May, town. G some oth er novel ty, 13 A Weboth will go and do the thing up brown!" A 17 B His sweet tie said, "My Dear, there is this place I hear, I got it straightfrom Mose, who bringsthe clothes. G It's Hon ky Ton ky Town, down where the gals are brown. 29 (b5) "We've been to nearly ev' That's where the mu sic grows.

73 Down in HonkyTonk Town TUBA 33 2 ome, Hon ey, let's go down to Hon ky Tonky Town, it's un derneath the ground, where all the fun is found. There'l! be sing ing wait ers, sing ing syn co pa ters, 61 danc D ev Down cin' to pi a no played by Mis ter Brown. He plays pi a no queer, He on ly plays by ear, You want to stay a year, The mu sic thatyou hear, would en start a mon key, danc ing with a don key, in Hon key Ton ky Town.

74 L. Wolfe Gilbert 1921 A 7 road train, Down Yonder road train, Rail Rail Hur ry some more. 5 7 Put fore. 9 7 a lit tle steam on just like nev er be Hus tle on, Bus tle on, I've got the blues ing for my Swan ee shore, 17 Yearn Broth er if you on ly knew, 21 7 You'd want to hur ry up too.

75 Down Yonder TUBA 25 2 B Down yonder someone beckons to me, 7 A 7 31 A Eº B7/ Down yonder someone reckons on me. I seemto see a racein mem o ry, 37 7 I miss you 43 more and more, Ev 'ry day, BReak 2 Bars my mam my land, You're sim ply grand A 7 A Between thenatchez andthe Robert E. Lee. Swanee shore Down Yonderwhenthefolksgetthe news, Don't wonderat the Hul la ba loos. 56 There's dad dy and mam my, There's Eph raim and Sam 60 7 my, Waitin' down yon der or me.

76 q = Easy Rider's Gone Shelton Brooks I wonder where my Easy Ri der'sgone to day He 5 Eb7 ne ver told me he was goin' a way. If Gm he was here he'd win the race If not first he'd get a place. ash in our tick ets for a jol ly joy ride right a way I'm los ing all my money that is why I'm blue. To 21 Eb7 win a race he knows just what to do. I'd put all my junk in pawn to bet on an y horse that Jock ey's on, Oh I wonder where my Ea sy Rider's gone. I gone Gmin

77 A Ab Eh Las Bas Aº Eb7 7 1 Traditional Eh la bas, (band sings echo) Eh la Bas, Eh la bas, Eh la bas, 7 Ab Ab A Aº Tra la la Sis Boom Bah Eh la Eb7 bas, B Ab Solos here after Vocal Eh la bas Ab Eb7 Well I 21 can't speak rench, not in a pinch so I don't know what it means. But it Or y sang that a jun rench in a fine ol' re ole way, but the 7 Ab 25 sounds real good, like I knew it would, like down in New Or on ly a jun I can say is Lais sez les bon temps leans, I rou lez!. So Eb7 29 love let to the hear good that times clari net burn roll my 7 friends, and and hear let them the trom mus bone ic gliss play, es I'd Ab To like mor to row sing may rench when I take my nev er come to turn be, but so that let's ain't the kinda love it band up that this is to day Eh Eh la la Vocal Back to Top

78 Eccentric J. Russell Robinson 1921 º 7 5 A B 7 Solos: 7

79 Eccentric TUBA 37 2 Solos Begin Here first time D º 7 º 7 After last solo play "" as written then on to "D" º 7 Tag º pp f 7

80 7 idgety eet The Original Dixieland Jazz Band A Eº Eº Bº 2 Bar break 7 Stop time 4 bars B A A

81 2 38 idgety eet TUBA A 7 A 42 7 A A 7 46 D D A A 7 A A 7 58 D D 7 62 D A 7 66 A

82 loatin' Down That Old Green River oncert pitch A I've been good wad there 7 float in' down that 7 E7 old Eb7 Green Riv er on the ship "Rock and Rye," But I ed too far, I got stuck on a bar I was all a lone, Wish in' that I was home. ooper had get The ship got wrecked with the cap And there was on ly one thing 7 to drink that whole back home to you! tain and crew, I could do; E7 Eb7 Green Riv I er dry to No Repeat irst Time On To Vocal Solos at "A"

83 loatin' Down That Old Green River 2 TUBA B Verse Interlude: 33 #º #º Verse Vocal: Half Dan Dan this #º past four, Dan He came a' creep in' to his wif She had been waitin' up half to come home and go to bed. #º ny smiled, like But then his wife's eyes grew ve "Where have you been all night?" is what Dan ny re plied: 7 #º Mc ey's door. E7 the #º a Eb7 night ry wild! she cried, Graw, child, or And D.S. to "A" I've been Back to "A" for Vocal and Solos

84 5 9 A 7 leave loatin' Down To otton Town I just dropped in D º to see you & to day, I'm ny 7 all on D º and say, I my ie way. land,. Henri Klickman 1919 º 13 /G 7 & 17 B That's why I came to shake you by the hand. D º 7 I'm go in' back to sun Dix The min ute when I cross that Dix ie Line, No D º & º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, /G Ø7/G To that gal of mine: 7 D º

85 loat º /G loatin' Down To otton Town TUBA 7/A ey, in' down, my hon float in' down, in' on the er down to loat riv ot ton Town. Just hear that º whis D ban Hon 7 I'll fields º ies in', º come back to /G you G 7 of sug ar cane and 7/A 7 Break 2 bars tle toot! toot! toot dark sing tle seem to in' a way, And jos ringin''til the break of day. a bam; ey lamb, my lit hon Al wel ey lamb, come me a gain, While those 61 G 7 loat in' Down To ot ton Town. 7 7

86 lee As A Bird TUBA Mary S.B. Dana 1857 A D A7 D G 7 A7 lee as a bird to your moun tain, Thou who art wea ry of sin. He will protect thee for ev er, Wipe ev 'ry fall ing tear. 5 D A7 D A7 D Go to the clear flow ing foun tain, Where you may wash and be clean. He will for sake thee oh er. so nev Shel tered ten der ly there. 9 B ly for the aven ger is near thee, all and the G 6 Sav iour will D hear A7 thee. Haste then, The hours are fly ing, Spend not the ment in mo sigh ing. 13 D A7 D A7 D He on his bosom will bear thee, Thou who art wea ry of sin. G Oh ease from your sor row and cry ing, The Sav iour will wipe ev 'ry tear, The 17 D thou who art A7 wea Sav iour will wipeev'ry ryof D A7 D A7 D A7 D sin. tear.

87 5 rankiewent down rankie and John niewere sworeto said to be true the fat to the to each a buck bar rankie And Johnnie lovers. oth er, ten der, Just Just "Has as corner, Oh, Lordy how for theycould love! as et of Bº in est man thestars my lovtrue beer. a Traditional 7 1 They She bove. been here? 8 G 7 He washer man, But he doneher wrong. He was my man, Buthe'sdone me wrong".

88 5 9 A 7 leave loatin' Down To otton Town I just dropped in D º to see you & to day, I'm ny 7 all on D º and say, I my ie way. land,. Henri Klickman 1919 º 13 /G 7 & 17 B That's why I came to shake you by the hand. D º 7 I'm go in' back to sun Dix The min ute when I cross that Dix ie Line, No D º & º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, /G Ø7/G To that gal of mine: 7 D º

89 loat º /G loatin' Down To otton Town TUBA 7/A ey, in' down, my hon float in' down, in' on the er down to loat riv ot ton Town. Just hear that º whis D ban Hon 7 I'll fields º ies in', º come back to /G you G 7 of sug ar cane and 7/A 7 Break 2 bars tle toot! toot! toot dark sing tle seem to in' a way, And jos ringin''til the break of day. a bam; ey lamb, my lit hon Al wel ey lamb, come me a gain, While those 61 G 7 loat in' Down To ot ton Town. 7 7

90 q = 152 oolish Questions 1915 Now Now you've Now let's 5 A all heard fool then say the there's that per ele ish ques vator per tions son son and who's should you no doubt won der why al for Some ways hanging 'around the place And get to close the door, And 9 one he you will watch ask you a es you take your shav fool ish ques tion but ing brush and start to should hap pen to tumble down let's say G ex pect a for lath sen si ble re ply Like er up your face. And ty se ven floors. And 13 when you take your girl some as you give your can ra dy zor Say just its prelim when you hit the bot tom and you're lying there in in af ar ter y tea The wave You ert Some 17 first thing she'll do is wrin kle up her nose and ask "Is it for me?" know that fool will come up to you and ask "Are you gonna shave? fool will stick his stick his down the shaft and ask, "Are you hurt?"

91 Ma pared he'd an see ing B oo or for have aw lish ques tion no your shav the ful gi nal he of it brush time And and Pa ing fu ne hurry would now or I ral and paint have com I'll my ing it's just now this want G for love and ele take self ed down it up it your I hope You the then vator's a this that this doubt reply that utter your some taste die just oth of la too you is you dy er ter re I re ing guy soap. on. slow. ply hope ply moan I I Ned It just like was usual No No No, No, it's I'm he I want way. A no ther fool ish ques way. way. way. to al ly for not just was ed take ways saves tion you my so a your pre though D G hear D way, D just D Ned them ev' ry day. re oolish Questions TUBA Then there's this fel low who meets And he asks you why you're all dressed up and this turn ing from the fu ner ral of dear And as you're ring ing out your hank ie he'll ask "Is A7 G A7 in to shav ori lot You'll you on your is what you say. You're old bro ther Ned dead?" Back To "B"

92 Bass A B Grizzly Bear Rag George Botsford 1910 Bº Break ine

93 Grizzly Bear Rag TUBA D 57 7 º 7 Break 61 G 7 65 Stop time as Marked Break Back to "B" Play to ine

94 Lemuel owler 1922 Eb 7 7 Eb Ab7 Eb 7 Eb He May Be Your Man (But HE omes To See Me Sometimes) Miss Miss 5 A Eb Min Lu nie dy º Lee Green from was Eb B7 Tennes see some l'il queen, was and Eb known to jeal ous be as quite could Eb7 rough. be. 9 Ab An y time and When her man went Eb any where out at night 7 She They would would al waysstrut al ways dis her a 7 stuff. gree. Now Down 13 Eb Sa at die the º Snow, ball, she at Eb had Moon a shine B7 beau Hall, Eb she loved where ev him 'ry night bod and y'd Eb7 day. go, 17 7 Un til Min Was Miss Min nie nie, 7 shook drink a shim in' plen and my ty and 7 stole his heart a hug gin' Lu dy's 7 way. beau Gº 7 Poor Lu Sa dy die was near mad ly as dies, well, but Min Min nie nie on said "I ly will sighed, then tell you I now heardher so you'll say: know" He

95 2 He May Be Your Man TUBA Ab B ain't 7 Eb 7 may be your man but he comes to see me Ab7 And when he's with you he's al 7 7 ways got me on m no vampire thatis ture, But I Eb some times. his mind. can cert' nly take you Eb Eb7 Eb Ab7 Eb man from you. My wicked smile, My wicked walk, I've gotthe kind ofeyesthat seem to talk, It's 7 Eb I Eb no Ab need of cry 7 in' and it's 7 no use to weep Eb and mourn. I love you man and I'm gonna take him for my own, 7 my Eb7 own I don't mean, Ain't no need Eb may to be ofget 7 so bold, tin' rough, be your man but he comes to see me but 'cause 7 I just I'mjust Eb some times. want, right toget to do you my Ab7 Eb 7 told, He stuff

96 Hesitating Blues W.. Handy 1915 A º º Hel Sun If lo day I en tral what's night was my whis beau key, the pro and mat posed you ter with to were this a line? me. cup,i'd 3 º / #º Dm I Said dive want she'd to be to talk to hap the bot py tom that if his and High wif nev Brown ie er I'd come mine. be up, Tell Said me how he, "How Oh, How long long long 6 will I have to wait? Please give me will I have to wait? ome be my do I have to wait? an I 9 2 wife get 9 8 my it Kate, now, or do Why do Why do I have you you to hes hes hes i i i tate? tate? tate? B What I I you de had say clined wo can't him man, talk to just for She my a was Brown? stall, tall. A He She storm left make last that me night night think blowed on 'bout the the my

97 / wires an par tell come D get #º all non a me back it down. Ball. sol. now, now, now, Dm Tell Hon me ey Oh, do how how How Why do or I will have long long long you he to hes hes hes will will do i i i Ihave to Ihave to Ihave to tate? tate? tate? wait? wait? wait? 7 7 na tion is the thief of time, So all the wise owls say, 7 put I'd be 7 left may save nine", off, To mor row's not to day. Some bod y's bound to lose. his, He'd be mine, And I'dbe feel ing gay. 7 7 Oh, won't WIll an Pro cras ti Eb "one stitch 7 Eb Left in time you he I And if you a lone to grieve and pine, My best friend's gone a way, He's gone and me The Hes i ta ting Blues. Pickup to horus 7 Eb7 Hesitating Blues TUBA 1

98 B A 7 7 Gm Gm Gm Gm Eb High Society 7 Edim Eb Ab Eb Solos Here 7 Eb Eb 7 Eb Ab Eb Eb7 Ab Adim Eb 7 7 Eb

99 2 High Society TUBA 73 D m m Tuba 80 m m Ab E Eb 3 94 Ab Eb 7 Eb Eb 7 Eb 110 Ab Eb Eb7 Ab Adim 115 Eb 7 7 Eb

100 larinet Solo as played By Alphonse Picou High Society TUBA Bº

101 5 q = Hin stopped du stan, to rest our tir ed car dim 7 7 a van, where Hindustan Oliver Wallace & Harold Weeks 1918 we 13 Hin du stan, where the paint Hin pur Hin met ed pea cock proud du ple sun bird flahsed ly spreads + a his stan, fan 7 Eb Eb du stan cross the sand, where the 9 9 Ebm Ebm where 7 her and the world be gan. I

102 q = A Db7 There's a Hot Lips boy that's in our band, And how he blows that horn, 5 in est since you're born, When he starts you're gone. Db7 º 9 They all call him Hot lips for He blows real red hot notes, And 13 ev' ry bo dy on thefloor just floats that's what they Eb7 Eb+7 say: He's got hot 17 B Ab Dº Eb7 lips, when he plays jazz, He draws out Eb7 Eb+7 Ab Eb+7 21 steps, like no one has. You're on your

103 2 25 toes and shakes your 7 +7 Eb7 29 Hot Lips TUBA Ab Abm6 Eb + Eb7 Ebº Solo Break shoes, Boy how he Eb+7 goes, WHen he plays Blues. I watch the 33 Ab Dº Eb7 crowd, un til he's through, He can be Eb7 Eb+7 Ab7 Eb proud, D rare Eb7 45 THey're cuckoo too. his mus ic's Stop Time Time: Ab Ab m m Dº boy you must de clare is there, with two hot lips. Ab you know the Solos at "B" Eb+7

104 I Ain't Gonna Give Nobody None of My Jelly Roll larence Williams & Spencer Williams 1919 º 7 7 Lit tle Wil ly Green from New Or leans, a greed y boy was he. His sister Til ly Green was real ly mean, and ver y stin gy, too. 5 9 D º He al ways want ed lots of kids She al ways want ed some of what you had 7 just to keep him com pan y. but gave she noth ing to you. day his mom bought him a Toot sie Roll, the best can dy that was made. When her mom bought her a jel ly roll, to hide it she would try. º 7 One 13 D º /G 7(b5)/ 7 When When the the kids kids be would gan ask to her hang for a a round, bite, lit you'd tle hear Wil Til ly ly said: cry: I I 17 A ain't gon na' give no bod y none of my Toot sie Roll, (Toot sic Rol!) I ain't gon na' give no bod y none of my jel ly roll. (jel ly roll) I 21 7 would n't give you a piece of my sweet, not to save your soul! (save your soul!)