PROGRAM. (UP Cine Adarna Lobby, UP Diliman) Dr Michael Tan, Chancellor, University of the Philippines. Prof. Roehl Jamon - Director, UP Film Institute
|
|
- Jayson Jenkins
- 5 years ago
- Views:
Transcription
1 Day 1 Wednesday, 10 June :00-9:00 Registration PROGRAM (UP Cine Adarna Lobby, UP Diliman) 9:00-9:30 Welcome Greeting Dr Michael Tan, Chancellor, University of the Philippines 9:35-10:05 Opening of the Conference 10:05-10:35 Keynote Speech 10:35-10:50 Break Prof. Roehl Jamon - Director, UP Film Institute UP College of Mass Communication, UP Diliman President Alfredo Pascual, University of the Philippines Speech to be read by Dr. J. Prospero E de Vera VP for Public Affairs, UP 10:50-11:30 Opening Lecture 11:30-11:50 Open Forum 11:50-12:50 Lunch Break Dr. Rolando B Tolentino, Dean, UP CMC Topic: Privatized Spectacles, Govermentality, and Middle Classness: Viral Video Culture in the Philippines
2 *Guidelines for panel presentations: Each panel session is 110 minutes (1 hour and 50 minutes) consisting of four (4) individual paper presentations. Each presenter has 20 minutes to discuss his/her paper. There would be an allotted 30 minutes for discussion after all the presentations. The moderator would be in charge for the panel synthesis Panel 1a: Film Histories, Alternative Cinemas, and Altered Filmic Memories 1:00-2:50 Ad Board Room, Plaridel Hall, UP CMC Moderator: Prof. Sari Dalena, UPFI 1:00-1:20 Presentation of Papers Notes toward the Articulation of New Histories in Some Filipino Animated Films by: Louise Jashil R. Sonido 1:20-1:40 Lav Diaz s Open Image as a War Machine: The Gift of Nomadic Time in the Digital Era by: Adrian D Mendizabal 1:40-2:00 Ideological and Intertextual Discourses of Stardom in Philippine Cinema and Other Media by: Shirley Palileo-Evidente, UPFI 2:00-2:20 Long Poem, Slow Cinema: Duration in Cirilo F. Bautista s The Trilogy of Saint Lazarus and Lav Diaz s Melancholia by: Vincenz Serrano 2:20-2:50 Open forum 2:50-3:00 Coffee and Tea Break
3 Panel 1b: Poetics, Practices, and Discourses in the Age of Digitalization 1:00-2:50 Phil. Star Room, Plaridel Hall, UP CMC Moderator: Prof. Yazon Banal, UPFI 1:00-1:20 Independent Films In The Philippines: Determining online trends and best marketing practices by: Ericka Garcia 1:20-1:40 A Moment Made Pluralized: The Decisive Moment by: Anne Marie G. de Guzman 1:40-2:00 Is This End Of Cinematography and Cinema As We Know It? by: Jean-Paul JARRY and Nicholas Oughton FSIA 2:00-2:20 Hom(e/o) Economics: Ang Pagpupundasyon ng Queer na Tahanan sa mga Pelikulang Scorpion Nights (1985), Pagdadalaga ni Maximo Oliveros (2005) at Ded na Si Lolo (2009) by: Clod Yambao 2:20-2:50 Open forum 2:50-3:00 Coffee and Tea break Panel 2a: Film Histories, Alternative Cinemas, and Altered Filmic Memories 3:00-4:50 Phil. Star Room, Plaridel Hall, UP CMC Moderator: Melissa de la Merced, UPFI 3:00-3:20 FPJ WAS HERE: Annotations on Negative Spaces in the Films of Fernando Poe, Jr. by: Christian Tablazon 3:20-3:40 Land(e)scape: Narratives of Escape in Landscape Cinema as Nationalist Yearning
4 by: Gerald Y. Pascua 3:40-4:00 PROJECTING HOMES: DOMESTIC SPACES IN THREE FILIPINO FILMS by: Tito R. Quiling 4:00-4:20 A Life Built on Shot: Rizal and the Documentary Form by: Patrick F. Campos 4:20-4:50 Open forum: 4:50-5:00 Coffee and Tea Break Panel 2B: Myths of Democratization and the Contending Imperatives of Globalization 3:00-4:50 UP CMC Auditorium Moderator: Nonoy Luazon 3:00-3:20 Searching for the Nation in a Philippine National Cinema: The Cinemalaya Philippine Independent Film Festival ( ) by: Emerald O. Flaviano 3:20-3:40 Situating Regional Cinemas in Philippine National Cinema Discourse by: Katrina Ross A. Tan 3:40-4:00 People s Cinema as Digital Heritage: The Importance of Archiving Films of Political Film Collectives in the Philippines by: Rosemarie O. Roque 4:00-4:20 The Rise and Fall of Indie Film Festivals: A Case Study by: Ed Cabagnot 4:20-4:50 Open forum 4:40-6:00 Coffee and Tea Break Campus Tour
5 6:00-7:00 Dinner 7:30-9:00 Cocktails Executive House, UP Diliman Opening of Multi-media Exhibit Selected Works from UP Film Institute, UP Open University, UP College of Fine Arts, and Institute of Physics (UP College of Science) Curator: Clod Yambao Ishmael Bernal Gallery, UP Film Center Day 2 Thursday, 11 June :00-9:00 Registration 9:00-9:30 Welcome Remarks (UP Cine Adarna Lobby, University of the Philippines Diliman) Dr. Nicanor G. Tiongson 9:35-10:00 Day 1 Professor Emeritus, UP Film Institute, UP Diliman Mr. Rob Rownd 10:00-10:40 Keynote Speech 10:40-10:50 Break Faculty, University of the Philippines Film Institute (UPFI) Dr. Berenice Reynaud California Institute of the Arts 10:50-11:30 Opening Lecture Dr. Grace Javier Alfonso Chancellor, UP Open University Topic: Film, Filmmaking and Film Distribution in the Digital Era: Cultural Dialogue Capturing Orality and Visuality in Virtual Spaces
6 11:30-11:50 Open Forum 11:50-12:50 Lunch Break Panel 3a: Film Histories, Alternative Cinemas, and Altered Filmic Memories 1:00-2:50 Ad Board Room, Plaridel Hall, UP CMC Moderator: Prof. Lucia Tangi, Department of Journalism, UP CMC 1:00-1:20 PHILIPPINE CINEMA AND SOCIAL BANDITS, THE CASE OF ASEDILLO AND ENCALLADO by: Victor Paz, Ph.D. 1:20-1:40 Sinematograpiya at Mise-en-Scene bilang Biswal at Ideolohikal na Wika ng Representasyong Pampelikula: Pagtukoy sa Diskurso ng Liwanang, Dilim, at Liwanang sa Kontexto ng Ilang Pelikula ukol sa Siyudad, Kaunlaran at Lipunan by: Choy Pangilinan 1:40-2:00 Journalism and Film; Journalists in Cinema By: Maria Diosa Labiste, Ph. D. 2:00-2:20 Ang Bilangguan Bilang Lunan sa Maikling Kuwento at Pelikulang Filipino By: Rommel B. Rodriguez 2:20-2:50 Open forum 2:50-3:00 Coffee and Tea break Panel 3B: Political Economy of Cinema and the Politics of Power 1:00-2:50 UP CMC Auditorium Moderator: Prof. Patrick Campos, UPFI
7 1:00-1:20 Peripheral visions the underdevelopment of Scottish cinema and its alternatives by: Robin MacPherson 1:20-1:40 Digitization of Dhallywood: First Wave By: Muhammed Shahriar Haque, Ph.D. 1:40-2:00 Documentary and aesthetic rupture: social content and social media By: Daniel Rudin 2:00-2:20 Out of the Closet, Into the Market: Homoeroticism and the Queer Turn in Post-Millennial Philippine Independent Film By: Reuben Cañete, Ph.D. 2:20-2:50 Open forum 2:50-3:00 Coffee and Tea break Panel 4a: Myths of Democratization and the Contending Imperatives of Globalization 3:00-4:50 Phil. Star Room, Plaridel Hall, UP CMC Moderator: Eduardo Cabagnot, UPFI 3:00-3:20 Asian Cinema: Beyond the Other to the Transnational By: EDUARDO LEJANO 3:20-3:40 Film Festivals, the Globalization of Images and the Postnational Cinephile By: Joseph Palis, Ph. D. 3:40-4:00 The Enemy Within: Generic Conventions in the American Zombie Horror By: Roehl L. Jamon 4:00-4:20 A Beautiful Gaysian Utopia: The Erotics of Travel in Filipino Gay-Male Films By: Mark DeStephano, S.J., Ph.D. 4:20-4:50 Open Forum
8 4:50-5:00 Coffee and Tea Break Panel 4b Critical Pedagogy and Media Education 3:00-4:50 Ad Board Room, Plaridel Hall, UP CMC Moderator: Prof. Jose Ardivilla, UP CFA 3:00-3:20 Film Discipline for the Digital Student By: Mark McKeown 3:20-3:40 Animation Education I N A COMPETIT IVE GLOB AL AN IMATIO N LANDS C APE: THE PHILIPPINE CO NTEXT By: Rudyard Contreras Pesimo 3:40-4:00 White Paper: On the State of Film Discovery By: Konstantin Rubchinsky 4:00-4:20 Creating Authority and Context for Experimental Film in the age of continuous instant Access By: Rob Rownd 4:20-4:50 Open forum 4:50-5:00 Coffee and Tea Break Panel 4c Film Histories, Alternative Cinemas, and Altered Filmic Memories 3:00-4:50 UP CMC Auditorium Moderator: Prof. Shirley Evidente, UPFI 3:00-3:20 The Superhero in Filipino Film of the 2000s By: Carljoe Javier
9 3:20-3:40 Investigating the Lens: Adultery in Filipino Films, Year By: Charl Mark D. Ane, Philippe Richard P. Lanozo, Winna Mae M. Querol, Melchor A. Rugan, Arivil G.Villaranda, and Dr. Ramir Philip Jones V. Sonsona 3:40-4:00 Anthologies Of The Underdeveloped: Images and Discourses of Poverty in Philippine Independent Films by: Rex Abedes 4:00-4:20 Eugene Domingo: Setting up the new feminist camp By: Krista Monica B. Garcia 4:20-4:50 Open forum 4:50-5:00 Coffee and Tea Break 5:00-5:30 Day 2 6:00-7:00 Dinner UP Cine Adarna UP Open University 7:30-9:00 Cocktails Film Showing: Transit by Hannah Espia Ishmael Bernal Gallery, UP Film Center
BOOK OF ABSTRACTS. Digital Divide: Departures, Ruptures, & Futures June UP Film Institute. University of the Philippines Diliman
BOOK OF ABSTRACTS Digital Divide: Departures, Ruptures, & Futures 1st International Conference on the Emerging Trends on Film Practice 10-11 June 2015 UP Film Institute University of the Philippines Diliman
More informationProject Director: Hobart Savior, Xavier University Ateneo de Cagayan *Speakers and Topics Subject To Change
I. SANDAAN SA MINDANAO EXPEDITION November 16-17, 2018 Xavier University Ateneo de Cagayan Little Theater Project Director: Hobart Savior, Xavier University Ateneo de Cagayan *Speakers and Topics Subject
More informationDOCTOR OF PHILOSOPHY 2018 PRINCIPAL SUPERVISOR: PROF. IAN AITKEN (ACADEMY OF FILM, SCHOOL OF COMMUNICATION) HONG KONG BAPTIST UNIVERSITY (HKBU)
Jose Gutierrez III 11711 SE 160th St, Renton, WA 98058 contact@jonigutierrez.com +1 (206) 953-2736 Portfolio Website www.jonigutierrez.com Education DOCTOR OF PHILOSOPHY 2018 PRINCIPAL SUPERVISOR: PROF.
More informationKRITIKA KULTURA. a refereed electronic journal of literary / cultural and language studies. No. 27, August ISSN: x
ISSN: 1656-152x KRITIKA KULTURA a refereed electronic journal of literary / cultural and language studies No. 27, August 2016 http://journals.ateneo.edu/ojs/kk/ Indexed in MLA International Bibliography,
More informationFACINE: Re-Configuring the Filipino in Film in the West, Its Challenges and Possibilities Mauro Feria Tumbocon, Jr.
FACINE: Re-Configuring the Filipino in Film in the West, Its Challenges and Possibilities Mauro Feria Tumbocon, Jr. Dilemmas plague any attempt at showcasing Filipino films outside the Philippines and
More informationTHE END OF NATIONAL CINEMA IN THE PHILIPPINES?
Mai / The End of National Cinema in the Philippines? 305 THE END OF NATIONAL CINEMA IN THE PHILIPPINES? Nadin Mai Independent Scholar nadin.mai@tao-films.com (It) is now practically impossible to imagine
More informationFor the Youth: Pursuing Sustainability in Filipino Indie Filmmaking
For the Youth: Pursuing Sustainability in Filipino Indie Filmmaking Jose C. Gutierrez III The digital revolution has paved the way for contemporary Filipino independent filmmaking. As active participant-learners,
More informationMarch 2015 at UPFI Film Center. The UP Film Institute announces its wide range of screenings for March 2015 at the UPFI Film Center in UP Diliman.
March 2015 at UPFI Film Center The UP Film Institute announces its wide range of screenings for March 2015 at the UPFI Film Center in UP Diliman. First-rate environmental films take the spotlight for the
More informationCineKabalen Kapampangan Film Festival Short Film Competition
CineKabalen Kapampangan Film Festival Short Film Competition The CineKabalen Kapampangan Film Festival aims to motivate Kapampangans to explore digital filmmaking. Organized by the National Commission
More informationASEACC 2014 PROGRAMME. 8th Association for Southeast Asian Cinemas Conference
ASEACC 2014 PROGRAMME 8th Association for Southeast Asian Cinemas Conference CODES, KITSCH, CAMP: GENRE IN/ AND SOUTHEAST ASIAN CINEMAS SALAYA, THAILAND 7 10 JULY 2014 ORGANIZED BY FILM ARCHIVE (Public
More informationFilipino Indie by Way of Southeast Asian Independent Cinema
REVIEW Filipino Indie by Way of Southeast Asian Independent Cinema Jose C. Gutierrez III A Review of Southeast Asian Independent Cinema Edited by Tilman Baumgärtel Singapore: National University of Singapore
More informationMANILA By bringing laughter to millions of Filipinos, Dolphy never let a day go to waste.
Dolphy, whose full name was Rodolfo Vera Quizon Sr,. was born the second of 10 children in Tondo, Manila, on July 25, 1928, to Melencio Espinosa-Quizon, a ship mechanic; and Salud Vera Quizon, a home-based
More informationCensorship & Film Conference A Southeast Asian perspective
Censorship & Film Conference A Southeast Asian perspective In the present times of economic, social, and political volatility, we can look at the past and compare: how were such issues coped with in previous
More informationFilm and Media. Overview
University of California, Berkeley 1 Film and Media Overview The Department of Film and Media offers an interdisciplinary program leading to a BA in Film, a PhD in Film and Media, and a Designated Emphasis
More information+500 COMPANIES TPO S +25. Forums / Plenary Sessions. Business Conferences. Display Areas
Outsource2LAC-2017 BACKGROUND Impact: Outsource2LAC is the most popular and influential Outsourcing and Offshoring forum in the region (Latin America and the Caribbean). Designed to facilitate the exchange
More informationUFS QWAQWA ENGLISH HONOURS COURSES: 2017
UFS QWAQWA ENGLISH HONOURS COURSES: 2017 Students are required to complete 128 credits selected from the modules below, with ENGL6808, ENGL6814 and ENGL6824 as compulsory modules. Adding to the above,
More informationHorror to the Extreme
Horror to the Extreme Jinhee CHOI, Mitsuyo Wada-Marciano Published by Hong Kong University Press, HKU CHOI, Jinhee & Wada-Marciano, Mitsuyo. Horror to the Extreme: Changing Boundaries in Asian Cinema.
More informationCinema Studies. Undergraduate Studies. Participating Faculty. Affiliated Faculty. Faculty. Bachelor of Arts Degree Requirements
The University of Oregon 1 Cinema Studies Priscilla Peña Ovalle, Department Head 51-36-10 51-36-1 fax 201 McKenzie Hall 6223 University of Oregon Eugene, Oregon 9703-6223 cinema@uoregon.edu The cinema
More informationReproduced from SOJOURN: Journal of Social Issues in Southeast Asia, Vol. 28, No. 1 (March 2013)
SOJOURN: Journal of Social Issues in Southeast Asia Vol. 28, No. 1 (2013), pp. 174 78 DOI: 10.1355/sj28-1j 2013 ISEAS ISSN 0217-9520 print / ISSN 1793-2858 electronic Glimpses of Freedom: Independent Cinemas
More informationThe Turn to Digital: Revival of Film Culture in the Philippines
Session 2: Industry Studies 125 The Turn to Digital: Revival of Film Culture in the Philippines Ramil de Jesus / Colegio de San Juan de Letran, Philippines Abstract This paper will trace the digital development
More informationASIAN CIVILISATIONS MUSEUM Classic & Contemporary Venues for Corporate and Private Events
ASIAN CIVILISATIONS MUSEUM Classic & Contemporary Venues for Corporate and Private Events CONTENTS ACM Floor Plan ACM Floor Plan 3 Lectures, Seminars, and Stage Performances Ngee Ann Auditorium 5 Ngee
More informationTENTH EDITION AN INTRODUCTION. University of Wisconsin Madison. Connect. Learn 1 Succeed'"
TENTH EDITION AN INTRODUCTION David Bordwell Kristin Thompson University of Wisconsin Madison Connect Learn 1 Succeed'" C n M T F M T Q UUIN I L. IN I O s PSTdlC XIV PART 1 Film Art and Filmmaking HAPTER
More informationMusic in Film. Module Outline Leeds International Summer School
Music in Film Module Outline Leeds International Summer School Module Overview This module offers an introduction to the history of film scoring from the silent era through to the present. The function
More informationMasters in Film Studies
Masters in Film Studies Programme Requirements Film Studies - MLitt FM5001 (60 credits) and 30 credits from Module List: FM5101 - FM5250 and 30 credits from Module List: FM5101 - FM5250 or 30 credits from
More informationFILM 104/3.0 Film Form and Modern Culture to 1970
FILM 104/3.0 Film Form and Modern Culture to 1970 Introduction to tools and methods of visual and aural analysis and to historical and social methods, with examples primarily from the history of cinema
More informationFilm and Media Studies (FLM&MDA)
University of California, Irvine 2017-2018 1 Film and Media Studies (FLM&MDA) Courses FLM&MDA 85A. Introduction to Film and Visual Analysis. 4 Units. Introduces the language and techniques of visual and
More informationIndiana University College Audition Preparation (CAP) Tentative Daily Schedule Sunday July 22, 2018
Tentative Daily Schedule Sunday July 22, 2018 2-4pm Registration Read Hall Center Lobby 125 South Jordan Ave. Bloomington, IN 47406 812-855-5586 ***4:30-5:30pm Orientation Read Hall Center Lobby*** Tour
More informationCIEE Global Institute Paris Contemporary French Cinema (in English)
CIEE Global Institute Paris Course name: Contemporary French Cinema (in English) Course number: CINE 3001 PCFS (ENG) Programs offering course: Paris Open Campus (Communications, Journalism and New Media
More informationDR. GILLIAN ROBERTSON
DR. GILLIAN ROBERTSON Visiting Assistant Professor, Theory University of North Texas College of Music 1155 Union Circle #311367 Denton, TX 76203 Office: MU 260A Phone: (850) 264-5295 Email: gillian.robertson@unt.edu
More informationUNIBERSIDAD NG PILIPINAS DILIMAN. Nobyembre 2018 Tomo 4 Blg. 10
Ugnayan UNIBERSIDAD NG PILIPINAS DILIMAN Nobyembre 2018 Tomo 4 Blg. 10 THE CLEANERS film, photo by Gebrueder Beetz Filmproduktion (http://www.gebrueder-beetz.de/) Ugnayan Unibersidad ng Pilipinas Diliman
More informationShanghai University of Finance & Economics Summer Program. ENG 105 Introduction to Film and Film Theory. Course Outline
Shanghai University of Finance & Economics 2019 Summer Program ENG 105 Introduction to Film and Film Theory Course Outline Term: June 3 June 28, 2019 Class Hours: 16:00-17:50PM (Monday through Friday)
More informationCIEE GLOBAL INSTITUTE - MADRID
CIEE GLOBAL INSTITUTE - MADRID Course name: Course number: New Spanish Cinema FILM 3101 MASP (ENG) Programs offering course: Madrid Open Campus Language, Literature and Culture Track Language of instruction:
More informationThy Womb, 2012 By Brillante Mendoza. More information:
Thy Womb, 2012 By Brillante Mendoza More information: http://www.brillantemamendoza.com/thywomb/ BRILLANTE MA MENDOZA is a living national treasure of Independent Cinema in the Philippines. He is the first
More informationDEPARTMENT of CINEMA STUDIES Winter 2019 Course List (See page 2 for CINE course descriptions.)
DEPARTMENT of CINEMA STUDIES Winter 2019 Course List (See page 2 for CINE course descriptions.) FUNDAMENTALS Fundamental A: Aesthetics and Society CINE 260M*: Media Aesthetics J 201: Media and Society
More informationKRITIKA KULTURA. a refereed electronic journal of literary / cultural and language studies. No. 26, February ISSN: x
ISSN: 1656-152x KRITIKA KULTURA a refereed electronic journal of literary / cultural and language studies No. 26, February 2016 kritikakultura.ateneo.net Indexed in MLA International Bibliography, Thomson
More informationOPEN DOORS 2018 RULES & REGULATIONS
OPEN DOORS 2018 RULES & REGULATIONS 1. Preamble Within its program, the Locarno Festival (LF), proposes a section titled Open Doors, in collaboration with the Swiss Agency for Development and Cooperation
More informationASP-DAC 2016 Conference Program at A Glance (Final)
ASP-DAC 2016 Conference Program at A Glance (Final) 25 Jan 2016 (Mon) 09:00~11:30 12th International Workshop on Compact Modeling (IWCM) Program 09:00~12:00 Tutorial 1: Machine Learning and Neuromorphic
More informationRaya Morag January 8, 2016
1 Raya Morag January 8, 2016 Academic Background and Fields of Interest Raya Morag is an Associate Professor of cinema studies and Head of The Smart Family Institute of Communications at the Department
More informationCourse Requirements The class meets once a week for three hours of lecture, discussion and screenings. Attendance is obligatory.
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE DEPARTMENT OF CINEMA AND TELEVISION ARTS CTVA 210: Film and Television Esthetics Fall 2018 3 units # 11991 Manzanita Hall 100 Thursdays 8:00 am - 10:45 am Class
More informationAmerican Society of Gene & Cell Therapy
American Society of Gene & Cell Therapy Guide for Presenters IMPORTANT INFORMATION FOR ALL PRESENTERS ASGCT 21st Annual Meeting May 16 May 19, 2018 Hilton Chicago Chicago, IL, USA IMPORTANT INFORMATION
More informationI Can Haz an Internet Aesthetic?!? LOLCats and the Digital Marketplace
NEPCA Conference 2012 Paper Leah Shafer, Hobart and William Smith Colleges I Can Haz an Internet Aesthetic?!? LOLCats and the Digital Marketplace LOLcat memes and viral cat videos are compelling new media
More informationMichele Schreiber Department of Film and Media Studies Emory University Introduction to Film Through the Lens of Sustainability 6/17/11
Michele Schreiber Department of Film and Media Studies Emory University Introduction to Film Through the Lens of Sustainability 6/17/11 In the Fall semester of 2010, I co-taught a graduate seminar with
More informationHumor as Enlightenment and Entertainment Danilo A. Arao
Humor as Enlightenment and Entertainment Danilo A. Arao Review of Hello, Garci? Hello, Ma am: Political Humor in the Cellphone Age published by the Philippine Center for Investigative Journalism (2005,
More information38 th FILMSCHOOLFEST MUNICH November 18 to 24 November, 2018 Lecturer (F/TV) CHAK Hoi Ling
38 th FILMSCHOOLFEST MUNICH November 18 to 24 November, 2018 Lecturer (F/TV) CHAK Hoi Ling 38 th FILMSCHOOLFEST MUNICH REPORT CHAK HOI LING 1 Introduction of FILMSCHOOLFEST MUNICH This international School
More information09.30 Introduction & Welcome Prof. Paul Cooke, University of Leeds and Dr. Laura Ager, Radical Film Network and Leeds International Film Festival
Seminar Programme 09.15 Doors Open 09.30 Introduction & Welcome Prof. Paul Cooke, University of Leeds and Dr. Laura Ager, Radical Film Network and Leeds International Film Festival 09.40 Film Screening:
More informationFilm and Television. Program Learning Outcomes. Certificate Program Certificate not applicable.
219 Definition The popular culture of the twentieth century is forever marked by the amazingly rapid advancements in the mediums of film and television. We have become a civilization influenced by visual
More informationGoals and Rationales
1 Qualitative Inquiry Special Issue Title: Transnational Autoethnography in Higher Education: The (Im)Possibility of Finding Home in Academia (Tentative) Editors: Ahmet Atay and Kakali Bhattacharya Marginalization
More informationAsian-American Literature: An Anthology, by Shirley Geok-lin Lim (NTC
ENGLISH 333: Asian-American Literature Fall 2013 Instructor Dr. Liahna Armstrong Office: L & L 403F Email: lotus@cwu.edu Office phone: X. 3178 Office hours: Tu 3:45-4:30; Thu 11-12 + by appointment and
More informationTen Tips for Program Planning [ ] Mysteries of Na onal Touring [ ] First-Timers Lunch [ ]
10.30-12.45 PRE CONFERENCE ACTIVITIES Ten Tips for Program Planning [10.30-12.00] Mysteries of Na onal Touring [11.00-12.00] First-Timers Lunch [12.00-12.45] Tower Theatre Bagging Room Mezzanine Foyer
More informationPROGRAM LATIN AMERICA IN PERSPECTIVE
The 40 th International Festival of New Latin American Cinema will be held in La Habana, from December 6 th to 16 th, 2018. The Festival promotes and awards those works whose significance and artistic
More informationPHILIPPINE Vice President Jejomar C. Binay came, saw and conquered the Filipino-American community in New York when he arrived on June 4, 2011.
Forewarned, forearmed; to be prepared is half the victory. Spanish proverb *** PHILIPPINE Vice President Jejomar C. Binay came, saw and conquered the Filipino-American community in New York when he arrived
More informationMICROACTS, ARTIST FILM SCREENINGS, CREATES A SPACE FOR PERSONAL STORIES & MOVING IMAGE MANIFESTOS AT HOTEL ELEPHANT, LONDON
1 MICROACTS ARTIST FILM SCREENINGS LONDON MICROACTS, ARTIST FILM SCREENINGS, CREATES A SPACE FOR PERSONAL STORIES & MOVING IMAGE MANIFESTOS AT HOTEL ELEPHANT, LONDON BY LIBERTY ANTONIA SADLER What is MicroActs?
More informationCIEE Global Institute Paris
CIEE Global Institute Paris Course name: Contemporary French Cinema Course number: CINE 3001 PCFS (ENG) Programs offering course: Paris Open Campus Open Campus track: Communications, Journalism and New
More informationThe Intersection of Philippine and Global Film Cultures in the New Urban Realist Film
The Intersection of Philippine and Global Film Cultures in the New Urban Realist Film Patrick F. Campos Keywords: Philippine cinema, realism, city studies, film culture The Context of Philippine and Global
More informationFilm and Television. 300 Film and Television. Program Student Learning Outcomes
300 Film and Television Film and Television Film is a universally recognized medium that has a profound impact on how we view the world and ourselves. Filmmaking is the most collaborative of art forms.
More informationFI: Film and Media. FI 111 Introduction to Film 3 credits; 2 lecture and 2 lab hours
FI: Film and Media FI 111 Introduction to Film This course provides students with the tools to analyze moving image presentations in an academic setting or as a filmmaker. Students examine the uses of
More informationSheffield Doc/Fest Film Submission Guidelines
WELCOME Sheffield Doc/Fest Film Submission Guidelines 2016-2017 We are delighted to welcome submissions for short, medium length and feature films for consideration for the 2017 Sheffield Doc/Fest programme.
More informationMelbourne Masterclass. Turning Points in Cinema to Die For. Faculty of Arts
Melbourne Masterclass Turning Points in Cinema to Die For Faculty of Arts Melbourne Masterclass Turning Points in Cinema to Die For Wednesdays 9 & 23 August, 6 & 20 September, 11 & 18 October, 6.30 8.30pm
More informationFrench 2323/4339 Fall 2015 French Cinema as Cultural Memory & Artistic Artifact Course Information Sheet and Syllabus
French 2323/4339 Fall 2015 French Cinema as Cultural Memory & Artistic Artifact Course Information Sheet and Syllabus Film as dream, film as music. No art passes our conscience in the way film does, and
More informationAdventist University of the Philippines BACHELORS OF MUSIC IN MUSIC EDUCATION Emphasis: Piano (Enhanced Curriculum 2014)
First Semester Adventist University of the Philippines BACHELORS OF MUSIC IN MUSIC EDUCATION Emphasis: Piano (Enhanced Curriculum 2014) FIRST YEAR MUAP 111L Applied Piano 2a 2 MUAM 111L Applied Minor 1a
More informationCIEE Global Institute - Madrid
CIEE Global Institute - Madrid Course name: New Spanish Cinema Course number: FILM 3101 MASP (ENG) Programs offering course: Open Campus Open Campus Track: Language, Literature and Culture Track Language
More informationWadsworth Atheneum Museum of Art March 2014 Calendar
Contact: Sarah Ferri 860-838-4081 sarah.ferri@wadsworthatheneum.org Wadsworth Atheneum Museum of Art March 2014 Calendar The following programs are for your calendars and event listings. Please note: some
More informationJuly 14 July 18, 2014 GENERAL INFORMATION
PREPARATORY CENTER FOR THE ARTS July 14 July 18, 2014 GENERAL INFORMATION Web: Montclair.edu/music/prep Tel: (973) 655 4443 E-mail: musicprep@mail.montclair.edu The Harp Camp is administered by the Preparatory
More informationUNIBERSIDAD PILIPINAS DILIMAN. Hulyo 2018 Tomo 4 Blg. 6
Ugnayan UNIBERSIDAD NG PILIPINAS DILIMAN Hulyo 2018 Tomo 4 Blg. 6 Cover design by Annie Dennise Pacaña Lumbao Ugnayan Unibersidad ng Pilipinas Diliman (Ugnayan) is a publication of the UP Diliman Information
More information*** LOCARNO INDUSTRY ACADEMY PROGRAM ***
LOCARNO INDUSTRY ACADEMY PROGRAM WELCOMING DAY - WEDNESDAY 5TH AUGUST 2015 Afternoon 6:45pm 8:00pm 9:30pm Arrival of participants in Locarno & Check In at Youth Hostel Palagiovani Welcoming by the Industry
More informationWelcome to the 2014 SPOKANE
Welcome to the 2014 SPOKANE The Davenport Hotel October 7-9, 2014 Welcome to Spokane! Welcome to beautiful Spokane, Washington, and the Rocky Mountain Theatre Convention! Our convention host, Diane Eve,
More informationCINEASIA 2018 SCHEDULE OF EVENTS DECEMBER. Official Presenting Sponsor of CineAsia
CINEASIA 2018 SCHEDULE OF EVENTS 10-13 DECEMBER Official Presenting Sponsor of CineAsia Monday, 10 December 2018 08:00 18:00 Trade Show Registration (Hall 3G Foyer, Level 3, HKCEC) 10:00 18:00 General
More informationFILM AND VIDEO STUDIES (FAVS)
Film and Video Studies (FAVS) 1 FILM AND VIDEO STUDIES (FAVS) 100 Level Courses FAVS 100: Film and Video Studies Colloquium. 1 credit. Students are exposed to the film and video industry through film professionals.
More informationAdventist University of the Philippines BACHELOR OF MUSIC IN MUSIC EDUCATION Emphasis: Choral Conducting (Enhanced Curriculum 2014)
First Semester Adventist University of the Philippines BACHELOR OF MUSIC IN MUSIC EDUCATION Emphasis: Choral Conducting (Enhanced Curriculum 2014) FIRST YEAR MUCC 111 Basic Conducting 2 MUAM 111L Applied
More informationphilippine studies Ateneo de Manila University Loyola Heights, Quezon City 1108 Philippines
philippine studies Ateneo de Manila University Loyola Heights, Quezon City 1108 Philippines Megan C. Thomas Orientalists, Propagandists, and Ilustrados: Filipino Scholarship and the End of Spanish Colonialism
More informationENG English. Department of English College of Arts and Letters
ENGLISH Department of English College of Arts and Letters ENG 097 Oral Skills for Foreign Teaching Assistants Fall, Spring. 0(5-0) R: Approval Practice in English skills for classroom instruction. Pronunciation.
More informationSPONSORSHIP OPPORTUNITIES
2018 NOV 8-11 THE SERIES Recent cinema from Spain is the most important annual Spanish film showcase in Miami. After 6 editions, the series has become well established and has won its place on the city
More informationEnglish (ENGL) English (ENGL) 1
English (ENGL) 1 English (ENGL) ENGL 150 Introduction to the Major 1.0 SH [ ] Required of all majors. This course invites students to explore the theoretical, philosophical, or creative groundings of the
More informationWestmont Academy of Vocal Excellence
Westmont Academy of Vocal Excellence "Come to the seaside Santa Barbara and catch the WAVE!" Westmont College June 22nd - July 6th 2014 Dear Applicant, Thank you for your application for thethe Summer
More informationFilm and Television. 318 Film and Television. Program Student Learning Outcomes. Faculty and Offices. Degrees Awarded
318 Film and Television Film and Television Film is a universally recognized medium that has a profound impact on how we view the world and ourselves. Filmmaking is the most collaborative of art forms.
More informationJAMES KENDRICK, PH.D.
JAMES KENDRICK, PH.D. Assistant Professor Film and Digital Media Division Department of Communication Studies Baylor University P.O. Box 97638 Waco, Texas 76798 (254) 710-6061 (254) 710-1563 (fax) James_Kendrick@baylor.edu
More informationStudent Learning Objectives. Through successfully completing this course, you will be able to:
Dakar Summer Program 2017 Duration: Wednesday, 6/28/17 Wednesday, 8/9/17. Directed by Amadou T Fofana Course Description Film, Culture & Development in West Africa "Culture is a matrix of infinite possibilities
More informationA film by Lav Diaz THE WOMAN WHO LEFT (Ang Babaeng Humayo)
A film by Lav Diaz THE WOMAN WHO LEFT (Ang Babaeng Humayo) 2016 226m Filipino with English subtitles B&W DCP A Kino Lorber release Winner Golden Lion La Biennale di Venezia 2016 Publicity Contact: Rodrigo
More information2018 NYU STEINHARDT FILM SCORING WORKSHOP
2018 NYU STEINHARDT FILM SCORING WORKSHOP with Mark Snow and Michael Levine TRACK TWO: SOLOIST & CHAMBER ENSEMBLE MONDAY, MAY 28 TH 10:00-10:30 Registration / Introductions of Faculty and Participants/Auditors
More informationGCE A LEVEL. WJEC Eduqas GCE A LEVEL in FILM STUDIES COMPONENT 2. Experimental Film Teacher Resource GLOBAL FILMMAKING PERSPECTIVES
GCE A LEVEL WJEC Eduqas GCE A LEVEL in FILM STUDIES COMPONENT 2 Experimental Film Teacher Resource GLOBAL FILMMAKING PERSPECTIVES Experimental Film Teacher Resource Component 2 Global filmmaking perspective
More informationCINEASIA 2016 DECEMBER 6-8
CINEASIA 2016 DECEMBER 6-8 Monday, 5 December 2016 09.00 18.00 - Trade Show Registration (Hall 3G Foyer, Level 3, HKCEC) 14.00 18.00 - General Convention Registration (Convention Foyer, Level 1, HKCEC)
More informationContemporary Women s Cinema Global Scenarios & Transnational Contexts
Dipartimento di Filosofia Comunicazione e Spettacolo Humanities Institute at Stoney Brook Conference Contemporary Women s Cinema Global Scenarios & Transnational Contexts May 28-29, 2013 Aula Magna del
More informationNATIONAL: BEATLES TOP ALL-TIME ROCK BAND LIST
Please attribute this information to: Monmouth University Poll West Long Branch, NJ 07764 www.monmouth.edu/polling Follow on Twitter: @MonmouthPoll Released: Thursday, November 8, 2018 Contact: PATRICK
More informationBRAZIL WEEK, OXFORD, MARCH 2012
BRAZIL WEEK, OXFORD, MARCH 2012 9.30am 2pm 4pm 5pm 6pm 7pm MONDAY 5 TUESDAY 6 WEDNESDAY 7 THURSDAY 8 FRIDAY 9 SATURDAY 10 Latin American Third Cinema Conference Round Table: Brazil in the Spotlight Robin
More informationSTRINGS, JUNIOR CATEGORY: VIOLIN, VIOLA, VIOLONCELLO, CONTRABASS ADDITIONAL AND SPECIFIC GUIDELINES, RULES, AND REGULATIONS
STRINGS, JUNIOR CATEGORY: VIOLIN, VIOLA, VIOLONCELLO, CONTRABASS ADDITIONAL AND SPECIFIC GUIDELINES, RULES, AND REGULATIONS 1. Application and Registration In addition to the general requirements in the
More informationCultural Identity Studies
Cultural Identity Studies Programme Requirements: Modern Languages - Cultural Identity Studies - 2018/9 - September 2018 Cultural Identity Studies - MLitt 80 credits from Module List: CO5001 - CO5002,
More informationNEWS RELEASE Contact: Jorge Luis González at or
NEWS RELEASE Contact: Jorge Luis González at 413-545-4482 or jlg@admin.umass.edu FOR IMMEDIATE RELEASE: January 28, 2010 WHAT: WHEN: WHERE: TICKETS: IMAGES: L.A. Theatre Works: RFK: The Journey to Justice
More informationCourse: Film, Higher Level (HL)
Longview High School International Baccalaureate Diploma Programme 2010 2011 Course Syllabus for Year 1 Student: Grade: Course: Film, Higher Level (HL) Teacher: Kathy Lancaster Longview High School International
More informationWhat most often occurs is an interplay of these modes. This does not necessarily represent a chronological pattern.
Documentary notes on Bill Nichols 1 Situations > strategies > conventions > constraints > genres > discourse in time: Factors which establish a commonality Same discursive formation within an historical
More informationENGL S092 Improving Writing Skills ENGL S110 Introduction to College Writing ENGL S111 Methods of Written Communication
ENGL S092 Improving Writing Skills 1. Identify elements of sentence and paragraph construction and compose effective sentences and paragraphs. 2. Compose coherent and well-organized essays. 3. Present
More informationASIAN CIVILISATIONS MUSEUM. Classic & Contemporary Venues for Corporate and Private Events
ASIAN CIVILISATIONS MUSEUM Classic & Contemporary Venues for Corporate and Private Events Content Lectures, Seminars, and Stage Performances Ngee Ann Auditorium 4 Ngee Ann Auditorium Foyer 7 Discovery
More informationFY 2017 Investors Briefing Financial and Operating Results March 23, 2018
FY 2017 Investors Briefing Financial and Operating Results March 23, 2018 Business Segments Media Networks & Studio Entertainment Digital & Interactive Media - Entertainment - News - Global - Film & Music
More informationSeinan Gakuin University (Japan) Intercultural Communication Introduction to Japanese Cinema Japanese Communication through Manga and Anime
COMMUNICATION Edge Hill University (England) 2D & Convergent Animation: Principles, Processes and Technologies # 3D Stop Motion: Principles, Processes and Technologies # Advanced Postproduction American
More informationNEWSLETTER JOIN US FOR OUR ANNUAL HOLIDAY PARTY. Inside this month. The SAG DVD library. Franconia Government Center Show Page 2
SAG DECEMBER 2012 NEWSLETTER SPRINGFIELD ART GUILD JOIN US FOR OUR ANNUAL HOLIDAY PARTY On Wednesday December. 12, 2012 at the Richard Byrd Library The party starts at 7 p.m., cocktail type affair with
More informationUniversity Libraries News
1 of 5 10/2/2009 4:58 PM UMKC Faculty/Staff Students About UMKC Academics Admissions Athletics Departments Libraries Research Quick Links Library News Blog Follow this blog for announcements, construction
More informationThe Reed Scriptorium is part of the Calligraphy Initiative in Honor of Lloyd J. Reynolds at the Douglas F. Cooley Memorial Art Gallery, Reed College.
September 20, 2012 The Reed Scriptorium Stephanie Snyder The Reed Scriptorium is part of the Calligraphy Initiative in Honor of Lloyd J. Reynolds at the Douglas F. Cooley Memorial Art Gallery, Reed College.
More informationBiography/Bibliography Form Reformatting Implementation Guidelines for 2015 & 2016
1 Biography/Bibliography Form Reformatting Implementation Guidelines for 2015 & 2016 Background In late 2013 and early 2014, revisions to the campus Biography/Bibliography were suggested by both the Committee
More informationANNUAL IOT CONFERENCE. Zaragoza, June - Hiberus Hotel
ANNUAL IOT CONFERENCE 2018 Zaragoza, 21-22 June - Hiberus Hotel Welcome! The growing demand for IoT solutions to improve the competitiveness of companies in all productive sectors is unstoppable. Disruptive
More informationHATCH: LESSON 7A REDEFINING AESTHETICS
HATCH: LESSON 7A REDEFINING AESTHETICS Lesson Plan Overview: This lesson is designed re-examine artists understanding of aesthetics as it relates to art and Community Objectives: Facilitator will: Artists
More informationTransfer Model Curriculum
Transfer Model Curriculum CCC Major or Area of Emphasis: Film, Television, and Electronic Media CSU Major or Majors: Radio-Television-Film, Television-Film, Television, Video, Film, and Electronic Arts
More information