UvA-DARE (Digital Academic Repository) Film history in the making Olesen, C.G. Link to publication

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1 UvADARE (Digital Academic Repository) Film history in the making Olesen, C.G. Link to publication Citation for published version (APA): Olesen, C. G. (0). Film history in the making: Film historiography, digitised archives and digital research dispositifs General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: or a letter to: Library of the University of Amsterdam, Secretariat, Singel, 0 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvADARE is a service provided by the library of the University of Amsterdam ( Download date: Feb 0

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3 . Use of previously published work in the dissertation Parts of this dissertation have appeared in previously published work. In this section I would like to indicate which parts from my publications appear in my dissertation. In my dissertation's introduction, Film Historiography, Digitised Archives and Digital Research Dispositifs, and Chapter Three, Microscopic Visions of the FilmText: Stylometry, Archival DVD Editions and Film Philology, I have made use of short excerpts from the following article: Christian Gosvig Olesen, 'Film History 'in the Making': On Fact Production and Film Historiography in Digital Humanities Laboratories, in At the Borders of (Film) History. Temporality, Archaeology, Theories, edited by Alberto Beltrame, Giuseppe Fidotta and Andrea Mariani,. Udine: Forum Editirice Universitaria Udinese SRL, 0. This article reflects my first steps towards the articulation of my theoretical framework's metahistorical perspective. I have used and significantly expanded excerpts from this publication in my introduction, in particular in the section Developing A Metahistorical Approach to Digital Film Historiography. Furthermore, the article also contains my first reflections on Cinemetrics as a technique of tradition. Small parts of these reflections appear in Chapter Three's section Cinemetrics as technique of tradition in revised and expanded form. My introduction's section Digital Film Historiography's Places of Production also includes a short excerpt from the conclusion of the following article, which contains a brief discussion of Régis Debray's work: Christian Gosvig Olesen, Panoramic Visions of the Archive in EYE's Panorama: A Case Study in Digital Film Historiography in Cinema & Cie, Vol. XIV, No. / (0): 0. Parts of Chapter Four, Writing Film History from Below and Seeing it from Above: Data Mining, GIS and SocioEconomic History are based on the following coauthored publication, of which I am the first author: Christian Gosvig Olesen, Eef Masson, Jasmijn van Gorp, Giovanna Fossati & Julia

4 Noordegraaf "DataDriven Research for Film History: Exploring The Jean Desmet Collection" in The Moving Image, Vol., No. (0): 0. The article discusses the results of the research project Datadriven Film History: A Demonstrator of EYE's Jean Desmet Collection in which I was Project Manager and researcher. The paper builds on material from conference papers which I presented in 00. Coauthor Julia Noordegraaf drafted the article's introduction and contributed to the article's editing as well as with her expertise on New Cinema History research in the article's discussion of related GIS projects. Eef Masson coordinated the planning of the article's writing and was responsible for the article's final editing together with coauthor Giovanna Fossati. Eef Masson also helped sharpening the article's discussion of colour visualisations with her critical feedback. Giovanna Fossati also contributed with her expertise on silent cinema colour historiography, particularly in relation to initiatives and restoration practices at EYE Filmmuseum in Amsterdam. Coauthor Jasmijn van Gorp drafted the article's discussion of the project demonstrator's interface design and contributed with critical feedback on its development based on her role as Project Supervisor. The article provides the fundament for Chapter Four's sections Mapping Desmet, The Desmet Collection as Site for Silent Cinema Colour Historiography and Visualising the Chromatic Patterns of Desmet's Distribution. In my dissertation, these parts have been expanded substantially and reframed within a broader discussion of historical GIS and New Cinema History methodology. I have also cited from this text in my introduction's discussion of summary images. Furthermore, I also wish to point out that I have presented a few preliminary thoughts on the Hyperkino project on my research blog filmhistoryinthemaking.com which I developed in Chapter Three's section Philological DVD Editions and Cinemetric Concerns. See: Finally, I have also made shortened sections from my dissertation available online on the blog of EYE Filmmuseum's E*Cinema program series, in which I gave an introductory lecture to a screening of Ken Jacobs' Tom, Tom the Piper's Son and Peter Tscherkassky's Coming Attractions on June, 0. This concerns material from Chapter One's sections Audiovisual Film Histories and Contemporary Dialogues of Film Appropriation, Archiving and Historiography. See: 9

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6 . List of DVD releasing European film heritage institutions Institution Location FIAF Membership ship Vienna, Austria Status and Year FIAF Member 9. Östereichisches Filmmu Vienna, Austria FIAF Member 9 FIAF Member 9 Belgique Cinematek. Det Danske Filminstitut Copenhagen, Denmark FIAF Member 9. Filmarchiv Austria seum Austrian Film Museum. Cinémathèque royale de Bruxelles, Belgium Museum & Cinematek The Danish Film Institute Archive & Cinematheque. Kansallinen AudiHelsinki, Finland FIAF Member 9 ovisuaalinen Instituutti. La Cinémathèque Paris, France FIAF Member 9 Toulouse, France FIAF Member 9 française Musée du cinéma. La Cinémathèque de Toulouse. Cinémathèque régionale PortoVecchio, France FIAF Associate 99 NonACE de Corse Casa di Lume Collectivité Territoriale de Corse 9. Cinémathèque de Bretagne, France FIAF Associate 99 NonACE Bretagne 0. Institut Jean Vigo / Perpignan, France FIAF Associate 00 NonACE Berlin, Germany FIAF Member 9 marchiv. Filmmuseum Potsdam Potsdam, Germany. Deutsches Filminstitut Frankfurt am Main, NonFIAF FIAF Member 9 NonACE DIF Germany. Filmmuseum Münch München, Germany FIAF Member 99 Cinémathèque EuroRégionale. BundesarchivFil

7 ner Stadtmuseum. Hungarian National Di Budapest, Hungary FIAF Member 9 FIAF Member 99 Archive. Fondazione Cineteca di Bologna, Italy FIAF Member 99 Bologna. Fondazione Cineteca FIAF Member 9 Italiana 9. La Cineteca del Friuli Gemona, Italy 0. Centre National de Dudelange, FIAF Member 99 FIAF Associate 99 NonACE l Audiovisuel. Cinémathèque de la Luxembourg Luxembourg Ville, FIAF Member 9 Ville de Luxembourg. EYE Film Institute Luxembourg Amsterdam, FIAF Member 9 Netherlands. Slovenský Filmový Netherlands Bratislava, Slovakia FIAF Member 99 Madrid, Spain FIAF Member 9. Filmoteca de Catalunya Barcelona, Spain FIAF Member 99. Svenska Filminstitutet Stockholm, Sweden FIAF Member 9. BFI National Archive London, United FIAF Member 9 Kingdom. Imperial War Museums London, United FIAF Member 90 Film Archive 9. North West Film Kingdom Manchester, United FIAF Member 99 NonACE Archive 0. Scottish Screen Kingdom Aberystwyth, United FIAF Member 99 NonACE gital Archive and Film Institute (MaNDA). IFI Irish Film Dublin, Ireland Milano, Italy Ústav/Slovakian Film Institute. Filmoteca Española Archive National Library Kingdom of Scotland

8 . Occurrences of National (co)productions in Titles Released by European Film Heritage Institutions breakdown Institution Filmarchiv Austria Austrian Film Museum Cinematek The Danish Film Institute Archive & Cinematheque Kansallinen Audiovisuaalinen Instituutti La Cinémathèque française La Cinémathèque de Toulouse Cinémathèque régionale de Corse Cinémathèque de Bretagne Institut Jean Vigo BundesarchivFilmarchiv Filmmuseum Potsdam Deutsches Filminstitut Filmmuseum Münchner Stadtmuseum Hungarian National Digital Archive and Film Institute (MaNDA) Irish Film Archive Fondazione Cineteca di Bologna Fondazione Cineteca Italiana La Cineteca del Friuli Centre National de l Audiovisuel Cinémathèque de la Ville de Luxembourg EYE Filmmuseum Slovakian Film Institute Filmoteca Española Filmoteca de Catalunya Svenska Filminstitutet BFI National Archive Imperial War Museums North West Film Archive Scottish Screen Archive Number of Compilations National Titles Released or unverified (Co)Productions releases (Merged)

9 . Numbers of film titles per decade released on DVD breakdown * Institution Filmarchiv Austria Austrian Film Museum Cinematek The Danish Film Institute Archive & Cinematheque Kansallinen Audiovisuaalinen Instituutti La Cinémathèque française La Cinémathèque de Toulouse Cinémathèque régionale de Corse Cinémathèque de Bretagne Institut Jean Vigo BundesarchivFilmarchiv Filmmuseum Potsdam Deutsches Filminstitut 0s Filmmuseum Münchner Stadtmuseum Hungarian National Digital Archive and Film Institute Irish Film Archive Fondazione Cineteca di Bologna Fondazione Cineteca Itali ana La Cineteca del Friuli Centre National de l Au diovisuel Cinémathèque de la Ville de Luxembourgmuri EYE Filmmuseum Slovakian Film Institute Filmoteca Española Filmoteca de Catalunya Svenska Filminstitutet 90s 900s 90s 90s 90s s 90s 90s 90s s 990s 000s 00s

10 Imperial War Museums North West Film Archive Scottish Screen Archive Total BFI National Archive * Numbers appearing in italics are unverified titles or compilations

11 . Numbers of film titles per decade released on DVD breakdown Period Number of titles Unverified/ Merged Compilations 0s 90s 900s s 0 90s 0 90s 0 90s 0 90s s 9 90s 0 90s 990s 9 000s 00s Total 9

12 . Number of DVD releases by European film heritage institutions per year breakdown* Year Number of Releases (first half year) Total * The list reflects the releases of the following institutions: Filmarchiv Austria, Österreichisches Filmmuseum, the Danish Film Institute, Kansallinen Audiovisualinen, La Cinémathèque française, La Cinémathèque de Toulouse, La Cinémathèque de Corse, Institut Jean Vigo, Deutsches Filmmuseum, Bundesarchiv, Deutsche Kinemathek, Filmmuseum München, Cinémathèque de la ville de Luxembourg, Magyar Nemzeti Filmarchívum, Irish Film Institute, La Cineteca di Bologna, La Cineteca del Friuli, Fondazione Cineteca Italiana.