In-Class Topics and Reading Homework
|
|
|
- Darren Black
- 5 years ago
- Views:
Transcription
1 Unit Unit 1 8/21 Silent Film: In-Class Topics and Reading Homework Review Course Syllabus, Course Calendar and View at Home List Chapter 1 (Photography), and Fire and Desire: Race, Melodrama, and Oscar Micheaux by Jane Gaines (49-59) Review the selected Web Links with information and clips from Birth of a Nation (1915) Dir. D. W. Griffith and Within Our Gates (1920) Dir. Oscar Micheaux. (You do not have to watch the entire version of either film.) Send me an before next class indicating that you have read and understand the Syllabus and Course Calendar. Unit 1 Due: Unit 2 8/28 Online Introduction and Discussion of Birth of a Nation and Within Our Gates and Two Student Responses per post due Sunday 8/25 by midnight. Innovation in Cinema: Orson Welles Read the Film Terms worksheet in Film Files Watch Citizen Kane (1941) by Orson Welles Read the selected Web Links for Citizen Kane Read Chapter 12 (Synthesis) Unit 2 Due: Online Discussion on Citizen Kane and Two Student Responses per post due Tuesday 9/3 by midnight. Unit 3 9/4 Labor Day Week Film Noir: Read the Hays Code worksheet in Film Files Watch Double Indemnity (1944) by Billy Wilder OR Scarface (1932) Dir. Howard Hawks and Richard Rossen (Watch at Home) Read the selected Web Links for Film Noir and Double Indemnity Read Chapter 2 (Mise en Scène) 1
2 Unit 3 9/11 War and Crime: 1930 s-1940 s Review the Hays Code worksheet in Film Files Review Film Noir web links Watch Casablanca (1942) Dir. Michael Curtiz Read the selected Web Links for Casablanca Read Chapter 4 (Editing) Unit 3 Due: Casablanca Discussion and Two Student Responses Due 9/15. Film Noir Quiz due 9/15. Unit 4 9/18 Suspense: Alfred Hitchcock Review Realism and Formalism worksheet in Film Files Watch Psycho (1960) Dir. Alfred Hitchcock Read the selected Web Links for Psycho and Alfred Hitchcock Read Chapter 3 (Movement) Unit 4 Political Thrillers/ Musicals 9/25 Watch The Manchurian Candidate (1962) Dir. John Frankenheimer OR The Sound of Music (1965) Dir. Robert Wise (Watch at Home) Read the selected Web Links Read Chapter 8 (Story) Review the Mid Term Study Guide Unit 4 Due: Quiz on Psycho and (The Manchurian Candidate OR The Sound of Music) due Sunday 9/29 by midnight. 2
3 Unit 5 10/2 The 1960 s & 70 s: Counter Culture and Viet Nam Review Three Act Structure Worksheet in Film Files Watch Bonnie and Clyde (1967) Dir. Arthur Penn Read the selected Web Links for Bonnie and Clyde Read Chapter 10 (Ideology) Review Montage clip from The Battleship Potemkin in Web Links Review the Mid Term Study Guide (Mid Term will be open from 10/6-10/11) Unit 5 10/9 Mid Term Exam to be completed on Blackboard by 10/11. No Film Required this week. Work on Research Paper and Mid Term Exam Unit 5 Sci-Fi, Action and Horror: 10/16 Watch Aliens (1986) Dir. James Cameron Or Jurassic Park (1993) Dir. Steven Spielberg Read the selected Web Links for Aliens or Jurrassic Park Read Chapter 5 (Sound) Unit 5 Due: Online Discussion on Aliens or Jurassic Park and Two Student Responses per post due Sunday 10/20 by midnight. Unit 6 10/23 Research Essay DUE Monday 10/21: Turn in to Blackboard by midnight Empowerment: Women in Film Watch Thelma and Louise (1991) Dir. Ridley Scott (Watch at Home) Read the selected Web Links for Thelma and Louise Read Chapter 6 (Acting) and Chapter 11 (Critique) 3
4 Unit 6 Minority Voices in Film 10/30 Watch Eve s Bayou (1997) Dir. Kasi Lemmons (Watch at Home) Read the selected Web Links for Eve s Bayou Read Chapter 7 (Drama) and Chapter 9 (Writing) Unit 6 Due: Unit 6 Film Quiz on Thelma & Louise and Eve s Bayou due 11/3 by midnight. Unit 7 11/6 Innovation in Cinema: Martin Scorsese & Quentin Tarantino Watch Goodfellas (1990) OR Pulp Fiction (1994) (Watch at Home) Read the selected Web Links for Goodfellas (1990) OR Pulp Fiction (1994) Review Final Exam Assignment ( with questions) Unit 7 Due: Online Discussion on either Goodfellas OR Pulp Fiction and Two Student Responses per post due Sunday 11/10 by midnight. Unit 8 Modern Film: Comedy, Drama and Formalism 11/13 Watch Silver Linings Playbook (2012) Dir. David O. Russell OR The Descendants (2011) Dir. Alexander Payne OR Beasts of the Southern Wild (2012) Dir. Benh Zeitlin (Watch at Home) Work on Scene Analysis 11/20 Unit 8 Due: Post your scene analysis and two Student Responses for Silver Linings Playbook, The Descendants or Beasts of the Southern Wild by 11/25. 4
5 11/25 Online Work on Final Exam Final Week 12/3-12/9 Final Exam to be submitted to Blackboard by midnight on exam day 12/3. *This course calendar is subject to change at the instructor s discretion. 5
2. Readings that are available on the class ELMS website are designated ELMS. Assignments 10pts. each) 60% (300 pts.
ENGL 245: Film Form and Culture summer I 2012 Instructor: Oliver Gaycken Instructor office: Tawes 3223 Instructor email: ogaycken@umd.edu Description This course introduces you to the fundamentals of film
ENG 026:Introduction to Film
ENG 026:Introduction to Film General Information: Term: 2019 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions Per Week: 5 Total Weeks: 5
Shanghai University of Finance & Economics Summer Program. ENG 105 Introduction to Film and Film Theory. Course Outline
Shanghai University of Finance & Economics 2019 Summer Program ENG 105 Introduction to Film and Film Theory Course Outline Term: June 3 June 28, 2019 Class Hours: 16:00-17:50PM (Monday through Friday)
I am excited to take this journey with you. It is my honor and privilege to teach this class. -Harrison
1 Cinema 3 / James Mission College / PUC Triumph Charter, Fall 2014 Harrison James Adjunct Assistant Professor of Cinema Email: harrisonjames7676@gmail.com Mobile: 323-574-8069 Section 6802 Monday and
Wuhan University SUMMER 2018
General Information ENG 026:Introduction to Film Term: 2018 Summer Session Class Sessions Per Week: 5 Instructor: Staff Total Weeks: 4 Language of Instruction: English Total Class Sessions: 20 Classroom:
SCREEN THEORY (RTF 331K, UNIQUE # 08100) Fall 2012 University of Texas at Austin
1 Instructor: Professor Lalitha Gopalan Office: CMA 6.174 Telephone: 512-471-9374 e-mail: lalithagopalan@mail.utexas.edu SCREEN THEORY (RTF 331K, UNIQUE # 08100) Fall 2012 University of Texas at Austin
ENG 2300 Film Analysis Section 1809 Tues 4/Thurs 4-5 (Screenings Thurs 9-11)
ENG 2300 Film Analysis Section 1809 Tues 4/Thurs 4-5 (Screenings Thurs 9-11) Instructor: Nathaniel R. Deyo Email: nathaniel.deyo@ufl.edu Office: Turlington 4212 Office Hours: Thursday Period 6 Course Description
Before the conclusion of this course, students should be able to:
MCOM 2370: Introduction to American Film History Spring 2016 Monday & Wednesday - 12-1:15 p.m. Tuesday & Thursday - 10:30-11:45 a.m. Professor Drew Morton E-mail: DMorton@tamut.edu Office Hours: Monday
Film, Video & American History FILM S247/ HIST S187/ AMST S483 Mondays and Wednesdays, 1-5:30pm
Film, Video & American History FILM S247/ HIST S187/ AMST S483 Mondays and Wednesdays, 1-5:30pm 2018 Yale University Summer Session B July 2-August 3 Instructor: Andrew Vielkind E-mail: andrew.vielkind@yale.edu
Before the conclusion of this course, students should be able to:
MCOM 2370: Introduction to American Film History Fall 2013 Tuesdays, 4-6:45 p.m., UC323. Professor Drew Morton E-mail: DMorton@tamut.edu Office Hours: Wednesdays, 2-6 p.m. COURSE DESCRIPTION AND STUDENT
FS 102: The History of Film, Spring 2018
FS 102: The History of Film, Spring 2018 CLASS: M/F, 3:10-4:10 pm LAB: W, 3:10-5:30 pm Mueller Theater, McKelvey Student Center Dr. Andrew Ade Office: 407 Thompson-Clark adeaw@westminster.edu Office hours:
English 2341 Forms of Literature: The Literature of Film
English 2341 Forms of Literature: The Literature of Film Instructor: Lance Hawvermale, Associate Professor of English Jameson Hall #2; (254) 647-3234, Ext 7025 Office Hours: Monday/Wednesday 3:00 to 4:00
A Level Film Studies Scheme of work 2017 / 2018
A Level Film Studies Scheme of work 2017 / 2018 YEAR 12 European and Global Film Documentary Classic Hollywood and New Hollywood American Mainstream Film and Contemporary Independent Film Coursework Beginnings
HISTORY OF FILM FILM
HISTORY OF FILM FILM 300-01 Instructor: Tobin Day & Time: M/W 1:00-3:20 E-mail: tobin.addington@mso.umt.edu Room: Native American Center 009 Office Hours: M 3:30-5:00 & by appointment in McGill 234 Readings:
Other required readings will be distributed in PDF format (via electronic distribution) or in photocopy form.
MCOM 2320: Introduction to Television and Video Production Fall 2012 Tuesdays and Thursdays, 1:00-2:15 p.m., UC323 Professor Drew Morton E-mail: DMorton@tamut.edu Office Hours: Tuesdays and Thursdays (2:30-5
Introduction to Film Studies - Video course
NPTEL Syllabus Introduction to Film Studies - Video course COURSE OUTLINE The objective of this course is to enable students to understand the language of cinema and to help them recognize significant
Prerequisite: English 110 or equivalent.
Comm. 460 Winter 2010 Thursday 5:20 to 9:30 Instructor: Dr. Gary Byrd Office: Classroom & Office Building 225 Phone: 654-2295, email gbyrd@csub.edu, Text: An Introduction To Film Authors: Thomas and Vivian
LC 150, Reading Film: Introduction to Film Studies Department of Languages, Literature, and Cultures, Fall 2018
LC 150, Reading Film: Introduction to Film Studies Department of Languages, Literature, and Cultures, Fall 2018 Lola rennt, Tom Tykwer, 1998 Professor Caroline Wiedmer Office LAC 6 Office Hours M/T, 12:00-13:00,
Course: Film, Higher Level (HL)
Longview High School International Baccalaureate Diploma Programme 2010 2011 Course Syllabus for Year 1 Student: Grade: Course: Film, Higher Level (HL) Teacher: Kathy Lancaster Longview High School International
SYLLABUS - Office: Bouillon 231)
SYLLABUS (contact:smithpat@cwu.edu - Office: Bouillon 231) COURSE: INSTRUCTOR: REQUIRED TEXT: HISTORY OF NARRATIVE FILM PATRICK WILLIAM SMITH A History of Narrative Film, 4 th Ed David A. Cook SECTIONS:
Course Description: Analysis of selected, significant motion pictures of the world's cinema, from the silent period to the present.
1 MST 225 04 Fall 2016 Film Appreciation Syllabus attributes : GFA credits: 3.0 Instructor: Wil Davis wilrdavis@gmail.com Class Time / Location: Tuesdays 6:30 8:15 PM Petty Building 213 Course Description:
Drama H Gogebic Community College Fall 2016
Drama 102 04 H Gogebic Community College Fall 2016 Dr. Kathleen Carlton Johnson kathleen.johnson@gogebic.edu Drama 102 Introduction to the Art of the Movies An introduction to the social significance of
Week. 11 Examine different genres of film, identifying. 13 Examine different genres of film, identifying
Week Marking Period 1 Week Marking Period 2 1 Pre-test/ Benchmark Students will study basic film history, vocabulary and production 2 Examine different genres of film, identifying historical time periods.
History/HRS 169: Hollywood and America
History/HRS 169: Hollywood and America Spring 2018 TuTh 3:00-4:15 George S. Craft Office: Tahoe 3084 Telephone: 916: 278-6340 Office Hours: Th after class, 4:15 Email: gcraft@csus.edu (preferred) Wed,
History/HRS 169: Hollywood and America
History/HRS 169: Hollywood and America Fall 2017 TuTh 12:00-1:15 George S. Craft Office: Tahoe 3084 Telephone: 916: 278-6340 Office Hours: Tu and Th after class, 1:30-2:00. Email: gcraft@csus.edu (preferred)
CAYUGA COMMUNITY COLLEGE Division of Humanities, English, Telecommunications. Introduction to the Moving Image - COMM Credit Hours
CAYUGA COMMUNITY COLLEGE Division of Humanities, English, Telecommunications Introduction to the Moving Image - COMM 103 3 Credit Hours COURSE DESCRIPTION Covers the development and employment of television
Anatomy. of Film. Bernard F. Dick Fairleigh Dickinson University. ßedford / 51. Martin's. Boston New York . \;' '.~ ;~"' ':/1:,1~...
SIXTH EDITION Anatomy of Film Bernard F. Dick Fairleigh Dickinson University. \;' '.~ ;~"' ':/1:,1~.... ~(1,:,..., ':'. -. ".. :;.:" ~ : "..', :~ " ' ;: :\ ~..' ßedford / 51. Martin's Boston New York Contents
Course Syllabus & Policies Review Literary Terms Power Points in AML 2020 Files. Introduction: The Transformation of a Nation (3-16)
Unit In-Class Topics and Reading Homework Intro Unit Mon 8/19 Course Syllabus & Policies Review Literary Terms Power Points in AML 2020 Files Readings: Norton Volume C Introduction: The Transformation
FILM 201 Introduction to Cinema Fall To Shoot a Film is to Organize an Entire Universe -Ingmar Bergman
FILM 201 Introduction to Cinema Fall 2016 To Shoot a Film is to Organize an Entire Universe -Ingmar Bergman Professor Ted Hovet OFFICE: CH 110C 745-5782 Office Hours: MW 10:30-11:30; W 3:30-5:00; and by
ENG 2300 [SECTION 1807]: FILM ANALYSIS
![ENG 2300 [SECTION 1807]: FILM ANALYSIS](/thumbs/86/93536757.jpg "ENG 2300 [SECTION 1807]: FILM ANALYSIS")
ENG 2300 [SECTION 1807]: FILM ANALYSIS Class: MWF period 4 [10:40am - 11:30am], Turlington 2322 Screening: M periods 9-11 [4:05pm-7:05pm], Turlington 2322 Instructor: Leila Estes Email: leilajestes@ufl.edu
Cinema of the Weimar Republic
Cinema of the Weimar Republic Fall 2017 Meetings: Screenings: Instructor: Erik Born erikborn@gmail.com Office Hours: Course Overview This course introduces the cinema of the Weimar Republic (1918 33),
East China Normal University International Summer Session. FIM 11 Introduction to Film Studies
1 East China Normal University International Summer Session FIM 11 Introduction to Film Studies Term: July 3 rd August 4 th, 2017 Time: 13:35-15:25 Instructor: Dr. Mark Stephenson Home Institution: Western
East China Normal University International Summer Session. FIM 11 Introduction to Film Studies
1 East China Normal University International Summer Session FIM 11 Introduction to Film Studies Term: May 29 th June 23 rd, 2017 Time: 14:00-16:15 (2:00-4:15 p.m.) Instructor: Dr. Mark Stephenson Home
Plagiarism is a violation of your responsibilities as a student at the university and will not be tolerated.
Politics and Film PS 350 Fall 2015 Instructor: Jay Steinmetz steinmet@uoregon.edu Office hours and location: Mondays and Wednesdays 4:30 to 5:30, PLC 808 GTFs: Culture constitutes shared signs and expressions
Los Angeles Mission College Arts, Media, and Humanities Department
Los Angeles Mission College Arts, Media, and Humanities Department CINEMA 3: HISTORY OF THE MOTION PICTURES Fall 2015 3 units # 0196 Center for Math & Science Building CMS 30 Fridays 9:00 am -1:10 pm Instructor:
ARTH 1112 Introduction to Film Fall 2015 SYLLABUS
ARTH 1112 Introduction to Film Fall 2015 SYLLABUS Professor Sra Cheng Office Hours: Mon 10:00-11:00 am, Office: Namm 602B Tu/Th 9:00 am-10:00 am Email: scheng@citytech.cuny.edu (best way to contact me)
Course Syllabus & Policies Review Literary Terms Power Points in AML 2020 Files. Introduction: The Transformation of a Nation (3-16)
Unit In-Class Topics and Reading Homework Intro Unit Mon 1/7 Course Syllabus & Policies Review Literary Terms Power Points in AML 2020 Files Readings: Norton Volume C Introduction: The Transformation of
Russian 380/Film Russian Cinema: The Most Important Art Instructor: Alexander Prokhorov
College of William and Mary Spring 2007 Russian 380/Film 351-02 Russian Cinema: The Most Important Art Instructor: Alexander Prokhorov Email: axprok@wm.edu Office: Washington 234 Voice: 221-7731 Office
Introduction to Cinema
Introduction to Cinema Comm 274-002 Fall 2017 Dr. Leslie Abramson Tuesdays 7:00-10:00 p.m. Cuneo Hall, Room 109 Office Hours: After class or by appointment E-mail: labramson@luc.edu Course Objective In
History of American Cinema. Course Description HIST 399
HIST 399 History of American Cinema Winter 2017 University of Oregon 30 Pacific Hall Tuesdays and Thursdays, 3:30-5:50 Instructor: Steven Beda sbeda@uoregon.edu Office: 340A McKenzie Hall Office Hours:
Michele Schreiber Department of Film and Media Studies Emory University Introduction to Film Through the Lens of Sustainability 6/17/11
Michele Schreiber Department of Film and Media Studies Emory University Introduction to Film Through the Lens of Sustainability 6/17/11 In the Fall semester of 2010, I co-taught a graduate seminar with
COMPONENT 1 Varieties of film and filmmaking
GCE A LEVEL WJEC Eduqas GCE A LEVEL in FILM STUDIES COMPONENT 1 Varieties of film and filmmaking ADDITIONAL SAMPLE QUESTIONS: 2 A LEVEL FILM STUDIES COMPONENT 1 Varieties of film and filmmaking SAMPLE
Course Description Student learning outcomes: Evaluations: Honors students
English 432.001H, History and Aesthetics of Film Gerald Duchovnay Spring 2013 TR 2-4:20, HL 203 Office: Hall of Languages 326 Office Hours: TH, 10:15-11, 12:15-1:45; T, 4:30-5:00. Other times by appointment.
Baylor University Dept. of Communication Studies, Film & Digital Media Division Fall 2009
Baylor University Dept. of Communication Studies, Film & Digital Media Division Fall 2009 Screening: Wednesday 6:30 10:00 p.m., Castellaw 101 Seminar: Thursday 3:00 6:00 p.m., Castellaw 142 Professor:
Expected Competencies:
Ohio University, Course Schedule And Syllabus - Music 1010: Music Theory I - Fall 2014 Class Number: 6635 Section: 101 Time & location: 9:40 10:35 A.M. Room 550 Instructor: C. Scott Smith E-mail: ssmith4@ohio.edu
Units. Year 1. Unit 3: There Was This Guy. Unit 1: Course Overview. 1:1 - Getting started 1:2 - Introducing Film SL 1:3 - Assessment and Tools
Film SL Units All Pamoja courses are written by experienced subject matter experts and integrate the principles of TOK and the approaches to learning of the IB learner profile. This course has been authorised
English : Shakespeare on Screen
English 190-03: Shakespeare on Screen Professor Newstok Fall 2008 newstoks@rhodes.edu WRF 2:00-3:00pm Office: Palmer 310 Rhodes Tower 410 Office hours: M 9am-noon; MWF 3 4pm; or by appointment Course description
Murrieta Valley Unified School District High School Course Outline June 2006
Murrieta Valley Unified School District High School Course Outline June 2006 Department: Course Title: English Cinema as Literature Grade Level: 11-12 Length of Course: Prerequisite: Year None UC/CSU (A-G)
IB Film Studies. Instructor: Mr. Chris Landinguin, M.E.T. Room #: Extension: x105
Instructor: Mr. Chris Landinguin, M.E.T. Room #: 222 Email: clandinguin@sgmhs.org Extension: x105 IB Film Studies Course Description: IB Film is One year (SL) or two-year (HL) course that fulfills the
SPECIMEN. Date Morning/Afternoon Time allowed: 2 hours. A Level Film Studies H410/01 Film History Sample Question Paper
A Level Film Studies H410/01 Film History Sample Question Paper Date Morning/Afternoon Time allowed: 2 hours You must have: the OCR 12-page Answer Booklet (sent with general stationery) * 0 0 0 0 0 0 *
Additional readings and films will be provided via Moodle.
INTRODUCTION TO FILM Classroom: NRB 226 12.30-1.45 PM, Tues./Thurs. Montana Tech - Autumn 2016 Professor Isabel Sobral Campos icampos@mtech.edu Classroom: NRB 226 Office Hours: 5-6.00 PM, Tues./Thurs.
French / French New Wave Cinema: Sources and Legacies. Fall 2009 TR 3:30-4:45 Dey Hall 202. Projections: T 6 p.m.
French 373.001/373.601 French New Wave Cinema: Sources and Legacies Fall 2009 TR 3:30-4:45 Dey Hall 202 Projections: T 6 p.m. Dey Hall 202 Prof. Hassan Melehy office: Dey Hall 224 office hours: TR 2-3,
FILM STUDIES. Component 1: Section A Film Form in US Cinema from the Silent Era to 1990 A LEVEL. Delivery Guide. H410 For first teaching in 2017
Qualification Accredited A LEVEL FILM STUDIES H410 For first teaching in 2017 Component 1: Section A Film Form in US Cinema from the Silent Era to 1990 Version 1 www.ocr.org.uk/filmstudies Introduction
ENG/BC 290 Sec 003 Introduction to Film Class Sessions, 11:00-11:50 T TH, Simpkins 220 Screening W 4:00-6:00, Morgan 101A Spring 2015
ENG/BC 290 Sec 003 Introduction to Film Class Sessions, 11:00-11:50 T TH, Simpkins 220 Screening W 4:00-6:00, Morgan 101A Spring 2015 Dr. Banash 217 Simpkins Office Hours: Tue, 2:00-3:00 Wed, 1:00-3:00
BEST PICTURE. who will win?
BEST PICTURE Amour Argo Beasts of the Southern Wild Django Unchained Les Miserables Life of Pi Silver Linings Playbook The Artist Hugo had the most noms with 11, but The Artist had 10 - close enough. The
SYLLABUS AND POLICIES (UPDATED 1/22/17) FST 200 INTRODUCTION TO FILM STUDY Spring Discussion Section Leaders: Chas Andres and Adam Gnuse
SYLLABUS AND POLICIES (UPDATED 1/22/17) FST 200 INTRODUCTION TO FILM STUDY Spring 2017 Professor Todd Berliner Discussion Section Leaders: Chas Andres and Adam Gnuse Screenings and Lectures (all sections):
English 463: The Film Auteur Alfred Hitchcock Fall 2016
English 463: The Film Auteur Alfred Hitchcock Fall 2016 Meetings: M-W 2-3:40 PM L & L 307 Class Meeting W 3:45-6 PM L & L 422 Film Screening Instructor: Dr. Liahna Armstrong Office: L & L 403F Email: L.armstrong@cwu.edu
South Film and Arts Academy Festival (SFAAF) - Chile
South Film and Arts Academy Festival (SFAAF) - Chile SFAAF Descripcion SFAAF is the film festival that combines a monthly presentation and an annual party, as well as being an online viewing site. SFAAF
Name: Date: Per Unit #8: Studying Film as Literature
Name: Date: Per Unit #8: Studying Film as Literature Fri 5/18 Discuss AP Test What areas did you feel most prepared? Least? Suggestions for me? AFI Top 100 Films Read Could This Be the Year Movies Stopped
HUMN-130 COURSE SYLLABUS FOR HISTORY AND DEVELOPMENT OF MOTION PICTURES. Dirk Andrews Instructor
Coffeyville Community College HUMN-130 COURSE SYLLABUS FOR HISTORY AND DEVELOPMENT OF MOTION PICTURES Dirk Andrews Instructor COURSE NUMBER: HUMN-130 COURSE TITLE: History and Development of Motion Pictures
FILM 130 Spring Silent Cinema
FILM 130 Spring 2015 Silent Cinema Prof. Shelley Stamp Mon & Wed 3:30 6:00 pm stamp@ucsc.edu 459-4462 Communications 107 Oakes 105 Office Hours: Fridays 12:00 2:00 pm & by appointment Course Website: http://people.ucsc.edu/~stamp/130
Film as Literature Fall 2014
Film as Literature Fall 2014 Description: This course is designed to provide you with an opportunity to become active readers of film as a literature of our culture; the course may also serve as a foundation
MUS 304 Introduction to Ethnomusicology Syllabus Fall 2010
MUS 304 Introduction to Ethnomusicology Syllabus Fall 2010 Class Time: Tuesday, Thursday 10:05 11:30 Room: FA 170 Instructor: Dr. James Burns Office: FA 116 Office Hours: Mondays 1 3PM. Contact: Email:
Introduction to Film and Video Pacing Guide First Semester 1 st Quarter TN Standards Lesson Focus Additional Notes
Introduction to Film and Video Pacing Guide First Semester 1 st Quarter TN Standards Lesson Focus Additional Notes Weeks 1-4 Film History (TN Theatre Standard 8.0) CLE: 8.1, 8.2, 8.3 SPI s: 8.1.3, 8.1.4,
COURSE OUTLINE History of American Cinema: Film Appreciation
Butler Community College Fine Arts and Communication Division COURSE OUTLINE History of American Cinema: Film Appreciation Mark Weeks Revised Spring 2006 Implemented Fall 2006 Course Description TA 120.
South Portland, Maine 04106
! South Portland, Maine 04106 Communications and New Media Title: Introduction to Narrative Cinema Catalog Number: CNMS - 251 Credit Hours: 3 Total Contact Hours:45 Lecture (or Lab): Room HILDM-102 Instructor:
TEACHING ASSISTANT: Kristi Humphreys OFFICE: JO 5.410A; OFFICE HOURS: Tues. 1:30-3:15 PM, or by appt.
!"#$ PROFESSOR: Dr. Kelli Marshall OFFICE: JO 5.426; 972-883-2063 E-MAIL: kmarshal@utdallas.edu WEB: www.utdallas.edu/~kmarshal/courses/film/2332 OFFICE HOURS: Tues. and Thurs. 1:30-3:15 PM, or by appt.
Film Appreciation Communication Instructor: Jeremy Hawa, Adjunct Professor Office: COMM 103 Phone: (817)
Film Appreciation Communication 1375 Instructor: Jeremy Hawa, Adjunct Professor Office: COMM 103 Phone: (817) 939-8303 E-mail: jeremy.hawa@lamar.edu Office Hours: T-Th 2:20 pm-3:40pm Text: Looking at Movies:
Course Description. Course Objectives
ARTH 3850 Film Studies Wed. 6:00pm 8:45pm FAV 150 Instructor: David Wall Office Hours: Mon/Tue 9:00-12:00 Office: FAV130 Phone 435-797-3524 Email: david.wall@usu.edu Course Description This course is designed
From Hollywoodland to Planet Hollywood: History of American Cinema ENGL 241. Professor Rashna Richards
1 From Hollywoodland to Planet Hollywood: History of American Cinema ENGL 241 Professor Rashna Richards Office: 308A Palmer Office Hours: MW 1:00-2:30 and by appt. Office Phone: 843-3399 Email: richardsr@rhodes.edu
2018 WI Peterborough
DEPARTMENT OF CULTURAL STUDIES TRENT UNIVERSITY CUST 2581H: INTRODUCTION TO FILM II: FILM MOVEMENTS, FILM HISTORY 2018 WI Peterborough Professor Joshua Synenko Email: joshuasynenko@trentu.ca Telephone:
Indie Films Continued. John Waters, Polyester
Indie Films Continued John Waters, Polyester What Indie Films Aren t Not Avant Garde Experimental Underground With few exceptions they are not edgy and don t present any formal experimentation or or serious
Introduction to ComS 142
Introduction to ComS 142 Mise-en-scene The elements of filmmaking that are akin to staging a play settings subjects being filmed composition arrangement of settings, lighting, and subjects Designer, Production
GCE A LEVEL. WJEC Eduqas GCE A LEVEL in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SAMPLE ASSESSMENT MATERIALS
GCE A LEVEL WJEC Eduqas GCE A LEVEL in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SAMPLE ASSESSMENT MATERIALS Teaching from 2017 For award from 2019 A LEVEL FILM STUDIES Sample
PREREQUISITES: None, but you need regular computer access to Canvas
Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. Should you have further questions, please contact the UCLA Extension Entertainment Studies
GCE AS. WJEC Eduqas GCE AS in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SAMPLE ASSESSMENT MATERIALS
GCE AS WJEC Eduqas GCE AS in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SAMPLE ASSESSMENT MATERIALS Teaching from 2017 For award from 2018 AS FILM STUDIES Sample Assessment Materials
COM 221, Introduction to Film, Summer 2010 Dr. Kim Neuendorf Extra Credit Paper Description
1 COM 221, Introduction to Film, Summer 2010 Dr. Kim Neuendorf Extra Credit Paper Description Each student may complete one optional, extra-credit paper, that can add up to 10 percentage points to your
Introduction to Film and Entertainment Ms. Topping (727) 893
Introduction to Film and Entertainment Ms. Topping toppingd@pcsb.org (727) 893 Daily/Weekly Expectations ns: (727) 893-2780 ext. 1215 Materials: Bring pen (blue or black ink only, please), pencil and paper
ENG 2300: FILM ANALYSIS
ENG 2300: FILM ANALYSIS ENG 2300: Film Analysis Instructor: Megan Fowler Email: mjfowler@ufl.edu University of Florida MWF Period 7; TH E1-E3 Office: TBA Office hours: TBA COURSE DESCRIPTION The primary
Chapter Questions. CHAPTER 2: Books How has the book publishing industry evolved? Discuss 3 ways it has changed from Benjamin Franklin s day to today.
Chapter Questions The following questions are designed to stimulate reflection and help retention. After studying the appropriate chapter, students should type 1 page (double-spaced, 1 margins, 12-point
Hollywood and America
Hollywood and America HIST/HRS 169 Section 02 Tuesday and Thursday 9 am 10:15 am Mendocino Hall rm. 2007 California State University, Sacramento Spring 2019 Instructor: Dr. Peter Gough peter.gough@csus.edu
Editing IS Storytelling. A few different ways to use editing to tell a story.
Editing IS Storytelling A few different ways to use editing to tell a story. Cutting Out the Bad Bits Editing is the coordination of one shot with the next. One cuts all the superfluous frames from the
Introduction to Film Studies FILM 20A, Summer 2018
Introduction to Film Studies FILM 20A, Summer 2018 Instructor: Laimir Fano Class: M/W 9:00AM 12:30PM Email: lfano@ucsc.edu Screenings: M 12:30 3:00pm Office Hours: T 10:00AM 12:00PM Location: Soc Sci 2
CINE 212 Film History II Post-World War II Fall 2013
CINE 212 Film History II Post-World War II Fall 2013 Professor: Email: Course URL: Office Hours: R.L. (Randy) Rutsky rlrutsky@sfsu.edu https://ilearn.sfsu.edu Monday 4-6, and By Appointment COURSE OUTLINE
HUMANITIES SEMINAR PROGRAM. Scandalous Females in Film. Professor Mary Beth Haralovich Film & Television
HUMANITIES SEMINAR PROGRAM Scandalous Females in Film Professor Mary Beth Haralovich Film & Television The scandalous female is a genre with long time box office value and cultural presence. This seminar
MT. DIABLO UNIFIED SCHOOL DISTRICT COURSE OF STUDY DRAFT
COURSE TITLE: ADVANCED FILM STUDY COURSE NUMBER: 0844 English/Language Arts 0845 Visual and Performing Arts DEPARTMENT: English/Language Arts & Visual and Performing Arts LENGTH OF COURSE: One Year CREDITS
GCE AS. WJEC Eduqas GCE AS in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SPECIFICATION
GCE AS WJEC Eduqas GCE AS in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SPECIFICATION Teaching from 2017 For award from 2018 AS FILM STUDIES 1 WJEC Eduqas GCE AS in FILM STUDIES
10 Day Lesson Plan. John Harris Unit Lesson Plans EDU 312. Prepared by: John Harris. December 6, 2008
John Harris 10 Day Lesson Plan Prepared for: EDUC 312 Prepared by: John Harris Date: December 6, 2008 Unit Title : Books and Movies (Comparing and Contrasting Literary and Cinematic Art) 1 2 Unit : Books
Grammar: Past simple of to be; Possessive s Vocabulary: Kinds of films, Film words and opinion adjectives. animated film. science fiction film
Unit objectives Grammar: Past simple of to be; Possessive s Vocabulary: Kinds of films, Film words and opinion adjectives Language A Vocabulary 1: Kinds of films 1 When was the last time you saw a good...?
Course Description. Required Text. Understanding Movies, 13 th edition Louis Giannetti ISBN-13:
Los Angeles Valley College Media Arts Department Cinema 107 Understanding Motion Pictures (3) UC:CSU Summer 2017 Section 6904-6/12/17-6/30/17 M-F 8:00am-11:20am Joel Trudgeon trudgej@lavc.edu Office: SSC
Film Studies Offer-Holder Visit Day 2018 Dr Debra Ramsay
Film Studies Offer-Holder Visit Day 2018 Dr Debra Ramsay Film Studies Staff Dr Ranita Chatterjee Professor Sally Faulkner Dr Angus Finney Dr Felicity Gee Dr Fiona Handyside Dr Helen Hanson Professor William
Music Business and Industry MUS Fall 2016 M-W-F 8:30 9:20 PAC, Rm. M261
Music Business and Industry MUS 4320-0001 Fall 2016 M-W-F 8:30 9:20 PAC, Rm. M261 Instructor: Professor Per Danielsson Office: 407-823-0064 Cell: 407-963-6158 E-mail: perdanielsson@ucf.edu Office: PAC,
Film 100A-1: Introduction to the Moving Image Brandeis University Spring 2019
Film 100A-1: Introduction to the Moving Image Brandeis University Spring 2019 Instructor: Linda Liu, Ph.D. Email: laliu@brandeis.edu Teaching Assistant: Drew Flanagan, Ph.D. Email: dflanaga@brandeis.edu
LIS 693 Syllabus Film Collections in Libraries Spring 2012
LIS 693 Syllabus Film Collections in Libraries Spring 2012 Instructors: Carol Kellett & Rohayati Paseng Email: caroly@hawaii.edu & rohayati@hawaii.edu (Put LIS 693 in the subject line) Phone: 956-6562
MS 272 FILM MUSIC IES Abroad Vienna
MS 272 FILM MUSIC IES Abroad Vienna DESCRIPTION: Music has played an important part of the movie-going experience since the beginnings of the film industry in the 1890s. This course charts the development
American Cinema / American Culture, 4th Edition PDF
American Cinema / American Culture, 4th Edition PDF American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination
Understanding Movies (10th Edition) Books
Understanding Movies (10th Edition) Books Helps readers understand how the many languages of film work together to create meaning. Louis Giannetti organizes Understanding Movies around the key elements
TCF 440/540 Seminar in American Cinema
TCF 440/540 Seminar in American Cinema TCF 440/540 Seminar in American Cinema Catalog Course Description: Study of selected topics in United States film. Writing proficiency is required for a passing grade
Course Syllabus. Course Information: FILM 3342: FILM, VIOLENCE AND REAL LIFE. Fall 2013 Mondays, 4-6:45pm Location: ATC *note room change
Course Syllabus Course Information: FILM 3342: FILM, VIOLENCE AND REAL LIFE. Fall 2013 Mondays, 4-6:45pm Location: ATC 2.602 *note room change Professor Contact Information: Dr. Shilyh Warren shilyh.warren@utdallas.edu
THE 1041 MT: INTRODUCTION TO THEATER ARTS Hybrid Traditional / Online Course
REVISED 10/1/14 THE 1041 MT: INTRODUCTION TO THEATER ARTS Hybrid Traditional / Course Baruch College, Vertical Campus 3-185 Fall 2014, T 11:10 12:25 PM and online at http://blogs.baruch.cuny.edu/theaterhybridf14/