Title: Species Counterpoint Speaker: Scott Blasco Created by: Scott Blasco. online.wsu.edu
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1 Title: Species Counterpoint Speaker: Scott Blasco Created by: Scott Blasco online.wsu.edu
2 MUS 550: Analytical Techniques Lesson 2: Species Counterpoint First-species (1:1) counterpoint Second-species (2:1) counterpoint Dissonance and metric hierarchy
3 I: Species counterpoint
4 I: Species counterpoint fifth fourth third second first cantus firmus
5 I: Species counterpoint fifth fourth third second first cantus firmus
6 I: Species counterpoint fifth fourth third second first cantus firmus
7 I: Species counterpoint fifth fourth third second first cantus firmus
8 I: Species counterpoint fifth fourth third second first cantus firmus
9 I: Species counterpoint fifth fourth third second first cantus firmus
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11
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13 NO parallel perfect intervals
14 NO parallel perfect intervals NO direct perfect intervals
15 TYPES OF MOTION: Parallel Similar Contrary
16 TYPES OF MOTION: Parallel Similar Contrary
17 TYPES OF MOTION: Parallel Similar Contrary P5 to P5 6 to P8, upper leap 6 to P5, upper step
18 TYPES OF MOTION: Parallel Similar Contrary P5 to P5 6 to P8 6 to P8, upper leap 6 to P5, upper step
19 TYPES OF MOTION: Parallel Similar Contrary P5 to P5 6 to P8 Oblique 6 to P8, upper leap 6 to P5, upper step
20 TYPES OF MOTION: Parallel Similar Contrary P5 to P5 6 to P8 Oblique 6 to P8, upper leap 6 to P5, upper step hidden parallelism P5 to P5 P8 to P8
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22 P5 to P5 6 to P8 P5 to P5 P8 to P8
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25
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29 La Ti Do
30
31 Law of Recovery After leaps larger than a 3 rd, step in the opposite direction
32 Law of Recovery After leaps larger than a 3 rd, step in the opposite direction La Ti Do
33
34
35
36
37
38
39 FIRST SPECIES -Consonant vertical intervals -No parallel or direct perfect intervals (with one exception) -Lower voice: Do. Upper voice: Do, Mi/Me, Sol, ends on Do. -Unisons only at beginning and end. -(La ) Ti Do
40 FIRST SPECIES -Consonant vertical intervals -No parallel or direct perfect intervals (with one exception) -Lower voice: Do. Upper voice: Do, Mi/Me, Sol, ends on Do. -Unisons only at beginning and end. -(La ) Ti Do ALSO -Label all intervals -Stepwise motion, contrary motion. -Favor imperfect vertical consonances, avoid successive perfects.
41 II: Species counterpoint: second species
42 II: Species counterpoint: second species
43 II: Species counterpoint: second species SECOND SPECIES -Lower voice: Do. Upper voice: Do, Mi/Me, Sol, ends on Do. -Consonant vertical intervals on strong beats -No parallel or direct perfect intervals (with one exception) -(La ) Ti Do
44 II: Species counterpoint: second species SECOND SPECIES -Lower voice: Do. Upper voice: Do, Mi/Me, Sol, ends on Do. -Consonant vertical intervals on strong beats -No parallel or direct perfect intervals (with one exception) -(La ) Ti Do ALSO -Weak beats: consonant or dissonant PASSING TONE -No parallelisms/directs from strong strong or weak strong beats -Final measure whole note in both voices
45 II: Species counterpoint: second species SECOND SPECIES -Lower voice: Do. Upper voice: Do, Mi/Me, Sol, ends on Do. -Consonant vertical intervals on strong beats -No parallel or direct perfect intervals (with one exception) -(La ) Ti Do ALSO -Weak beats: consonant or dissonant PASSING TONE -No parallelisms/directs from strong strong or weak strong beats -Final measure whole note in both voices ALSO ALSO -May begin with half rest -Optional penultimate bar whole note
46 II: Species counterpoint: second species
47 II: Species counterpoint: second species
48 II: Species counterpoint: second species
49 III: Dissonance and Metric Hierarchy
50 III: Dissonance and Metric Hierarchy strong vs. weak
51 III: Dissonance and Metric Hierarchy strong vs. weak
52 III: Dissonance and Metric Hierarchy strong vs. weak dissonance = forward momentum
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