IRAQ. music from. babylonian fingers ahmed mukhtar

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2 music from IRAQ babylonian fingers ahmed mukhtar Master oud soloist, composer and music consultant. Ahmed Mukhtar was born 1969 in Baghdad and has played the oud and Arabic percussion since the age of ten. He worked with many traditional music groups and musicians in Baghdad. In 1983 he studied oud and percussion with the masters Ganim Hdad and Jameel Jerjis and then went on to Photography by Hydar Dewachi continue his studies of these styles at the High Institute of Music in Damascus in Later he studied at the London College of Music, gaining a M.H. diploma and from 1990 he became a performer and teacher and toured the major cities throughout the Middle East and Europe, as well as Boston, Philadelphia and New York. In 2003 he obtained a master s degree in performance, including Middle Eastern and Arabic Music at SOAS the School of Oriental and Africa Studies, London University. His festival performances include the International Festival of Arabic Music in Cairo, 1994; the Conference of Arabic Music in Damascus, 1995; the International Music Feast at Cambridge University (England), 1997; the International Conference and Festival of Lutes and Music in France and Spain ; the Festival of Iraqi Culture, Stockholm, Sweden 2002 and 2003; WOMAD Global Festival, Reading 2003 (England); as well as numerous live performances and concerts for BBC Radio 3, London, in 2004, and a guest performance at the BBC Radio 3 Mediterranean Music Fest 2004 in Rome, Italy. He also was a guest performer at the following events; The Book International Exhibition in U.A.E. 2005, Iraqi Music Week in London 2006, the Conference of Arab Writers in Algeria 2007, Arabic Films Festival in Italy 2007, the Al Mada Festival in Iraq 2007 and Iraqi Culture Week in UNESCO, Paris In 2009 he performed three concerts with Babylon: Myth and Reality, an exhibition and festival in the British Museum and later on in performed with them again twice at the International Festival for Multicultural and Music in Iraq. In 2010 he took part in the Iraqi Children Celebration at the Queen Elizabeth Hall, London, and in Booklet.indd 2 01/12/ :33:02

3 performed at the Festival of the Activist Humanities in the World, sponsored by SOAS, University of London, University of Oxford, University College London and University of Virginia. Over the years Ahmed Mukhtar has composed music for the following: New Iraqi-European version of Stravinsky s The Soldier s Tale that was produced at the London Old Vic theatre, Music Theatre (my Name Jamaal) directed by Algerian Abdul Nasser Khalaf. Music for dramatic poems Baghdad Open Sky written by Selah Al-Hamada. Al-Baghdadi film, the Gold Award winner at the International Filmmaker Festival, directed by Mayhem Riada, the British-Iraqi director. Ahmed has also written music for plays and documentaries for Arabic and Western TV stations, such as MBC, ART, Mustakela and BB5. In 1985 he worked with Arabic orchestras and performed on Iraqi TV with several Iraqi groups. He is currently working as musical program director, presenter and producer in Al-Fayha Iraqi T.V. The UN chose Ahmed and sixteen other musicians from all over the world to release a CD for the benefit of the victims of terrorism and wars. This was adopted by the Human Rights Association. Today, Ahmed presents his own educational musical programme Speech of the Oud on the Al-Mustaqillah satellite channel which broadcasts from London. This programme embraces the history of Arabic music and its theories, the oud and playing methods for all levels from beginners to advanced. In 1999 the Musicians Union in UK granted him the award of best non-western musical compositions and ten years later in 2009 he was granted (Alhambra) Award for Excellence under auspices of the Queen of Britain. Recently in 2014 he was granted the Babylon Music Award from Iraq. He is currently teaching oud, percussion and Arabic music theory at several schools in London, including SOAS (University of London) and the Taqasim Music School, London Institute of Research and Music Studies. As well as teaching he is also a director of the Taqasim Music School, the Baghdad Ensemble Music Group, the Iraqi Music Week and Sleep Song (a project in France). Ahmed Mukhtar s research of the heritage of Arabic maqam, especially into oud music of the Iraqi school, led him to discover a new maqam related to the Arab philosopher Al-Kindy. His music is rooted in this rich and complex tradition while also taking it in unique new directions. Ahmed has released four CDs, two in 1996 and 1999 and the latter two with ARC Music in 2003 [EUCD1781] and 2005 [EUCD1937], all with traditional music and original works Booklet.indd 3 01/12/ :33:03

4 Reviews: The unfretted Oud may be the hardest of all instruments to play, with its delicately flattened intervals, but Mukhtar extracts magic: he can make it dream, gallop or thunder, and he uses silence to great effect. Michael Church, The Independent Ahmed Mukhtar s blessed fingers fashion shades and shapes from his instrument that most people can only dream of. Veering from sprightly melodic segments to passages of innovative strokes and strums, the effect is a unique excursion to the heart and soul of sensual acoustics. Rob Smith, Taplas Magazine Mukhtar works outside the area of song and does not limit himself to merely making musical entertainment. His music is rooted in the traditional Iraqi style and he uses the different playing techniques, adding tremolo to distinguish his playing. He also has a unique style of harmony. Asharq Al Awsat (Arab newspaper) The essence of Ahmed Mukhtar s project is presenting Iraqi music with pure human respect, and he relays the Iraqi musical heritage in all its scope, especially the rich rural music. He is the first to present this kind of music as a soloist with his distinguished virtuoso technique. Almada Newspaper (Baghdad, Iraq) His finger-picking is ultra- delicate, and underpins a lovely melodic gift; the prevailing emotion is nostalgia for the peace which Iraq has lost, plus a celebration of its refined musical heritage. Michael Church, The Independent, London This album presents new ideas based on Iraqi heritage and Middle Eastern music. Most of the pieces are new musical visions of the heritage of the oud. Based on maqams, rhythms and music of the Middle East from Babylon to the present, some pieces present a modern aspect, such as the piece Iraqi jazz jazz, by improvisation and syncopations, belongs to Iraqi and Middle Eastern music. There are ancient forms like Sama ai but with contemporary themes. The instruments accompanying the oud are mostly Eastern. Some of the Western ones, though, play quarter tones, e.g. the saxophone in maqam Rast. The album also contains heritage from the music of Babylonian civilization 5200 years ago, interacting with contemporary oud music, such as the piece Babylonian Fingers using the old Babylonian way of playing the instrument, based on the ancient maqam Nahawand Booklet.indd 4 01/12/ :33:04

5 1. Iraqi Jazz (Oud, qanun, quarter tone saxophone, percussion [dafs, bass daf, khrkhasha (shaker), bongos.]) Based on four Iraqi maqams, the first three used in Iraq only (Sharq Rast, Aushar, Mokhalf) and maqam Nahawand. Jazz refers to syncopation in Iraqi music which was influenced by African music; Africans have immigrated to Iraq since more than 2000 years ago. Jazz describes the Swing dance. 2. Illuminations (Oud, cello, nay, qanun, percussion [dafs, bass daf]) This piece describes the first moments of a Sufi ceremony. It is based on the maqams Nahawand, Rast, Hijaz Kar and the traditional maqsoum rhythm. 3. Sama ai Hijaz (Oud, qanun, quarter tone cello [riqq, dafs, bass daf]) Sama ai is one of the ancient musical forms of the Middle East and North Africa. It has four movements. Three of them are composed in three different maqams (Hijaz, Kurd, Rast) and are in 10/8 rhythm. The 4 th movement is composed in maqam Hozam Hijaz and is in 7/8. This piece paints a scene from a Caliphate palace courtyard of long ago. 4. Babylonian Fingers (Oud) An imaginative music, taken from the story of Babylon. The archaeologists believe that in Babylon the oud was played with the fingers of the right hand without using a pick (rishah), so Ahmed Mukhtar plays this piece with the fingers only. 5. Iraqi Gypsy Song (Oud, violin, quarter tone clarinet, Middle Eastern percussion) The song describes an Iraqi Gypsy night. Based on maqams Nahawand, Kurd and a rumba rhythm. 6. Alleys of the Old City (Oud, Iraqi tabla, dafs, bass daf) The depth of Middle Eastern soul music Booklet.indd 5 01/12/ :33:04

6 7. Blues of the Oud (Oud, cello, percussion [daf, bass daf, Iraqi tabla]) Mohamadawi is an Iraqi maqam close to maqam Saba in Arabian and Middle Eastern music but the second note in Mohamadawi is changeable and the tonic is on the third of the Mohamadawi. It is a maqam, used only in Iraq. Based on this unique maqam, Ahmed has created a variation on Iraqi traditional music. 8. Shahrazad Darej Sama ai (Oud, percussion [dafs, bass daf, tambourine]) This composition by Ahmed Mukhtar mixes the Sama ai form in 10/8 and the Darej form in 12/8. It has four movements: a. Maqam Shod Araban, 10/8 rhythm b. Maqam Rast, 12/8 rhythm c. Iraqi maqam Awj, 10/8 rhythm d. Maqam Hijaz Hamaion, 12/8 rhythm 9. Minaret (Oud, percussion [Iraqi tabla, dafs, bass daf, tabol damam, bongos, jaras bells ]) Sama ai, maqam Bayat 10. Seagull (Oud solo) A free bird. 11. Nowroz (New Day) (Oud, percussion [tabol or damam]) Based on maqam Bayat Mohaier and the Iraqi Geogina rhythm that is not used in any other Arabian music tradition. We can find rhythms close to it in central Asian music. 12. Traditional Iraqi Love Song (Solo oud) A traditional love song composed in the 1940s by the great Iraqi songwriter Saleh Azra al Kuiati. The song is based on maqam Ajam and the Geogina rhythm with some additional variations by Ahmed Mukhtar Booklet.indd 6 01/12/ :33:04

7 Ahmed Mukhtar - oud Hassan Falih - qanun Wasam Khasaf - saxophone Shaher Nay - clarinet Hikamtov - violin Hussain Abbas & Julia Ana Katarina - cello Daood Rayn - double bass Hassan Hassan & Ahmed Mukhtar - percussion Produced by Ahmed Mukhtar Licensed from Ahmed Mukhtar, 2014 Musical Director: Anis Mohammed Engineer: Nihad Jemsher and Asraf Almasri Mixer: Nihad Jemsher Recorded at Dobai Binona Studio, Noor Istanbul & NJ Studio, London Mastering: Diz Heller Cover design: Sarah Ash Cover photography by Ali Rashid Liner notes: Ahmed Mukhtar and Diz Heller Typesetting / layout: Sarah Ash Booklet.indd 7 01/12/ :33:04

8 EUCD 2571 Listen to these albums at our website - EUCD2287 MUSIC FROM IRAQ Rhythms of Baghdad Ahmed Mukhtar & Sattar Al-Saadi Midprice Ancient Iraqi rhythms based on Arabian maqams, conveying images of bazaars and mosques in Baghdad and other ancient places. The instruments played are oud (short-necked lute), dombak (single-headed goblet drum), riqq (tambourine), khishba (wooden hour-glass drum) and duff or tar (tambourines). Plus bonus track. Info about the artists, the instruments and the music in English, German, French and Spanish. EUCD1937 THE ROAD TO BAGHDAD New Maqams from Iraq Ahmed Mukhtar Ancient Iraqi maqams in new interpretations by a master of the oud (Arab lute), accompanied on nay (flute), qanun (zither), joza (spike fiddle), percussion and keyboards. 32-page booklet with extensive information. Ahmed Mukhtar relays the Iraqi musical heritage in all its scope Almada Newspaper (Baghdad, Iraq) EUCD2219 INSTRUMENTAL MUSIC FROM LEBANON Amaken André Hajj & Ensemble A beautiful album, based on the rich cultural tradition of Lebanese music. It highlights the traditional Oriental orchestra, consisting of oud, buzuk, qanun, ney, Oriental violin and double bass with Arabian percussions such as tabla, riqq, katem, mezher and others. EUCD2085 OUD MASTERPIECES FROM ARMENIA, TURKEY & THE MIDDLE EAST Alan Shavarsh Bardezbanian & Ensemble Armenian folk and lively dance tunes, Greek-influenced sirtos, Arabian peshrevs and more by an oud master of extraordinary technical brilliance and improvisatory genius, accompanied on accordion, violin, drums and guitar. EUCD2388 PERSIAN AZERI PROJECT From Shiraz to Baku Persian Azeri Trio Beautiful, contemplative and relaxing music from Persia and Azerbaijan. Played on setar (4-stringed lute), kamancha (4-stringed spike fiddle) and tombak (goblet-shaped drum) and percussion. Absolutely amazing musicianship! A real pleasure to listen to! Hadadi is a technical wizard who contributes fire and a unique personality to improvisational passages. John Payne, Los Angeles Weekly 2571Booklet.indd 8 01/12/ :33:05