Jesse Nolan 12/10/02 M344: Dr. May CMP Teaching Plan for First Suite for Military Band by Gustav Holst
|
|
- Dale Stevens
- 5 years ago
- Views:
Transcription
1 CMP Teaching Plan for First Suite for Military Band by Gustav Holst As part of a well-rounded musical experience, students must be exposed to challenging pieces of music that make use of accessible skills while imparting knew knowledge through the rehearsal and performance processes. One such piece is Gustav Holst s First Suite for Military Band in Eb Major. This canonic work, written in 1909, with no record of performance until 1920, has become a standard piece of band music that is a must have/play for maturing and professional musicians alike. Much like the Second Suite for Military Band in F Major, this work provides students with exposure to an array of musical concepts, including articulation, melody/accompaniment function, soloing, chamber playing, and phrasing. Assessment Assessment will occur in three stages throughout the rehearsal and performance of this piece. Before Preliminary preparation for this piece will begin with the students listening to a recording of the piece twice without music. The first time they will be asked to respond to the piece on a musical and emotional level in their journals and in class. These responses may include how the whole piece or a section of it made one feel, or on musical elements of the piece; for example, the different styles Holst designates for each movement. The second time they will be asked to focus on their particular instrument and comment (in journals and class) on the roles their instrument plays within the piece. These comments will include, but are not limited to, melody/accompaniment roles, soloing, chamber playing, rhythmic responsibilities, role of the percussion, etc. During During the rehearsal of the piece, the main focus of assessment will shift towards musical concepts and issues such as intonation, blend, balance, articulation, harmonic/melodic function, style, and history of the piece, among others. During
2 rehearsal, students will be asked to keep a practice journal relative to this piece, and also to discuss how Holst employs different types of articulation and phrasing to communicate his musical ideas within the movements. Students might possibly be asked to compare the original manuscript scoring with the edited 1948 scoring (this information is given in the program notes of the score.) Finally, students will, of course, be assessed on their progress in performing the piece. After Following the performance of the piece (which will be recorded), students will listen to their performance and be asked to comment on both the sound of the ensemble and the sound of their particular section. Students will also be required to reflect on the concepts and knowledge they have gained through performance of this piece and the challenges this particular piece presented. Music Selection Through the study of this piece, students can gain insight into how composers use: (1) Articulation to distinguish musical lines/phrases; (2) Solo and chamber playing; (3) Musical themes to create unity within a movement or piece. These types of concepts can also be applied to other pieces of music that will be either listened to or performed. First Suite for Band in Eb Major is a wonderful piece for students to play because it presents the musicians with many unique musical settings within the piece. Every movement provides for solo, soli, and ensemble passages that challenge and motivate the student. This piece also allows for detailed instruction and practice on many important musical concepts such as articulation, phrasing, and solo playing, amongst many others. This work is a challenging piece is fairly challenging (Grade 4), although not as challenging as its counterpart (Second Suite for Military Band in F Major). It would most likely be placed on a program with one other piece of the same difficulty level and possibly an easier piece. Therefore, this work would be a main focus during preparation for the concert. The cost of this piece is approximately $100, although many band departments already own this selection if they have a decent collection.
3 Analysis First Suite for Military Band in Eb Major is composed of 3 movements based on thematic material as well as contrasting tempos and moods. The idea of contrasting mood can be explored not only in this piece, but in the everyday musical experiences of the students. The movements of this piece (I. Chaconne, II. Intermezzo, III. March) offer a mood swing of sorts, from the patient, dancing, and joyous feeling of the opening movement, to the fast paced canon of the second movement, and finally closing with the aggressive yet lyric march of the third movement. Holst s timeless melodies seamlessly transport the music through contrasting section while maintaining a sense of uniformity. Holst challenges the musicians in specific areas such as articulation and phrasing, as well as the presenting shifting combinations of instruments that may prove difficult to negotiate with respect to balance, blend, and timbre. An example of this is present in the opening gesture of the piece where clarinets and brass weave a melodic line that is passed to a woodwind ensemble accompanied by the low brass, climaxing in a brief, yet satisfying ¾ waltz feel (tutti). Holst continues to use these concepts of textural crescendo and varied smaller ensembles vs. tutti sections throughout the piece to create contrast within the movements. First Suite for Military Band in Eb Major also seems to specifically target the concepts of articulation and phrasing, both within the ensemble and in solo sections. Each movement of the piece offers fairly safe (note-wise) solo and ensemble sections that challenge the musician to apply the proper articulation, dynamics, and phrasing to the line. Movement I employs the use of stringent staccato in the woodwinds during the opening minute of the piece as well as legato sixteenth note lines in long phrases. The brass are required to create movement with their simple, yet stylistically challenging bass lines in all three movements. Movement II presents some unique phrasing and articulation situations, particularly in the opening woodwind lines that combine slurred and staccato notes. The brass, who carry the melody less frequently than the woodwinds, are employed to move the piece forward with their lines, providing a cushion upon which the woodwinds lay the melodic framework of the movement. Finally, this movement presents the interesting concept of imitation, because the melodic theme is passed
4 throughout the ensemble. This concept challenges the students to weave a seamless web of the melody while passing it from section to section a task easier said than done. Finally, the third movement employs many of the concepts above in its construction, but it is notable for its contrasting sections. Specifically, it challenges the ensemble to switch musical styles throughout the piece. For example, the movement opens with a stringent march which requires particular rhythmic accuracy, but at rehearsal A the ensemble is required to create long phrases above the pizzicato bass line. Holst then gradually transitions back to the rhythmically precise march, closing the piece with a soaring trombone section and woodwind run. Outcomes & Strategies Outcome: The students will recognize and be able to interpret and play the many types of articulations and phrasings incorporated in First Suite for Military Band in Eb Major. Strategy: Students will: Mark their music, indicating shifts in articulation styles so that rehearsals and performances will be accurate. Discuss the many types of articulation used in this piece in their journals, specifically detailing any particular challenging spots. Practice articulation techniques and record these in their practice journals. Discuss how the composer uses articulation and phrasing to distinguish between the styles and moods of the sections of each movement and of the larger movements. Ensemble timing and rhythmic accuracy will be rehearsed here. Learn proper techniques on instruments to inform stylistic accuracy. Ex. Correct articulation for a march (mvmt. 3) or proper phrasing/dynamics for lyrical passages (mvmts. I & III). Outcome: Students will be able to recognize the various smaller ensembles (soli, solo) Holst composes for and how these chamber groups relate to the overall scheme of the work and to the ensemble.
5 Strategy: Students will: Create a master list in their journals and in class of all the types of smaller ensembles within the band that Holst uses. (i.e. clarinet choir (opening of mvmt. II), brass choir (opening of mvmt. III), etc.). Write performance directions in their parts when they are playing with a smaller ensemble. For example, a trumpet player would write in his/her part brass only for the beginning of mvmt. III. Write and discuss how Holst transitions between sections of soli and ensemble playing. Students will be asked to comment on what challenges these transitions present and how musical dynamics play a role in shaping these sections. Recognize when they have a solo and practice these passages with this understanding. Concepts highlighted will include: expression, dynamics, vibrato, etc. Understand their function at all times during the piece and play with correct dynamics, phrasing, articulation, etc. Write in their parts and discuss techniques for creating the correct balance, blend, and sound associated with the qualities of each function (melody, accompaniment, etc.) in this piece. Outcome: Students will understand the concept of imitation and demonstrate this by correctly playing the second movement with respect to their individual function throughout the movement. Strategy: Students will: Write in their journals after studying other musical examples in which imitation exists, such as a Bach fugue or invention. Students will be asked to identify melody versus accompaniment in this piece as well as the examples played during class. Recognize when they have the melody or accompaniment and mark their parts accordingly.
6 Be asked to state their roll (melody, accompaniment, countermelody, etc) at various parts of the movement. A good example of this challenge occurs at rehearsal D of mvmt. II, where the melody occurs in 1 st Bb cornet and the euphonium while a counter-melody occurs in the woodwinds, during which time the rest of the instruments play a harmonic accompaniment. Specific care and rehearsal time will be donated to sections such as these. Outcome: Students will perform First Suite for Military Band in Eb Major at a high musical level. Strategy: Students will assist the director in rehearsal by providing feedback for the ensemble, sections, and soloists in the band and will be asked to assess what progress the group is making and what work needs to be done to bring the piece up to the standard set by both the students and the director. Students will continue to participate in these peer evaluations and progress discussions in their practice logs and journals, and through classroom participation.
Assessment Assessment for the Second Suite for Military Band in F Major will occur in three stages throughout the rehearsal of this piece.
CMP Teaching Plan for Second Suite for Military Band by Gustav Holst Students must be exposed be exposed to standard, yet challenging, repertoire as part of their musical experience, for it is through
More informationCourse Outcome Summary
Course Information: Description: Instruction Level: 8 Prerequisites: Textbooks: Course : 8th Grade Band 8th Grade Band is a yearlong major performing organization and is available to all students. 8th
More informationMacro Project #1 Dr. Kinney Music /18/2013. Megan Adler
Macro Project #1 Dr. Kinney Music 4576 3/18/2013 Megan Adler TEACHERS GUIDE A Prehistoric Suite Composer: Paul Jennings Grade Level 1 A Prehistoric Suite Composer: Paul Jennings Grade Level 1 Unit Guide
More informationPoway Unified School District Instrumental Music Scope and Sequence Grades 5 through 12
Poway Unified School District Instrumental Music Scope and Sequence Grades 5 through 12 The mission of the Poway Unified School District Instrumental Music Program is to provide a quality music education
More informationGrade Level 5-12 Subject Area: Vocal and Instrumental Music
1 Grade Level 5-12 Subject Area: Vocal and Instrumental Music Standard 1 - Sings alone and with others, a varied repertoire of music The student will be able to. 1. Sings ostinatos (repetition of a short
More informationMusic, Grade 9, Open (AMU1O)
Music, Grade 9, Open (AMU1O) This course emphasizes the performance of music at a level that strikes a balance between challenge and skill and is aimed at developing technique, sensitivity, and imagination.
More informationCURRICULUM COURSE GUIDE
Jazz Band III -p. 1 Task Framework Resources Students will learn to use characteristic jazz tone quality extended registers and all dynamic levels and expanding as the student progress. Students will work
More information7th Grade Beginning Band Music
Scope And Sequence Timeframe Unit Instructional Topics Course Description Seventh Grade Beginning Band is the first full year in a six-year program designed to develop a student's ability in instrumental
More informationMusic Standards for Band. Proficient Apply instrumental technique (e.g., fingerings, bowings, stickings, playing position, tone quality, articulation)
Music Standards for Band Product Performance 2. Develop and apply instrumental music skills to perform and communicate through the arts A. Instrumental Performance Skills Apply instrumental technique (e.g.,
More informationElements of Music: Presented as an overview followed by a detailed analysis
QuickTime and a TIFF (LZW) decompressor are needed to see this picture. Rhythm Machine Timothy Broege Bourne Co. 1974 and 1986 Background Information Timothy Broege has been an active composer of band
More informationTask Framework Resources Students will use characteristic jazz tone quality extended registers and all dynamic levels with accurate intonation.
Jazz Band IV -p. 1 Task Framework Resources Students will use characteristic jazz tone quality extended registers and all dynamic levels with accurate intonation. Students will work toward better tuning,
More informationORCHESTRA Grade 5 Course Overview:
ORCHESTRA Grade 5 Course Overview: The 5 th grade Orchestra class is design to introduce students to the fundamentals of playing a stringed instrument, thus providing a solid foundation for future musical
More informationGreenwich Public Schools Orchestra Curriculum PK-12
Greenwich Public Schools Orchestra Curriculum PK-12 Overview Orchestra is an elective music course that is offered to Greenwich Public School students beginning in Prekindergarten and continuing through
More informationSMCPS Course Syllabus
SMCPS Course Syllabus Course: High School Band Course Number: 187123, 188123, 188113 Dates Covered: 2015-2016 Course Duration: Year Long Text Resources: used throughout the course Teacher chosen band literature
More information2. ARTICULATION The pupil must be able to able to articulate evenly and clearly at a variety of slow to medium tempos and demonstrate a good posture
Brass Foundation Level 1 The pupil must be able to hold a level tone and be able to pitch low C and G on the 2nd line treble clef (Bb and F bass clef). The pupil should be able to play simple melodies
More informationCurriculum Map for Intermediate Orchestra Grades 8.1
Curriculum Map for Intermediate Orchestra Grades 81 Month: August -Review a brief history of bowed instruments -Review the parts of the instrument & bow -Review body, instrument, and bowhold -Review group
More informationBIG IDEAS. Music is a process that relies on the interplay of the senses. Learning Standards
Area of Learning: ARTS EDUCATION Music: Instrumental Music (includes Concert Band 10, Orchestra 10, Jazz Band 10, Guitar 10) Grade 10 BIG IDEAS Individual and collective expression is rooted in history,
More informationCURRICULUM COURSE GUIDE
Jazz Band I -p. 1 Task Framework Resources Students will learn to use characteristic jazz tone quality beginning in practical registers and dynamic levels and expanding as the student progress. Students
More informationContent Area Course: Band Grade Level: Eighth Instrumental Music - Band
Content Area Course: Band Grade Level: Eighth Instrumental Music - Band R14 The Seven Cs of Learning Collaboration Character Communication Citizenship Critical Thinking Creativity Curiosity Unit Titles
More informationTEST SUMMARY AND FRAMEWORK TEST SUMMARY
Washington Educator Skills Tests Endorsements (WEST E) TEST SUMMARY AND FRAMEWORK TEST SUMMARY MUSIC: CHORAL Copyright 2016 by the Washington Professional Educator Standards Board 1 Washington Educator
More informationFifth Grade Music. Curriculum Guide Iredell-Statesville Schools
Fifth Grade Music Curriculum Guide Iredell-Statesville Schools Musical Literacy Essential Standard: 5.ML.1 Apply the elements of music and musical techniques in order to sing and play music with accuracy
More informationHabersham Central Wind Ensemble Mastery Band
Habersham Central Wind Ensemble Mastery Band Instructor: Ryan Dukes rdukes@habershamschools.com 706-778-7161 x1628 FL32 - Bandroom Overview It is the mission of the Habersham Central High School Band Program
More informationIntermediate Concert Band
Grade Level: 10-12 Course #: 4168 Length: Full Year Credits: Two Diploma: Core 40, Academic Honors Prerequisite: Beginning Concert Band COURSE DESCRIPTION: Intermediate Concert Band This is an intermediate
More informationDEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks
DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks OVERALL STUDENT OBJECTIVES FOR THE UNIT: Students taking Instrumental Music
More informationTyler Lundy Literature Project 2015 Name of group: High School Symphonic Band
Name of group: High School Symphonic Band Student year level: 9-12 th grade Instrumentation: Flutes, Oboe, Clarinets (1st, 2nd, 3 rd ), Bass Clarinet, Alto Saxes (1st, 2nd), Tenor Sax, Baritone Sax, Bassoon,
More informationCurriculum Framework for Performing Arts
Curriculum Framework for Performing Arts School: Mapleton Charter School Curricular Tool: Teacher Created Grade: K and 1 music Although skills are targeted in specific timeframes, they will be reinforced
More informationHigh School Concert Band Curriculum
High School Concert Band Curriculum Course Description: This year-long class is primarily a performance-oriented ensemble. Students gain membership in Concert Band through the audition of scales and prepared
More information1. Takadimi method. (Examples may include: Sing rhythmic examples.)
DEPARTMENT/GRADE LEVEL: Band (Beginning Band) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 40 weeks (4 weeks-summer, 36 weeks-school year) OVERALL STUDENT OBJECTIVES FOR THE UNIT:
More informationGreeley-Evans School District 6 Year One Beginning Orchestra Curriculum Guide Unit: Instrument Care/Assembly
Unit: Instrument Care/Assembly Enduring Concept: Expression of Music Timeline: Trimester One Student will demonstrate proper care of instrument Why is it important to take care of your instrument? What
More informationFourth Grade Music. Curriculum Guide Iredell-Statesville Schools
Fourth Grade Music Curriculum Guide Iredell-Statesville Schools Musical Literacy Essential Standard: 4.ML.1 Apply the elements of music and musical techniques in order to sing and play music with accuracy
More informationTeach Your Students to Compose Themselves!
Teach Your Students to Compose Themselves! Robert Sheldon Composer/Conductor/Clinician/Concert Band Editor Alfred Music www.robertsheldonmusic.com rsheldon@alfred.com 1) Where to begin? What does the composer
More informationOskaloosa Community School District. Music. Grade Level Benchmarks
Oskaloosa Community School District Music Grade Level Benchmarks Drafted 2011-2012 Music Mission Statement The mission of the Oskaloosa Music department is to give all students the opportunity to develop
More informationFlint School of Performing Arts Ensemble Audition Requirements
Flint School of Performing Arts Ensemble Audition Requirements FLINT YOUTH SYMPHONY STRINGS 1. 2-minute excerpt of solo of your choice which demonstrates your playing level (no piano accompaniment necessary)
More informationWASD PA Core Music Curriculum
Course Name: Unit: Expression Key Learning(s): Unit Essential Questions: Grade 4 Number of Days: 45 tempo, dynamics and mood What is tempo? What are dynamics? What is mood in music? Competency: Concepts
More informationSecond Year Test November 16. Answer all Questions. Name. Music. Damien O Brien
Second Year Test November 16. Answer all Questions. Name Music Damien O Brien Fill in the key signatures and the notes of the following scales. C, G, D, F, and Bb Write this tonic solfa melody in 5 keys.
More informationMusic Unit Plan. Title: Teacher(s): Grade(s): School(s):
Music Unit Plan Title: Teacher(s): Grade(s): School(s): Purpose of this unit: The purpose of this unit is to help students know what to listen for as individual musicians in order to help make a more professional
More informationBenchmarks: Perform alone on instruments (or with others) a varied repertoire Perform assigned part in an ensemble
URBANDALE COMMUNITY SCHOOL DISTRICT CURRICULUM FRAMEWORK OUTLINE SUBJECT: Music COURSE TITLE: Instrumental Music GRADE LEVEL: Grade 5 COURSE DESCRIPTION: Students in fifth grade instrumental music start
More informationVisual Arts, Music, Dance, and Theater Personal Curriculum
Standards, Benchmarks, and Grade Level Content Expectations Visual Arts, Music, Dance, and Theater Personal Curriculum KINDERGARTEN PERFORM ARTS EDUCATION - MUSIC Standard 1: ART.M.I.K.1 ART.M.I.K.2 ART.M.I.K.3
More informationBEGINNING INSTRUMENTAL MUSIC CURRICULUM MAP
Teacher: Kristine Crandall TARGET DATES First 4 weeks of the trimester COURSE: Music - Beginning Instrumental ESSENTIAL QUESTIONS How can we improve our individual music skills on our instrument? What
More informationMMSD 5 th Grade Level Instrumental Music Orchestra Standards and Grading
MMSD 5 th Grade Level Instrumental Music Orchestra Standards and Grading The Madison Metropolitan School District does not discriminate in its education programs, related activities (including School-Community
More informationHabersham Central Marching Winds Mastery Band
Habersham Central Marching Winds Mastery Band Instructor: Ryan Dukes rdukes@habershamschools.com 706-778-7161 x1628 FL32 - Bandroom Overview It is the mission of the Habersham Central High School Band
More informationInstrumental Performance Band 7. Fine Arts Curriculum Framework
Instrumental Performance Band 7 Fine Arts Curriculum Framework Content Standard 1: Skills and Techniques Students shall demonstrate and apply the essential skills and techniques to produce music. M.1.7.1
More informationMiddle School Intermediate/Advanced Band Pacing Guide
Middle School Intermediate/Advanced Band Pacing Guide 2018-2019 1 st Nine Weeks 2 nd Nine Weeks 3 rd Nine Weeks 4 th Nine Weeks Rhythm: sixteenth, triplet Major scales: All 1 octave Rhythm: dotted eighth
More informationGrade 5 General Music
Grade 5 General Music Description Music integrates cognitive learning with the affective and psychomotor development of every child. This program is designed to include an active musicmaking approach to
More informationGreeley-Evans School District 6 High School Vocal Music Curriculum Guide Unit: Men s and Women s Choir Year 1 Enduring Concept: Expression of Music
Unit: Men s and Women s Choir Year 1 Enduring Concept: Expression of Music To perform music accurately and expressively demonstrating self-evaluation and personal interpretation at the minimal level of
More informationTEST SUMMARY AND FRAMEWORK TEST SUMMARY
Washington Educator Skills Tests Endorsements (WEST E) TEST SUMMARY AND FRAMEWORK TEST SUMMARY MUSIC: INSTRUMENTAL Copyright 2016 by the Washington Professional Educator Standards Board 1 Washington Educator
More informationCurriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.
Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will develop a technical vocabulary of music. 2. The student
More informationhttps://asd-pa.perfplusk12.com/admin/admin_curric_maps_display.asp...
of 13 5/6/2014 8:39 AM Teacher: ElementaryBand, CORE Course: ElementaryBand Year: 2012-13 Units: Basic Skills Proficency 1. What have students retained over the summer? 2. What review materials are necessary
More informationPage 4 Lesson Plan Exercises Score Pages 50 63
Page 4 Lesson Plan Exercises 14 19 Score Pages 50 63 Goal Students will progress in developing comprehensive musicianship through a standards-based curriculum, including singing, performing, reading and
More informationAudition Guidelines & Repertoire Lists Season
Audition Guidelines & Repertoire Lists 2017-2018 Season To schedule an audition, visit www.jaxsymphony.org/jsyo: 1. Fill out the online application 2. Get an audition appointment For questions about auditions,
More informationCHOIR Grade 6. Benchmark 4: Students sing music written in two and three parts.
CHOIR Grade 6 Unit of Credit: One Year P rerequisite: None Course Overview: The 6 th grade Choir class provides instruction in creating, performing, listening to, and analyzing music with a specific focus
More informationThe Public Schools of Brookline Performing Arts Learning Expectations Grades K-4
Introduction The Public Schools of Brookline is an educational community that engages students in comprehensive and challenging opportunities in the performing arts. The school district provides essential
More informationPRESCOTT UNIFIED SCHOOL DISTRICT District Instructional Guide January 2016
Grade Level: 9 12 Subject: Jazz Ensemble Time: School Year as listed Core Text: Time Unit/Topic Standards Assessments 1st Quarter Arrange a melody Creating #2A Select and develop arrangements, sections,
More information5 th Grade General Music Benchmarks
5 th Grade General Music Benchmarks A: Singing 1: Match pitch in an extended range [octave], sing with appropriate timbre, diction, and posture, maintain a steady tempo. 2: Students sing expressively demonstrating
More informationCOURSE: Instrumental Music (Brass & Woodwind) GRADE(S): Level I (Grade 4-5)
COURSE: Instrumental Music (Brass & Woodwind) GRADE(S): Level I (Grade 4-5) UNIT: Preliminary Physical Concepts 9.1 Production, Performance and Exhibition of Music UNIT OBJECTIVES: 1. Students will demonstrate
More informationCurriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.
Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will develop a technical vocabulary of music through essays
More informationIronClad. Sean O Loughlin Grade 1.5 (Hutton) 2011 Carl Fischer, LLC
IronClad Sean O Loughlin Grade 1.5 (Hutton) 2011 Carl Fischer, LLC History Sean O Loughlin (b. 1972) grew up in Syracuse New York. His career began to take shape with the help of the Vice President of
More informationKINDERGARTEN-CURRICULUM MAP
CREATING Anchor Standard 1: Generate and conceptualize artistic ideas and work. Imagine: Generate musical ideas for various purposes and contexts. Enduring Understanding: The creative ideas, concepts,
More informationThird Grade Music. Curriculum Guide Iredell-Statesville Schools
Third Grade Music Curriculum Guide Iredell-Statesville Schools Musical Literacy Essential Standard: 3.ML.1 Apply the elements of music and musical techniques in order to sing and play music with accuracy
More informationVOCAL MUSIC CURRICULUM STANDARDS Grades Students will sing, alone and with others, a varied repertoire of music.
Standard 1.0 Singing VOCAL MUSIC CURRICULUM STANDARDS Grades 9-12 Students will sing, alone and with others, a varied repertoire of music. The Student will 1.1 Demonstrate expression and technical accuracy
More informationCALIFORNIA Music Education - Content Standards
CALIFORNIA Music Education - Content Standards Kindergarten 1.0 ARTISTIC PERCEPTION Processing, Analyzing, and Responding to Sensory Information through the Language and Skills Unique to Music Students
More informationContent Area Course: Chorus Grade Level: 9-12 Music
Content Area Course: Chorus Grade Level: 9-12 Music R14 The Seven Cs of Learning Collaboration Character Communication Citizenship Critical Thinking Creativity Curiosity Unit Titles Vocal Development Ongoing
More informationFINE ARTS Institutional (ILO), Program (PLO), and Course (SLO) Alignment
FINE ARTS Institutional (ILO), Program (PLO), and Course (SLO) Program: Music Number of Courses: 52 Date Updated: 11.19.2014 Submitted by: V. Palacios, ext. 3535 ILOs 1. Critical Thinking Students apply
More informationChoir Scope and Sequence Grade 6-12
The Scope and Sequence document represents an articulation of what students should know and be able to do. The document supports teachers in knowing how to help students achieve the goals of the standards
More informationMHSIB.5 Composing and arranging music within specified guidelines a. Creates music incorporating expressive elements.
G R A D E: 9-12 M USI C IN T E R M E DI A T E B A ND (The design constructs for the intermediate curriculum may correlate with the musical concepts and demands found within grade 2 or 3 level literature.)
More informationPower Standards and Benchmarks Orchestra 4-12
Power Benchmark 1: Singing, alone and with others, a varied repertoire of music. Begins ear training Continues ear training Continues ear training Rhythm syllables Outline triads Interval Interval names:
More informationStratford School Academy Schemes of Work
Number of weeks (between 6&8) Content of the unit (overall.. what do they learn in this unit?) Assumed prior learning (tested at the beginning of the unit) 16 weeks Music theory the basics: Students will
More informationINSTRUMENTAL MUSIC SKILLS
Course #: MU 81 Grade Level: 10 12 Course Name: Marching Band Level of Difficulty: Average Prerequisites: Member of Band. Placement by teacher recommendation/audition. # of Credits: 1 Sem. 1/3 Credit Marching
More informationMusic Curriculum Glossary
Acappella AB form ABA form Accent Accompaniment Analyze Arrangement Articulation Band Bass clef Beat Body percussion Bordun (drone) Brass family Canon Chant Chart Chord Chord progression Coda Color parts
More informationElizabeth Scott. Dr. Ryan Hourigan. MusEd 395: Band Literature
Unit Curriculum Project Elizabeth Scott Dr. Ryan Hourigan MusEd 395: Band Literature Spring 2010 MUSED 395 Lesson Plan Piece & Style Introduction Name: Ellie Scott Class: 7 th grade Band Date: March 28
More information**This audition is part of your 2nd Marking Period Grade**
INSTRUMENT PACKET: SHS Concert Band Auditions 2018-19 Dates & Times Monday, October 29th - 3:00pm to 6:30pm Tuesday, October 30th - 2:30pm to 4:00pm Wednesday, October 31st - 3:00pm 5:30pm Thursday, November
More informationADJUDICATION CRITERIA SOLO & ENSEMBLE CONTEST PERCUSSION
UPDATED AS OF Dec. 2017 ADJUDICATION CRITERIA SOLO & ENSEMBLE CONTEST PERCUSSION Percussion Solo 1. Use of Sticks 2. Technique: Fluency, Precision 3. Interpretation: Tempo, Dynamics 4. Rhythm: Accuracy,
More informationGreeley-Evans School District 6 Year One Beginning Choir Curriculum Guide Unit: Vocal Health
Year One Beginning Choir Curriculum Guide Unit: Vocal Health Enduring Concept: Expression of Music Timeline: Trimester One Student will demonstrate proper care of voice Why is it important to take care
More information2014 Music Style and Composition GA 3: Aural and written examination
2014 Music Style and Composition GA 3: Aural and written examination GENERAL COMMENTS The 2014 Music Style and Composition examination consisted of two sections, worth a total of 100 marks. Both sections
More informationCourse Overview. Assessments What are the essential elements and. aptitude and aural acuity? meaning and expression in music?
BEGINNING PIANO / KEYBOARD CLASS This class is open to all students in grades 9-12 who wish to acquire basic piano skills. It is appropriate for students in band, orchestra, and chorus as well as the non-performing
More informationArticulation Clarity and distinct rendition in musical performance.
Maryland State Department of Education MUSIC GLOSSARY A hyperlink to Voluntary State Curricula ABA Often referenced as song form, musical structure with a beginning section, followed by a contrasting section,
More informationMontana Instructional Alignment HPS Critical Competencies Music Grade 3
Content Standards Content Standard 1 Students create, perform/exhibit, and respond in the Arts. Content Standard 2 Students apply and describe the concepts, structures, and processes in the Arts Content
More informationIntroduction to Instrumental and Vocal Music
Introduction to Instrumental and Vocal Music Music is one of humanity's deepest rivers of continuity. It connects each new generation to those who have gone before. Students need music to make these connections
More informationGCSE MUSIC. The GCSE is 60% Coursework and 40% Examination.
GCSE MUSIC The GCSE is 60% Coursework and 40% Examination. Practical starting points and theoretical music are drawn from four Areas of Study which aim to include a wide variety of musical styles including
More informationHigh School Choir Level III Curriculum Essentials Document
High School Choir Level III Curriculum Essentials Document Boulder Valley School District Department of Curriculum and Instruction August 2011 2 3 Introduction The Boulder Valley Secondary Curriculum provides
More informationPERFORMING ARTS. Head of Music: Cinzia Cursaro. Year 7 MUSIC Core Component 1 Term
PERFORMING ARTS Head of Music: Cinzia Cursaro Year 7 MUSIC Core Component 1 Term At Year 7, Music is taught to all students for one term as part of their core program. The main objective of Music at this
More informationUnit Outcome Assessment Standards 1.1 & 1.3
Understanding Music Unit Outcome Assessment Standards 1.1 & 1.3 By the end of this unit you will be able to recognise and identify musical concepts and styles from The Classical Era. Learning Intention
More informationInstrumental Music Curriculum
Instrumental Music Curriculum Instrumental Music Course Overview Course Description Topics at a Glance The Instrumental Music Program is designed to extend the boundaries of the gifted student beyond the
More informationCopyright 2009 Pearson Education, Inc. or its affiliate(s). All rights reserved. NES, the NES logo, Pearson, the Pearson logo, and National
Music (504) NES, the NES logo, Pearson, the Pearson logo, and National Evaluation Series are trademarks in the U.S. and/or other countries of Pearson Education, Inc. or its affiliate(s). NES Profile: Music
More informationMUSIC: Singing BAND, GR DRAFT
MUSIC: Singing BAND, GR. 6-12 DRAFT Content Standard 1.0: Students sing a varied repertoire of music alone and with others. take a band music class at the middle school level know and are able to do everything
More informationCMP Teaching Plan: Four Royal Dances
CMP Teaching Plan: Four Royal Dances Title: Four Royal Dances Composer: Eric Ewazen Ensemble: Orchestra Performance level: Middle School or High School Submitted by: Leyla Sanyer; Oregon School District
More informationA ROLLING THREE YEAR CURRICULUM Exploring melody, rhythm, artistry and culture
CURRICULUM Mission Statement The purposes for which The Chamber Music Society of Lincoln Center is created are to stimulate and support the appreciation, performance and composition of chamber music: By
More informationEssentials Skills for Music 1 st Quarter
1 st Quarter Kindergarten I can match 2 pitch melodies. I can maintain a steady beat. I can interpret rhythm patterns using iconic notation. I can recognize quarter notes and quarter rests by sound. I
More informationHigh School Campus Band Curriculum
High School Campus Band Curriculum Course Description: Campus Band is the entry level high school band and follows the Park Hill 8th Grade Band curriculum. This year-long class is designed for the wind
More informationContent Area Course: Chorus Grade Level: Eighth 8th Grade Chorus
Content Area Course: Chorus Grade Level: Eighth 8th Grade Chorus R14 The Seven Cs of Learning Collaboration Character Communication Citizenship Critical Thinking Creativity Curiosity Unit Titles Vocal
More informationStafford Township School District Manahawkin, NJ
Stafford Township School District Manahawkin, NJ Fourth Grade Music Curriculum Aligned to the CCCS 2009 This Curriculum is reviewed and updated annually as needed This Curriculum was approved at the Board
More information5 th Grade BAND. Artistic Processes Perform Respond. Fairfield s Band Program Ensemble Sequence
5 th Grade BAND Band is offered to all 5 th grade students. Instruments offered are: Flute, Oboe, Bb Clarinet, Eb Alto Saxophone, French Horn in F, Bb Trumpet, Trombone, Baritone Horn, and Percussion.
More informationAssessment Schedule 2017 Music: Demonstrate aural understanding through written representation (91275)
NC Level 2 Music (91275) 2017 page 1 of 7 ssessment Schedule 2017 Music: emonstrate aural understanding through written representation (91275) ssessment Criteria with with emonstrating aural understanding
More informationAssessment may include recording to be evaluated by students, teachers, and/or administrators in addition to live performance evaluation.
Title of Unit: Choral Concert Performance Preparation Repertoire: Simple Gifts (Shaker Song). Adapted by Aaron Copland, Transcribed for Chorus by Irving Fine. Boosey & Hawkes, 1952. Level: NYSSMA Level
More informationPASADENA INDEPENDENT SCHOOL DISTRICT Fine Arts Teaching Strategies
Throughout the year, students will master certain skills that are important to a student's understanding of Fine Arts concepts and demonstrated throughout all objectives. TEKS (1) THE STUDENT DESCRIBES
More informationArticulation Guide. Berlin Orchestra Inspire.
Guide Berlin Orchestra Inspire 1 www.orchestraltools.com OT Guide CONTENT I About this Guide 2 II Introduction 3 III Recording and Concept 4 IV Berlin Series 5 1 Berlin Orchestra Inspire... 6 Instruments...
More informationFINE ARTS STANDARDS FRAMEWORK STATE GOALS 25-27
FINE ARTS STANDARDS FRAMEWORK STATE GOALS 25-27 2 STATE GOAL 25 STATE GOAL 25: Students will know the Language of the Arts Why Goal 25 is important: Through observation, discussion, interpretation, and
More informationCurriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.
Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will analyze the uses of elements of music. A. Can the student
More informationMusic. Last Updated: May 28, 2015, 11:49 am NORTH CAROLINA ESSENTIAL STANDARDS
Grade: Kindergarten Course: al Literacy NCES.K.MU.ML.1 - Apply the elements of music and musical techniques in order to sing and play music with NCES.K.MU.ML.1.1 - Exemplify proper technique when singing
More informationInstrumental Music II. Fine Arts Curriculum Framework. Revised 2008
Instrumental Music II Fine Arts Curriculum Framework Revised 2008 Course Title: Instrumental Music II Course/Unit Credit: 1 Course Number: Teacher Licensure: Grades: 9-12 Instrumental Music II Instrumental
More information