BENJAMIN NORTHEY CONDUCTS ENIGMA

Transcription

1 BENJAMIN NORTHEY CONDUCTS ENIGMA JULY 2017 CONCERT PROGRAM

2 What is the role of the artist in a creative city? Artists play a vital role in colouring the creative city we live in. They enrich our lives by reflecting on the world around us and the thoughts within us. Dale Barltrop Concertmaster Melbourne Symphony Orchestra The City of Melbourne is proud to support major and emerging arts organisations through their Triennial Arts Grants Program. Aphids Arts Access Victoria Australian Centre for Contemporary Art Blindside Artist Run Space Chamber Made Opera Circus Oz Craft Emerging Writers Festival Ilbijerri Theatre Koorie Heritage Trust La Mama Little Big Shots Lucy Guerin Inc. Melbourne Festival Melbourne Fringe Melbourne International Comedy Festival Melbourne International Film Festival Melbourne International Jazz Festival Melbourne Queer Film Festival Melbourne Symphony Orchestra Melbourne WebFest Melbourne Writers Festival Multicultural Arts Victoria Next Wave Festival Polyglot Theatre Poppy Seed Songlines Aboriginal Music Speak Percussion The Wheeler Centre West Space Wild@heART Community Arts melbourne.vic.gov.au/triennialarts

3 Melbourne Symphony Orchestra Benjamin Northey conductor Kristian Chong piano Bizet Carmen: Suite No.1 Saint-Saëns Piano Concerto No.2 INTERVAL Elgar Sospiri Elgar Variations on an Original Theme Enigma Running time: 2 hours, including 20-minute interval PRE-CONCERT ORGAN REICTAL As with all of the MSO s Melbourne Town Hall Series, renowned composer and organist Calvin Bowman will perform a pre-concert organ recital in the historic setting of the Melbourne Town Hall. This free performance will begin at 6.30pm. In consideration of your fellow patrons, the MSO thanks you for dimming the lighting on your mobile phone. The MSO acknowledge the Traditional Owners of the land on which we are performing. We pay our respects to their Elders, past and present, and the Elders from other communities who may be in attendance. mso.com.au (03)

4 MELBOURNE SYMPHONY ORCHESTRA Established in 1906, the Melbourne Symphony Orchestra (MSO) is an arts leader and Australia s oldest professional orchestra. Chief Conductor Sir Andrew Davis has been at the helm of MSO since Engaging more than 2.5 million people each year, and as a truly global orchestra, the MSO collaborates with guest artists and arts organisations from across the world. BENJAMIN NORTHEY CONDUCTOR Australian conductor Benjamin Northey is the Chief Conductor of the Christchurch Symphony Orchestra and the Associate Conductor of the Melbourne Symphony Orchestra. Northey also appears regularly as a guest conductor with all major Australian symphony orchestras, Opera Australia (Turandot, L elisir d amore, Don Giovanni, Così fan tutte, Carmen), New Zealand Opera (Sweeney Todd) and State Opera South Australia (La sonnambula, L elisir d amore, Les contes d Hoffmann). His international appearances include concerts with the London Philharmonic, Tokyo Philharmonic and Hong Kong Philharmonic Orchestras and the Mozarteum Orchestra Salzburg. 4 KRISTIAN CHONG PIANO Leading Australian pianist Kristian Chong has performed throughout Australia, China and the UK, and in France, New Zealand, Singapore, USA, and Zimbabwe. As soloist he has appeared with the Adelaide, Melbourne, Queensland, Sydney and Tasmanian Symphony Orchestras, and orchestras in the UK, New Zealand and China. Highlights include Rachmaninoff s Third Piano Concerto (Sydney Symphony) and Paganini Rhapsody (Beijing and Canberra) and Ravel's Left-Hand Concerto (Dunedin Symphony). A highly sought-after chamber musician, Kristian s collaborations include the Tinalley and Australian String Quartets, violinists Sophie Rowell and Dale Barltrop, cellist Li-Wei Qin and baritone Teddy Tahu Rhodes. Festival appearances include the Australian Festival of Chamber Music, Adelaide, Huntington Estate, Mimir and Bangalow Festivals with other highlights including the Xing Hai Festival (Guangzhou) and Australian Music Week on Gulangyu Island (Xiamen). Kristian studied at the Royal Academy of Music with Piers Lane and Christopher Elton, and with Stephen McIntyre at the University of Melbourne where Kristian teaches piano and chamber music.

5 PROGRAM NOTES GEORGES BIZET ( ) Carmen: Suite No.1 Prélude Aragonaise Intermezzo Séguedille Les Dragons d Alcala Les Toréadors When Carmen was first produced in Paris in 1875, three months before Bizet s death at the age of 36, audiences were shocked by the unashamed realism of the story: Carmen s blatant sexuality scandalised many, as did the rowdy women s chorus (Carmen s coworkers in the cigarette factory) who both fight and smoke on stage. And Carmen s murder by the spurned Don José, in full view of the audience, was too strong for many tastes. The show did run for 48 performances, though, largely on the strength of its shock value, and although the Parisian opera companies were too timid to program it again until 1883 (when it met with enthusiastic acclaim), by that time it had enjoyed success around the the world, mostly in a revised version by Bizet s friend Ernest Guiraud. Guiraud set the original spoken dialogue to recitative. After the death of the composer Guiraud compiled two suites from the music of Carmen. The first suite comprises of the instrumental entre acte from the opera, ending with the famous Overture. The only vocal excerpt in this suite is the Séguedille, which appears in an orchestral arrangement. Symphony Australia The MSO first performed music from Carmen on 17 July 1943 under conductor Bernard Heinze, and most recently performed Suite No.1 on 5 February 2013 with Benjamin Northey. CAMILLE SAINT-SAËNS ( ) Piano Concerto No.2 in G minor, Op.22 Andante sostenuto Allegro scherzando Presto Kristian Chong piano Camille Saint-Saëns contribution to French music over an exceptionally long life was a helpful and versatile one. A child prodigy who, making his debut as a ten-year-old with Mozart and Beethoven piano concertos, offered his delighted audience any one of the 32 Beethoven piano sonatas as an encore. He lived to a somewhat embittered old age, and walked out of the 1913 premiere of Stravinsky s Rite of Spring muttering that it wasn t music. Saint-Saëns for most of his life had been receptive to the new, and tried to steer French music away from its fixation on opera into channels where it could benefit from the example of the best of German instrumental music. He was a friend of Liszt, and his Third Symphony, with organ, is in many ways a tribute to that composer. (It has made a comeback in the age of hi-fi and of talking pigs Australian composer Nigel Westlake borrowed from it in his soundtrack music for Babe.) Ironically, a piece which he dashed off in 17 days in 1868 has proved one of his most durably popular: his Second Piano Concerto. The haste was due to the concert hall becoming available at short notice for a concert conducted 5

6 PROGRAM NOTES by the Russian Anton Rubinstein, in which Saint-Saëns was to play a concerto. The music shows little sign of hasty workmanship. Saint-Saëns was the classicist among the French Romantics, and his sure grasp of form sometimes makes up for ideas which seem too easily acquired. Liszt described this piano concerto fairly when he said that Saint-Saëns takes into account the effects of the pianist without sacrificing anything of the ideas of the composer. Nevertheless, this concerto has been indelibly marked by the witty observation of the Polish pianist Sigismond Stojowski, in that it begins with Bach and ends with Offenbach. It is true that the pianist s unaccompanied introduction is an obvious tribute-by-imitation to Bach, especially the Bach of the Chromatic Fantasia and other toccatas for organ or harpsichord. Saint-Saëns conceives this imitation in a Romantic sense: it is a declamation rather than a meditation, and projected, by the sustaining pedal on the steel-framed pianoforte, to the back row of the concert hall. The themes of the first movement, prefaced by this introduction, are expressive and lyrical: the main melody was borrowed (with permission) from Saint-Saëns younger friend and former pupil Gabriel Fauré (who had used it for a Tantum ergo with choir and organ). The level of activity soon rises, and dramatic exchanges between the soloist and the orchestra climax in a full-throated return of the main theme. There is a cadenza returning to the fantasia style of the introduction, and the movement ends, as it were, by swallowing its own tail. The puckish scherzo is the only movement that was a success at the under-rehearsed first performance. It has a catchy refrain, and is laid out for the instruments with masterly delicacy. The last movement is a tarantella (in popular imagination, the dance of the victim of spider bite), and this brings a strong whiff of the music of Offenbach (he of the can-can). Are the high spirits of comic operetta out of place in the finale of a concerto? Mozart didn t think so; nor did Saint-Saëns. David Garrett The MSO first performed this concerto on 17 October 1940 with conductor Georg Schnéevoigt and soloist Sigrid Sundgren, and most recently performed it in July 2008 with Thomas Dausgaard and Simon Trpčeski. 6

7 EDWARD ELGAR ( ) Sospiri, Op.70 Elgar is wearing his heart on his sleeve in Sospiri, composed in 1914 and dedicated to his close friend and musical associate W.H. Billy Reed. Reed, on whose technical expertise Elgar had drawn whilst composing his Violin Concerto, was at that time the leader of the London Symphony Orchestra, which helps explain the choice of the medium, string orchestra, in this case with harp and organ. Here performance by single strings is unimaginable. The sighs of the Italian title seem to point to a private sadness which in Elgar is never far away. Elgar completed Sospiri in February 1914, only months before the outbreak of the First World War, news of which reached the Elgars during an idyllic summer holiday in Scotland. Sir Henry Wood conducted the premiere at that year s first Promenade concert, on 15 August 1914, the work s sense of melancholy and regret no doubt a poignant lull in the evening s highly charged wartime mood. Symphony Australia 2004 This is the MSO's first performance of Sospiri. EDWARD ELGAR ( ) Variations on an Original Theme, Op.36 Enigma I (C.A.E.) Caroline Alice Elgar, the composer s wife II (H.D.S.-P) Hew David Steuart-Powell, pianist in Elgar s trio III (R.B.T.) Richard Baxter Townshend, author IV (W.M.B.) William Meath Baker, nicknamed the Squire V (R.P.A.) Richard Penrose Arnold, son of Matthew Arnold VI (Ysobel) Isabel Fitton, viola player VII (Troyte) Arthur Troyte Griffith, architect VIII (W.N.) Winifred Norbury IX (Nimrod) August Johannes Jaeger, reader for the publisher Novello & Co X (Dorabella) Intermezzo Dora Penny, later Mrs Richard Powell XI (G.R.S.) Dr G.R. Sinclair, organist of Hereford Cathedral XII (B.G.N.) Basil G. Nevinson, cellist in Elgar s trio XIII (***) Romanza Lady Mary Lygon, later Trefusis XIV (E.D.U.) Finale Elgar himself ( Edu being his nickname) In middle age, Elgar loathed having to earn the bulk of his income as a humble rural music teacher. Nevertheless, in spite of his obvious talent as a composer, his career during his 20s and 30s had been a series of disappointments. He had gravitated toward London, but Elgar and the big city never got on. And so, at a time when Schoenberg was emerging in Austria and Debussy was writing his Nocturnes in France, poor Elgar found himself back in his native Malvern region, eking out a living as best he 7

8 PROGRAM NOTES could. He took in students, made instrumental arrangements, played in an occasional performance and continually threatened to give away music altogether. But one evening in October 1898, Elgar began to doodle at the piano. Chancing upon a brief theme that pleased him, he started imagining his friends confronting the same melody, or he would try to catch another s character in a variation. This harmless bit of fun, initiated accidentally, would single-handedly turn around the composer s career and by February 1899 the work had grown into what would become one of England s greatest orchestral masterpieces, Elgar s Variations on an Original Theme, Op.36. Where the word Theme should have appeared in the score, however, Elgar wrote Enigma. He stated that the theme itself was a variation on a well-known tune which he refused to identify. It s a conundrum which has occupied concertgoers and scholars alike ever since. Over the years there have been many attempts to identify the mystery theme which, according to Elgar, goes in counterpoint with the one we actually hear. Elgar himself rejected suggestions of God Save the King and Auld Lang Syne. Other suggestions have included Rule, Britannia!, various nursery rhymes, a theme from Beethoven s late quartets, an extract from Wagner s Parsifal, and even Ta-ra-ra-boom-de-ay. Elgar biographer Michael Kennedy has proposed that it could be Elgar himself, with the famous motif on which the entire work is based capturing the natural speech rhythm of the name Edward Elgar. But, mischief-maker that he was, Elgar went to his grave without revealing the truth and no one since has come up with the definitive answer. The second enigma was the identity of the characters depicted within each variation, who were represented at first only by their initials in the score. Fortunately this enigma has proved much easier to solve. The main theme is given to the violins, who state it immediately. Variation 1 depicts Elgar s wife, Caroline Alice ( Carice ). The second variation brings the first hint of actual imitation. Pianist H.D. Steuart-Powell was one of Elgar s chamber music collaborators, who characteristically played a diatonic run over the keyboard as a warm-up. Variation 3 depicts the ham actor R.B. Townshend whose drastic variation in vocal pitch is mocked here. The Cotswold squire W. Meath Baker is the subject of Variation 4, while the mixture of seriousness and wit displayed by the great poet Matthew Arnold s son Richard is captured in the fifth variation. The next two variations parody the technical inadequacies of Elgar s chamber music acquaintances. Violist Isabel Fitton (Variation 6) had trouble performing music where the strings had to be crossed, while Arthur Troyte Griffith (Variation 7) was a pianist whose vigorous style sounded 8

9 more like drumming! Winifred Norbury is represented in Variation 8 by a musical depiction of her 18th-century country house, Sherridge. The most famous variation, of course, is Nimrod (No.9). Nimrod (the mighty hunter before the Lord of Genesis chapter 10) was Elgar s publisher, A.J. Jaeger (German for hunter ). Apparently the idea for this particular variation came when Elgar was going through one of his regular slumps. Jaeger took Elgar on a long walk during which he said that whenever Beethoven was troubled by the turbulent life of a creative artist, he simply poured his frustrations into still more beautiful compositions. In memory of that conversation, Elgar made those opening bars of Nimrod quote the slow movement from Beethoven s Pathétique Sonata. Variation 10 depicts a young woman called Dora Penny, whose soubriquet Dorabella comes from Mozart s Così fan tutte. And then Variation 11 goes beyond the human species, depicting the organist G.R. Sinclair s bulldog Dan, falling down the steep bank of the river Wye, paddling upstream, coming to land and then barking. The cello features prominently in Variation 12 a tribute to the cellist Basil Nevinson who later served as the inspiration for Elgar s Cello Concerto. Mendelssohn s Calm Sea and Prosperous Voyage is quoted in Variation 13, thought to allude to Lady Mary Lygon s departure by ship to Australia. And then finally we hear E.D.U. where the composer depicts himself (his wife s nickname for him was Edoo) cocking a snook at all those who said he d never make it as a composer. The Enigma Variations, premiered in London on 19 June 1899 under Hans Richter, were the conclusive evidence that he had. Abridged from a note Martin Buzacott The MSO first performed Elgar s Enigma Variations on 29 September 1938 with Sir Malcolm Sargent, and most recently on September 2013 under Sir Andrew Davis. 9

10 MELBOURNE SYMPHONY ORCHESTRA Sir Andrew Davis Chief Conductor Benjamin Northey Associate Conductor Tianyi Lu Cybec Assistant Conductor Hiroyuki Iwaki Conductor Laureate ( ) FIRST VIOLINS Dale Barltrop Concertmaster Eoin Andersen Concertmaster Sophie Rowell Associate Concertmaster The Ullmer Family # John Marcus Peter Edwards Assistant Kirsty Bremner Sarah Curro Michael Aquilina # Peter Fellin Deborah Goodall Lorraine Hook Kirstin Kenny Ji Won Kim Eleanor Mancini David and Helen Moses # Mark Mogilevski Michelle Ruffolo Kathryn Taylor Michael Aquilina # Harry Bennetts* Amy Brookman* Robert John* Oksana Thompson* 10 SECOND VIOLINS Matthew Tomkins The Gross # Robert Macindoe Associate Monica Curro Assistant Danny Gorog and Lindy Susskind # Mary Allison Isin Cakmakcioglu Freya Franzen Anonymous # Cong Gu Andrew Hall Andrew and Judy Rogers # Rachel Homburg Isy Wasserman Philippa West Patrick Wong Roger Young Jacqueline Edwards* Michael Loftus-Hills* Christine Wang* VIOLAS Christopher Moore Di Jameson # Fiona Sargeant Associate Lauren Brigden Katharine Brockman Christopher Cartlidge Michael Aquilina # Anthony Chataway Gabrielle Halloran Trevor Jones Cindy Watkin Elizabeth Woolnough Caleb Wright Merewyn Bramble* William Clark* Ceridwen Davies* CELLOS David Berlin MS Newman Family # Rachael Tobin Associate Nicholas Bochner Assistant Miranda Brockman Geelong Friends of the MSO # Rohan de Korte Andrew Dudgeon # Keith Johnson Sarah Morse Angela Sargeant Michelle Wood Andrew and Theresa Dyer # Molly Kadarauch* DOUBLE BASSES Steve Reeves Andrew Moon Associate Sylvia Hosking Assistant Damien Eckersley Benjamin Hanlon Suzanne Lee Stephen Newton Sophie Galaise and Clarence Fraser # Emma Sullivan* Esther Toh* FLUTES Prudence Davis Anonymous # Wendy Clarke Associate Sarah Beggs PICCOLO Andrew Macleod

11 OBOES Jeffrey Crellin Thomas Hutchinson Associate Ann Blackburn The Rosemary Norman # COR ANGLAIS Michael Pisani CLARINETS David Thomas Philip Arkinstall Associate Craig Hill BASS CLARINET Jon Craven BASSOONS Jack Schiller Elise Millman Associate Natasha Thomas CONTRABASSOON Brock Imison HORNS Heath Parkinson* Guest Saul Lewis Third Jenna Breen Abbey Edlin Nereda Hanlon and Michael Hanlon AM # Trinette McClimont TRUMPETS Geoffrey Payne Shane Hooton Associate William Evans Daniel Henderson* TROMBONES Brett Kelly Richard Shirley BASS TROMBONE Mike Szabo TUBA Timothy Buzbee TIMPANI Alex Timcke*^ PERCUSSION Robert Clarke John Arcaro Robert Cossom Lara Wilson* HARP Yinuo Mu ORGAN Calvin Bowman* # Position supported by * Guest Musician Courtesy of Orchestra Victoria ^ Courtesy of West Australian Symphony Orchestra MSO BOARD Chairman Michael Ullmer Managing Director Sophie Galaise Board Members Andrew Dyer Danny Gorog Margaret Jackson AC Brett Kelly David Krasnostein David Li Hyon-Ju Newman Helen Silver AO Company Secretary Oliver Carton 11

12 SUPPORTERS MSO PATRON The Honourable Linda Dessau AC, Governor of Victoria ARTIST CHAIR BENEFACTORS Joy Selby Smith Orchestral Leadership Chair The Cybec Cybec Assistant Conductor Chair The Ullmer Family Associate Concertmaster Chair Anonymous Flute Chair The Gross Second Violin Chair Di Jameson Viola Chair MS Newman Family Cello Chair Marc Besen AC and Eva Besen AO 2018 Soloist in Residence Chair PROGRAM BENEFACTORS Cybec 21st Century Australian Composers Program The Cybec Cybec Young Composer in Residence made possible by The Cybec East Meets West supported by the Li Family Trust Meet The Orchestra made possible by The Ullmer Family MSO Audience Access Crown Resorts Packer Family MSO Education supported by Mrs Margaret Ross AM and Dr Ian Ross MSO International Touring supported by Harold Mitchell AC MSO Regional Touring Creative Victoria The Robert Salzer The Pizzicato Effect Collier Charitable Fund The Marian and E.H. Flack Trust Schapper Family Scobie and Claire Mackinnon Trust Supported by the Hume City Council s Community Grants Program (Anonymous) Sidney Myer Free Concerts Supported by the Myer and the University of Melbourne CHAIRMAN S CIRCLE $100,000+ Marc Besen AC and Eva Besen AO John Gandel AC and Pauline Gandel The Gross David and Angela Li MS Newman Family Anthony Pratt The Pratt Joy Selby Smith Ullmer Family Anonymous (1) VIRTUOSO PATRONS $50,000+ Di Jameson David Krasnostein and Pat Stragalinos Mr Ren Xiao Jian and Mrs Li Quian Harold Mitchell AC Kim Williams AM IMPRESARIO PATRONS $20,000+ Michael Aquilina The John and Jennifer Brukner Perri Cutten and Jo Daniell Mary and Frederick Davidson AM Rachel and the late Hon. Alan Goldberg AO QC Hilary Hall, in memory of Wilma Collie Margaret Jackson AC Mimie MacLaren John and Lois McKay MAESTRO PATRONS $10,000+ Kaye and David Birks Mitchell Chipman Sir Andrew and Lady Davis Danny Gorog and Lindy Susskind Robert & Jan Green Suzanne Kirkham The Cuming Bequest Ian and Jeannie Paterson Lady Potter AC CMRI Elizabeth Proust AO Rae Rothfield Glenn Sedgwick Helen Silver AO and Harrison Young Maria Solà Profs. G & G Stephenson, in honour of the great Romanian musicians George Enescu and Dinu Lipatti Gai and David Taylor Juliet Tootell Alice Vaughan Kee Wong and Wai Tang Jason Yeap OAM PRINCIPAL PATRONS $5,000+ Christine and Mark Armour John and Mary Barlow Stephen and Caroline Brain Prof Ian Brighthope Linda Britten David and Emma Capponi Wendy Dimmick Andrew Dudgeon Andrew and Theresa Dyer Mr Bill Fleming John and Diana Frew Susan Fry and Don Fry AO Sophie Galaise and Clarence Fraser Geelong Friends of the MSO Jennifer Gorog HMA Louis Hamon OAM Nereda Hanlon and Michael Hanlon AM Hans and Petra Henkell Francis and Robyn Hofmann Hartmut and Ruth Hofmann Jack Hogan Doug Hooley Jenny and Peter Hordern Dr Alastair Jackson D & CS Kipen on behalf of Israel Kipen Dr Elizabeth A Lewis AM Peter Lovell Lesley McMullin Mr and Mrs D R Meagher David and Helen Moses Dr Paul Nisselle AM The Rosemary Norman Ken Ong, in memory of Lin Ong Bruce Parncutt and Robin Campbell Jim and Fran Pfeiffer Pzena Investment Charitable Fund Andrew and Judy Rogers 12

13 Max and Jill Schultz Stephen Shanasy Mr Tam Vu and Dr Cherilyn Tillman The Hon. Michael Watt QC and Cecilie Hall Lyn Williams AM Anonymous (1) ASSOCIATE PATRONS $2,500+ Dandolo Partners Will and Dorothy Bailey Bequest Barbara Bell, in memory of Elsa Bell Bill Bowness Lynne Burgess Oliver Carton John and Lyn Coppock Miss Ann Darby, in memory of Leslie J. Darby Natasha Davies, for the Trikojus Education Fund Merrowyn Deacon Beryl Dean Sandra Dent Peter and Leila Doyle Lisa Dwyer and Dr Ian Dickson Jane Edmanson OAM Tim and Lyn Edward Dr Helen M Ferguson Mr Peter Gallagher and Dr Karen Morley Leon Goldman Dina and Ron Goldschlager Colin Golvan QC and Dr Deborah Golvan Louise Gourlay OAM Peter and Lyndsey Hawkins Susan and Gary Hearst Colin Heggen, in memory of Marjorie Drysdale Heggen Rosemary and James Jacoby Jenkins Family C W Johnston Family John Jones George and Grace Kass Irene Kearsey and M J Ridley Kloeden Bryan Lawrence Ann and George Littlewood H E McKenzie Allan and Evelyn McLaren Don and Anne Meadows Marie Morton FRSA Annabel and Rupert Myer AO Ann Peacock with Andrew and Woody Kroger Sue and Barry Peake Mrs W Peart Graham and Christine Peirson Julie Reid Ruth and Ralph Renard S M Richards AM and M R Richards Tom and Elizabeth Romanowski Jeffrey Sher QC and Diana Sher OAM Diana and Brian Snape AM Dr Norman and Dr Sue Sonenberg Geoff and Judy Steinicke William and Jenny Ullmer Elisabeth Wagner Brian and Helena Worsfold Peter and Susan Yates Anonymous (8) PLAYER PATRONS $1,000+ David and Cindy Abbey Christa Abdallah Dr Sally Adams Mary Armour Arnold Bloch Leibler Philip Bacon AM Marlyn and Peter Bancroft OAM Adrienne Basser Prof Weston Bate and Janice Bate Janet H Bell David Blackwell Anne Bowden Michael F Boyt The Late Mr John Brockman OAM and Mrs Pat Brockman Dr John Brookes Suzie and Harvey Brown Jill and Christopher Buckley Bill and Sandra Burdett Peter Caldwell Joe Cordone Andrew and Pamela Crockett Pat and Bruce Davis Dominic and Natalie Dirupo Marie Dowling John and Anne Duncan Ruth Eggleston Kay Ehrenberg Jaan Enden Amy and Simon Feiglin Grant Fisher and Helen Bird Barry Fradkin OAM and Dr Pam Fradkin Applebay Pty Ltd David Frenkiel and Esther Frenkiel OAM David Gibbs and Susie O'Neill Merwyn and Greta Goldblatt George Golvan QC and Naomi Golvan Dr Marged Goode Max Gulbin Dr Sandra Hacker AO and Mr Ian Kennedy AM Jean Hadges Michael and Susie Hamson Paula Hansky OAM Merv Keehn and Sue Harlow Tilda and Brian Haughney Penelope Hughes Basil and Rita Jenkins Stuart Jennings Dorothy Karpin Brett Kelly and Cindy Watkin Dr Anne Kennedy Julie and Simon Kessel Kerry Landman William and Magdalena Leadston Andrew Lee Norman Lewis, in memory of Dr Phyllis Lewis Gaelle Lindrea Dr Anne Lierse Andrew Lockwood Violet and Jeff Loewenstein Elizabeth H Loftus Chris and Anna Long The Hon. Ian Macphee AO and Mrs Julie Macphee Vivienne Hadj and Rosemary Madden Eleanor and Phillip Mancini Dr Julianne Bayliss In memory of Leigh Masel John and Margaret Mason Ruth Maxwell Jenny McGregor AM and Peter Allen Glenda McNaught Wayne and Penny Morgan Ian Morrey and Geoffrey Minter JB Hi-Fi Ltd Patricia Nilsson Laurence O'Keefe and Christopher James Alan and Dorothy Pattison Margaret Plant Kerryn Pratchett Peter Priest Treena Quarin Eli Raskin Raspin Family Trust Bobbie Renard Peter and Carolyn Rendit Dr Rosemary Ayton and Dr Sam Ricketson Joan P Robinson Cathy and Peter Rogers Doug and Elisabeth Scott Martin and Susan Shirley Dr Sam Smorgon AO and Mrs Minnie Smorgon John So Dr Michael Soon Lady Southey AC Jennifer Steinicke Dr Peter Strickland Pamela Swansson 13

14 SUPPORTERS Jenny Tatchell Frank Tisher OAM and Dr Miriam Tisher P and E Turner The Hon. Rosemary Varty Leon and Sandra Velik Sue Walker AM Elaine Walters OAM and Gregory Walters Edward and Paddy White Nic and Ann Willcock Marian and Terry Wills Cooke Lorraine Woolley Panch Das and Laurel Young-Das Anonymous (21) THE MAHLER SYNDICATE David and Kaye Birks Mary and Frederick Davidson AM Tim and Lyn Edward John and Diana Frew Francis and Robyn Hofmann The Hon. Dr Barry Jones AC Dr Paul Nisselle AM Maria Solà The Hon. Michael Watt QC and Cecilie Hall TRUSTS AND FOUNDATIONS Ken and Asle Chilton Trust, managed by Perpetual Collier Charitable Fund Crown Resorts and the Packer Family The Cybec The Marian and E.H. Flack Trust Gandel Philanthropy Linnell/Hughes Trust, managed by Perpetual The Scobie and Claire Mackinnon Trust The Harold Mitchell The Myer The Pratt The Robert Salzer Alan (AGL) Shaw Endowment, managed by Perpetual Telematics Trust CONDUCTOR S CIRCLE Jenny Anderson David Angelovich G C Bawden and L de Kievit Lesley Bawden Joyce Bown Mrs Jenny Brukner and the late Mr John Brukner Ken Bullen Luci and Ron Chambers Beryl Dean Sandra Dent Lyn Edward Alan Egan JP Gunta Eglite Marguerite Garnon- Williams Louis Hamon OAM Carol Hay Tony Howe Laurence O'Keefe and Christopher James Audrey M Jenkins John and Joan Jones George and Grace Kass Mrs Sylvia Lavelle Pauline and David Lawton Cameron Mowat Rosia Pasteur Elizabeth Proust AO Penny Rawlins Joan P Robinson Neil Roussac Anne Roussac-Hoyne Fred and Patricia Russell Suzette Sherazee Michael Ryan and Wendy Mead Ann and Andrew Serpell Jennifer Shepherd Profs. Gabriela and George Stephenson Pamela Swansson Lillian Tarry Dr Cherilyn Tillman Mr and Mrs R P Trebilcock Michael Ullmer Ila Vanrenen The Hon. Rosemary Varty Mr Tam Vu Marian and Terry Wills Cooke Mark Young Anonymous (24) The MSO gratefully acknowledges the support received from the estates of Angela Beagley Neilma Gantner Gwen Hunt Audrey Jenkins Pauline Marie Johnston C P Kemp Peter Forbes MacLaren Joan Winsome Maslen Lorraine Maxine Meldrum Prof Andrew McCredie Miss Sheila Scotter AM MBE Marion A I H M Spence Molly Stephens Jean Tweedie Herta and Fred B Vogel Dorothy Wood HONORARY APPOINTMENTS Sir Elton John CBE Life Member The Hon. Alan Goldberg AO QC Life Member Geoffrey Rush AC Ambassador The Late John Brockman OAM Life Member Ila Vanrenen Life Member Signifies Adopt an MSO Musician supporter The MSO relies on your ongoing philanthropic support to sustain our artists, and support access, education, community engagement and more. We invite our suporters to get close to the MSO through a range of special events. The MSO welcomes your support at any level. Donations of $2 and over are tax deductible, and supporters are recognised as follows: $1,000+ (Player) $2,500+ (Associate) $5,000+ () $10,000+ (Maestro) $20,000+ (Impresario) $50,000+ (Virtuoso) $100,000+ (Chairman s Circle) The MSO Conductor s Circle is our bequest program for members who have notified of a planned gift in their Will. ENQUIRIES Phone (03) philanthropy@ mso.com.au 14

15 SUPPORTERS PRINCIPAL PARTNER GOVERNMENT PARTNERS PREMIER PARTNER VENUE PARTNER MAJOR PARTNERS EDUCATION PARTNERS SUPPORTING PARTNERS Quest Southbank The CEO Institute Ernst & Young Bows and strings TRUSTS AND FOUNDATIONS The Scobie and Claire Mackinnon Trust The Gross, Li Family Trust, MS Newman Family, The Ullmer Family MEDIA AND BROADCAST PARTNERS 15

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