CURRICULUM VITAE. Susquehanna University, Associate Professor (tenured) Instruction in music technology, composition, theory, 20 th century literature

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1 P A T R I C K L O N G CURRICULUM VITAE office: Department of Music, Susquehanna University, 514 University Avenue, Selinsgrove, Pennsylvania 17870, tel: (570) , longp@susqu.edu residence: 156 Baldwin Blvd, Shamokin Dam, Pennsylvania tel: (570) E D U C A T I O N Doctor of Musical Arts degree in Music Composition 1996 Eastman School of Music, Rochester, New York Primary teachers: Allan Schindler, David Liptak, John Beck and Joseph Schwantner Master of Music degree in Music Composition 1993 Eastman School of Music, Rochester, New York Primary teachers: Warren Benson, Samuel Adler and Christopher Rouse Bachelor of Music degree in Composition with Performance 1991 Honors (Percussion) and University Honors, Summa cum laude Syracuse University, Syracuse, New York Primary teachers: Andrew Waggoner, Michael Bull P R O F E S S I O N A L E X P E R I E N C E Susquehanna University, Associate Professor (tenured) Instruction in music technology, composition, theory, 20 th century literature Susquehanna University Music Department Head (elected position) Oversight of 13 full- time faculty, 22 adjuncts and approx. 120 music majors, with areas of responsibility including personnel, curriculum, budget, facilities and equipment, recruitment, assessment, alumni outreach Susquehanna University, Assistant Professor Instruction in beginning and advanced theory, music history, computer music and recording, music appreciation, percussion methods and applied composition Syracuse University, Instructor Instruction in traditional harmony, analysis, applied composition and electronic music, supervisor of the computer music studio, founder and director of the SU Contemporary Music Ensemble Eastman Computer Music Center, Instructor and Interim Director 1997 (Sabbatical replacement for Dr. Allan Schindler) Classroom instruction in introductory (midi) and advanced (UNIX/digital) computer music techniques, as well as private instruction in applied composition, administration of all aspects of the Center, including oversight of four graduate student assistants Patrick Long page 1

2 T E A C H I N G Courses Taught Syracuse University Survey of Basic Theory (for graduate students) Introduction to Music Theory (for non- majors) Chromatic Harmony I Chromatic Harmony II Advanced Tonal Analysis Analysis of Contemporary Music Electronic Music Composition Applied Composition Director, Contemporary Music Ensemble Composition Seminar Eastman School of Music Introduction to Computer Music Advanced Computer Music Techniques Applied Composition Susquehanna University 20th Century Music Literature Introduction to Music Diatonic Harmony I Diatonic Harmony II Form and Analysis 20 th Century Harmonic Practice Computer Music Performance Computer Music Composition Introduction to Electronic Music Percussion Methods Audio Engineering Fundamentals Applied Composition Music Production in the Rec. Studio Orchestration Counterpoint Curricular enhancements/innovations Bachelor of Music in Composition degree 2011 Designed, proposed and implemented this degree at Susquehanna, which was approved by SU Curriculum Committee in 2010, and by NASM in At this time, the degree has four registered students and two aspiring students. Minor in Music Technology 2001 Designed, proposed and implemented this minor, which has steadily grown to its current size of 18 registered students Private composition student outcomes David Little (SU 2001) earned a masters degree in music composition at the University of Michigan and then a Phd in composition at Princeton University. He is now an assistant professor at the Shenandoah Conservatory. Jesse Wright Fitzgerald (SU 2001) earned a masters degree in music composition at Syracuse University, and then earned a DMA in music composition from the University of Southern California. He currently teaches at Chapman University. Patrick Long - 2

3 John Belkot (SU 2002) earned a masters degree in music composition at the Peabody Conservatory and is currently a doctoral candidate there. Andrew Josephson (SU 2003) earned a masters degree in music composition from the University of South Carolina and is currently a high school band director. Kevin Cope (private study in 2004) earned a masters degree in composition and guitar from the University of Delaware, where he is currently an instructor. Billie Tadros (SU 2009) was accepted as a composer to several graduate schools including NYU. She chose to pursue an MFA in poetry as Sarah Lawrence College with additional studies in music, and is currently pursuing a Phd in creative writing at the University of Alabama. Andrew Balonis (SU 2010) attended Syracuse University graduate program in music composition. Erin Graham (2013 high school graduate) studied with me for 8 years. Upon graduation from high school she was accepted as both a percussion and composition major at several top schools. She is currently a double major at the Eastman School of Music. Ryan Woodward (SU 2014) is currently attending the Peabody Conservatory graduate program in computer music composition. H O N O R S / A W A R D S John C. Horn Award for Scholarship and Service, Susquehanna University 2007 Annual ASCAP Standard Plus awards Syracuse University Setnor School of Music Teaching Award 1999 Howard Hanson Composition Prize (Eastman School of Music) 1995 Syracuse University Concerto Competition Winner 1989 C O M P O S I T I O N S This is a complete listing. For a list of selected works (almost all with accompanying scores and other media) visit my website The Syncing Stick for drum set and video (12 minutes) 2014 Premiered by the composer at the SU Summer Wind Institute Marimba Lumina for malletkat midi controller and computer controlled lights and video (9 minutes) Premiered by the composer at Susquehanna University Rockville: Summer of 1980 for narrator, wiimote controller 2014 and multi- media (25 minutes) Premiered by the composer at Susquehanna University Ninety Mile Ballad for solo piano (7 minutes) 2014 Commission and premiered by Ilya Blinov. Patrick Long - 3

4 Invictus for percussion duo (6 minutes) 2014 Commissioned by Trevor Rosten and Kevin Eppinger Chaconne for vibraphone and tablet computer (12 minutes) 2013 Commissioned and premiered by Phillip O Banion, Director of Percussion Studies at Temple University. The Bell at Dundrennan for wind ensemble (7 minutes) 2013 Commissioned and premiered by William Kenny and The Penn Central Wind Ensemble. Upcoming performance of a revised version by the Syracuse University Wind Ensemble Scenes from A Dybbuk for electro acoustic music 2012 Included on CD Winter Nocturnes (itunes/cd Baby) Winter Nocturnes for mallet consort (25 minutes) Sextet version premiered December 1, 2011, Susquehanna University Trio version commissioned and premiered by North Star Percussion, 2012 Recorded by Patrick Long on CD Winter Nocturnes (itunes/cd Baby) Variations on a Byzantine Christmas Chant for piano, Buchla Piano Bar, 2011 and interactive computer music system (10 minutes) Premiered by composer on December 1, 2012 at Susquehanna University Recorded by Patrick Long on CD Winter Nocturnes (itunes/ CD Baby) Amusing and Profound Polka for xylophone and orchestra (5 minutes) 2011 Premiered April 2012 during the party scene of De Fledermaus SU Orchestra, Patrick Long, xylophone soloist Analogous Sets for clarinet, cello and video robot drummer (15 min.) 2011 Commissioned and premiered by the Maverick Ensemble, Chicago, Illinois, October New York premiere by the Syracuse Society for New Music, October Metropolis, a structured improvisation for performance with the classic silent film 2011 Performed by members of Faculty Lounge, February Glyph Tropes for electronic percussion and interactive video (12 min.) 2010 Premiered by the composer at the Musicacoustica Festival, Beijing, China, November 2010 Nor Can Remember Plain and Clear the Curious Music That I Hear 2009 for alto saxophone, trombone, piano and percussion (10 minutes) Commissioned by the Maharlika Trio Tuscarora Overture for intermediate- level band (4 minutes) 2009 Commissioned by the Tuscarora Middle School Band Lullaby for solo vibraphone (5 minutes) 2009 Premiered by the composer Patrick Long - 4

5 Lincoln Elegy for orchestra and narrators (23 minutes) 2008 Commissioned and premiered by the Williamsport Youth Symphony, Jennifer Sacher Wiley, music director Double Secret Probation for orchestra (8 minutes) 2008 Commissioned by Jennifer Sacher Wiley and performed with District youth orchestras in Pennsylvania and Maryland Riverbed for choir and two percussionists (8 minutes) 2008 Commissioned and premiered by the Lincoln Singers, Peter Denee, director Doloroso for soprano saxophone, tuba and piano (8 minutes) 2008 Commissioned and premiered by Maria Springfield, April Movements for snare drum and interactive computer media system (45 min.) Premiered by Patrick Long, Susquehanna University, February Rain, River, Sea for chorus and orchestra (34 minutes) 2007 Commissioned by Susquehanna University in celebration of the Sesquicentennial. Premiered by the SU Masterworks Chorus and Orchestra, Jennifer Sacher Wiley conductor, at Carnegie Hall, March Slow Sunrise for middle- school band (4 minutes) 2007 Commissioned and premiered by the Selinsgrove Area Middle School Band, Amy Kenny, director Song on 243 for piano (3 minutes) 2006 Alien Invasion Finale for orchestra and actors (4 minutes) 2006 Commissioned for the 2006 SU orchestra educational Concert Drama tour. Millay Songs for soprano and marimba (10 minutes) 2006 Commissioned by the Hooper family. De Profundis for clarinet and fixed video media (9 minutes) 2006 Commissioned and premiered by Deborah Andrus. Underscore for the play Dracula (20 minutes) 2006 Written for the SU theatre department Concerto for electric violin and wind ensemble (15 minutes) 2006 This transcription of the saxophone concerto was Commissioned and premiered by the Penn Central Wind Band, William Kenny, conductor. Jennifer Sacher Wiley, soloist. Concerto for saxophone and wind ensemble (15 minutes) 2006 Commissioned and premiered by Gail Levinsky, with the SU Wind Ensemble, Eric Hinton, conductor. Patrick Long - 5

6 Sonata with Words for piano and interactive media system (32 min.) 2005 Commissioned by Dickinson College and premiered by Jennifer Blyth at Dickinson College. Academic Overture (or Finale) for saxophone, trombone and piano (5 min.) 2005 Commissioned and premiered by the Maharlika Trio. Underscore for the play A Dybbuk (30 min.) 2005 Written for the SU theatre department Rondo Beach for jazz ensemble with strings (8 minutes) 2004 Commissioned and premiered by the SU Jazz Ensemble. Circus of Circuits for large percussion ensemble and low- tech electronics (12 min.) 2004 Commissioned by the Victoria School District (Texas) Percussion Ensemble, Phillip Mikula, director, and premiered at the 2004 Percussive Arts Society International Convention Nosferatu a structured improvisation for performance with the classic silent film 2003 Performed by SU students, Halloween, Color Concerto for violin, orchestra and live graphics (7 minutes) 2003 Commissioned for, and performed on the 2003 SU orchestra educational Concert Drama tour. Four Echoes Dance for malletkat midi controller and interactive media 2003 Premiered by Patrick Long at Susquehanna University. From the Edges Loom for electric violin, cello and live electronics (14 min.) 2002 Commissioned by Lina Bahn and Colin Oldham, and premiered at at the Washington D.C. Composers Forum Quintet for two violins, viola, cello and piano (20 min.) 2002 Commissioned and premiered by Jennifer Blyth and the Corigliano Quartet at Dickinson College. Concerto for electronic percussion and symphonic band (12 min.) 2001 Commissioned and premiered by the Selinsgrove Area High School Band, Ed Smith, director. Patrick Long, soloist. Barcarolle for alto saxophone and interactive electronics (9 min.) 2001 Commissioned, premiered and recorded by Gail Levinsky. Dreamscapes for solo marimba (12 minutes) 2001 Commissioned and premiered by Andrew Harnsberger. December Canticle for malletkat midi controller (7 min.) 2001 Premiered by Patrick Long Shadow Steps for amplified violin and electroacoustic music (7 min.) 2000 Commissioned and premiered by Andrew Waggoner. Patrick Long - 6

7 Ascension for midi percussion ensemble (12 minutes) 2000 Commissioned by Cynthia Williams, who then choreographed the music and presented it at a dance concert at Hobart and William Smith Colleges. Divertissement for multiple percussion and organ (14 min.) 1999 Commissioned by Deborah Cunningham and Michael Bull. Sinfonia Impromptu for midi percussion (20 min.) 1999 Premiered by Patrick Long at the In Your Ear Festival, Rochester, New York. Trope for solo vibraphone (7 min.) 1999 Premiered by Patrick Long at SUNY New Paltz. Gymnopedie #1 for drumset and electroacoustic music (12 min.) 1998 Commissioned by Ned Corman of the Commission Project, and premiered by Bill Frieberg at the Eastman School of Music. In Torn Air for chamber ensemble, soprano, choir and electronics (60 min.) 1998 Commissioned by the Timaeus Ensemble, and premiered at The University of Nebraska Lincoln. Ontology for midi percussion and interactive computer music (7 min.) 1997 Somatome for midi percussion and interactive computer music (8 min.) 1997 Premiered by Patrick Long at the Image/Movement/Sound Festival Rochester, New York Canticle for soprano, amplified chamber ensemble and electronic percussion 1997 Commissioned by Neil and Susan Chodorow, and premiered by the Timaeus Ensemble at the Abend Music series in York, Pennsylvania Smoke of the Ghost for solo marimba (14 min.) 1997 Commissioned, premiered and recorded by Andrew Harnsberger Fanfare for Hammamatsu for brass quintet (3 min.) 1995 Commissioned by the Eastman School in honor of Rochester s sister city Hammamatsu Astronomer for soprano, amplified chamber ensemble and electronic percussion 1996 Commissioned by the Timaeus Ensemble, and premiered by them At the Bright Lights, Rising Stars concert at the Eastman School of Music Disraeli Gears for wind ensemble (12 min.) 1995 Composed in partial fulfillment of my DMA degree at Eastman School of Music Meditation for timpani and drone (7 min.) 1995 Premiered by Patrick Long, Eastman School of Music Five Lenten Psalms for choir and organ (20 min.) 1994 Commissioned and premiered First Methodist Church, Fairfield, N.Y. Patrick Long - 7

8 Bumper Music for chamber ensemble (12 min.) 1994 Arioso for violin and piano (7 min.) 1994 Premiered by the Air de Cour Ensemble, Rochester, N.Y. Strange Loops for percussion quintet (10 min.) 1993 Commissioned by the Syracuse Symphony Percussion Ensemble Concerto for amplified marimba and orchestra (31 min.) 1993 Premiered by Kristin Tait, marimba, Patrick Long, conductor with an orchestra of Eastman students Two Movements for saxophone quartet (18 min.) 1992 Premiered by student ensemble, Eastman School of Music Music for Vibraphone Solo: Book One (20 min.) 1992 Premiered by Patrick Long, Eastman School of Music November for chamber orchestra (15 min.) 1991 Premiered by student ensemble, Eastman School of Music Falling for soprano and marimba (12 min.) 1991 Premiered by Julie Sacco and Patrick Long, Syracuse University Mobius Trip for percussion ensemble and two pianos (9 min.) 1991 Commissioned and premiered by the S.U. Percussion Ensemble Sonata for piano (20 min.) 1990 Premiered by Erica Bunnemeyer, Syracuse University Shadow Steps for orchestra (9 min.) 1990 Reading session by the Syracuse University Orchestra Rhapsodic Variations for clarinet and percussion (7 min.) 1990 Published by Per- Mus Publications Summer Nocturne for also saxophone and electroacoustic music (7 min.) 1990 Premiered by Thomas Carranti, Syacuse University Score for student film, Leopold 1990 Symphony for Winds and Percussion (15 min.) 1989 Premiered by the Syracuse University Wind Ensemble Robert Spradling, conductor Music for Trumpet and Piano (15 min.) 1989 Premiered by Chris Ferrari and Deborah Cunningham Greens and Browns for string quartet (18 min.) 1988 Premiered at Syracuse University Three Modern Dances for percussion ensemble (12 min.) 1988 Premiered by the Syracuse University Percussion Ensemble Patrick Long - 8

9 R E C O R D I N G S Chaconne for vibraphone and tablet computer, recorded by Philip O Banion, Assistant Professor of Percussion, Temple University. Temple University Recordings. forthcoming Winter Nocturnes music of Patrick Long 2012 This self- produced solo CD project contains recordings of Winter Nocturnes, Variations on a Byzantine Christmas Chant, Scenes from A Dybbuk, December Canticle and Aubade. Smoke of the Ghost for solo marimba, recorded by Tomasz Arnold 2011 and released on his CD entitled Incoming Shadow Steps for electric violin and electroacoustic music 2010 recorded by violinist Davis Brooks for his CD entitled Violin and Electronics Rain, River, Sea for chorus and orchestra, recorded by the Susquehanna 2008 University Masterworks Chorus and Orchestra, Jennifer Sacher Wiley, conductor, at a live performance in Carnegie Hall, March 7, This commission and performance were to celebrate the Sesquicentennial of the University. Released by Susquehanna University Barcarolle for alto saxophone and interactive computer music system, 2000 recorded by Gail Levinsky on her CD entitled Saxophone and Other Voices, released by Mississippi State University Smoke of the Ghost for marimba, recorded by Andrew Harnsberger, 1999 on his CD entitled Vertigo, released on the Paragon Percussion Label Strange Loops for percussion ensemble, recorded by the Radford University 2001 Percussion Ensemble on the CD entitled By Departing Light, released on Hylander Records Ontology for electronic percussion, recorded by Patrick Long for inclusion 2001 on the CD entitled Breaking Ground, released by Syracuse University Recordings Strange Loops for percussion ensemble, recorded by the Southern 2003 Methodist University Percussion Ensemble on CD entitled Contact, released on Gasparo Records C O N F E R E N C E and F E S T I V A L P E R F O R M A N C E S Electronic Music Midwest (Kansas City, Kansas) 2013 Performance of Variations on a Byzantine Christmas Chant for piano and interactive electronic given by featured artist Kari Johnson. Studio 300 Digital Arts Festival (Lexington, Kentucky) 2013 Performance of Glyph Tropes for electronic percussion and interactive computer music system Patrick Long - 9

10 Florida State New Music Festival (Tallyhassee, Florida) 2013 Performance of Glyph Tropes for electronic percussion and interactive computer music system Electronic Music Midwest (Chicago, Illinois) 2012 Performance of Glyph Tropes for electronic percussion and interactive computer music system Musicacoustica Festival (Beijing, China) 2010 Performance of Glyph Tropes for electronic percussion and interactive computer music system. Also, presentation on the programming techniques employed. International Percussion Art Festival (Warsaw, Poland) 2007 Performance of my composition Smoke of the Ghost for solo marimba by Tomasz Arnold Percussive Arts Society International Conference (Nashville, TN) 2004 Performance of my composition, Circus of Circuits for large percussion ensemble and low- tech electronics, by the Victoria School District Percussion Ensemble, Phillip Mikula, director Indiana State Contemporary Music Festival (Terre Haute, IN) 2003 Performance of my composition, Shadow Steps for electric cello and electroacoustic music, Kurt Fowler, cello Gaudeamus Competition and Festival (Amsterdam) 2003 Performance of From the Edges Loom for electric violin, electric Cello and live electronics, by Lina Bahn and Colin Oldham North American Saxophone Alliance National Conference, (Denton, TX) 2002 Performance of my composition Barcarolle for saxophone And interactive computer music system by Gail Levinsky University of Delaware New Music Festival 2001 Society of Composers Incorporated National Conference (Syracuse, N.Y.) 2001 Performed my composition, Sinfonia Impromptu for electronic percussion and interactive computer music system National Association of Schools of Music National Conference (San Diego, CA) 2000 Panel presentation on teaching composition to non- majors Society of Electro Acoustic Music in the U.S. National Conference (Kansas City, MS) 1998 Performed my composition, Sinfonia Impromptu for electronic percussion and interactive computer media system Image, Movement, Sound Festival (Rochester, N.Y.) 1997 Performed my composition, Somatome for electronic percussion and interactive computer music system Brave New Works Festival (Ann Arbour, MI) 1996 Performed recital of improvised electronic music with trumpeter Mark Kirchenmann Patrick Long - 10

11 P E R C U S S I O N P E R F O R M A N C E A C T I V I T I E S Regular solo recitals of Electro- Acoustic Percussion works Performances as Xylophone soloist with groups including the Penn Central Wind Band, various local high school band, and the Susquehanna University Orchestra Chamber performances with the Timaeus Ensemble, Eastman Musical Nova, Syracuse Society for New Music, Commonwealth Brass Quintet, Susquehanna Faculty Ensembles, Dickinson College concerts, etc ongoing ongoing ongoing Rock performances (as drummer) with Faculty Lounge (over 50 appearances) Orchestral performances (as section player or principal) with the Catskill Symphony, Utica Symphony, Syracuse Symphony Brass Ensemble, Williamsport Symphony, Susquehanna Valley Chorale, Penn Central Wind Band, Eastman Philharmonia and Wind Ensemble, Susquehanna University Theatre ongoing Music of Christopher Theofanidis (recording on Albany Records) 1993 Nightmare Sinistrotorse with the Oblivion Ensemble (Complacency Records) 1994 Eastman Gamelan 1992 One Masters recital, two doctoral recitals (composition/percussion) Eastman School of Music Concerto performance with the Syracuse University Orchestra 1990 (Winner of concerto competition with Paul Creston s Concertino for Marimba and Orchestra) Three solo student recitals, Syracuse University C O N D U C T I N G E X P E R I E N C E Pierrot Lunaire by Arnold Schoenberg Vierzehn Arten Den Regen Zu Beschreiben by Hans Eisler 2014 Members of Susquehanna Faculty and soprano Bernadette Boerckel S.U. Summer Wind Institute Percussion Ensemble Color Concerto for electric violin and orchestra by Patrick Long 2011 Susquehanna University Orchestra and South Orange Symphony Pierrot Lunaire by Arnold Schoenberg 2006 Members of Susquehanna Faculty and soprano Rebecca Karpoff Color Concerto for electric violin and orchestra by Patrick Long 2003 Susquehanna University Orchestra, 8 performances on tour De Profundis for voices, organ and percussion, by Arvo Pärt 2000 Patrick Long - 11

12 Syracuse University Contemporary Music Ensemble Worker's Union for any loud sounding group of instruments, by Louis Andriessen 2000 Syracuse University Contemporary Music Ensemble Peggy's Music Box / Dance Machine for chamber orchestra, by Shafer Mahoney 2000 Syracuse University Contemporary Music Ensemble Student Composers Orchestral Readings (various sessions) 1999 Syracuse University Orchestra Sextet for percussion and keyboards, by Steve Reich 1999 Performer and coach, Syracuse University Contemporary Music Ensemble Integralès for small orchestra and percussion, by Edgar Varese 1999 Syracuse University Contemporary Music Ensemble Mandala for Orchestra, by Andrew Glick 1999 orchestra comprised of students and professionals Strange Loops for percussion ensemble, by Patrick Long 1997 Eastman Percussion Ensemble Dances and Obsessions for solo viola and ensemble, by Perry Goldstein 1994 The Morpheus Chamber Ensemble with John Graham, viola soloist Concerto for amplified marimba and orchestra, by Patrick Long 1994 orchestra comprised of Eastman graduate students, Kristin Tait, marimba soloist Mobius Trip for percussion ensemble, by Patrick Long 1992 The Syracuse University Percussion Ensemble November for chamber orchestra, by Patrick Long 1993 orchestra comprised of Eastman students Songs of the Night and Day for soprano and chamber orchestra, by Patrick Long 1991 orchestra comprised of Syracuse University students Mozart Symphony #29, movement 4 (conducting class final) 1990 U N I V E R S I T Y S E R V I C E A N D A D M I N I S T R A T I O N Accreditation/NASM I am currently serving as the primary author of the Department of Music ten- year NASM self study, with NASM visit planned for March Music Department Head During my three years in this position, I oversaw most Aspects of the running of the Music Department, including budget, personnel, scheduling, facilities, etc Patrick Long - 12

13 Personnel Served on the following search committees. Coordinator of Music Education Search Committee (chair) 2012 Professor of Choral Music Education Search Committee (chair) 2012 Staff Pianist Search Committee (chair) 2012 Director of Choral Activities Search Committee (chair) 2011 Music Admissions Coordinator Search Committee (chair) 2010 Staff Pianist Search Committee (member) 2010 Professor of Piano Search Committee (member) 2008 Director of Technical Services Search Committee (member) 2007 Professor of Visual Art (Painting) Search Committee (member) 2007 Visiting Professor of Visual Art (Painting) Search Committee (member) 2006 Professor of Voice Search Committee (member) 2002 Professor of Piano Search Committee (member) 2003 Professor of Physics Search Committee (member) 2001 Ensemble Load Committee (chair) 2008 Before becoming Department Head, I chaired a committee that explored different load structures for ensemble directors. We proposed a significant change to the long- standing structure. Our proposal was approved by the faculty and the administration. Curriculum Music Department curriculum oversight As Department Head played an integral role in the proposal and approval of significant revisions to over a dozen music courses that were altered to fulfill the requirements of the new University Central Curriculum Establishment of Bachelor of Music in Composition degree 2011 Designed, proposed and implemented this degree at Susquehanna, which was approved by SU Curriculum Committee in 2010, and by NASM in At this time, the degree has five registered students. Member of Music Education Curriculum Committee This committee redesigned the B. Music Ed. degree at Susquehanna to accommodate the new SU Central Curriculum requirements, several new Pennsylvania Department of Education requirements and also NASM standards, while still allowing the degree completion in 8 semesters Member, Central Curriculum Interdisciplinary Requirement Committee 2006 This committee drafted the learning goals for this requirement in the new Central Curriculum at Susquehanna University. Patrick Long - 13

14 University Governance University Council (member elected for two terms) This 9- member committee is the primary advisory group to the President on matters of budget, enrollment management and general university strategies. Academic Affairs Committee (member, elected) This five- member committee is charged with setting policy via the Faculty Handbook. Many policies were altered or introduced during this period, including new guidelines for tenure and promotion and new membership structures and charges for all standing University committees NASM Self- study 2005 Participated in the 10- year Music Department Self- Study process Academic Computing Committee This committee worked with the Head of IT to consider and implement various technology initiatives on campus. Honors Program Advisory Committee Facilities and Technology Design, implementation and maintenance of the Electronic Music/ Recording Studio at Susquehanna University. This process involved acquiring first one space, and then another, better space, working with Facilities Management to make designs for physical upgrades, proposals to the administration for funding, and then oversight of the transition process. The foot studio currently serves approximately 18 music technology minors as well as composers, and is in frequent use Conceived, proposed and managed the repurposing of space within 2012 several spaces used by the Music Department. This $50,000 project involved four faculty teaching studios, a piano lab, computer lab, and multi- purpose rehearsal room. Researched, purchased and installed new recording equipment in 2011 Stretansky Concert Hall recording/audio booth. Worked to facilitate safe equipment moving and storage as well as other 2001 facility issues during construction of new music building Since arriving at SU, I have organized and trained students to record and archive every music department concert and to provide a number of technical services to the department. I have also acted as a liaison between the department and I.T. to insure that departmental needs are being met Patrick Long - 14

15 Budget Operating budgets As Department Head, I managed various annual and endowed budgets totaling approximately $120,000 per year. Capital budget acquisitions As Department Head, I organized a comprehensive departmental plan for capital equipment upgrades and acquisitions, and successfully advocated for over $350,000 in University purchases for the department over three years Assessment Creation of an assessment process for the Music Department The department had struggled to satisfy the Director of Assessment and Institutional Research for several years in this area. Established an assessment process has endured for five years and has yielded useful, actionable results. Fund- raising and alumni outreach Met with and wrote to donors as requested by the University Office of External Relations. Also worked to reinstitute a Music Department Newsletter, which seems to have increased alumni giving. Instituted a dinner for seniors and music faculty during graduation week. This dinner takes place in the large ensemble rehearsal room, and features speeches from alums who were seniors when the graduates were freshmen Consulting Served as external reviewer for Brigham Young University of Hawaii 2012 Music Department. The evaluation team consisted of three BYUH faculty and two external reviewers. I read the department self- study and then traveled to Hawaii for three days to conduct on- site interviews. I then contributed several sections to the final evaluation document. Faculty Advisor for graduate student project at Prescott College 2011 Worked with the student for one year via phone and internet as she planned and executed a significant project dealing with teaching composition to children within the context of piano lessons. This resulted in a published method book. OTHER WORK EXPERIENCE Private Percussion Teaching (college and pre- college) Freelance Music Typesetter / Editor Selected clients composers and publishers Samuel Adler Martin Amlin Warren Benson David Diamond Robert Eidschun Gareth Farr Jackson Hill Bernard Rands Allan Schindler Augusta Read Thomas Meredith Music Publications Per- Mus Publications European American Music Publisher Patrick Long - 15

16 Donald Hunsberger Shafer Mahoney Dexter Morrill Robert Morris Robert Pound Kevin Puts Theodore Presser Company Southern Music Company Meridian Integrated Media The Kurt Weil Foundation Ludwig Music Publishing Company Dorn Publications Saint Pius Catholic Church Audio Installation (Selinsgrove, PA) 2006 I provided consulting in the design and purchase of an audio system for the newly constructed church R E F E R E N C E S Dr. Valerie Martin Dean, School of Arts and Sciences, Susquehanna University Former Music Department Head, Susquehanna University 514 University Avenue Selinsgrove, PA (570) vmartin@susqu.edu Dr. David Steinau Former Music Department Head, Susquehanna University Susquehanna University 514 University Avenue Selinsgrove, PA ( steinau@susqu.edu Dr. Samuel Adler Professor Emeritus, Eastman School of Music Professor of Composition, Julliard School of Music 9412 Sheffield Road Perrysburg, Ohio (419) sadlercomp@yahoo.com Dr. Andrew Waggoner Former Director, Syracuse University School of Music Syracuse University Syracuse, New York andywaggoner@icloud.com Dr. Allan Schindler Professor of Composition and Director of the Computer Music Center Eastman School of Music 26 Gibbs Street Rochester, New York allan@esm.rochester.edu (716) Patrick Long - 16

17 Patrick Long - 17