Serban Nichifor Composer, Teacher

Transcription

1 Serban Nichifor Composer, Teacher Roumania, Bucarest About the artist Born: August 25, 1954, in Bucharest, Romania Married to Liana Alexandra, composer: Studies National University of Music, Bucharest, Doctor in Musicology Theology Faculty, University of Bucharest International courses of composition at Darmstadt, Weimar, Breukelen and Munchen USIA Stipendium (USA) Present Position Professor at the National University of Music, Bucharest (Chamber Music Department); Member of UCMR (Romania), SABAM (Belgium), ECPMN (Holland) Vice-president of the ROMANIA-BELGIUM Association Cellist of the Duo INTERMEDIA and co-director of the NUOVA MUSICA CONSONANTE-LIVING MUSIC FOUNDATION INC.(U.S.A) Festival, with Liana ALEXANDRA Selected Works OPERA, SYMPHONIC, VOCAL-SYMPHONIC AND CONCERTANTE MUSIC: Constellations for Orchestra (1977) Symphony I Shadows (1980) Cantata Sources (1977) Cantata Gloria Heroum Holocausti (1978) Opera Miss Christina (libretto by Mircea ELIADE, (more online) Qualification: PROFESSOR DOCTOR IN COMPOSITION AND MUSICOLOGY Personal web: Associate: SABAM - IPI code of the artist : I About the piece

2 Title: LA FOLIA [Version for and Harpsichord (ossia Piano / Organ) by Serban Nichifor (SABAM -IPI )] Composer: Martin y Coll, Antonio Arranger: Nichifor, Serban Licence: Domaine Public Publisher: Nichifor, Serban Instrumentation: and Harpsichord Style: Baroque Comment: Volume V, Flores de Música, Ramillete oloroso: suabes flores de música (1709),Biblioteca Nacional de España, M , p The Diferencias sobre La Folia survive in a manuscript of the Spanish composer Antonio Martín y Coll (c.1660-c.1740). They are a typical example of the development of instrumental variation over traditional basses, melodies and dances in the late 17th century. Martín y Coll grew up in a monastery and eventually... (more online) Serban Nichifor on free-scores.com Contact the artist Write feedback comments Share your MP3 recording Web page and online audio access with QR Code : First added the : Last update : :30:54

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4 The Diferencias sobre La Folia survive in a manuscript of the Spanish composer Antonio Martín y Coll (c.1660-c.1740). They are a typical example of the development of instrumental variation over traditional basses, melodies and dances in the late 17th century. Martín y Coll grew up in a monastery and eventually became a Franciscan friar. The last years of his life were spent in the monastery of San Francisco el Grande in Masdrid. Though primarily an organist, Martín y Coll also wrote a pair of treatises (1714 and 1734). However, his modern fame rests on four volumes of the Flores de Música (Musical flowers), a collection of hundreds of pieces. The works in the fifth volume of the Flores de Música, called Ramillete oloroso: suabes flores de música are generally assumed to be Martín y Coll's own compositions. Two of these works are variations (diferencias) on La Folia - a long Diferencias sobre las Folías and a shorter Folías. Further more, it is sure that the secular works - such as La Folia - would have been just appropriately played on gamba, with harpsichord (or organ, or lute) as sustaining instrument. Higini, Anglés (1975): Scripta musicologica. Hesperion XX: Savall, Jordi (viola da gamba) Smith, Hopkinson (guitar) 'El Barroco Español, Tonos humanos & Instrumental music c ' John H. Baron wrote as part of the introduction for the LP Folge 7 with three compositions of Martín y Coll.

5 1 Pioso Theme = 76 LA FOLIA from the fifth volume of the "Flores de Música", "Ramillete oloroso: suabes flores de música" (1709) National Library, Madrid, M , p arr. for and Harpsichord (ossia Piano, ossia Organ) Antonio Martín y Coll (c.1660-c.1740) arr. Serban Nichifor (SABAM - IPI Name No ) 17 August 2013 Theme Variation I Variation I

6 2 Variation II Variation II

7 3 Variation III Variation III Variation IV Variation IV

8 4 Variation V Variation V

9 5 Variation VI Pizz. Variation VI Arco Variation VII Variation VII

10 6 Variation VIII Variation VIII

11 7 Variation IX Variation IX Variation X Variation X

12 8 Variation XI Variation XI = 72 rall. rall. = 60 = 50 = 40 morendo morendo

13 Pioso Theme = 76 LA FOLIA from the fifth volume of the "Flores de Música", Antonio Martín y Coll (c.1660-c.1740) "Ramillete oloroso: suabes flores de música" (1709) arr. Serban Nichifor National Library, Madrid, M , p (SABAM - IPI Name No ) arr. for and Harpsichord (ossia Piano, ossia Organ) 17 August 2013 CELLO PART Variation I Variation II Variation III Variation IV 1

14 Variation V Variation VI Pizz. Arco Variation VII Variation VIII 2

15 Variation IX Variation X Variation XI = 72 rall. = 60 = 50 = 40 morendo 3