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1 1 and more bears RECORDINGS designed for repeated listening
2 2 THE KARL KING BAND VOL. 2 MR. BANDMASTER 1. The Ohio Special (King)... 2:00 2. Pride Of The Marines (Edwards)... 2:20 3. In A Moonlit Garden, Intermezzo (King)... 2:31 4. Banner Victorious (Mitchell)... 2:23 5. Eclipse Gallop (King)... 1:04 6. American Cadet March (Castle)... 2:28 7. The Fez March (Panella)... 2:36 8. Gallop-Go! (Jewell)... 1:27 9. Ung Kung Foy Yah (King)... 2: Kentucky Sunrise (King)... 1: Mr. Bandmaster March (Steere)... 2: The Statesman (Simon)... 2:28 Original Sesac B-303/304 P 1955 Achtern Dahl 4 D Vollersode Germany P 2011 & C 2011 AND MORE BEARS LC 12483
3 3 Everything about Mr Bandmaster, the inimitable Karl L. King, is prodigious. He is six feet four inches in height; he has written well over 200 compositions, many of which have become standards in band music and are played throughout the world, and he is acknowledged as one of the top bandmasters in the country. Karl L. King has been writing and performing for more than fifty years, having sold his first march at the age of fourteen. The John Robinson s Circus, Sells-Floto, and Buffalo Bill Wild West Show and Barnum and Bailey Circus Band are merely a few of the outfits with which he has been associated. Karl L. King is also a successful music publisher, past president of the American Bandmaster s Association and of the Iowa Bandmaster s Association, and has been a featured conductor in massed band festivals in nearly every state in the Union. His home town of Fort Dodge, Iowa, has dedicated a bridge in his honor.
4 4 Here then, for your listening pleasure, is a glimpse of Mr Bandmaster at work, conducting twelve splendid marches, five of which are his original compositions. The Ohio Special is a bright and peppy march that honors his native town, Paintersville, Ohio. In A Moonlit Garden Intermezzo is a light concert piece that evokes a gay 1890s atmosphere in music for a romantic serenade on the mall. The other three entries draw on Karl L. King s colorful background with circus bands. There s the breathtaking big top feeling of Eclipse Galop and the show-stopping ragtime cakewalk, Kentucky Sunrise, plus the delightful Chinese intermezzo, Ung Kung Foy Yah. Also imbued with the spirit of the tanbark is Fred Jewell s fast and fancy circus piece... Galop Go! The military march also occupies a place of honor in this album. Pride Of The Marines is a gallant tribute to the Marine Corps Band, established in Banner Victorious reflects the inspired courage and the will to win of America s fighting forces, and the high-stepping American Cadet March is a glorious salute to our soldiers of the future. Mr. Bandmaster March pays homage to the men who lead the bands, and The Statesman honors the diplomats who direct our country s international relations. The final entry is an unusual selection in the oriental vein, called The Fez March, and presented in the inimitable manner of The Karl King Band. ORIGINAL LINER NOTES
5 5 and more bears RECORDINGS designed for repeated listening For the very first time you now can acquire exclusively through AND MORE BEARS the PT Master Recording catalog, formerly known as 'SESAC Transcribed Library'. Extensive parts of this catalog will be available worldwide for downloading through the regular channels and platforms, as well as CD-on-demand albums. The most important point for music lovers and collectors is the material's exclusiveness: the music was unavailable elsewhere. The musicians and band-leaders were given studio time to record exclusive sessions of extra songs. Successful artists liked SESAC because it meant some extra money. From the very beginning, the repertoire was only available on a loan basis for radio stations every month the stations were given 40 cm transcription discs (later LP-sized discs) that were delivered with complete text information for the radio presenters. For DJs, SESAC transcriptions meant interesting and rare material for their audiences. And the sound quality is brilliant, as the recordings took place in some of America's best studios, and outstanding arrangers worked on these sessions. These recordings were initially produced for SESAC, America's second-oldest copyright society. The library was active from the late 1940s until the early 80s. The rights to the recordings were owned exclusively by the heirs of the SESAC founder and, with a few exceptions, have never been used for vinyl recordings... much less CD. Highlights of the catalogue include: A catalog of more than 7500 songs; Exclusive recordings from jazz giants such as Count Basie, Duke Ellington, Woody Herman and many others; Ace session musicians and supporting players who were stars in their own right like Alice Coltrane, Nat Adderly, Thad Jones, Kai Winding, Si Zentner, Gary Burton, Andy Williams, Eric Dolphy, Zoot Sims and many, many more; Rare and sought after session recordings with Chet Atkins, The Jordanaires, Anita Kerr, Richard Maltby, Tony Mottola, Nathaniel Shilkret, The Stamps Baxter Men, The Statesmen, Webb Pierce and Faron Young; Extensive classical repertoire with symphony orchestras. 1950s material in categories like Swing, Lounge, Country, Folk, Barbershop, Choir, Cowboy Music, Southern Gospel, Hawaiian, Latin, Marching Bands, Polkas among others. Go to to explore the full catalogue and see the latest additions
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