JULIET McMAINS Publications & Presentations

Transcription

1 JULIET McMAINS Publications & Presentations PUBLICATIONS Books (peer reviewed) McMains, Juliet. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. Oxford and New York: Oxford University Press, McMains, Juliet. Glamour Addiction: Inside the American Ballroom Dance Industry. Middletown, CT: Wesleyan University Press, Chapters in Edited Volumes (peer reviewed) McMains, Juliet. Re-Claiming Competitive Tango: The Rise of Argentina s Campeonato Mundial. In Oxford Handbook of Dance and Competition, edited by Sherril Dodds. Oxford and New York: Oxford University Press, forthcoming. McMains, Juliet. Hot Latin Dance: Ethnic Identity and Stereotype. In Oxford Handbook of Dance and Ethnicity, edited by Anthony Shay and Barbara-Sellers Young, Oxford and New York: Oxford University Press, 2016 (online version 2013). McMains, Juliet. Rumba Encounters: Transculturation of Cuban Rumba in American and European Ballrooms. In Making Caribbean Dance: Continuity and Creativity in Island Cultures, edited by Susanna Sloat, Gainesville: University of Florida Press, McMains, Juliet. Reality Check: Dancing with the Stars and the American Dream. In The Routledge Dance Studies Reader, 2 nd ed., edited by Alexandra Carter and Janet O Shea, London: Routledge, McMains, Juliet. Dancing Latin/Latin Dancing: Salsa and DanceSport In Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader, edited by Julie Malnig, Indianapolis: University of Illinois Press, McMains, Juliet and Danielle Robinson. Swingin Out: Southern California's Lindy Revival, In I See America Dancing: Selected Readings, , edited by Maureen Needham, Champaign, IL: University of Illinois Press, Journal Articles (peer reviewed) McMains, Juliet. Rebellious Wallflowers and Queer Tangueras: Female Leaders in Buenos Aires Argentine Tango Scene. Under review with Women & Performance. McMains, Juliet. Queer Tango Space: Minority Stress, Sexual Potentiality, and Gender Utopias. TDR: The Drama Review, in press. McMains, Juliet. Salsa Steps Toward Intercultural Education. Journal of Dance Education 16, no. 1 (2016): McMains, Juliet and Ben Thomas. Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars. Dance Chronicle, 36, no. 2 (2013): McMains, Juliet. Brownface: Representations of Latin-ness in Dancesport. Dance Research Journal, 33, no. 2 (2001): Encyclopedia Entries McMains, Juliet. Modern Ballroom Dancing. Encyclopedia entry for Routledge Encyclopedia of Modernism. New York: Routledge, /Juliet McMains

2 McMains, Juliet. Mambo. Encyclopedia entry for Routledge Encyclopedia of Modernism. New York: Routledge, McMains, Juliet. Palladium. Encyclopedia entry for Routledge Encyclopedia of Modernism. New York: Routledge, McMains, Juliet. Rumba/Rhumba. Encyclopedia entry for Routledge Encyclopedia of Modernism. New York: Routledge, Book Reviews McMains, Juliet. Review of Becoming Beautiful: Ballroom Dance in the American Heartland by Joanna Bosse. Middle West Review, forthcoming. McMains, Juliet. Review of Tango Nuevo by Carolyn Merritt. Dance Research Journal 47, no. 1 (2015): McMains, Juliet. Review of Salsa Crossings: Dancing Latinidad in Los Angeles by Cindy García. American Anthropologist 117, no. 2 (2015): McMains, Juliet. Review of Dancing on the Canon: Embodiments of Value in Popular Dance, by Sherril Dodds. Dance Research Journal 45, no. 1 (2013): McMains, Juliet. Review of Hip-Hop Japan: Rap and the Paths of Cultural Globalization, by Ian Condry. Japan Forum 19, no. 3 (2007): Conference Proceedings McMains, Juliet, Clare Parfitt-Brown and Danielle Robinson. Current Problems and Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction. In SDHS 2011 Conference Proceedings, edited by Ken Peirce, Toronto, CA, June 23 26, McMains, Juliet. Brownface: A New Performance of Minstrelsy in Competitive Latin American Dancing? In Conference Proceedings: Dancing in the Millennium An International Conference, compiled by Juliette Crone-Willis, Washington DC, July Solicited Articles (unjuried) McMains, Juliet. Salsa or Tango: Which Latin Dance is Right for You? Oxford University Press Blog, July 23, McMains, Juliet. Efectos problemáticos de la terminología leader/follower. Translated by Olaya Aramo. The Queer Tango Project: Critical Ideas and Resources about Queer Tango, McMains, Juliet. McMains, Juliet. Troubling Effects of Leader/Follower Terminology. In The Queer Tango Book: Ideas, Images and Inspiration in the 21 st Century, edited by Birthe Havmoeller, Ray Batchelor and Olaya Ara, N.p., McMains, Juliet. The Gender Politics of Teaching Leading and/or Following. Top Line Magazine, Summer McMains, Juliet. Recovering our Legacy of American Ballroom Dance. Top Line Magazine, Summer 2008, McMains, Juliet. In The Footsteps of Doris Lavelle. Top Line Magazine, Winter 2007, McMains, Juliet. Redressing Sexism in the Ballroom. Top Line Magazine, Winter 2007, /Juliet McMains

3 CONFERENCE PAPERS DELIVERED (peer reviewed) Beyond Tango Escenario: Contemporary Experiments in Argentine Tango Choreography." Panel organized for the CORD+SDHS conference at Pomona College, November 5, Neck-drops vs. Suzi-Qs: Evolution of Contrasting Aesthetic Priorities in New York and L.A.-style Salsa Dancing. Paper presented at Caribbean Fusion Dance Works: Rituals of Modern Society at the University of the West Indies, Barbados, May 20, Rebellious Wallflowers and Queer Tangueras: Reflections on Same-sex Dancing in Argentine Tango. Paper presented Popular Culture Association/American Culture Association national conference, Seattle, March, 24, Queer Tango Embraces: Female Homosociality in Buenos Aires Tango Scene. Paper presented at Decentering Dance Studies: Moving in New Global Orders, joint conference of Congress on Research in Dance and Society of Dance History Scholars, Riverside, CA, November 16, From Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars. Paper presented with co-author Ben Thomas at the joint meeting of Congress on Research in Dance and Society for Ethnomusicology, Philadelphia, November 19, Current Problems & Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction. Roundtable in conjunction with Danielle Robinson and Clare Parfitt-Brown, presented at Society of Dance History Scholars Annual Conference, Toronto, June Kineschizophonia in Latin Dance Music. Paper presented at Dance and Music: Moving Dialogues Conference. McGill University, Montreal, February 17, Redirecting the Paths of Dance Migration through Hyperlinks: How the Web Shaped Salsa Commerce, Community, and Technique. Paper presented at Society of Dance History Scholars Annual Conference, Stanford University, June 20, Followers on the Dance Floor/Leaders in the Dance Industry: A Cross-Generational Comparison of Female Pioneers in 1950s Mambo and 1990s Salsa. Paper presented at Congress on Research in Dance Annual Conference, Hollins College, Roanoke, VA, November 15, From Mambo to Salsa: Dancing Across Generational Divides. Paper presented at Society of Ethnomusicology Annual Conference, Wesleyan University, Middletown, CT, October 26, Finding the Beat: Rhythmic Controversies in the Salsa Dance Industry. Paper presented at Congress on Research in Dance Annual Conference, Barnard College, November 9, Brownface and Dancing with the Stars: Reality Television and Off-stage Dance Realities. Paper presented at Re-Thinking Practice and Theory, Joint Conference of the Society for Dance History Scholars, and Congress on Research in Dance, Pantin, France, June 24, Finding the Beat: Rhythmic Controversies in the Salsa Dance Industry. Paper presented at the International Congress on Music, Identity and Culture in the Caribbean, Centro León, Santiago de los Caballeros, Dominican Republic, April 14, Rumba Encounters: A Dialogue between Guaguancó and International Style Ballroom Dancers. Paper presented at Congress on Research in Dance, Arizona State University, Tempe, AZ, Nov 3, Rumba Encounters. Paper presented at the World Dance Alliance Global Assembly, York University, Toronto, Canada, July 21, Authenticity in the Contemporary Salsa Dance Industry. Paper presented at the Latin American Studies Association Conference, San Juan, Puerto Rico, March 15, Playing with Structure: Improvisation in Partnered Social Dance. Workshop presented at Congress on 3/Juliet McMains

4 Research in Dance Annual Conference, Florida State University, March 5, Social Dancing or Theatrical Representation of Social Dance? Conflation as a Marketing Strategy in the American Ballroom Dance Industry. Paper Presented at the Society of Dance History Scholars Conference, Duke University, June 19, Social Dancing or Theatrical Representation of Social Dance? Why the American Ballroom Dance Industry Hopes You Don t Know the Difference. Paper Presented at the Popular Culture Association National Conference, San Antonio, TX, April 10, Latin American Dance: Salseros and Ballroom Dancers. Paper Presented at Southern American Studies Bi-annual Conference, Tallahassee, FL, February 7, Latin American Dance: Salseros and Ballroom Dancers. Paper Presented at American Studies Annual Conference, Washington, DC, November 9, Latin American Dance: Salseros and Ballroom Dancers. Paper Presented at Congress on Research in Dance Annual Conference, New York City, October 27, Steps Towards a Polyrhythmic Dialogue: Street Salsa and Ballroom Latin. Paper Presented at Dance Under Construction, Third Annual University of California Conference on Dance, UC Davis, March 10, Brownface: A New Performance of Minstrelsy in Latin American Dancing? Paper presented at Dancing at the Millennium Conference, Washington, DC, July 22, Dancesport Lifestyle: The Glamorous and the Grotesque in Competitive Ballroom and Latin Dance. Paper presented at Dance Under Construction, Second Annual Graduate Student Dance Conference, UC Riverside, March 11, Swinging Out: Southern California's Lindy Revival. Paper presented with co-author Danielle Robinson at Dance Under Construction, Second Annual Graduate Student Dance Conference, UC Riverside, March 11, Corporeal Negotiations in Ballroom and Latin Dance: The Glamour Class. Paper presented at Congress on Research in Dance Annual Conference, Pomona, CA, December 3, Corporeal Negotiations in Ballroom and Latin Dance. Paper presented at Cultural Dance Studies Conference, UC Los Angeles, March 6, INVITED LECTURES Rebellious Wallflowers and Queer Tangueras: Women Taking the Lead in Argentine Tango. Reed College, Portland, OR, September 19, Talks to promote Spinning Mambo into Salsa: UW Bookstore Seattle, WA, September 25, 2016 Salsa y Control Social, Cambridge, MA June 28, 2015 Eliot Bay Books, Seattle, WA, June 25, 2015 Pica Pica Social in Seattle, WA, May 31, 2015 Book Launch at Barrel Thief, Seattle, WA, May 17, 2015 Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars. With Ben Thomas. University of Washington Dance Program Research Symposium Series. March 6, Lessons from Dance History: A Primer for Fusion Dancers. Seattle Fusion Experiment Festival, Seattle, WA, October 5, 2012 & October 3, Academies or Kitchens: Re-choreographing Africanness and Latino Cultural Identity from Mambo 4/Juliet McMains

5 through Salsa. The Culture Industries in the African Diaspora: Research Workshop. The Harriet Tubman Institute for Research on the Global Migrations of African People. York University, Toronto, Ontario, April 23 25, Spinning Mambo into Salsa: Debates in Latin Dance History. Center for Performance Studies, University of Washington, Seattle, WA, April 9, From Mambo to Salsa: Debates in Salsa History. University of Idaho, February 25, Debates in Salsa History. Seattle Salsa Congress, Seatac, WA, November 28, Rumba Encounters. Dance Department, Ohio State University, April 17, Finding the Beat: Rhythmic Controversies in the Salsa Dance Industry. Taipei National University for the Arts, Taipei, Taiwan, August Hip-hop and the French Postcolonial State: the Choreography of Abou Lagraa. UW World Series Pre- Show Lecture, Seattle, WA, November 15 17, Transculturation in the African Dance Diaspora. On The Boards, Seattle, WA, April 12, Hips in Search of their True Face from Guaguancó to Ballroom Dancing: Transculturation of Cuban Rumba. Performance and Panel Discussion. Ife-Ile Afro-Cuban Dance Festival, Coral Gables, FL, July 13, Salsero/as, Milonguero/as, and Dancesport Champions: Whose Latin is it Anyway? Florida State University, Tallahassee, FL, February 8, After Fred and Ginger: American Theatrical Ballroom Dance. Invited Lecture/Demonstration, Florida State University, April 18, /Juliet McMains