MICHAEL D ERRICO 250 N COLLEGE PARK DR, APT. Q17 UPLAND, CA (603)

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1 MICHAEL D ERRICO 250 N COLLEGE PARK DR, APT. Q17 UPLAND, CA (603) MIKE_DERRICO@PITZER.EDU ACADEMIC EMPLOYMENT Lecturer in Music, Pomona College Adjunct Assistant Professor of Media Studies, Pitzer College Lecturer in Music Industry, UCLA EDUCATION 2016 Ph.D, Musicology. University of California, Los Angeles Dissertation: Interface Aesthetics: Sound, Software, and the Ecology of Digital Audio Production. Committee: Nina Eidsheim, Robert Fink, Timothy D. Taylor Graduate Certificate: UCLA Digital Humanities (Advisor: Peter Lunenfeld) 2011 M.A., Music (musicology). Tufts University, Medford, MA Thesis: Behind the Beat: Technical and Practical Aspects of Instrumental Hip-Hop 2009 B.M., Music Education. University of New Hampshire, Durham, NH Minor: Philosophy AWARDS Dissertation Year Fellowship (UCLA) 2015 Lise Waxer Student Paper Prize (Society for Ethnomusicology) Andrew W. Mellon Fellowship of Distinction (UCLA) Pauley Fellowship (UCLA) 2012 Friends of Musicology Award for Best Seminar Paper (UCLA) PUBLICATIONS Peer-Reviewed Articles 2016 Worlds of Sound: Indie Games, Proceduralism, and the Aesthetics of Emergence. Music, Sound, and the Moving Image 9, no. 2 (January 2016) Electronic Dance Music in the Dubstep Era. In Oxford Handbooks Online. New York: Oxford University Press, How to Reformat the Planet: Technostalgia and the Live Performance of Chipmusic. Journal on the Art of Record Production 6 (2012).

2 MICHAEL D ERRICO 2 Book Chapters Forthcoming Diggin in the Carts : Technologies of Play in Hip-Hop Production and Performance. In Critical Approaches to the Production of Music and Sound, edited by Samantha Bennett and Eliot Bates. London: Bloomsbury, forthcoming Off the Grid: Instrumental Hip-Hop and Experimentalism After the Golden Age. In The Cambridge Companion to Hip-Hop, edited by Justin Williams. New York: Cambridge University Press, Bassweight: Dubstep and the Transnational Space of Hip-Hop. In Hopeless Youth! Tallinn, Estonia: Estonian National Museum, Encyclopedia Entries 2017 Electronic Music, in The SAGE Encyclopedia of Ethnomusicology, edited by Janet Sturman and Geoffrey J. Golson (Sage Publications, forthcoming). Reviews 2015 Review of The Oxford Handbook of Mobile Music Studies, edited by Sumanth Gopinath and Jason Stanyek. Transfers 5, no. 2 (2015) Review of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording, by David Grubbs. Popular Music and Society 38, no. 3 (2015) Review of Jay-Z: Essays on Hip-Hop s Philosopher King, edited by Julius Bailey. Association for Recorded Sound Collections Journal 44 (2013) Review of Groove Music: The Art and Culture of the Hip-Hop DJ, by Mark Katz. Association for Recorded Sound Collections Journal 44 (2013) Review of Playing Along: Digital Games, YouTube, and Virtual Performance, by Kiri Miller. Ethnomusicology Review 17 (2012). Web-Based Publications 2014 Going Hard: Bassweight, Sonic Warfare, and the Brostep Aesthetic. Sounding Out! January 23, 2014, PRESENTED PAPERS 2017 From the Studio to the Stage: The New Ecology of Digital Audio Production. Paper presented at the joint meeting for the Northwest and Pacific-Southwest chapters of the American Musicological Society, Los Angeles, California, April Off the Grid: Self-Effacing Production in Electronic Dance Music. Paper presented at the annual meeting of the Society for Music Theory, Vancouver, BC, November 4.

3 MICHAEL D ERRICO New Creation and Location Technologies. Invited speaker and panel moderator, Digital Hollywood: Music 2020, Skirball Cultural Center, Los Angeles, CA, October Electronic Music, Computational Aesthetics, and the Californian Ideology. Poster and workshop presented at the annual meeting of the Society for American Music, Boston, Massachusetts, March Diggin in the Carts : Technologies of Play in Hip-Hop Production and Performance. Paper presented at the annual meeting for the Society of Ethnomusicology, Austin, Texas, December Programming Sound: Computational Thinking in Electronic Music. Paper presented at the fall meeting for the Pacific-Southwest Chapter of the American Musicological Society, Riverside, California, October Off the Grid: Self-Effacing Production in Juke and Footwork. Paper presented at the annual meeting for the American Musicological Society, Milwaukee, Wisconsin, November Interface. Invited panelist and performer, Machine Fantasies: A Workshop on Music Technologies Past, Present, and Future, Tufts University, Medford, Massachusetts, April Less Work, More Flow : Embodied Interactivity and the Ecology of Digital Media. Paper presented at the annual meeting for the International Association for the Study of Popular Music (US), Chapel Hill, North Carolina, March The Limits of Digitalism: Hypermasculinity and the New Cultures of Control. Paper presented at the Thinking Gender conference, UCLA Center for the Study of Women, February Interface Design and Technical Practice in Digital Audio Production Software. Paper presented at the BruinTech, Tech-a-Thon, UCLA, November Can t Stop, Won t Stop: Critical Perspectives on Miley Cyrus. Invited panelist, UCLA Cultural Affairs Commission, November The Limits of Digitalism: When Software Becomes Hardware. Paper presented at the annual meeting for the International Association for the Study of Popular Music (US), Austin, Texas, February 28-March There s an App for That: Technological Mediation in the Live Performance of Hip- Hop. Lecture recital presented at the annual meeting for the Society for Ethnomusicology, New Orleans, Louisiana, November Virtue/Virtuosity/Virtuality. Paper presented at The Harvard Graduate Music Forum, Music and Media, Cambridge, Massachusetts, February How to Reformat the Planet: Technostalgia and the Live Performance of Chipmusic. Paper presented at the annual meeting for The Art of Record Production conference, San Francisco, California, December 2-4.

4 MICHAEL D ERRICO Behind the Beat: Technical and Practical Aspects of Instrumental Hip-Hop. Paper presented at the annual meeting for the International Association for the Study of Popular Music (US), Cincinnati, Ohio, March INVITED LECTURES AND WORKSHOPS 2017 Recording and Editing Sound in Pro Tools. Workshop for the Thelonious Monk Institute of Jazz from University of California, Los Angeles, December Making Beats and Remixes in Ableton Live. Workshop, Producers, Remixers, and Electronic Music from University of California, San Diego, November Sound Recording, Editing, and Post-Production for Video. Intercollegiate Media Studies Workshop, Claremont Colleges, Claremont, California, October Hip-Hop, Video Games, and Electronic Dance Music. Lecture recital, Millspace Speaker/Performer Series, Newmarket, New Hampshire, March The Dirty South: Hip-Hop from Atlanta to Sao Paolo. Class lecture, History of Rock from Orange Coast College, Costa Mesa, California, December Sound, Code, and the Aesthetics of Hardware Hacking. Lecture and workshop, Digital Music Cultures from Occidental College, Los Angeles, California, March Bleeps and Bloops: Circuit-Bending and Hacker Music Cultures. Lecture recital, Music and the Internet from UCLA, February The Ghosts of New Media. Lecture and workshop, Digital Media: Current Directions from University of California, Irvine, November Making Music for Games. Five-day workshop on music composition and sound design, New Heights Teen Center, Portsmouth, New Hampshire, July Gaming the System: Technical Practice in Video Game Music Composition Lecture recital, Tufts University, Medford, Massachusetts, November 23. TEACHING EXPERIENCE Pomona College Pitzer College Survey of American Music. Undergraduate Lecturer, 20 students (Spring 2018). Introduction to Digital Media Studies. Undergraduate Lecturer, 25 students (Spring 2018). Sound Design. Undergraduate Lecturer, 20 students (Spring 2018). Game Sound. Undergraduate Lecturer, 20 students (Fall 2017). Popular Music and Digital Culture. Undergraduate Lecturer, 25 students (Fall 2017).

5 MICHAEL D ERRICO 5 UCLA Introduction to Digital Sound Production. Undergraduate Lecturer, 20 students (Fall 2017). Introduction to Digital Media Studies. Undergraduate Lecturer, 20 students (Spring 2017). Sound Design. Undergraduate Lecturer, 20 students (Spring 2017). Remix Cultures. Undergraduate Lecturer, 20 students (Spring 2017). Popular Music and Digital Culture. Undergraduate Lecturer, 25 students (Fall 2016). Introduction to Digital Sound Production. Undergraduate Lecturer, 20 students (Fall 2016). (Winter 2018). (Fall 2017). Audio Technology for Musicians. Undergraduate Lecturer, 16 students (Summer 2017). (Summer 2017). (Spring 2017). (Fall 2016). Audio Technology for Musicians. Undergraduate Lecturer, 13 students (Summer 2016). Seminar on the Music Industry. Undergraduate Seminar Instructor, 30 students (Summer 2016) Writing About Music. Undergraduate Lecturer, 20 students (Summer 2015) Computational Thinking and the Arts. Undergraduate Seminar Instructor 20 students. Honors Interdisciplinary Cluster (Spring 2015). Writing About Music. Teaching Assistant, 20 students (Winter 2015). History and Practice of Electronic Dance Music. Undergraduate Lecturer 65 students (Summer 2014). Music & Gender. Teaching Assistant, 60 students (Fall 2014). Stardom Strategies for Musicians. Teaching Assistant, 160 students (Winter 2014). History and Practice of Electronic Dance Music. Undergraduate Lecturer 65 students (Summer 2013).

6 MICHAEL D ERRICO 6 The Art of Record Production. Undergraduate Seminar Instructor, 16 students. Honors Interdisciplinary Cluster (Spring 2013). America in the 1960s. Teaching Assistant, 50 students ( Year). Tufts University Music Technology & Digital Culture. Teaching Assistant, 60 students (Fall 2010). History of Rock n Roll. Teaching Assistant, 150 students (Spring 2010). RESEARCH EXPERIENCE Digital Strategist, UCLA Career Center Researcher, Music Industry Data, Academic Rights Press Research Assistant, Nina Eidsheim, UCLA Musicology Research and Instructional Technology Consultant UCLA Center for Digital Humanities 2012 Archivist, Center for Primary Research and Training, UCLA Special Collections SERVICE Conference and Event Organization 2017 Program Committee Society for Ethnomusicology, Southern California and Hawaii Chapter 2015 Conference Committee Chair Inertia: A Conference on Sound, Media, and the Digital Humanities (UCLA) 2015 Program Committee American Musicological Society, Popular Music Study Group 2015 Organizational Assistant, Voice Studies Now Conference (UCLA) 2014 Program Committee, International Association for the Study of Popular Music (US) Organizational Assistant, University of California Multicampus Research Group Organizer, UCLA Musicology Distinguished Lecture Series 2012 Program Committee, Echo: A Music-Centered Journal annual conference Editing Manuscript Reviewer, Journal of Popular Music Studies Web Editor, International Association for the Study of Popular Music (US) Technical Editor, Echo: A Music-Centered Journal Technical Editor, Ethnomusicology Review Leadership Chair, Lise Waxer Prize Committee, Society for Ethnomusicology

7 MICHAEL D ERRICO Listserv Moderator, American Musicological Society Graduate Student Representative, UCLA Electronic Dance Music Club Graduate Student Representative International Association for the Study of Popular Music (US) 2013 Election Committee, International Association for the Study of Popular Music (US) PROJECT DESIGN AND MANAGEMENT 2017 Web and Graphic Design, ImaginePhD Student Toolkit, UCLA Career Center 2016 Web and Graphic Design, UCLA Master of Social Science Program, UCLA Division of Social Sciences 2015 Project Lead, Online Encyclopedia of Electronic Dance Music UCLA Musicology 2015 Lead Design, Engaging Punk Online Companion, UCLA Musicology 2015 Web Design, Unediting the Teaching Text UCLA Center for 17 th and 18 th Century Studies 2015 User Experience Design, Keys to Voice Studies Website, UCLA Musicology Consultant, Beyond the Digitized Slide Library: A Digital Art History Institute UCLA Digital Humanities 2014 Web Design, Underwater Cultural Heritage, UCLA Digital Humanities 2014 User Experience Design, UCLA Center for Digital Humanities Website 2014 Consultant, Online Encyclopedia of African Music, UCLA Ethnomusicology 2013 Interaction Design, RomeLab Mellon Foundation Humanities Virtual Worlds Consortium 2013 Consultant, Multimedia in the Classroom, UCLA English Composition 2013 Consultant, Babelium: Translation Tools for Language Instruction UCLA Asian Languages and Cultures SELECTED PERFORMANCES 2016 Music for Games and Interactive Media. Visiting Artist Series, Pitzer College, Claremont, California, November Love From Afar: A Multimedia Concert. Sound engineer and laptop performer for audio-visual concert of works by Osvaldo Golijov and Kaija Saariaho, The Hammer Museum, Los Angeles, California, May Walk Among Worlds. Sound designer for collaborative installation with graphic artist Máximo González, Fowler Museum, Los Angeles, California, October Frequency. Multimedia performance for the Los Angeles video game music festival, The Smell, Los Angeles, California, June UCLA Game Arts Festival. Artist and DJ, The Hammer Museum, Los Angeles, California, May 8.

8 MICHAEL D ERRICO Boston Cyberarts Festival. Multimedia performance, Atlantic Wharf, Boston, Massachusetts, April MUSO Presents: The Books and The Attic Bits. Multimedia performance, University of New Hampshire, September Ordnance Multimedia Club Night. 3D installation artist, DJ, electronic musician, Champion s Café, Boston, Massachusetts Naked Arts Creativity Exposed. Multimedia performance and art installation with two actors, sculptor, and film student, University of New Hampshire, April The Man Who Was Thursday. Real-time streaming media and experimental art collaboration, iart exhibition, AXIOM Gallery, Boston, Massachusetts, January Club performances and electronic music residencies in Boston, New York City, and Los Angeles. Details can be provided upon request. PROFESSIONAL AFFILIATIONS Society for Cinema and Media Studies Music and Entertainment Industry Educators Association Society for American Music Society for Music Theory American Musicological Society Society for Ethnomusicology International Association for the Study of Popular Music (US) REFERENCES Joseph Auner, Professor of Music, Tufts University Granoff Music Center, 20 Talbot Avenue, Medford, MA joseph.auner@tufts.edu Nina Eidsheim, Professor of Musicology, UCLA (Dissertation Advisor) 2443 Schoenberg Music Building, Box , Los Angeles, CA neidsheim@ucla.edu Robert Fink, Professor of Musicology, UCLA 2443 Schoenberg Music Building, Box , Los Angeles, CA rfink@humnet.ucla.edu Peter Lunenfeld, Professor of Design Media Arts, UCLA 240 Charles E. Young Dr., Ste 2275, Box , Los Angeles, CA lunenfeld@arts.ucla.edu Miriam Posner, Assistant Professor of Information Studies, UCLA 1020 Public Affairs Building, Los Angeles, CA mposner@humnet.ucla.edu Timothy D. Taylor, Professor of Ethnomusicology, UCLA 2539 Schoenberg Music Building, Box , Los Angeles, CA tdtaylor@ucla.edu