Susan K. de Ghizé, Ph.D. The University of Texas Rio Grande Valley School of Music 203 Eidman Hall Brownsville, TX 78520

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1 Susan K. de Ghizé, Ph.D. The University of Texas Rio Grande Valley School of Music 203 Eidman Hall Brownsville, TX office phone: (956) EDUCATION 2003 Ph.D., University of California at Santa Barbara Emphasis in Music Theory Valedictory Speaker, Graduate Division Commencement Dissertation: Rhythmic Development in the Motivic Process of Brahms s Chamber Works Committee: Lee Rothfarb (Chair), Pieter van den Toorn, Michael Beckerman 1996 B.A., University of California at Berkeley Music Dean s List, Eisner Prize for Creative Arts in Piano Performance WORK EXPERIENCE The University of Texas Rio Grande Valley (previously The University of Texas Brownsville) Associate Professor of Music Theory Theory and Aural Skills Coordinator Assistant Professor of Music Theory University of Denver Assistant Professor of Music Theory Theory Coordinator Northeastern University, Boston Full-Time Lecturer Theory and Aural Skills Coordinator Adjunct Lecturer Yong Siew Toh Conservatory of Music, National University of Singapore Visiting Fellow (Assistant Professor Level) and Head of Theory Department TEACHING EXPERIENCE University of Texas at Brownsville Music Theory: Common Practice (graduate course) Counterpoint and Analysis (upper-division) Counterpoint through Composition (upper-division) Theory I - IV Aural Skills I and III Music Fundamentals Class Piano First-Year Seminar

2 de Ghizé University of Denver Theory I - IV Aural Skills I - IV Advanced Theory: Topics in Analysis: Brahms; Form and Analysis; Rhythm and Meter in Tonal Music; Introduction to Schenkerian Analysis; Post-Tonal Theory and Analysis Graduate Theory Review Independent Studies in Music Theory Pedagogy Freshman Seminar: Beethoven and Conflict Core Seminar From Bach to Beethoven: Music and Art, Core Seminar From Beethoven to Berlioz: Music and Art, Northeastern University Theory I - IV Form & Analysis Musicianship I - IV Theory for Music Industry I & II Beethoven Music Appreciation Yong Siew Toh Conservatory of Music, National University of Singapore Theory I - IV 16 th -Century Counterpoint 18 th -Century Counterpoint Classical Forms University of California at Santa Barbara Teaching Associate: Fundamentals of Music Theory Teaching Assistant: Theory I, Theory II PUBLICATIONS Mozart s Common (yet Uncommon) Common-Tone Modulations. (To be published in 2016 by Cambridge Scholars Publishing) Vade Mecum: A Handbook for Part Writing. (In discussion with publisher) Revolving Variations Via Rhythm, Musical Currents from the Left Coast, ed. Jack Boss and Bruce Quaglia (Newcastle upon Tyne: Cambridge Scholars Publishing, 2008): The Positives and Negatives of Hauptmann s Theory of Meter: A Look at Mozart s Piano Sonata K. 332, Dutch Journal of Music Theory 11/3 (November 2006): Yin and Yang à la Schoenberg: Balance in the Creative Process of Rhythmically Developing Variations, Principles of Music Composing: Creative Process 5 (2006): PRESENTATIONS INTERNATIONAL 3rd International Conference on Music & Emotion Jyväskylä, Finland (June 15, 2013) Isolde s Multiple Orgasms: Sexology and Wagner s Transfiguration

3 de Ghizé 3 EuroMAC: VII European Music Analysis Conference Rome, Italy (September 29, 2011) Isolde s Multiple Orgasms: Sexology and Wagner s Transfiguration Sixteenth Biennial Conference on Nineteenth-Century Music Southampton, UK (July 9, 2010) Orgasm in Wagner s Transfiguration Royal Musical Association Annual Conference Aberdeen, UK (July 18, 2008) To Be or To Have, That is the Question: Exemplifying Hauptmann s Ideas of Polarity and Dualism Through Mozart s Piano Sonatas Tenth Annual Dutch-Flemish Society for Music Theory Conference Maastricht, Netherlands (February 23, 2008) Where s the Beat? Levels of Metrical Ambiguity in Two Late Piano Works of Brahms Hawaii International Conference on Arts and Humanities Honolulu, HI (January 14, 2007) Goethe s Farbenlehre and Hauptmann s Die Natur der Harmonik und der Metrik Royal Musical Association Nottingham, UK (July 12, 2006) Goethe s Farbenlehre and Hauptmann s Die Natur der Harmonik und der Metrik Interdisciplinary Nineteenth-Century Studies Durham, UK (July 9, 2006) From 500 BCE to Brahms: Chinese Philosophy, Greek Philosophy, and Schoenberg s Real Idea of a Composition Eighth Annual Dutch-Flemish Society for Music Theory Conference Brugges, Belgium (February 25, 2006) The Positives and Negatives of Hauptmann s Theory of Meter: A Look at Mozart s Piano Sonata in F Major, K. 332 Fifth International Conference on the Theory of Music Vilnius, Lithuania (October 14, 2005) Yin and Yang à la Schoenberg: Balance in the Creative Process of Rhythmically Developing Variations Dublin International Conference for Music Analysis Dublin, Ireland (June 24, 2005) Janácek the Janácekian: Traditional Forms in his Final Work College Music Society International Conference Alcalá de Henares, Spain (June 17, 2005) Achieving the Art of Balance with Rhythmically Developing Variations NATIONAL The Art of Death and Dying Houston, TX (October 27, 2012) Todestrieb in Tristan und Isolde: The Drive for Death and Sex

4 de Ghizé 4 REGIONAL German Studies Association San Diego, CA (October 5, 2007) Change and Continuity in Classical Germanistic Music College Music Society National Conference San Francisco (November 6, 2004) Rhythmically Developing Variations: A New Look at Brahms s Piano Quintet, Op. 34 Musical Intersections (Joint conference ATMI, SMT, AMS, SEM) Toronto (November 4, 2000) Co-delivered Hearing Tonal Music: Musical Dictation for a New Age College Music Society Pacific Northwest Chapter Conference Tacoma, WA (March 20 21, 2015) The Thin King s Thinking: Using Words to Help Students Understand Six-Four Chords American Musicological Society Allegheny Chapter Conference Cleveland, OH (April 5, 2014) Mozart s Common (yet Uncommon) Common-Tone Modulations West Coast Conference of Music Theory and Analysis Salt Lake City, UT (March 28, 2014) Mozart s Common (yet Uncommon) Common-Tone Modulations College Music Society Pacific Northwest Chapter Conference Bellevue, WA (March 23, 2013) The Versatility of Mozart s Common Tones College Music Society Great Lakes Chapter Conference Chicago, IL (March 31, 2012) Isolde s Multiple Orgasms: Sexology and Wagner s Transfiguration College Music Society Pacific-Southwest Chapter Conference Malibu, CA (February 12, 2011) Teaching Music Theory in the 21st Century College Music Society Rocky Mountain Chapter Conference Denver, CO (March 26, 2010) Teaching Music Theory in the 21st Century Rocky Mountain Society for Music Theory Boulder, CO (April 18, 2009) To Be or To Have, That is the Question: Illustrating Hauptmann s Ideas of Polarity and Dualism through Mozart s Piano Sonatas College Music Society Super Regional Pacific Conference Santa Barbara, CA (March 14, 2008) Dialectical Oppositions in Mozart s Piano Sonatas

5 de Ghizé 5 LECTURES CONFERENCE CHAIRS West Coast Conference of Music Theory and Analysis Salt Lake City, UT (April 21, 2007) Revolving Variations Via Rhythm College Music Society Pacific Central Chapter Conference San Francisco, CA (March 3, 2007) Beyond the Eras: Janácek s Second String Quartet College Music Society Pacific Central Chapter Conference Berkeley, CA (March 4, 2006) The Positives and Negatives of Hauptmann s Theory of Meter: A Look at Mozart s Piano Sonata in F Major, K. 332 College Music Society Rocky Mountain Chapter Conference Denver (March 19, 2005) Creating a Balance in Developing Variations College Music Society Great Plains Chapter Conference Kansas City (March 12, 2005) Traditional Forms in a Modern Work: Janácek s String Quartet No. 2 UTRGV Strings Ensemble Guest Lecture (October 20, 2015) Brahms and Motives: Schoenbergian, Fortean, and de Ghizéan Analyses Lamont School of Music Colloquium (April 13, 2010) Teaching Music Theory in the 21st Century Cherry Creek High School (March 23, 2010) Tips on Taking the AP Music Theory Exam Lamont School of Music Colloquium (April 7, 2009) To Be or To Have, That is the Question: Illustrating Hauptmann s Ideas of Polarity and Dualism through Mozart s Piano Sonatas Pre-Concert Lecturer, Colorado Symphony Orchestra ( ) Pre-Concert Lecturer, Singapore Symphony Orchestra ( ) Marin Symphony League San Rafael, CA (August 8, 2002) Brahms s Hemiolas South Central College Music Society (Program Chair, Program Book Editor, and Local Accommodations Co-Chair) Brownsville, TX (March 1-2, 2013) Rocky Mountain Society for Music Theory (Program Chair) Colorado Springs, CO (April 15-16, 2011)

6 de Ghizé 6 CHAIRED SESSIONS POSTER SESSIONS AWARDS Rocky Mountain Society for Music Theory (Program Chair) Logan, UT (March 29-30, 2008) Rocky Mountain Society for Music Theory Boulder, CO (April 18, 2009) Rocky Mountain Society for Music Theory Logan, UT (March 30, 2008) Rocky Mountain Society for Music Theory Tempe, AZ (March 31, 2007) Hawaii International Conference on Arts and Humanities Honolulu, HI (January 14, 2007) Interdisciplinary Nineteenth-Century Studies Conference Durham, UK (July 9, 2006) The Pedagogy of Innovation: A Symposium for Colorado Teachers University of Denver, Teaching Music Theory with a Tablet PC (March 31, 2009) 2013 Annual Fund Award to support travel to Jyväskylä, Finland, to present paper on Wagner, $ Rosenberry Fund to support various national and international presentations, $ Rosenberry Fund to support various national presentations, $ PROF grant to support research in Leipzig, Germany, $10, Center for Teaching and Learning Grant, IBM ThinkPad 2008 Internationalization Grant to support travel to Aberdeen, UK, to present paper on Hauptmann, $ Rosenberry Fund to support various national presentations, $ Internationalization Grant to support travel to Maastricht, Netherlands, to present paper on Brahms, $ Internationalization Grant to support travel to Leipzig, Germany, to research Moritz Hauptmann, $ Rosenberry Fund to support various national presentations, $ Faculty Research Fund to support travel to Leipzig, Germany, to research Moritz Hauptmann, $3000

7 de Ghizé Internationalization Grant to support travel to Hamburg, Germany, to study German, $ Professional Conference Travel Fund to support presentations in England, $ Society for Music Theory International Travel Grant for 2003 National Conference 2003 Valedictory Speaker, Graduate Division Commencement, U.C. Santa Barbara Selected to speak at commencement of 700+ graduates 2000 Office of Residential Life Outstanding Faculty Award, U.C. Santa Barbara 2000 Society for Music Theory Minority Travel Grant for 2000 Conference Graduate Opportunity Fellowship, U.C. Santa Barbara 1996 Eisner Prize for Creative Arts in Piano Performance, U.C. Berkeley ADVISING, EDUCATIONAL ADMINISTRATION & OTHER EXPERIENCE 2015 Adjudicator for Piano Competition by Music Academy 2014 Institute for Music Theory Pedagogy at the Eastman School of Music, Attendant Music Theory and Aural Skills Coordinator Academic Advisor in music theory, aural skills, and music history UTB Dual Enrollment Music Coordinator Rocky Mountain Society for Music Theory, President Rocky Mountain College Music Society, Treasurer Committee member of M.A. (Choral Conducting) candidate, Brady Loyd Committee member of M.A. (Choral Conducting) candidate, Beryl Fanslow Committee member of M.M. (Tuba Performance) candidate Deborah VanDerstoep Rocky Mountain California Alumni Association, Board Member The College Board and Educational Testing Service Faculty Reader for the Advanced Placement Test in Music Theory 2008 Committee member of M.A. (Music Theory) candidate, Ellwood Colahan 2007 Research on Moritz Hauptmann in Leipzig, Germany Northeastern University, Theory Coordinator Developed musicianship series; instated fundamentals course; established placement exams; created new advanced seminar in analysis; redesigned curriculum Hearing Tonal Music, Editor-in-chief and Co-author of software under development Software for drill in harmonic dictation and aural analysis (

8 de Ghizé Assistant to Executive Director, Marin Symphony (monthly e-newsletter), Vivace! (young professionals), Outreach Program West Coast Conference for Music Theory and Analysis, Grad. Student Representative UNIVERSITY COMMITTEES Graduate Handbook Committee Class Scheduling Committee UTRGV School of Music Website Web Content Organizer Technology Committee, Chair Music Theory and Ear Training Committee, Chair Personnel Committee Music Assessment Committee Honors Program, Advisory Council Member Music Assessment Committee Transfer Students Committee Graduate Committee in Music NASM Library Project Faculty Senate (Winter 2010) Faculty Core Committee Doctoral Program Committee Partners in Scholarship Committee (Fall 2008) Faculty Core Committee Faculty Committee, Chair Doctoral Program Committee Faculty Senate (Winter 2008) Teaching Task Force Faculty Core Committee Faculty Committee Doctoral Program Committee Northeastern University Faculty Evaluation Committee (chair) Curriculum Committee EXTRA-CURRICULAR AND PERFORMANCES Secondary Dominants (2ºV) Started a theory club that includes several regular activities: Peer tutoring four days a week; Mittagessen mit Musik: Berlin Philharmonic viewings of live recorded concerts; advising for student teaching (prepare and evaluate student teaching) 2012, 2014 Master of Ceremonies for Hispanic Heritage Concert

9 de Ghizé Accompanist April 24, 2013-Sophomore Recital: Nancy Coronado (bassoon) April 5, 2013-Student Recitals: Giovanni Rodriguez (oboe), Vanessa Treviño (bassoon) November 16, 2012-Student Recital: Julio Ramirez (oboe) October 2, 2012-Student Recitals: Giovanni Rodriguez (oboe), Vanessa Treviño (bassoon) April 6, 2012-Student Recitals: Nancy Coronado (bassoon), Giovanni Rodriguez (oboe) October 19, 2011-Sophomore Recital: Giovanni Rodriguez (oboe) November 4, 2011-Student Recital: Jasmine Garza (oboe) November 11, 2011-Student Recitals: Nora Briones (trumpet), Oscar Olivarez (trumpet), Jesse Galvan (trumpet), Troy Laznovsky (trumpet) 2008 Advanced German (University College course) 2007 German Super Intensive Language Course Goethe Institute (Frankfurt, Germany) 2006 German Intensive Language Course Goethe Institute (Hamburg, Germany) German Language Courses Goethe Institute (Boston) Score Reading for Fun!, Singapore Friday night activities including lectures and score-readings Gaucho Community Music, Founder and President (U.C. Santa Barbara) Founded volunteer performance club that performs concerts at convalescent homes U.C. Santa Barbara, Musica Antiqua, Harpsichord Soloist: Bach, Harpsichord Concerto BWV U.C. Santa Barbara, Cappella Cordina, Alto Sang alto in an a cappella Renaissance group LANGUAGES English (native), German (intermediate), Korean (basic)