hommage à Claude Debussy
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1 hommage à Claude Debussy
2 hommage à Claude Debussy UMELECKÁ BESEDA SLOVENSKÁ ŠTÁTNA FILHARMÓNIA KOŠICE máj jún / May June 2012 Prihlásených 86 autorov / Number of artists applied V Dome umenia NOC v Bratislave vystavuje 82 umelcov Works by 82 artists are exhibited in the House of Art of the National Culture Centre in Bratislava V Dome umenia ŠFK v Košiciach sa predstaví 43 umelcov Works by 43 artists are exhibited in the House of Art of the State Philharmonia in Košice Koncepcia výstavy / Conception of exhibition... I. podstarosta UBS Milan Tvrdoň Kurátorka / Curator... Mgr. JUDr. Emília Husár Semancová Redakcia katalógu / Catalogue editor... starosta UBS PhDr. Emil Semanco Preklady / Translation... Martin Clifford Styan Grafická úprava / Graphic design... Jarmila Zdráhalová Fotografie / Photographs... Anton Fiala, internet a autori Vydal / Editor... FO ART, s.r.o. pre UBS v máji 2012 Tlač / Print... FO ART, s.r.o., Bratislava Obálka / Cover... fotografia / Photo Stanislav Jendek: Hudba ohňa / Music of fire Náklad / Number of copies kusov 2 )
3 hommage à Claude Debussy ( 3
4 Ako to bolo s partitúrou Keď som vari pred desaťročím uvidel v kancelárii riaditeľa Štátnej filharmónie Košice v rámčeku na stene certifikát o udelení titulu v čitateľskej ankete Posol Slovenska, ktorú organizovala redakcia denníka, kde som kedysi pracoval, potešilo ma to a bol som patrične hrdý. V tej chvíli vybavili sa mi slová ceremoniára na slávnostnom akte, ktorý v nominačnom sumári vyzdvihol najmä skutočnosť, že Štátna filharmónia Košice popri skvelej profesijnej reputácii v domácom prostredí aj z desiatok vystúpení na popredných európskych koncertných pódiách, má tiež jedinečný a pre slovenský symfonický orchester i ojedinelý kredit z mesačného koncertného turné po Spojených štátoch amerických. To vlastne vtedy, krátko po vzniku Slovenskej republiky rozhodlo o laureátskom zápise, veď lepšieho posla či reprezentanta Slovenska by sme sotva našli. Potom som sa v košickom Dome umenia, kde filharmónia sídli, mohol z roka na rok na jej festivalových vystúpeniach, na otváracích alebo záverečných koncertoch sezóny osobne presvedčiť o vysokom interpretačnom majstrovstve tohto hudobného telesa, o premyslenej dramaturgii podujatí a starostlivom výbere účinkujúcich na nich, spoznal som popredných interpretov, sólistov, koncertných majstrov aj také obdivuhodné osobnosti ako Karol Petróczi, ktorý v tomto renomovanom orchestri hral prvé husle plných štyridsaťdva sezón! Dnes viem, riaditeľ ŠfK že Julo Klein je nielen schopný manažér, výborný klarinetista, ale aj veľký obdivovateľ výtvarného umenia, jeho podporovateľ, a keď treba, je aj zručný opravár televízorov, či inej elektrotechniky..., v Amerike na Floride vyučuje hudbu jeho dcéra, spoločne s manželkou sa tešia z trochu exotickej vnučky, ktorá však hovorí krásnou slovenčinou, pozná jej krásne tóny, ba aj významové odtienky... Doma si užívajú vnuka Júliusa štvrtého. Skrátka, sme priatelia a ja si napriek oficiálnemu umiestneniu tohto príhovoru trúfnem ešte povedať, že tento milovník života nemá rád len noty a partitúry, ale aj domáce spišské pirohy a rovnako tiež dobré halászlé... Impresário Klein aj spomínané košické impresie, významné jubileum zakladateľa hudobného impresionizmu Clauda Debussyho, bezprostredný podnet kolegu Milana Tvrdoňa a dlhoročné poznanie ateliérov, pracovní, výtvarných dielní a tvorivých plánov členov Umeleckej besedy slovenskej, z ktorých sa mnohí programovo venujú hudbe, ba niektorí popri výtvarnom talente majú aj rovnocenné muzikantské vlohy to boli pohnútky, aby sme v súzvuku múz hudobnej a výtvarnej, privítali priaznivcov nášho spolku a milovníkov umenia v Bratislave aj v Košiciach na konvergentnej prehliadke Partitúra, kde im sprostredkujeme toto stereo vo svojich výtvarných dielach, ale aj živou hudobnou produkciou filharmonikov zo zoskupenia LaMus Quartet. V programovom letáku tohtoročného 57. ročníka Košickej hudobnej jari ma popri excelentných vizitkách účinkujúcich zaujala pripojená myšlienka filozofa a filológa Friedricha Nietzcheho ani priveľmi metafyzická ani upäto existenciálna ale taká akurátna, výstižná a príhodná: Hudba uvoľňuje ducha a myšlienkam dáva krídla. To je odpoveď, prečo po nej tak radi siahajú aj grafici, sochári a maliari. Prečo ju máme radi... Presne túto dispozíciu, tento stav tela a mysle chceme dosiahnuť našou Partitúrou. PhDr. EMIL SEMANCO starosta UBS 4 )
5 How We Created Partitura About a decade ago, when I saw a framed certificate in the office of the director of the State Philharmonia in Košice about the granting of the title in the readers poll Messenger of Slovakia (Posol Slovenska) organized by the daily paper, where I formerly worked, it pleased me and I felt appropriately proud. At that time, I also recalled the moment in the Concert Hall of Slovak Radio when Doctor Július Klein received the diploma with the symbolic brass bell engraved with the name of the award. I also recalled the words of the master of ceremonies at the awards ceremony. In the nomination summary, he emphasized especially the fact that apart from its outstanding professional reputation in the domestic environment and dozens of appearances on leading European concert platforms, the State Philharmonia of Košice also made a month-long concert tour of the USA, a unique achievement for a Slovak orchestra. It was actually this that gained it the award soon after the origin of the Slovak Republic. A better messenger or representative of Slovakia could scarcely be found. Later, in the Košice House of Art, where the Philharmonia is based, I could personally observe from year to year at festival performances, openings and closings of concert seasons, the high interpretative mastery of this musical body, the well thought out dramaturgy and careful selection of performers. I got to know the leading interpreters, soloists and concert masters including such admirable personalities as Karol Petróczi, who played first violin in this renowned orchestra for 42 whole seasons! Today I know that director SFK Julo Klein is not only an able manager and excellent clarinettist, but also a great admirer of fine art, its supporter and when necessary also a skilful repairer of televisions and other electronic equipment. His daughter teaches music in Florida. He and his wife gain pleasure from their slightly exotic granddaughter, who, however, speaks beautiful Slovak. He knows her beautiful tones, but also shades of meaning... In short, we are friends, and in spite of the official location of this speech, I also dare to say that this lover of life does not love only notes and scores, but also home-made Spiš pirohy and good Hungarian fish soup... Impresario Klein and the above mentioned Košice impressions, the important anniversary of the founder of musical Impressionism Claude Debussy, the direct initiative of our colleague Milan Tvrdoň, and many years of knowledge of the studios, workshops and creative plans of members of the Art Club of Slovakia (Umelecká beseda slovenská UBS), many of them systematically devoted to music, often with talents in both fine art and music. All these motivated us to welcome the supporters of our society and lovers of art in Bratislava and Košice to the convergent review Partitura, where we present to them both works of fine art and live music from the group LaMus Quartet of the Philharmonia, to demonstrate the harmony of the muses of music and fine art. In the programme leaflet of this 57th Košice Musical Spring, I was attracted not only by the excellent list of performers, but also by the quotation of an idea of the philosopher and philologist Friedrich Nietzche: Music frees the spirit and gives wings to thoughts, which is not too metaphysical or stiffly existential, but accurate and fitting. This is why graphic artists, sculptors and painters like it so much. Why we also like it... We want to achieve precisely this disposition, this state of the body and mind with our Partitura. PhDr. EMIL SEMANCO Chairman of the Art Club of Slovakia ( 5
6 Ako to bolo s partitúrou Zvolím si súzvučný, možno zrkadlový alebo znelkový postup. Ponúkol by som iný citát z propagačného letáka nášho tohtoročného medzinárodného hudobného festivalu, nad ktorým prevzal záštitu minister kultúry. Je od spisovateľa Karla Čapka: Umenie nie je luxus, nie je to prejav a produkt nejakého životného prepychu. Je to bezprostredná potreba človeka. Umelci aj návštevníci koncertných sál a galérii si túto potrebu uvedomujú a hľadajú spôsoby, prostriedky, možnosti ako získať túto duchovnú potravu, ako sa ňou nasýtiť pri lepšom stave spoločnosti a finančnej disponovanosti nabažiť sa ňou. Starosta UBS doktor Emil Semanco spomenul excelentné vizitky 57. Košickej hudobnej jari. Dodám, že festival otvorí Štátna filharmónia Košice s dirigentom Petrom Vronským a tureckým klaviristom Özgűrom Aydinom. Náš komorný orchester Musica Cassovia, s ktorým sme pôvodne mienili prísť aj do Bratislavy, vystúpi s renomovanými domácimi i zahraničnými umelcami. Do Košíc príde Zoltán Kocsis a Maďarská národná filharmónia. Francúzsky dirigent Michel Swierczewski uvedie publikum do sveta imaginácie a fantastiky francúzskej opery. Zaznejú Nostalgie s Milanom Lasicom aj koncert energického českého huslistu Pavla Šporcla. Magnetom zaiste bude literárno-hudobný večer z tvorby kazateľa Daniela Pastirčáka a spisovateľa Daniela Heviera. Už tradične sú súčasťou festivalu predstavenia ŠD Košice a vernisáže výstav. Na otvorení Košickej hudobnej jari sme predstavili s prispením Galérie Andreja Smoláka pôsobivý zjav bieloruskej výtvarnej scény Ilonu Kosobuko. Umelecká beseda slovenská vstúpi do gradujúcej atmosféry sezóny výberom najlepších prác s hudobnou tematikou, ktoré predtým tvorili výstavnú kolekciu v Národnom osvetovom centre v Bratislave. Slávnosť hudby a výtvarného umenia umocní uvedenie našej spoločnej Partitúry na počesť jubilea novátora, zakladateľa hudobného impresionizmu Clauda Debussyho. Na záver sezóny Štátna filharmónia Košice uvedie jeho symfonickú báseň Faunovo popoludnie. Je mi cťou, že ma môj priateľ Emil Semanco oslovil s prosbou, aby sme participovali na tomto kultúrnom projekte, ktorým Umelecká beseda slovenská ako najstarší umelecký spolok na Slovensku vstupuje do ďalšieho verím, že úspešného roku činnosti keď si vlani pripomínala krásne 90. výročie vzniku. Teším sa o to viac, že takto môžeme spropagovať jej činnosť aj v metropole Východu. Verím, že spoločne prispejeme k povzneseniu ducha tak, ako to pre umenie projektoval Nietzche a zhodne s Čapkom aby sa umenie stalo každodennou potrebou čoraz širšieho okruhu ľudí. PaedDr. Mgr. art. JÚLIUS KLEIN riaditeľ ŠFK 6 )
7 How We Created Partitura I will choose a harmonizing, perhaps mirror-image or resonant approach. I will offer another quotation from the promotional leaflet of our international music festival, held this year under the patronage of the Minister of Culture. It comes from the writer Karel Čapek: Art is not a luxury, it is not an expression or product of conspicuous consumption. It is, rather, a vital necessity for the human being. Artists and visitors to concert halls and galleries are aware of this need and they seek ways and means to obtain this spiritual nourishment, how to satisfy ourselves with it, and in a better state of society and financial possibilities, to get tired of it. The chairman of the Art Club of Slovakia Doctor Emil Semanco mentioned the excellent leaflet for the 57th Košice Musical Spring. I will add that the festival will be opened by the State Philharmonia of Košice with the conductor Peter Vronský and the Turkish pianist Özgür Aydın. Our chamber orchestra Musica Cassovia, which we originally intended to bring to Bratislava, will perform with renowned Slovak and foreign artists. Anne-Sophie Schmidt and the Hungarian National Philharmonia will come to Košice. The French conductor Michel Swierczewski will lead the public into the world of the imagination and fantasy of French opera. Nostalgia with Milan Lasica and a concert with the energetic violinist Pavel Šporcl will be heard. A literary musical evening of the work of the preacher Daniel Pastirčák and Daniel Hevier will certainly be a magnet. Performances by the State Theatre in Košice and openings of exhibitions are already traditional parts of the festival. With the help of the Andrej Smolák Gallery, we present at the opening of the Košice Musical Spring an impressive discovery of the Bielorussian art scene Ilona Kosobuko, and at the end of the festival we will present our joint Partitura in honour of the anniversary of the musical innovator and founder of Impressionist music Claude Debussy. The Art Club of Slovakia will enter the culminating atmosphere of the festival by selecting the best works with a musical theme, previously exhibited at the National Cultural Centre in Bratislava. It is not especially necessary to mention that this festival of music and fine art is enhanced by the State Philharmonia of Košice performing Debussy s symphonic poem: Prelude to the Afternoon of a Faun. It is an honour for me that my friend Emil Semanco asked us to participate in this cultural project, by which the Art Club of Slovakia, the oldest artistic society in Slovakia, is entering a further, I believe, successful year of activity, after celebrating the 90th anniversary of its origin last year. It pleases me even more, that we can also promote its activity in the metropolis of the East. I believe we will jointly contribute to uplifting the spirit so that in accordance with the statements of Nietzche and Čapek, art will become an everyday necessity for an ever wider range of people. PaedDr. Mgr. art. JÚLIUS KLEIN Director of the State Philharmonia in Košice ( 7
8 Skice a obrazy Clauda Debussyho Dve ženy a jeden dátum výrazne poznačili umeleckú biografiu prekliateho skladateľa, hudobného revolucionára a novátora Clauda Debussyho. Ponajprv to bola Chopinova žiačka Mauté de Fleurville. Táto pianistka vybadala, že chudobný chlapec z parížskeho predmestia má talent a začala mu zdarma dávať hodiny a neskôr ho prihlásila na parížske konzervatórium, kde si popri štúdiu klavírnej hry osvojil aj hudobnú teóriu a kompozíciu. Až do tridsiatich rokov mal však medzery v pravopise, lebo samotní rodičia mu nemohli zabezpečiť primerané základné vzdelanie a zverili ho majetnejšej tetke... Tou druhou bola Čajkovského mecénka, bohatá vdova Nadežda von Meck, u ktorej počas dvoch rokov ruského pobytu pôsobil ako domáci klavirista. Práve tieto roky mali na jeho ďalšie skladateľské profilovanie ďalekosiahly vplyv najmä spoznaním hudby predstaviteľov Mocnej hŕstky Borodina, Musorgského a Rímskeho-Korsakova. Keď sa v roku 1889 vrátil do Paríža, prekračoval už cez prah rodiaceho sa impresionizmu. Debussy k jeho výtvarným a literárnym prejavom priradil syntézou inšpiratívnych podnetov a vlastných tvorivých ambícii svojskú muzikálnu reč s dôrazom na jej farebnú zložku harmóniu a inštrumentáciu. Stal sa zakladateľom impresionizmu v hudbe. V spomenutom roku sa v Paríži uskutočnila medzinárodná hudobná výstava, na ktorej ho upútal exotický hudobný folklór Jávy a Bali. Zhodou okolností práve v tom istom roku v meste na Seine dirigoval Rimskij- Korsakov diela ruských skladateľov a Debussy bol nimi opäť uchvátený najmä Musorgským jeho melodikou, podmanivým orientálnym koloritom a oslnivou inštrumentáciou. To všetko popri trvalom zaujatí výtvarným umením a literatúrou sa zlialo do fenoménu reprezentovaného pojmom Debussy, lebo väčšina jeho diel sa vzpiera ďalšej formovej analýze a má charakter vyslovene fantazijných útvarov. Ich neobyčajne náročnú, často úplne nezvyčajnú inštrumentáciu a partitúru nedokázali v čase ich vzniku adekvátne muzikantsky pretlmočiť ani dobré orchestre s renomovanými dirigentmi. Platí to najmä o jeho symfonických skiciach More, ktoré sa považujú za základné dielo hudobného impresionizmu. Ich tri časti Od svitania do poludnia na mori, Hry vĺn a Rozhovor vetra s morom si toto označenie vyslúžili až po neskoršom dôkladnom naštudovaní dirigentom Arturom Toscaninim. Zjavne inšpirovali aj viacerých účastníkov aktuálnej výtvarnej výstavy. Aj skromné Debussyho označenie týchto symfonických útvarov ako skica, napovedá veľa o jeho vzťahu k výtvarnému umeniu. Rovnako aj symfonický obraz Faunovo popoludnie a viaceré ďalšie skladby priamo reflektujúce tvorbu Moneta, Degasa, Turnera... Claude Debussy mal osobitý, veľmi vycibrený vkus. Obklopoval sa umeleckými dielami a vzácnymi rytinami napriek tomu, že často nemal ani na chlieb. Svoju hudbu skladal z najvnútornejších tvorivých pohnútok a umeleckú nekonformnosť a náročnosť si zachoval aj v čase, keď do parížskych šantánov dravo vtrhol džez. Ako novátor tiež ho nenechal za dverami svojej pracovne... 8 )
9 Sketches and Pictures of Claude Debussy Two women and one date significantly mark the artistic biography of the ill-fated composer, musical revolutionary and innovator Claude Debussy. The first was Chopin s pupil Mauté de Fleurville. This pianist discovered the talent of the poor boy from the suburbs of Paris and began to give him free lessons. Later she supported his study at the Paris Conservatory, where he learnt musical theory and composition. However, his basic writing abilities were limited until he was over 30 because his parents could not provide him with an appropriate elementary education and entrusted him to a more propertied aunt... The second was Tchaikovsky s patron, the rich widow Nadezhda von Meck, in whose home he worked as a pianist during his two year stay in Russia. Precisely these years had far-reaching influence on his development as a composer, especially because he got to know the music of the representatives of the Mighty Handful Borodin, Mussorgsky and Rimsky-Korsakov. When he returned to Paris in 1889, he already crossed the threshold of emerging Impressionism. Debussy added a musical language to its artistic and literary expressions with a synthesis of inspiring stimuli and his own creative ambitions, emphasizing the coloured component harmony and instrumentalization. He became a composer of Impressionist music. In the same year, an international musical exhibition was held in Paris. Debussy was captivated by the exotic folk music of Java and Bali. By coincidence, Rimsky-Korsakov conducted works by Russian composers in the city on the Seine during the same year. Debussy was again enthralled by them, especially by Mussorgsky, with his melodies, enchanting oriental colour and dazzling instrumentation. Apart from his permanent captivation with fine art and literature, all this was blended into the phenomenon represented by the name Debussy, because the majority of his works defy analysis and have the character of sheer fantasy. Their unusually demanding, often entirely extraordinary instrumentation and scores, could not be adequately interpreted at the time of their origin, even by good orchestras with renowned conductors. This applies especially to his symphonic sketches The Sea (La mer), which are regarded as the basic work of Impressionist music. Their three parts: From Dawn to Noon on the Sea, Play of the Waves and Dialogue of the Wind with the Sea, deserved their designation only after they were later thoroughly studied by the conductor Artur Toscanini. They were clearly inspired by various participants in an art exhibition of the time. Debussy s modest title for these symphonic sketches also says much about his relationship to fine art. The same applies to the symphonic picture: Prelude to the Afternoon of a Faun, and various other compositions directly reflecting the works of Monet, Degas, Turner and others... Claude Debussy had an individual, very refined taste. He surrounded himself with works of art and rare engravings, in spite of the fact that he often did not have enough money for bread. He composed his music for the most internal creative motives, and he continued his artistic non-conformity and demandingness at a time when jazz was rapaciously penetrating into Paris cabaret. As an innovator, he did not leave it outside the doors of his workshop... ( 9
10 Štátna filharmónia Košice Štátna filharmónia Košice bola založená v roku 1968 ako druhý profesionálny symfonický orchester koncertného typu na Slovensku. Prvý koncert novovzniknutého telesa sa uskutočnil v apríli 1969 pod vedením vtedajšieho šéfdirigenta Bystríka Režuchu. V krátkom čase dosiahla uznanie odborníkov i verejnosti a stala sa jedným z popredných reprezentantov slovenského interpretačného umenia doma i v zahraničí. V súčasnosti má orchester takmer 90 profesionálnych hudobníkov. Zaznamenal výrazné úspechy na koncertných pódiách európskych krajín, ale aj v Severnej Amerike a v Ázii. Koncertovala na medzinárodných hudobných festivaloch a v dôležitých kultúrnych centrách Viedeň, Salzburg, Berlín, Budapešť, Praha, Antverpy, Lisabon, Barcelona, Atény, Remeš, Hong-Kong, Luxemburg, New York... V roku 1994 absolvovala mesačné turné po USA, kde sa predstavila ako prvý slovenský symfonický orchester na americkom kontinente. Štátna filharmónia Košice prezentuje svoje umenie okrem aktívnej koncertnej činnosti prostredníctvom nahrávok pre rozhlasové, televízne a gramofónové spoločnosti (160 CD). Nahrávky pre vydavateľstvá Naxos, Marco Polo predstavujú často unikáty premiérové nahrávky ojedinele uvádzaných diel (L. Spohra J. Raffa, A. Rubinstein, W. Furtwängler, E. Waldteufel, F. von Suppé). Orchester spolupracoval s mnohými svetoznámymi umelcami, akými sú Igor Oistrach, Gidon Kremer, Giora Feidman, Ivan Moravec, Josef Suk, Luciano Pavarotti, Plácido Domingo, Dietrich Fischer- Dieskau, Sergej Kopčák, Peter Mikuláš, Peter Dvorský, Viktor Fedotov, Valerij Gergiev, Emin Chačaturjan, Natan Rachlin, Thomas Sanderling, Alexander Rahbari, Tadeusz Strugala, Jiří Bělohlávek, Libor Pešek, Václav Smetáček, Ľudovít Rajter, Ladislav Slovák, Ondrej Lenárd, Antoni Wit a ďalší. Repertoárové spektrum orchestra obsahuje všetky frekventované diela od baroka po hudbu 21. storočia. Štátna filharmónia Košice je ako jediný orchester na Slovensku hlavným organizátorom dvoch medzinárodných festivalov Košickej hudobnej jari a Medzinárodného organového festivalu Ivana Sokola a od roku 2003 aj Festivalu súčasného umenia Ars Nova Cassoviae. Šéfdirigentom ŠfK je Zbyněk Müller. LaMus Quartet sláčikové kvarteto vzniklo v roku 2006 z popredných členov orchestra Štátnej filharmónie Košice. S úspechom vystúpilo a vystupuje na domácich a zahraničných pódiách. Repertoár tvoria diela z klasickej hudby známych svetových skladateľov Mozart, Beethoven, Haydn, Dvořák, Borodin, Glazunov, Brahms, Čajkovský..., a tiež diela slovenských skladateľov Podprodský, Breiner. Kvarteto v súčasnosti pôsobí v zložení: Maroš Potokár I. husle Zuzana Oráčová II. husle Peter Olejár viola Taťana Čisáriková violončelo LaMus Quartet string quartet was established in 2006 by leading members of the State Philharmonia orchestra of Košice. It performs successfully both in Slovakia and abroad. Its repertoire consists of works of classical music by renowned world composers: Mozart, Beethoven, Haydn, Dvořák, Borodin, Glazunov, Brahms, Tchaikovsky..., and works by Slovak composers Podprodský, Breiner At present the quartet has the following composition: Maroš Potokár 1st violin, Zuzana Oráčová 2nd violin, Peter Olejár viola, Taťana Čisáriková cello 10 )
11 State Philharmonia of Košice The State Philharmonia in Košice was established in 1968 as the second professional symphonic orchestra of concert type in Slovakia. The first concert by the newly established body was held in April 1969 under the leadership of the chief conductor Bystrik Režuch. Within a short time it gained recognition from experts and the public and became one of the leading representatives of Slovak performing art at home and abroad. At present, the orchestra has almost 90 professional musicians. It has achieved many successes on concert platforms in Europe, North America and Asia. It has performed at international music festivals and important cultural centres: Vienna, Salzburg, Berlin, Budapest, Prague, Antwerp, Lisbon, Barcelona, Athens, Reims, Hong-Kong, Luxembourg, New York... In 1994 it completed a month-long tour of the USA, where it was the first Slovak symphony orchestra to perform on the American continent. Musica Cassovia Toto hudobné zoskupenie sa sformovalo v roku 1998 pod názvom Komorný orchester členov Štátnej filharmónie Košice. V roku 2009 zmenilo názov na Komorný orchester Musica Cassovia. Tvoria ho poprední profesionálni hudobníci pôsobiaci v Štátnej filharmónii Košice. Orchester zaznamenal výrazné úspechy nielen na Slovensku, ale aj na zahraničných pódiách Južná Kórea, Mexiko, Poľsko, Maďarsko a inde Jeho repertoár siaha od diel barokových autorov až po hudbu dneška. Musica Cassovia popri iných prestížnych prehliadkach účinkovala na medzinárodnom festivale komornej hudby Convergencie, a tiež na festivale ISCM New music days V pracuje pod vedením koncertného majstra a zároveň umeleckého vedúceho Karola Petrócziho. The Chamber Orchestra Musica Cassovia Apart from active concert performances, the State Philharmonia of Košice presents its art by means of recordings for radio, television and gramophone companies (160 CDs). Its recordings for the companies Naxos and Marco Polo often represent unique first recordings of works, for example by L. Spohra, J. Raffa, A. Rubinstein, W. Furtwängler, E. Waldteufel and F. von Suppé. The orchestra has cooperated with many world famous artists, including Igor Oistrach, Gidon Kremer, Giora Feidman, Ivan Moravec, Josef Suk, Luciano Pavarotti, Plácido Domingo, Dietrich Fischer-Dieskau, Sergej Kopčák, Peter Mikuláš, Peter Dvorský, Viktor Fedotov, Valerij Gergiev, Emin Chačaturjan, Natan Rachlin, Thomas Sanderling, Alexander Rahbari, Tadeusz Strugala, Jiří Bělohlávek, Libor Pešek, Václav Smetáček, Ľudovít Rajter, Ladislav Slovák, Ondrej Lenárd, Antoni Wit and others. The repertoire of the orchestra includes all frequent works from the Baroque to the music of the 21st century. The State Philharmonia of Košice is the only orchestra in Slovakia that is the leading organizer of two international festivals: the Košice Musical Spring and the Ivan Sokol International Organ Festival. Since 2003 there has also been the Festival of Contemporary Art ARS NOVA CASSOVIAE. The chief conductor of the State Philharmonia of Košice is Zbyněk Müller. This music group was formed in 1998 under the name Chamber Orchestra of the State Philharmonia in Košice. Its name was changed to the Chamber Orchestra, Musica Cassovia in The orchestra has been very successful not only in Slovakia, but also on foreign concert platforms in South Korea, Mexico, Poland, Hungary and elsewhere. Its repertoire extends from Baroque to present-day music. Musica Cassovia has performed at prestigious events including the Convergence International Festival of Chamber Musicand the festival ISCM New music days It works under the leadership of the concert master and artistic chief Karol Petróczi. ( 11
12 Bohó Alexander Obrancov mieru 6, Detva, , Nedokončený záznam / Unfinished record akryl / acrylic, x 140 cm Uhel Jaroslav Za mlynom 3 Palúdzka, Liptovský Mikuláš, , juhel@pobox.sk 12 ) Nokturno / Nocturno olej akryl / oil acrylic, x 150 cm
13 Drahoš Alojz Virtuóz / Virtuoso liaty bronz / cast bronze, 2012 v. 90 cm Lozornianska 25, Zohor, , alojz.drahos@fedu.uniba.sk Stępień Bernadetta I love Debussy akryl / acrylic, x 100 cm Krakowska 220, Zabierzow, bernastepien@tlen.pl ( 13
14 Goliaš Andrej Štúrova 6, Bratislava, 02/ , Ária / Aria kombinácia techník / combination of techniques 2010 v. 55 cm Bartko Ondrej Tónina / Tonina kombinácia techník combination of techniques x 40 cm Ladislava Dérera 4, Bratislava 14 )
15 Turoň Július Grave kombinácia techník combination of techniques x 60 cm Romanova 33, Bratislava, Kollárik Stanislav Mozartov vesmírny priestor II. Mozart s cosmic space II. akryl / acrylic 100 x 120 cm Čmelíkova 7, Bratislava, , stanokollarik@centrum.sk ( 15
16 Galková Anna Harmónia / Harmony I., II., akryl / acrylic, 2005, 80 x 80 cm Dulovo námestie 8, Bratislava, 02/ Galko Anton Harmónia planéty I. III. / Harmony of the planet I-III kombinácia techník / combination of techniques, x 125 cm Dulovo námestie 8, Bratislava, 02/ )
17 Huňady Ján Prienik tónov / Intersection of tones akryl / acrylic, x 100 cm Budín 973, Veľké Zálužie, , info@design-atelier.sk Nittnausová Elena Spomienka na more / A memory at sea olej / oil, x 80 cm Za humnami 51, Nitra, , elenitt@pobox.sk ( 17
18 Meško Ján Soblahovská 1, Trenčín, , Telo kraja / Body of the region akryl / acrylic, x 84 cm Rončáková Božena Partizánska , Považská Bystrica, , atelier@roncakova.sk 18 ) Winterland kombinovaná technika / combined technique x 200 cm
19 Smutný Ján Dotyk hudby / The touch of music pastel / pastel, x 50 cm Dúbravy 349, Detva, , jjjsmutný@gmail.com Šubjaková Kristína P. O. Hviezdoslava 2, Martin, , subjakova@martin.sk Debussyho múza II. Debussy s muse II. olej / oil, x 50 cm ( 19
20 Chabadová Marta Palackého 20, Bratislava, 02/ , More - zatišie / The sea still-life olej na plátne / oil on canvas, x 70 cm Rudavský Miroslav Korytnická 35, Bratislava, , rudavsky@keramika-rudavsky.sk 20 ) Dotyky múz Touches of the muses olej / oil, x 270 cm
21 Rapoš Ľubomír Kľúče / Keys kombinácia techník Combination of techniques x 70 cm Podhorská 25, Modra, 033/ , Semanco Emil Divertimento koláž / collage, x 48 cm Strahradská 2, Bratislava, , esemanco@centrum.sk ( 21
22 Fulierová Květoslava BHS II. Dalibor Karvay kombinácia techník Combination of techniques x 64 cm Bazovského 3, Bratislava, 02/ , Rapoš Bohuslav Pieseň krásy / Song of beauty foto / photo, x 50 cm Hontianska 2, Bratislava, , raposphoto@aol.com 22 )
23 Dzurek Martin Melódia mysle Melody of thought bronz / bronze x 30 cm Moyzesova 2/a, Modra, , martindzurek@gmail.com Kolčák Peter Okno do neznáma Window into the unknown bronz / bronze, x 60 cm Sihelné 129, Sihelné, ( 23
24 Drugda Marian Opus variabil / variable, 2012 v. 70 cm Jurigovo nám. 9, Bratislava, , marian.drugda@zoznam.sk Švikruha Jozef Claude Debussy - Sirénes olej / oil, x 50 cm Saratovská 2, Trenčín, , trebichavskydrobny@gmail.com 24 )
25 Blašková Jana Hrušková 31, Bratislava, Hudobná harmónia Musical harmony keramický reliéf ceramic relief x 35 cm Veselá Hana La mer La mer (the sea) akryl / acrylic, x 104 cm SNP 1, Holíč, , hvesela@centrum.sk ( 25
26 Hodasová Emília Komárnická 36, Bratislava, , Una corda art protis a paličkovaná čipka art protis and bobbin lace, x 90 cm Veľ ká Jarmila Blumentálska 7, Bratislava, ) Na dne ticha At the bottom of silence olej / oil, x 90 cm
27 Porubčin Jozef Pri klavíri / At the piano olej / oil, x 45 cm Nedbalova 19, Bratislava Žitňanová Táňa Malá mesačná sonáta A little moonlight sonata olej / oil, x 30 cm Pri Suchom mlyne 54, Bratislava, tatianazitnanova@gmail.com ( 27
28 Salanciová Miloslava Doležalova 23, Nitra, , Réflexion Reflection pastel / pastel, x 50 cm Verešová Gabriela Hliny 1282/105, Považská Bystrica, , art@gabrielaveresova.sk 28 ) Hudba sfér Music of the spheres tapiséria-artex / tapestry-artex x 160 cm
29 Kalický Eduard Hladina / Surface kombinácia techník / combination of techniques, x 120 cm Krížna 23, Stupava, , eduardo.atelie@gmail.com Cvacho Igor Ružová 30, Žilina, , icvacho@stonline.sk V labyrinte tónov / In the labyrinth of tones kombinovaná hĺkotlačová a digitálna tlač / combined intaglio and digital printing, x 235 cm ( 29
30 Smolák Andrej Ružová dolina 11, Bratislava, , Melodia noci / Melody of the night olej / oil, x 40 cm Vida Marián Eisnerova 6, Bratislava, , marianvida@gmail.com 30 ) Počiatok symfónie Beginning of a symphony kombinácia techník combination of techniques x 180 cm
31 Malá hudba neskorého popoludnia A little music for the late afternoon olej / oil, x 60 cm Kolčáková Běla Červeňova 10, Bratislava, 02/ , belakolcakova@chello.sk Plešková Jurisová Zlatica Lýra / Lyre keramika a komb. mat. ceramic and combined materials x 50 cm Považské Podhradie 19, Považská Bystrica, , pleskovaazj@pobox.sk ( 31
32 Jendek Stanislav Plamenná hudba / Flame music foto / photo, x 70 cm Zigmundíkova 16, Pezinok, , stano@renesans.sk Záhorský Marek SNP 2342/80, Trebišov, , marekmahorsky@azet.sk Nadšenie / Enthusiasm olej / oil, x 65 cm 32 )
33 Černý Ladislav Objatie / Embrace polychrómovaná sádra / painted plaster, x 80 cm Družstevná 50, Ivanka pri Dunaji, , cerny@ibankanet.sk Bubán Štefan Eugen Suchoň Aká si mi krásna... Eugen Suchoň How beautiful you are to me... olej / oil, x 130 cm Šafárikova 11, Trebišov, 056/ , ( 33
34 Baláž Štefan Dušan Vodná 5, Košice, , Publikum I. / The public I. akryl-olej / acrylic oil, x 79 cm Hrivňáková Soňa Dunajská 5, Nitra, , sona.hrivnakova@gmail.com 34 ) Rozhovor vetra s morom I. Dialogue of the wind with the sea I. olej / oil, x 50 cm
35 Kráľová Violeta Pifflova 6, Bratislava, , Nočný jazz l. Night jazz I. olej / oil, x 30 cm C. Debussy Fantázia pre klavír II. C. Debussy Fantasia for piano II. olej / oil, x 45 cm Petráš Alojz Nábrežie sv. Metoda 6, Prievidza ( 35
36 Nevřelová Palugyaová Otília Zelená 1, Bratislava, , Potopená katedrála / Submerged cathedral olej / oil, x 50 cm Polgáryová Katarína Jantárová 19, Chorvátsky Grob, , katarina.polgaryova@nku.gov.sk 36 ) C. Debussy Nocturno No 3 Sirénes C. Debussy Nocturno no. 3 Syrénes akryl / acrylic, x 50 cm
37 Bobovská Bošková Zuzana More podľa Debussyho II. The sea according to Debussy II. olej / oil, x 85 cm SNP 79, Trenčianske Teplice, , zuzabo7@gmail.com Hoffmanová-Chrenková Ľudmila Modrá rapsódia / Rhapsody in blue olej / oil, x 70 cm Hviezdoslavova 3, Ivanka pri Dunaji, 02/ , ( 37
38 Žitňan Marek Pri Suchom mlyne 54, Bratislava, Hudba / Music kombinácia techník / combination of techniques x 70 cm Horecký Zdeno Krížna 17/A, Bratislava, , zhorecky@gmail.com 38 ) Kompozícia na fúgy J. S. Bacha Composition on fugues of J.S. Bach kresba uhlíkom charcoal drawing x 200 cm
39 Vaculová Veronika Polopravdy / Half-truths objekt / object, x 35 x 10 cm Terézie Vansovej 2742, Trenčín, , v.vaculova@post.sk Orth Štefan J. Kráľa 728/5, Senica, , orths@stonline.sk Akordy / Accords olej / oil, x 100 cm ( 39
40 Prohácka Juraj Krištálová hudba / Crystal music olej / oil, x 60 cm Karadžičova45, Bratislava, , art-mineral@hotmail.com Skybová Kapušová Eliška Cementárska 165, Ladce, , e.skybova@gmail.com Hudobné štruktury I., II. Musical structures I., II. kombinácia techník combination of techniques x 60 cm 40 )
41 Cvengrošová Ľudmila Miletičova 51, Bratislava, 02/ Maria Callas polychrómovaná sádra painted plaster x 40 cm Hauskrecht František Vrančovičova 82, Bratislava, , haufo@gsoft.sk Koncert / Concert foto / photo, x 70 cm ( 41
42 Beca Vasiľ Divoča 3172, Užhorod, Hudobné impresie II. Musical impressions II. olej / oil, x 70 cm Poliak Marián Dlhá 48, Nitra, , maroshpo@gmail.com 42 ) Súznenie I. / Communion I. kombinácia techník combination of techniques x 70 cm
43 Paštrnáková Iva PAŠTRNÁKOVÁ Iva, Šancová 46, Bratislava, , Hudba pozemská Earthly music akryl / acrylic, x 70 cm Sonáta / Sonata pastel-akryl pastel acrylic x 100 cm Harangozó Stanislav Štúrova 6, Bratislava, , stanislav.harangozo@fedu.uniba.sk ( 43
44 Knap Miroslav SNP 526/22, Tvrdošín, , Zrkadlo duše / Mirror of the soul kombinácia techník combination of techniques x 70 cm Račko Martin Titogradská 9, Košice, , rackotino@gmail.com 44 ) Etuda v troch častiach / Etude in three parts akryl / acrylic, 2012, 3 x 120 x 80 cm
45 Pál Arpád Svokra / Mother-in-law drevo / wood, x 66 cm Dlhá 18, Banská Štiavnica, , arpadpal@arpadpal.sk Tvrdoň Milan Teplická 1, Bratislava, , milan.tvrdon@gmail.com Na javisku On the stage olej / oil, x 80 cm ( 45
46 Brezina Slavomír Dobrovičova 5, Bratislava, Akordy / Accords kombinácia techník / combination of techniques, x 70 cm Vranka Peter Račianska79, Bratislava, , pvranka@gmail.com 46 ) Čelo VI. / Cello VI. olej / oil, x 122 cm
47 Sika Pavol Leto v D-dur I., II., III. Summer in D major, I., II., III. kombinácia technik / combination of techniques x 80 cm Konopniská 620, Veľké Zálužie, , pavol.sika@centrum.sk Bobota Štefan Trnavská cesta 11, Bratislava, , bobota@centrum.sk Žltý balet Yellow ballet akryl / acrylic x 130 cm ( 47
48 Homolová Iveta Mýtna 1, Žilina, , C. Debussy Obrazy pre orchester C. Debussy Pictures for the orchestra plstenie / felt, x 50 cm Kováč Vladimír Mlynarovičova 10, Bratislava, , vlado48@azet.sk 48 ) Letné popoludnie A summer afternoon kombinácia techník combination of techniques x 90 cm
49 Bucher Miroslav Portrét zeme - Tri vety piesne / Portrait of the Earth three verses of song olej / oil, 2011, 120 x 210 cm Kukučínova 28, Lipany, 051/ , , buchermiro@gmail.com Motus Viktor Cyrila a Metoda 1310, Bánovce nad Bebravou, , vmotus@gmail.com Z ostrova radosti From the Island of Joy kombinácia techník combination of techniques x 70 cm ( 49
50 Füköová Mária Podhorského 3, Bratislava, 02/ , Faunovo popoludnie A faun s afternoon artex / artex, x 340 cm Prešnajder Marián Lazaretská 27, Bratislava, , m.presnajder@gmail.com 50 ) Images Claude Debussy olej / oil, x 530 cm
51 Spevy Atlantis Songs of Atlantic kombinácia techník combination of techniques x 140 cm Gwerková Melita Eisnerová 6, Bratislava, , melitagwerkova@gmail.com Kuchta Ján Rytmy, čiary, čísla Rhythms, lines, numbers akryl / acrylic, x 100 cm Šípková 47, Rožňava ( 51
52 Špeník Miron Dobrianskeho 11, Michalovce, Hudobný motív II. Musical motif II. olej / oil, x 70 cm Stano Milan Veselý husličkár A merry fiddler olej / oil, x 40 cm Martinská 48, Bratislava, , shs_koc@stonline.sk 52 )
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