The Beat Goes On! Music of the Baby Boomers

Transcription

1 Show Order - Not For Printed Program Title ACT Artist Baby Boomer Prelude Orchestra The Beat Goes On Stop, in the Name of Music! Women The Wonderful World of Television Medley Back to Bacharach Medley Theme from Love Story Jack at the Piano, Orch Valli & the Dolls Men + women at end INTERMISSION ACT TWO Symphonic Sounds of the Sixties Hits of the Tye-Dyed Decade Dr Zhivago The Beatles Medley Beach Boys encore: Fun, Fun, Fun /Surfin USA Orchestra Orchestra As of 4/1/11 1

2 Tech Rider Signed by Orchestra date Signed by ISS date Please return all of tech rider with the contract. A counter signed copy will be returned to you As of 4/1/11 2

3 The Beat Goes On! Music of the Baby Boomers Cast List for the Printed Program Conducted by Jack Everly - Starring - Heath Calvert Joe Cassidy Roy Chicas Farah Alvin N Kenge Simpson-Hoffman Kristine Reese ***Casting is subject to change, please confirm cast with Brandy Rodgers As of 4/1/11 3

4 CONTACT NUMBERS Ty Johnson Executive Producer Brandy Rodgers Production Manager/ Company Manager C F brodgers@indianapolissymphony.org Peter Throm Booking Agent (office) (mobile) (fax) peterthrom@comcast.net Michael Runyan ISO / SPC Librarian technical and performance related questions should be directed to Brandy Rodgers As of 4/1/11 4

5 Show Order - Not For Printed Program Title ACT Artist Baby Boomer Prelude Orchestra The Beat Goes On Stop, in the Name of Music! Women The Wonderful World of Television Medley Back to Bacharach Medley Theme from Love Story Jack at the Piano, Orch Valli & the Dolls Men + women at end INTERMISSION ACT TWO Symphonic Sounds of the Sixties Hits of the Tye-Dyed Decade Dr Zhivago The Beatles Medley Beach Boys encore: Fun, Fun, Fun /Surfin USA Orchestra Orchestra As of 4/1/11 5

6 Show Order For the Printed Program Arr. Everly Sonny Bono / arr. Barker Arr. Barker / Orch. Barton Arr. Jack Everly Burt Bacharach / arr. Barker Francis Lai / arr. Everly Arr. Barker / Orch. Barton Baby Boomer Prelude The Beat Goes On Stop! In the Name of Music The Wonderful World of Television Back to Bacharach Theme from Love Story Valli & the Dolls INTERMISSION Arr. Everly Arr. Barker Maurice Jarre / arr. Bill Holcombe Lennon & McCartney / arr. Barker Symphonic Sounds of the Sixties Hits of the Tye-Dyed Decade Lara s Theme from Dr. Zhivago The Beatles Medley As of 4/1/11 6

7 P.R., MARKETING, AND PROGRAM CREDIT The SPC must be credited in the program. To be printed somewhere in the Program Pages: Not to be listed on the title page (can be listed at the end of bios) Co-Produced along with Symphonic Pops Consortium The Symphonic Pops Consortium mission is to conceive, create and produce high quality, innovative, symphonic Pops concerts by uniting a group of symphony orchestras and combining their resources. The Symphonic Pops Consortium is comprised of the Indianapolis (managing partner), Detroit, Milwaukee, National, and Seattle Symphony Orchestras. Music Director: Producer: Stage Direction / Special Material: Arr. / Orchestration: Additional Orchestration: Lighting Design / Stage Management: Jack Everly Ty A. Johnson David Levy Jack Everly, Wayne Barker Fred Barton Brandy Rodgers As of 4/1/11 7

8 Bios & Pictures for Programs Please contact Brandy Rodgers for updated bios and Headshots. Bios will be available within 6 months of the concert dates. Bios and headshots can be distributed by CD or as Word documents and tif / jpeg image files. P.R. Images are included on a CD that will be sent with the fully executed, countersigned contract. As of 4/1/11 8

9 The Beat Goes On! 3 Flutes ( 2 nd & 3rd double Piccolo) 2 Oboes (3 = Eng. Horn only) 3 Clarinets (3 rd double Bass Clarinet) 2 Bassoons INSTRUMENTATION Sax 1 Alto & Tenor (one player who doubles) Sax 2 Alto & Tenor (one player who doubles) Sax 3 Tenor & Baritone Sax (one player who doubles) 4 Horns 3 Trumpets 3 Trombones 1 Tuba Timpani Trap Set *** 3 Percussion Harp 1 Keyboard Piano / Synth Electric& Acoustic guitar, Banjo, Mandolin (one player) Fender Bass Guitar & upright rhythm bass (one player on this instrument exclusively Strings ( minimum) Please see stage layout for details *** Trap Set Player can be supplied by SPC (at Orchestra s expense). Please inquire a.s.a.p. The more notice, the better chance of availability. Please give special consideration to utilizing the trap set player that already knows and can travel with the show. ** Sound / Engineer Mixer can be supplied by SPC (at Orchestra s expense). This concert contains seven (7) very complex medleys. One music rental As of 4/1/11 9

10 LOCAL NEEDS To be provided by the Local Producing Orchestra Four 24 to 28 stools (Black or Wood) STRATOCASTER ELECTRIC GUITAR LOCAL RENTAL BLACK & WHITE ELECTRIC GUITAR WITH ¼ INCH JACK AND WIRELESS MIC PACK PLAYED BY ONE OF THE SINGERS 3 GUITAR STANDS WIRELESS MIC FOR AN AMPLIFIED ACOUSTIC GUITAR ¼ JACK (GUITAR IS SUPPLIED BY ARTIST) PLEASE NOTE LOCATION OF 4 KEY RHYTHM MUSICIANS ON STAGE LAYOUT PAGE - 1) PIANO, 2) TRAP SET, 3) ELEC & ACCUSTIC GUITARS, 4) ELEC AND UPRIGHT BASS 12 GRAND PIANO IS PREFERRED, BUT A 7 FOOT GRAND IS ACCEPTABLE FOR USE, IF NECESSARY FOR STAGE SPACE. THE SYNTH NEEDS TO HAVE A VERY GOOD CELESTE SOUND AS THERE IS NO SPACE FOR A REAL CELESTE ON STAGE. Roundtrip shipment (FedEx or UPS with insurance) of music, costumes, and prop boxes. SPC staff will supply address labels and values of contents. The cost of the shipment, and insurance for these packages, is the responsibility of the local orchestra. Please see stage layout for orchestra set up details. Two wardrobe dressers are needed for: 5 hours steaming and ironing prep each performance starting 1 1/2 hours prior to curtain As of 4/1/11 10

11 Stage Layout: See the schematic for details especially concerning orchestra set up of down stage space is needed for the Vocalists. No special floor treatments (marley, etc) are needed. An off stage TV monitor in needed SR for off stage vocals There is an optional stage décor that needs a 2 x 6 space up stage center or in the corners for lights and fabric. Cast Needs: Six dressing rooms plus 1 for the conductor are requested. Dressing rooms will be discussed (knowing that some halls do not have large facilities) with tech personnel. Final dressing room assignments will be determined on-site. Depending on the location of dressing rooms, a quick change booth on stage may be needed stage right. It will need a clothes rack, mirror, music stand for jewelry, running lights. An iron, ironing board, and steamer are needed at all venues. Two wardrobe people are needed to prep the show (iron & steaming) for a 5 hour call. The concert requires 1 to 2 wardrobe staff as run crew and the call is 11/2 hours prior to curtain. A minimum of fourteen 1 liter bottles of water are needed for each rehearsal and performance. Towels are always appreciated. Off stage TV monitor or an unobstructed view of the Conductor is needed on Stage right for off stage vocals. As of 4/1/11 11

12 SPACE NEEDS AND STAGE LAYOUT BELOW IS A ROUGH SKETCH INDICATING THE PLACEMENT OF MICS, LIGHTING SPECIALS, AND STAGE ARRANGEMENT. PLACEMENTS WILL VARY FROM HALL TO HALL. THE DOWN STAGE SPACE NEEDS TO BE BETWEEN 8 TO 10 DEEP. NO SPECIAL FLOOR TREATMENTS (MARLEY, ETC) ARE NEEDED. PLEASE NOTE LOCATION OF 4 KEY RHYTHM MUSICIANS ON STAGE LAYOUT PAGE - 1) PIANO, 2) TRAP SET, 3) ELEC & ACCUSTIC GUITARS, 4) ELEC AND UPRIGHT BASS 12 GRAND PIANO IS PREFERRED, BUT A 7 GRAND IS ACCEPTABLE FOR USE, IF NECESSARY FOR STAGE SPACE. THE SYNTH NEEDS TO HAVE A VERY GOOD CELESTE SOUND AS THERE IS NO SPACE FOR A REAL CELESTE ON STAGE. Strings horns Drum Brass Woodwinds kit Saxes Acoustic H guitar Elec Bass ~~Piano~~ BU H Strings ORCHESTRA CONDUCTOR ORCHESTRA ^ 6 SPECIALS TO 10 SR SPECIAL CENTER SL SPECIAL top LIGHT SPECIAL top LIGHT TOP LIGHT V DOWN STG EDGE ¼ POINT C ¼ POINT As of 4/1/11 12 L audience SYMBOL KEY: CL = CENTER LINE BU= back up mic WIRELSS HAND HELD, H = CONDUCTOR S HOT SPOT MONITOR SMALL W/ VOLUME CONTROL AT PODIUM & PIANO

13 LIGHTING REQUESTS THE LIST BELOW IS A WISH LIST. WE CAN WORK WITHIN EXISTING SYSTEMS AND BUDGETS WHEN NECESSARY. FOR THE ORCHESTRA STAND LIGHTS - controlled by light board if possible 1 FULL STAGE NO COLOR WASH 3 FULL STAGE COLOR WASHES BLUE (R79 OR 80), RED (R26 ), LT PINK (R34), 1 LIGHT PINK (R 337) FRONT COLOR WASH FOR BOWS FOR THE CONDUCTOR 2 TOP LIGHTS (R55) (from up stage of conductor podium) 2 units 2 FRONT LIGHT IN A LIGHT PINK COLOR (R337) FOR THE DOWN STAGE AREA 3 SIDE LIGHT WASHES (OVERHEAD OR FROM BOX BOOMS) 3 lights per color, per side, if possible BLUE (R68), MAGENTA (R46), PINK (R34), 1 GOBO WASH ( MIN. 4-6 INSTRUMENTS, 2-3 FROM EACH SIDE - L202 AND BREAKUP) 2 FRONT LIGHT WASHES, CONTROLLED IN 5 AREAS SL, MSL, CENT, MSR, SR - A PINK ( R337) & A BLUE (R68) 2 BACK LIGHT OR TOP LIGHT WASHES BLUE(R80), AMBER(R30) (CONTROL AMBER WASH IN 3 CIRCUITS SL, CENTER, SR) 3 TOP LIGHT SPECIALS 1. SL, 2. CENT, 3. SR (R55) 6 TOP OR STEEP FRONT SPECIALS AT: 2, 8, 12 ON SL & SR 1 TOP LIGHT SPECIAL ON ELECTRIC BASS 2 TOP LIGHT SPECIALS ON PIANO 4 CIRCUITS FOR PEACE SIGN (OPT L) WALL WASHES IF POSSIBLE COLOR WASHES ON THE SHELL WALLS OR ON A BACKDROP IS DESIRED, RED, BLUE, AMBER 2 FOLLOW SPOTS WITH A SOFT EDGE AND A SOFT PINK (R337) AND A COSMETIC GREEN (R3316) COLORS. As of 4/1/11 13

14 SOUND REQUIREMENTS Orchestra must provide: Vocal mics: Seven (7) professional grade wireless body pack transmitters with receivers (Shure UHF-R/Sennheiser/Audio Technica, etc.) Antennae combiner and remote antennas preferred. Also need six (6) head set microphones (colors detailed below), with windscreens, and one (1) lav to be worn on shirt (black) to plug into the above mentioned body packs (Countryman E6 medium or low sensitivity/dpa 4066, 4088/Sennheiser HSP4, etc.) 1. Heath Calvert (beige) 2. Joe Cassidy (beige) 3. Roy Chicas (beige) 4. Julie Reiber (beige) 5. N Kenge Simpson-Hoffman (African American please use brown mic) 6. Shelley Thomas (beige) 7.. Jack Everly, Conductor (wears black lav on shirt) One (1) professional grade wireless handheld microphones with receivers (Shure UHF-R/Sennheiser/Audio Technica, etc.) with Shure Beta 87A capsule, or comparable. 8. Spare (to be placed SL of podium, on mic stand) WIRELESS MIC PACK- AMPLIFIED ACOUSIC GUITAR W/ A BUILT IN ¼ WIRELESS MIC PICK UP) (SPC provides guitar played by singer) RENTAL OF STRATOCASTER GUITAR & WIRELESS MIC PACK (PLAYED BY SINGER) BLACK & WHITE IS PREFERED COLOR, BUT NOT REQUIRED CD Player (located at piano) must be able to play single track and must playback immediately when the play button is pushed. 1 HOT SPOT monitor for the conductor to hear the vocals 1 HOT SPOT monitor for the piano 3 MONITOR MIXES 1) CONDUCTOR VOCALS 2) PIANO MONITOR VOCALS & CELLO 2) SPC SUPPLIED IN EAR MONITOR Joe Cassidy his voice, Electric guitar, and orchestra mix compression is needed for all singers. There is a huge variance in dynamic range from one song to the next Piano hi and lo One person plays electric bass and upright acoustic bass One person plays electric and acoustic guitar, banjo, and mandolin Drum kit mics Cello mic The orchestra mics listed above are needed for monitor mix As of 4/1/11 14

15 SOUND REQUIREMENTS continued Orchestra monitors: USE MONITORS AS PER YOUR STANDARD POPS SET UP Orchestra mics: USE MICS AS PER YOUR STANDARD POPS SET UP batteries need to be supplied by orchestra and must be replaced prior to every rehearsal and performance, including 9 volt batteries for the in-ear monitor equipment supplied by SPC. As of 4/1/11 15

16 SPC The Beat Goes On! RETURN CONTACT SHEET PLEASE FAX TO: ATTN: BRANDY RODGERS Name of Orchestra Phone # Fax # General Administrative Contact: Contact for technical information: Phone Operations Manager: Librarian: Where music should be shipped to: Rehearsal & Performance Information Date Time Location Rehearsal / Performance When does house open: Name of Hall Phone number for tickets: Hotel Information Hotel Name: Distance / time to theatre Hotel Address: Hotel Phone #: Fax: Travel time from Airport to Hall / Hotel As of 4/1/11 16