SCREEN ACTORS GUILD AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS

Transcription

1 SCREEN ACTORS GUILD AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS September 5, Extension Agreement to 2003 SAG Commercials Contract and the 2003 AFTRA Television and Radio Recorded Commercials Contracts DEAR AFTRA and SAG MEMBERS: On August 26, the Joint SAG/AFTRA National Board of Directors voted by a majority of nearly 95% to recommend a two year Extension Agreement of the 2003 SAG Commercials Contract and the 2003 AFTRA Television and Radio Recorded Commercials Contracts which would be expanded to cover all commercials, made for, or exhibited on New Media. Here s What We Gained In this Two Year Extension Agreement: FOR THE FIRST TIME IN THE HISTORY OF COMMERCIALS, ALL ACTORS WILL BE CLEARLY COVERED UNDER A UNION CONTRACT FOR THEIR WORK IN NEW MEDIA. THE TERM NEW MEDIA IS INTENDED TO BE ALL INCLUSIVE OF DIGITAL, ELECTRONIC OR ANY OTHER TYPE OF DELIVERY PLATFORM, WHETHER NOW KNOWN (PODCAST, MOBILE PHONES, MP3 PLAYERS, ETC.) OR UNKNOWN Previously, jurisdiction of New Media was not clearly set out in the contracts. ALL WAGE MINIMUMS INCREASE 6% ON OCTOBER 30, 2006, INCLUDING CLASS A, CABLE, WILD SPOT, BACKGROUND PERFORMERS AND SPANISH LANGUAGE Class A rates will increase for the first time since COMMERCIALS MADE DIRECTLY FOR NEW MEDIA Session, editing rights, and exclusivity shall be bargained freely as separate categories as they currently are with commercials made directly for the Internet. COMMERCIALS MADE FOR BROADCAST THAT ARE MOVED OVER TO INTERNET AND/OR NEW MEDIA New 8 week cycle paid at not less than the applicable session fee any additional use beyond the 8 week cycle requires payment above and beyond the present contract. Editing rights shall be bargained freely as a separate category.

2 THE CONTRIBUTION RATE TO THE SAG PENSION PLAN AND THE AFTRA HEALTH AND RETIREMENT FUND INCREASES BY 0.5% TO 14.8% AS OF OCTOBER 30, 2006 For the Screen Actors Guild, the increase will be fully dedicated to the SAG Pension Plan. AFTRA s 0.5% rate increase will be allocated as the Health & Retirement Fund Trustees deem necessary. Why Extend the Contracts? The two year extension: Brings stability and continued continuity, as well as substantial increases, while at the same time allowing for a study of the exploding growth of New Media now recognized by the Industry as under the unions jurisdiction Allows added time to refine our positions throughout the contract to ensure that we maximize our wages and working conditions to the fullest Opportunity to mount a campaign to build support around our negotiating priorities We will build on these achievements in full negotiations in the fall of 2008 with a clearer understanding of the impact which rapid technological changes will have on our contracts. WE URGE YOU TO VOTE YES TO APPROVE THIS TWO YEAR CONTRACT EXTENSION. THE JOINT AFTRA/SAG NATIONAL BOARD Alan Rosenberg SAG President John Connolly AFTRA President Peter Frank SAG Interim National Executive Director Kim Roberts Hedgpeth AFTRA National Executive Director 2

3 INFORMATIONAL MEETINGS Currently paid-up members of SAG and/or AFTRA may attend informational meetings held in these cities prior to the voting deadline. You must present a paid-up SAG OR AFTRA membership card for admission. Plan to attend the informational meeting in your area. Please note that a meeting was held in Los Angeles on August 24, Please call your SAG Branch or AFTRA Local office for more information if they do not have a meeting listed below. NEW YORK September 12, 5:30 PM 7:30 PM EDT Park Central Hotel 870 Seventh Ave. (Between 55 th and 56 th Streets) New York, NY CHICAGO September 11, 6 PM 8 PM CDT Kaufherr Members Resource Center One E. Erie # 660 Chicago, IL Refreshments served at 5 PM SAN FRANCISCO September 14, 1 PM 3 PM PDT AFTRA/SAG 350 Sansome Street, Suite 900 San Francisco, CA WASHINGTON/BALTIMORE September 8, 2 PM 4 PM EDT Chevy Chase Holiday Inn 5520 Wisconsin Ave., N.W. Chevy Chase, MD 3

4 SUMMARY OF CHANGES TO THE 2003 SCREEN ACTORS GUILD COMMERCIALS CONTRACT AND THE 2003 AFTRA TELEVISION RECORDED COMMERCIALS CONTRACTS 1. TERM AND EFFECTIVE DATE This contract shall be for a 2-year term commencing October 30, 2006 and continuing to and including October 29, 2008, and shall continue in effect thereafter until terminated by either party by 60 days notice in writing to the other. 2. JURISDICTION The term Commercials also includes short advertising messages intended for showing on New Media as that term is defined in Paragraph 6 of this document. 3. MINIMUM COMPENSATION; FEES PER COMMERCIAL; SESSION FEES A 6% increase in all compensation [including Spanish Language Commercials (Schedule C, SAG and Schedule D, AFTRA) and Extra Performers (Schedule D, SAG and Schedule C, AFTRA)] effective October 30, 2006 (see attached charts). 4. CONTRIBUTIONS TO SAG PENSION AND HEALTH PLANS AND AFTRA HEALTH AND RETIREMENT FUNDS Contributions to the SAG Pension and Health Plans and the AFTRA Health and Retirement Funds shall increase by one-half of one percent (.5%). For the Screen Actors Guild, the increase shall be fully dedicated to the SAG Pension Plan. 5. INTERNET USE A. Internet Use of Commercials Made for Initial Use on Either Broadcast Television, Cable or New Media 1. In addition to the provisions of the contract as set forth in Section 36A (Internet Use of Commercials Made for Initial Use on Broadcast Television) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract and Section 26 (Editing) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract, if the Producer wishes to obtain extended or unlimited editing rights for Internet use, then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the unions nor the Producers will promulgate minimum rates for extended or unlimited editing rights for the Internet. B. Commercials Made Initially for Use on the Internet 1. In order to provide for fair negotiation for the editing of commercials produced under this section, Producer shall make every effort to fully inform performers, at the time of audition and hire, the anticipated number of commercials, and the anticipated use, e.g., websites, etc. 4

5 6. NEW MEDIA The performer s Standard Employment Contract shall note the number of commercials produced. In addition to the provisions of the contract as set forth in Section 36B (Commercials Made for Initial Use On the Internet) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract and Section 26 (Editing) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract, if the Producer wishes to obtain extended or unlimited editing rights for Internet use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the unions nor the Producers will promulgate minimum rates for the extended or unlimited editing rights for the Internet. This section applies to all commercials made for or designed for exhibition on New Media, defined as digital, electronic, or any other type of delivery platform including, but not limited to, commercials delivered via podcasts, mobile phones, and other digital and electronic media. The term New Media is intended to be all inclusive of digital, electronic or any other type of delivery platform, whether now known or unknown. The term New Media does not apply to commercials on television or the Internet covered by Section 36 (Internet Use of Commercials Made for Initial Use on Broadcast Television) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract. A. New Media Use of Commercials Made for Initial Use on Either Broadcast Television, Cable or the Internet In order to provide for fair negotiation for the use of commercials produced under this section, Producer shall make every effort to fully inform performers, at the time of negotiation for New Media use, the anticipated number of commercials, and the anticipated platforms for such use, e.g., commercials exhibited in mobisodes or via cell phones, etc. The performer s Standard Employment Contract shall note the number of commercials produced. The terms and conditions of Section 36A (Internet Use of Commercials Made for Initial Use on Broadcast Television) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract and Section 26 (Editing) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract shall apply to the New Media use of commercials made for initial use on either broadcast television, cable or the Internet. If the Producer wishes to obtain extended or unlimited editing rights for New Media use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the unions nor the Producers will promulgate minimum rates for the extended or unlimited editing rights for New Media. 5

6 B. Commercials Made Initially for Use in New Media In order to provide for fair negotiation for the use of commercials produced under this section, Producer shall make every effort to fully inform performers, at the time of audition and hire, the anticipated number of commercials, and the anticipated platforms for such use, e.g., mobisodes, cell phones, etc. The performer s Standard Employment Contract shall note the number of commercials produced. In addition to the provisions of the contract as set forth in Section 36B (Commercials Made for Initial Use On the Internet as modified to reflect New Media) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract and Section 26 (Editing) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract, if the Producer wishes to obtain extended or unlimited editing rights for New Media use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the unions nor the Producers will promulgate minimum rates for the extended or unlimited editing rights for New Media. 7. COMMERCIALS MADE INITIALLY FOR USE ON THE INTERNET OR IN NEW MEDIA Producer may bargain freely at any time for use and editing rights for commercials made for initial use on the Internet or in New Media. If, however, the Producer bargains only for Internet rights or New Media rights (but not both) and subsequently wishes to obtain rights for the other platform, then the provisions of the contract as set forth in Section 36A (Internet Use of Commercials Made for Initial Use on Broadcast Television) of the SAG Commercials Contract and the AFTRA Television Recorded Commercials Contract shall apply. 8. NEW MEDIA COMMITTEE The parties will set up a bilateral committee which will consider unforeseen situations pertaining to the production and use of commercials for New Media, and the applications of new technology to existing media campaigns (e.g., Visible World). These unforeseen situations will be reviewed on a case-by-case basis and the bilateral committee will, in good faith, and operating on a unit vote basis, reach prompt decisions on these applications. The unions will seek from the Joint Board the authority for such committee to make prompt decisions on rulings and the issuance of waivers, but in no event later than one week following submission by the JPC. The JPC agrees to make every effort to consolidate requests for rulings and waivers of a similar type into a single request. 9. MONITORING The parties agree to use their best efforts to conclude negotiations with Nielsen and thereafter rapidly complete their pilot program regarding monitoring and to assess, in good faith, the on-going steps to be taken as a result of the pilot program. 10. CONSULTANT The three consultants initially identified by the unions and the JPC will be interviewed in a joint meeting to determine whether or not one single consultant can be agreed upon by both parties. If not possible, each party will select one consultant who will be instructed to work together to produce a single uniform study in an unbiased manner. If at any time the two consultants cannot agree on some point or approach in the study, they are encouraged to meet collectively with both parties to express their objections. If it is determined that the consultants cannot work together, each consultant will 6

7 continue work on the study to produce separate independent reports. Funding will be provided for by the various available fund sources currently existing and the JPC will not independently be required to make any contributions therefor. 11. WAIVER ALLOWING 8-WEEK USE CYCLE IN INTERNET AND/OR NEW MEDIA The Joint National Board of SAG and AFTRA shall grant a one-year waiver of the television and radio Commercials Contracts to allow producers, subject to consent of the performer, the right to move broadcast and cable commercials over to the Internet and/or to New Media for an 8-week cycle of use for which the performer will be compensated in the amount of not less than the applicable session fee for use on the Internet and or New Media. In the event of use beyond the initial 8-week period, the performer shall be paid not less than 300% of the applicable session fee for one additional year of use and a further 300% of the applicable session fee if the total period of use exceeds 14 months. This final one-year period of use will be limited by any applicable Maximum Period of Use limitations. This waiver may be renewed by the Joint Board, at its discretion, or by a committee authorized with such authority by the Joint Board. The Presidents of each union will actively support and promote the two-year extension agreement. Except as modified herein, all terms and conditions shall be those of the 2003 SAG Commercials Contract and the 2003 AFTRA Television Recorded Commercials Contract. 7

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9 Number of Subscribers LOCAL CABLE AGREEMENT On a System or Combination ON CAMERA OFF CAMERA of Systems (Interconnect) Group Group from to Principal 3 to 5 6 to 8 9 or More Principal 3 to 5 6 to 8 9 or More 1 50,000 $25.05 $19.60 $16.90 $13.75 $17.10 $7.00 $5.40 $ , ,000 $50.30 $39.15 $33.75 $27.50 $34.40 $13.90 $10.85 $ , ,000 $75.35 $58.85 $50.65 $41.25 $51.55 $20.85 $16.30 $ , ,000 $ $78.40 $67.50 $55.05 $68.80 $28.00 $21.75 $ , ,000 $ $97.95 $84.40 $68.80 $85.95 $34.80 $27.25 $ , ,000 $ $ $ $ $ $69.55 $54.40 $ , ,000 $ $ $ $ $ $ $81.60 $ ,001 1,000,000 $ $ $ $ $ $ $ $

10 2006 RADIO COMMERCIALS EXTENSION SUMMARY OF CHANGES TO THE 2003 AFTRA RADIO RECORDED COMMERCIALS CONTRACT 1. TERM AND EFFECTIVE DATE This contract shall be for a 2-year term commencing October 30, 2006 and continuing to, and including October 29, 2008, and shall continue in effect thereafter until terminated by either party by 60 days notice in writing to the other. 2. JURISDICTION Amend the Contract to provide for recognition and coverage of commercials made for or designed for use in New Media, defined as digital, electronic, or any other type of delivery platform including, but not limited to, commercials delivered via podcasts, mobile phones, and other digital and electronic media. The term New Media is intended to be all inclusive of digital, electronic or any other type of delivery platform, whether now known or unknown. The term New Media does not apply to commercials on radio or the Internet, covered by Section 16. Internet. 3. MINIMUM COMPENSATION; FEES PER COMMERCIAL; SESSION FEES Increase all compensation 6% effective October 30, CONTRIBUTIONS TO AFTRA HEALTH AND RETIREMENT FUNDS Contributions to the AFTRA Health and Retirement Funds shall increase by one-half of one percent (.5%) to 14.8% effective October 30, INTERNET USE A. Internet Use of Commercials Made for Initial Use on Either Broadcast Radio or New Media In addition to the provisions of the contract as set forth in Section 16.A (Internet Use of Commercials Made for Initial Use on Broadcast Radio) and Section 23 (Editing and Dubbing) of the 2003 AFTRA Radio Recorded Commercials Contract, if the Producer wishes to obtain extended or unlimited editing rights for Internet use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the union nor the Producers will promulgate minimum rates. 10

11 B. Commercials Made Initially for Use on the Internet In order to provide for fair negotiation for the editing of commercials produced under this section, Producer shall make every effort to fully inform performers, at the time of audition and hire, the anticipated number of commercials, and the anticipated use, e.g., websites, etc. The performer s Standard Employment Contract shall note the number of commercials produced. In addition to the provisions of the contract as set forth in Section 16.B (Commercials Made for Initial Use On the Internet) and Section 23 (Editing and Dubbing) of the 2003 AFTRA Radio Recorded Commercials Contract, if the Producer wishes to obtain extended or unlimited editing rights for Internet use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the union nor the Producers will promulgate minimum rates. 6. NEW MEDIA This section applies to all commercials made for or designed in New Media, as defined in paragraph 2 hereof. A. New Media Use of Commercials Made for Initial Use on Either Broadcast Radio or the Internet In order to provide for fair negotiation for the use of commercials produced under this section, Producer shall make every effort to fully inform performers, at the time of negotiation for New Media use, the anticipated number of commercials, and the anticipated platforms for such use, e.g., commercials in mobisodes, commercials delivered via cell phones, etc. The performers Standard Employment Contract shall note the number of commercials produced. The terms and conditions of Section 16.A (Internet Use of Commercials Made for Initial Use on Broadcast Radio) and Section 23 (Editing and Dubbing) of the 2003 AFTRA Radio Recorded Commercials Contract, shall apply to the New Media use of commercials made for initial use on either broadcast radio or the Internet. If the Producer wishes to obtain extended or unlimited editing rights for Internet use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the union nor the Producers will promulgate minimum rates. B. Commercials Made Initially for Use in New Media In order to provide for fair negotiation for the use of commercials produced under this section, Producer shall make every effort to fully inform performers, at the time of audition 11

12 and hire, the anticipated number of commercials, and the anticipated platforms for such use, e.g., commercials in mobisodes, commercials delivered via cell phones, etc. The performer s Standard Employment Contract shall note the number of commercials produced. In addition to the provisions of the contract as set forth in Section 16.B (Commercials Made for Initial Use On the Internet) and Section 23 (Editing and Dubbing) of the 2003 AFTRA Radio Recorded Commercials Contract, if the Producer wishes to obtain extended or unlimited editing rights for new media use then the Producer shall bargain freely with performer and shall pay performer compensation in such amount as shall be agreed by direct bargaining with the performer or the performer s agent. Neither the union nor the Producers will promulgate minimum rates. 7. COMMERCIALS MADE FOR INITIAL USE ON THE INTERNET OR IN NEW MEDIA Producer may bargain freely at any time for use and editing rights for commercials made for initial use on the Internet or in New Media. If, however, the Producer bargains only for Internet rights or New Media rights (but not both) and subsequently wishes to obtain rights for the other platform, then the provision of the contract as set forth in Section 16.A of the 2003 AFTRA Radio Recorded Commercials Contract (Internet Use of Commercials Made For Initial Use on Broadcast Radio) shall apply. 8. NEW MEDIA COMMITTEE The parties will set up a bilateral committee which will consider unforeseen situations pertaining to the production and use of commercials for New Media, and the applications of new technology to existing media campaigns (e.g., Visible World). These unforeseen situations will be reviewed on a case-by-case basis and the bilateral committee will, in good faith, and operating on a unit vote basis, reach prompt decisions on these applications. The unions will seek from the Joint Board the authority for such committee to make prompt decisions on rulings and the issuance of waivers, but in no event later than one week following submission by the JPC. The JPC agrees to make every effort to consolidate requests for rulings and waivers of a similar type into a single request. 9. MONITORING The parties agree to use their best efforts to conclude negotiations with Nielsen and thereafter rapidly complete their pilot program regarding monitoring and to assess in good faith the ongoing steps to be taken as a result of the pilot program. 10. CONSULTANT The three consultants initially identified by the unions and the JPC will be interviewed in a joint meeting to determine whether or not both parties can agree upon one single consultant. 12

13 If not possible, each party will select one consultant who will be instructed to work together to produce a single uniform study in an unbiased manner. If at any time the two consultants cannot agree on some point or approach in the study, they are encouraged to meet collectively with both parties to express their objections. If it is determined that the consultants cannot work together, each consultant will continue work on the study to produce separate independent reports. Funding will be provided for by the various available fund sources currently existing and the JPC will not independently be required to make any contributions therefor. 11. WAIVER ALLOWING 8-WEEK USE CYCLE IN INTERNET AND/OR NEW MEDIA The Joint National Board of SAG and AFTRA shall grant a one-year waiver of the AFTRA Recorded Commercials Contract to allow producers, subject to consent of the performer, the right to move broadcast commercials over to the Internet and/or to New Media for an 8-week cycle of use for which the performer will be compensated in the amount of not less than the applicable session fee for use on the Internet and or New Media. In the event of use beyond the initial 8- week period, the performer shall be paid not less than 300% of the applicable session fee for one additional year of use and a further 300% of the applicable session fee if the total period of use exceeds 14 months. This final one-year period of use will be limited by any applicable Maximum Period of Use limitations. This waiver may be renewed by the Joint Board, at its discretion, or by a committee authorized with such authority by the Joint Board. The President of AFTRA will actively support and promote the two-year extension agreements. Except as modified herein, all terms and conditions of the 2003 AFTRA Radio Recorded Commercials Contract shall remain unchanged. 13

14 Extension to the AFTRA Radio Recorded Commercials Contract Schedule of Minimum Fees PARAGRAPH 6. MINIMUM COMPENSATION - "SESSION FEES" 6.B Actor, Announcer, Solo, Duo $ Group Singer/Speaker G PARAGRAPH 9. WILD SPOTS 13 WEEK USE RATES A. Actors, Announcers, Solos, Duos 1. LINEUP OF CITIES NOT INCLUDING NY, CHI OR LA 1 Unit Units, add per unit and each unit thereafter, add per unit LINEUP OF CITIES INCLUDING ONE OR MORE "MAJOR" CITY B. Group Singers New York City alone $ Chicago or Los Angeles alone Any 2 of the above alone All 3 of the above alone Additional Units, add per unit LINEUP OF CITIES NOT INCLUDING NY, CHI OR LA Unit $ $ $ Units, add per unit units, add per unit and each unit thereafter, add per unit LINEUP OF CITIES INCLUDING ONE OR MORE "MAJOR" CITY Any 1 Major Alone $ $ $ Units, add per unit and each unit thereafter, add per unit

15 Any 2 Majors Alone $ $ $ Units, add per unit and each unit thereafter, add per unit Any 3 Majors Alone $ $ $ Units, add per unit and each unit thereafter, add per unit PARAGRAPH 10. WILD SPOTS 8 WEEK USE RATES A. Base Fee (i.e. 1 unit, no "Majors") Actor, Announcer, Solo, Duo $ Group Singer/Speaker B. Fees for use categories beyond the base fees above Actors/Announcers/Solos/Duos Group Singers All 80% of 13 week use fee 95% of 13 week use fee PARAGRAPH 12. DEALER COMMERCIALS Actor, Announcer $ Solo, Duo Group Singers Sound Effects Performers PARAGRAPH 13. NETWORK PROGRAM COMMERCIALS One (1) Week's Use: Four (4) Weeks' Use: Actor, Announcer, Solo, Duo $ Group Singers Actor, Announcer, Solo, Duo $ Group Singers

16 Eight (8) Weeks' Use: Thirteen (13) Weeks' Use: Actor, Announcer, Solo, Duo $1, Group Singers Actor, Announcer, Solo, Duo $1, Group Singers 3-5 1, Thirteen (13) Weeks' Limited Use: 26 Uses 39 Uses Actor, Announcer, Solo, Duo $ Group Singers Actor, Announcer, Solo, Duo $1, Group Singers Thirteen (13) Weeks' Use On Across-The-Board Programs: Actor, Announcer, Solo, Duo $1, Group Singers 3-5 1, PARAGRAPH 14. REGIONAL NETWORK PROGRAM COMMERCIALS Thirteen (13) Weeks' Use: Actor, Announcer, Solo, Duo $ Singing Groups: In cities including 1, 2 or all of the 3 Major Cities In cities excluding the 3 Major Cities PARAGRAPH 15. LOCAL PROGRAM USES All Performers $

17 PARAGRAPH 17. SINGLE MARKET COMMERCIALS Actor, Announcer Only (covers 1 st 13-week cycle) (60 Minute Session, per commercial) $ Each add l 13-week cycle One year's pre-paid use Singers Only (5 commercials): Solo, Duo Group Singers Additional 26 weeks' use beyond first year: Solo, Duo Group Singers PARAGRAPH 18. DEMOS COPY TESTS NON-AIR COMMERCIALS PARAGRAPH 20. FOREIGN USE Actor, Announcer $ Add l ¼-hour Solo/Duo (up to 4 commercials) Add l ½-hour or commercial Group Singers Add l ½-hour or commercial Actor, Announcer, Solo, Duo $ Group Singer/Speaker PARAGRAPH 21. CONTRACTOR FOR GROUP SINGERS When 3-8 singers are employed $85.65 When 9 or more singers are employed

18 PARAGRAPH 22. SOUND EFFECTS PERFORMERS A. Minimum Fee for 1 st hour $ Each hour beyond the 1 st hour Paid in ½-hour segments C. Dealer/Sessions D. Use fees Program or program and wild spot Wild spot only Dealer commercials E. TV use PARAGRAPH 23. EDITING AND DUBBING Tags $ Tags Local identifiable contact numbers: Tags Tags Tags PARAGRAPH 24. AUDITIONS A. Auditions in excess of 1 hour - paid in ½-hour units $26.85 B. 3rd and subsequent calls, 1st hour Additional audition time, paid in ½-hour units PARAGRAPH 26. AD-LIB OR CREATIVE SESSION CALLS Minimum fee for first hour $ Additional half hour units PARAGRAPH 32. SINGERS 32.A.3 Session Fee: Solo/Duo who multi-track $ PARAGRAPH 66. PUBLIC SERVICE ANNOUNCEMENTS Actor, Announcer $ Solos, Duos Group Singers Health and Retirement Contribution: 14.8% 18

19 AFTRA/SAG OFFICES Arizona (SAG) Atlanta (AFTRA/SAG) Boston (AFTRA/SAG) Chicago (AFTRA/SAG) Cincinnati/Columbus/Dayton/ Indianapolis/Louisville (AFTRA) Cleveland (AFTRA) Dallas/Fort Worth (AFTRA) Dallas (SAG) Denver (AFTRA) Denver (SAG) Detroit (AFTRA) Detroit (SAG) Florida (SAG) *Central Florida (SAG) Hawaii (AFTRA) Hawaii (SAG) Hollywood (SAG) Houston (AFTRA) Houston (SAG) Kansas City (AFTRA) Los Angeles (AFTRA) Miami (AFTRA) Minneapolis/St. Paul (AFTRA) Nashville (AFTRA) Nashville (SAG) Nevada (SAG) New Mexico (SAG) New Orleans (AFTRA) New York (AFTRA) New York (SAG) Philadelphia (AFTRA) Philadelphia (SAG) Phoenix (AFTRA) Pittsburgh (AFTRA) Portland (AFTRA) Portland (SAG) San Diego (AFTRA) San Diego (SAG) San Francisco (AFTRA/SAG) Seattle (AFTRA) Seattle (SAG) St. Louis (AFTRA) Utah (SAG) Washington/Baltimore (AFTRA/SAG)