Technical Rider - Le Sacre du Printemps

Transcription

1 Technical Rider - Le Sacre du Printemps Interactive 3D Performance by Klaus Obermaier KLAUS OBERMAIER, concept, artistic direction and choreography ARS ELECTRONICA FUTURELAB, interactive design and technical development SARAH GRETHER, dance ALOIS HUMMER, sound design WOLFGANG FRIEDINGER, lighting design A production of Brucknerhaus Linz and Ars Electronica Future Lab Management: Karsten Witt Musik Management/Shaksfin Asia

2 Artistic Director: Klaus Obermaier (Vienna, Austria) AD Dancer: Programmers: Sarah Grether (Berlin, Germany) Ars Electronica Futurelab Programming and set up Claus Zweythurm (Linz, Austria) Matthias Bauer (Linz, Austria) Christine Sugrue (New York, USA) D PR Lighting Engineer: Audio Engineer: Wolfgang Friedinger (Linz, Austria) Alois Hummer (Linz, Austria) AE LM Project Management: Karsten Witt Musik Mangement PM PRODUCTION PERSONNEL 2

3 Stage platform (Dimensions: See drawings page 7) 5 x 5m (exactly) or 4,5 x 4,5m (exactly) x 0.3 or 0.4 mht Absolutely plain, without any bumps; stable and fixed, if built with separate segments Stage surface covered with NEW, MATT and BLACK HARLE- QUIN CASCADE dance floor * and taped with Advance AT7 PVC Electrical Insulation Tape BS EN 60454, 0050mm Black * If the promoter is note able to provide a black Harlquin Cascade dance floor, a sample of the alternative dance floor will have to be sent to Klaus Obermaier for approval. Thick black VELVET cover (spotless, deep black and light absorbing) Stage back walls (Dimensions: See drawings page 7) Width: 4,5m (if platform is 5 x 5m) or 4,4 m (if platform is 4,5 x 4,5m) Height: 4,3 m (from dance floor level) 2 sets, set up as L-shaped Thick black VELVET cover (spotless, deep black and light absorbing) Self-standing with truss system or bracing DANCE STAGE Position of dance stage and screen & DANCER The screen must be exactly aligned with the back-wall of the dance stage (see picture no. 1) if the dance stage is placed on stage, next to the orchestra. Mounting the spotlights (profiles) around stage platform Spotlights mounted either on 5m length box truss with pipe or on individual stands (see picture 2 + 3) Clamps provision for fixing profile spots on truss Mounting the two tracking cameras around stage platform Individual height-adjustable stands for tracking cameras must be provided by the Promoter. Pipes for cameras 1 pipe to mount upper stereo-cam: approx 5.8m length with fixer to be set diagonal above stage platform (optionally replaced by hanging structure) see drawing page 7 and picture no. 4 Dance stage to be cleaned regularly before rehearsals Large dressing room and training studio for dancer (backstage) Well temperate training room (24 C) with dance floor of minimum size 5 x 5m, 1 Yoga mat and audio system with CD player. Available from arrival until strike 3

4 2 Projectors Please send t he exact pr oduct specif icat ions t o t he pr o- duct ion m anag er duly in advance! 2 projectors (Christies or similar quality) with at least 20 k Ansi Lumens / Resolution 1920 x 1080 (or more) Our Recommendation: Pr oj ect or com pany Pr oj ect ionist : XL Video Malcom Mellows Tel: Ma lcolm. m ellows@ xl vid eo. com Total Production Robert Fender Tel r ob@t ot alproduction. co.uk XL Video is a global player with offices around the world (UK, Ger many, France, BeNeLux, USA) Lamps of all projectors to be of same usage duration 2 linear passive-stereo polarization filters,45, made of glass, ca. 21x21cm AV EQUIPMENT & PROJECTORS 3D screen Magic arms or other suitable construction for positioning the filters in front of the projector lenses, see photos. Table or platform for projectors to set on Silver projection screen, e.g. Super by Tüchler ( Truss / framing (invisible: screen wrapped around frame, see pictures 5-7) Size depending on venue properties Ratio aspect of 1:2.133 Hanging system Screen position: The screen must be exactly aligned with the back-wall of the dance stage (see picture no. 1) Control Area Total space needed approx 6m x 4m or 7m x 2m To be with the light and sound control boards Table of size 2.1m width x 0.75m x 0.75mht Cables and signals Delivery of 2 VGA signals with 1400 x 1050 resolution for 3D projection, 1 small color video monitor (ca. 12, flat screen) with composite in (BNC) at dance stage (see picture 3), 8 BNC cables from control desk to dance stage 4

5 In-house system Small PA-System with two speakers for rehearsal purpose without orchestra. Please note that no amplification for the orchestra is needed! Digital sound mixer with "ADAT - MY16-AT" interface card, either A) Yamaha DM1000 B) Yamaha DM2000 C) Yamaha LS9 Microphones for selected orchestra instruments 1 stereo signal of the overall orchestra to mixing console 1 long microphone-multicore with stageboxe(s) from orchestra to mixing console 15 long microphone cables (from microphon to stagebox) 15 short XLR-patch cables (3 poles) Microphones (might be provided by the Sound Engineer) SOUND First violin (microphone: akg c411) First clarinet (microphone: akg c419) Timpani (microphone: ev re20) First trumpet (microphone: akg c409) Second trumpet (microphone: akg c409), or piccolo-trumpet First trombone (microphone: akg c409) First horn (microphone: akg c409) Please make sure in advance that the orchestra musicians are willing to put on the microphones to their instruments. The 1st violin gets a piezo microphone which must be attached to the instrument. The clarinet, trumpets, trombone and horn get microphones with clips. Separate Sound system for rehearsal without orchestra Main speaker, NEXO PS15 Full Range Speaker x 2 or equivalent Essential Amplifier Racks and Speaker In-house audio Mixer If available: CD player, Pioneer PD 206 or equivalent Wireless Microphone, SENNHEISER ew135 x 1 Accessories to install and connect Sound Control Area To be with the other control boards Table of size 1.80m width x 0.75m x 0.75mht (depending on size of mixer) Option of shared table with light control board 5

6 LIGHTING Lighting equipment see drawings p Lighting Control Board Profile spots x 12 units, ETC Source four 50, to be set around dance stage with LEE 201 Spotlights mounted either on 5m length box truss with pipe or on individual stands (see picture no. 2) Profile spots x 2 units, ETC Source four Zoom 25-50, to be set at top of dance stage backdrop, approx 3m above backdrop, with LEE 201 Additional profile spots from top left and right of hall to eliminate all shadows on the dancer, approx. 16 units, ETC Source four Zoom (no filters needed) Dimmable music stand lights (LED) for orchestra with covers to reduce light reflection Light Control Area Provided Lighting Board to be with the other control boards! Table of approx size 1.80m width x 0.75m x 0.75mht (depending on lighting board) Option of shared table with sound control board MANPOWER Technical Director of the venue Responsible technical staff of the venue: 1 light technician + light assistants 1 sound technician 1 stage manager + enough stage hands for the set-up in time according to the agreed schedule Skilled projectionist (to be provided be the projection company) SHIPPINGLIST Flight cases, 3 units Dimensions: 83 x 57 x 65, 1 unit 53 x 58 x 86, 2 units 294 kg total weight 6

7 DANCE STAGE, construction and measurements 7

8 DANCE STAGE, lighting 8

9 9

10 Perspective 10

11 Picture no. 1 Picture no. 2 11

12 Picture no. 3 Picture no. 4 12

13 Picture no. 5 Picture no. 6 13

14 Picture no. 7 14