TECHNICAL RIDER SUPERVISION

Transcription

1 TECHNICAL RIDER SUPERVISION

2 Input List Ch N Instrument Transducer Insert 1 Kick β52 / D 112 β91 (+ β52) Gate-Comp 2 Snare 1 Top SM 57 Gate-Comp 3 Snare 2 Top SM 57 Gate-Comp 4 Hi-Hat C 451B - 5 Tom 1 MD 421 / SM 57 Gate 6 Fl. Tom MD 421 / SM 57 Gate 7 OHSL C414 / A.T.PRO37R - 8 OHSR C414 / A.T.PRO37R - 9 Bass DI Comp 10 E-Guitar SM Keys DI - 12 Synthesizer DI - 13 Trombone SM 57 / Re Trumpet SM Vocal (Main) SM 58 Comp 16 Vocal (Bass) SM 58 Comp 17 Vocal (Keys) SM 58 (Wireless,provided by the Band) Comp 18 Vocal (Trombone) SM 58 Comp Supervision - Technical Rider - Page 1/7

3 Monitoring List Ch N Instrument Name IEM / WEDGE 1 VOX Andi WEDGE 2 Max 3 BASS Chris IEM / WEDGE will be decided on location IEM / WEDGE will be decided on location 4 KEYS Flo IEM 5 DRUMS Andi Sperl WEDGE 6 Matthias (Trumpet) Alex (Trombone) WEDGE Supervision - Technical Rider - Page 2/7

4 Monitoring Mix Base MIX 6 MIX 5 MIX 4 MIX 3 MIX 2 MIX 1 KEY VOX TROMBONE VOX KEYS BASS VOX BASS KICK SNARE HI HAT OH KEY + SYNTH BASS BASS VOX KICK KEYS + SYNTH DRUMS BACK VOCALS KEYS SYNTH DRUMS HI HAT KEY VOX INTRO CD KICK SNARE TOM 1+2 HI HAT + OH TROMBONE VOX KEY SYNTH BASS TROMBONE TRUMPET TROMBONE VOX BASS VOX KEY VOX Supervision - Technical Rider - Page 3/7

5 System and Performance Requirements Please pay close attention to this rider, as it is part of contract. It contains description of certain equipment requirements, audio requirements and working conditions, which are essential in order to assure a high quality of performance. If there are any terms or conditions in which you anticipate having trouble arranging please CONTACT the representative immediately. House System Console A minimum of 18+2 Stereo Returns (FX) input channels and 4 Sub-Groups (with Pan L-M- R) channels are preferred. Further minimum requirements are 3 aux sends (post EQ, post Fader), 6 aux sends (post EQ, pre Fader-for the Monitors) in case no Monitor Engineer / Console is available bands EQ on each Monitor channel and microphone/line inputs with PAD. (The absolute minumum are 16 input channels plus the two stereo returnes of the FX 1/2 and 2 aux sends (post EQ, post Fader), 4 aux sends (post EQ, pre Fader) ) House Processing Gear 1/3 Octave Equaliser in each output channel of the system 7 (4 minimum) Channels Compressor 5 (3 minimum) Channels Gate 1 programmable Effect/Multi Effect Delays (SPX 990, D-Two, SPX 2000, PCM 42) 1 programmable Multi Effect Processor (M3000, M-One, SPX 2000) 1 CD player Monitoring Speakers 5 full range wedge cabinets (like Nexo PS15/ D&B Max) and 1 Drumfill (with Bass extension, if possible) shall be provided on stage. Each one of the speakers must be capable of producing 120 db SPL at 1 m distance. Monitoring Outboard A 1/3 Octave Equaliser shall be inserted in each output channel. IN EAR Monitoring A IEM Rack with 3 Stereo Transmitters will be provided by the Band. Depending on the local situation some of the members of the band will be playing with IEM. The IEM system has XLR connectors. If the mixing desk has no XLR connectors on the aux send channels adapters musst be provided. The output mixing level should not be more than 0dB into the IEM transmitter to avoid clipping. Best performance is received when the level is close to or exact 0dB. House PA System The system should be capable of producing a full and even sound coverage of the complete audience. Miscellaneous Sound Equipment Microphones should be of the type as specified on the input-list or of same standard. All cables and connectors should be clean and in good working order. Supervision - Technical Rider - Page 4/7

6 Stage Power On stage we need 5-230V/6A A/C outlets with clean ground in order to power the backline. Fog / Hazer Fog or Hazer must not be on the stage right side as this will harm the performance of our brass section. Backdroptruss 1 Truss for our 4x3 m Backdrop should be available at the back of the stage. Technical Contact: Christian Reichinger reichi@bleedingstar.at Supervision - Technical Rider - Page 5/7

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