Communication 712 Advanced Historical/Critical Methods in Communication Research
|
|
- Eileen Young
- 5 years ago
- Views:
Transcription
1 Communication 712 Advanced Historical/Critical Methods in Communication Research Fall 2012 Instructor: Trevor Parry Giles; 2105 Skinner Building; ; National Communication Association, 1765 N St., NW, Washington, DC; ; tparrygiles@natcom.org. Meeting Time: Thursday, 3:30 6:30 pm; 3112F Skinner Building Office Hours: By appointment Objectives: COMM 712 begins with the premise, borrowed from teachers of rhetoric beginning with Isocrates, that the best way to learn rhetoric is through understanding the theory of rhetoric, imitating excellent models of rhetoric, and practicing skilled rhetoric on a regular basis. This seminar applies those same lessons to rhetorical criticism. One becomes a skilled rhetorical critic by understanding the theory of rhetorical analysis, by observing and modeling excellent models of rhetorical criticism, and by practicing rhetorical criticism on a regular basis. Textbooks: See course schedule for assigned readings. Course Schedule: Topic Readings Th 8/30 Course Introduction Th 9/6 Beginnings Hoyt H. Hudson, The Field of Rhetoric, Quarterly Journal of Speech Education 9 (1923): Martin J. Medhurst, The History of Public Address as an Academic Study, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Loren D. Reid, The Perils of Rhetorical Criticism, Quarterly Journal of Speech 30 (1944): Herbert A. Wichelns, The Literary Criticism of Oratory, in Studies of Rhetoric and Public Speaking in Honor of James Albert Winans, edited by A.M. Drummond. New York: Century Co., Special Section, What Constitutes Publishable Rhetorical Scholarship, Communication Studies 54 (2003):
2 Th 9/13 Th 9/20 Intent & Effects Oratory/Public Address Richard A. Cherwitz & John Theobald Osborne, Contemporary Developments in Rhetorical Criticism: A Consideration of the Effects of Rhetoric, in Speech Communication: Essays to Commemorate the 75 th Anniversary of the Speech Communication Association, edited by Gerald M. Phillips & Julia T. Wood (pp ). Carbondale: Southern Illinois University Press, James Jasinski & Jennifer R. Mercieca, Analyzing Constitutive Rhetorics, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Richard Leo Enos, Rhetorical Intent in Ancient Historiography: Herodotus and the Battle of Marathon, Communication Quarterly 24 (1976): Charlotte Jorgensen, The Relevance of Intention in Argument Evaluation, Argumentation 21 (2007): Mary E. Stuckey, Jimmy Carter, Human Rights, and Instrumental Effects of Presidential Rhetoric, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, J. Michael Hogan, Public Address and the Revival of American Civic Culture, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Robert D. King, Franklin D. Roosevelt s Second Inaugural Address: A Study in Text Authenticity, Quarterly Journal of Speech 23 (1937): Stephen E. Lucas, The Renaissance of American Public Address: Text and Context in Rhetorical Criticism, Quarterly Journal of Speech 74 (1988): Martin J. Medhurst, The Contemporary Study of Public Address: Renewal, Recovery, and Reconfiguration, Rhetoric & Public Address 4 (2001): David Zarefsky, Public Address Scholarship in the New Century, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Th 9/27 Text Leah Ceccarelli, Polysemy: Multiple Meanings in Rhetorical
3 Criticism, Quarterly Journal of Speech 84 (1998): Dilip Parameshwar Gaonkar, Object and Method in Rhetorical Criticism: From Wichelns to Leff and McGee, Western Journal of Speech Communication 54 (1990); Davis W. Houck, Textual Recovery, Textual Discovery, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Th 10/4 Th 10/11 Ideas Method Michael Leff, Textual Criticism: The Legacy of G.P. Mohrmann, Quarterly Journal of Speech 72 (1986): Michael Leff, Things Made by Words: Reflections on Textual Criticism, Quarterly Journal of Speech 78 (1992): Michael Leff & Andrew Sachs, Words the Most Like Things: Iconicity and the Rhetorical Text, Western Journal of Speech Communication 54 (1990): Michael Calvin McGee, Text, Context, and the Fragmentation of Contemporary Culture, Western Journal of Speech Communication 54 (1990): Joseph L. Blau, Public Address as Intellectual Revelation, Western Speech 21 (1957): Thomas Rosteck, Form and Cultural Context in Rhetorical Criticism: Re Reading Wrage, Quarterly Journal of Speech 84 (1998): Malcolm O. Sillars, Rhetoric as Act, Quarterly Journal of Speech 50 (1964): Ernest J. Wrage, Public Address: A Study in Social and Intellectual History, Quarterly Journal of Speech 33 (1947): A. Craig Baird & Lester Thonssen, Methodology in the Criticism of Public Address, Quarterly Journal of Speech 33 (1947): Karlyn Kohrs Campbell, Rhetorical Criticism 2009, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, 2010.
4 Donald C. Bryant, Some Problems of Scope and Method in Rhetorical Scholarship, Quarterly Journal of Speech 23 (1937): Marie Hochmuth, Kenneth Burke and the New Rhetoric, Quarterly Journal of Speech 38 (1952): Marie Hochmuth, Burkeian Criticism, Western Speech 21 (1957): James Jasinski, The Status of Theory and Method in Rhetorical Criticism, Western Journal of Communication 65 (2001): W. Charles Redding, Extrinsic and Intrinsic Criticism, Western Speech 21 (1957): Th 10/18 Th 10/25 No Class Richmond Theory Edwin Black, A Note on Theory and Practice in Rhetorical Criticism, Western Journal of Speech Communication 44 (1980): James Darsey, Must We All Be Rhetorical Theorists?: An Anti Democratic Inquiry, Western Journal of Communication 58 (1994): Roderick P. Hart, Doing Criticism My Way: A Reply to Darsey, Western Journal of Communication 58 (1994): Roderick P. Hart, The Wondering Imperative: Better Criticism through Science, A paper presented at the NCA Summer Conference on Teaching Rhetorical Criticism & Critical Inquiry, July 24, John M. Murphy, Theory and Public Address, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Christine Oravec, Where Theory and Criticism Meet: A Look at Contemporary Rhetorical Theory, Western Journal of Speech Communication 46 (1982): Th 11/1 History Barnet Baskerville, Must We All Be Rhetorical Critics? Quarterly Journal of Speech 63 (1977): Barbara A. Biesecker, Of Historicity, Rhetoric: The Archive as
5 Scene of Invention, Rhetoric & Public Affairs 9 (2006): Bruce E. Gronbeck, Rhetorical History and Rhetorical Criticism: A Distinction, Speech Teacher 24 (1975): Th 11/8 Th 11/15 Morality No Class NCA Robert G. Gunderson, Reflections on History and Rhetorical Criticism, Communication Education 35 (1986): Davis W. Houck, On or About June 1988, Rhetoric & Public Affairs 9 (2006): Charles W. Lomas, Rhetorical Criticism and Historical Perspective, Western Speech 32 (1968): Shawn J. Parry Giles, Archival Research and the American Presidency, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Douglas C. Bock, Axiology & Rhetorical Criticism: Some Dimensions of the Critical Judgment, Western Speech 37 (1973): Karlyn Kohrs Campbell, Conventional Wisdom Traditional Form : A Rejoinder, Quarterly Journal of Speech 58 (1972): Forbes Hill, Conventional Wisdom Traditional Form The President s Message of November 3, 1969, Quarterly Journal of Speech 58 (1972): Thomas A. Hollihan, Evidencing Moral Claims: The Activist Rhetorical Critic s First Task, Western Journal of Communication 58 (1994): James F. Klumpp & Thomas A. Hollihan, Rhetorical Criticism as Moral Action, Quarterly Journal of Speech 75 (1989): Thomas R. Nilsen, Criticism and Social Consequences, Quarterly Journal of Speech 42 (1956): Philip Wander and Steven Jenkins, Rhetoric, Society, and the Critical Response, Quarterly Journal of Speech 58 (1972):
6 Th 11/22 Th 11/29 Th 12/6 Th 12/13 No Class Thanksgiving Ideology Identity Final Exam Sharon Crowley, Reflections on an Argument that Won t Go Away: Or, a Turn of the Ideological Screw, Quarterly Journal of Speech 78 (1992): Anne Makus, Stuart Hall s Theory of Ideology: A Frame for Rhetorical Criticism, Western Journal of Speech Communication 54 (1990): Michael Calvin McGee, The Ideograph : A Link between Rhetoric and Ideology, Quarterly Journal of Speech 66 (1980): Lawrence Grossberg, Marxist Dialectics and Rhetorical Criticism, Quarterly Journal of Speech 65 (1979): Philip Wander, The Ideological Turn in Modern Criticism, Central States Speech Journal 34 (1983): Philip Wander, On Ideology: Second Thoughts, Western Journal of Communication 75 (2011): Edwin Black, The Second Persona, Quarterly Journal of Speech 56 (1970): Bonnie J. Dow, Feminism and Public Address Research, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, Charles E. Morris III, Pink Herring & the Fourth Persona: J. Edgar Hoover s Sex Crime Panic, Quarterly Journal of Speech 88 (2002): Philip Wander, The Third Persona: An Ideological Turn in Rhetorical Theory, Central States Speech Journal 35 (1984): Eric King Watts, The Problem of Race in Public Address Research, in The Handbook of Rhetoric & Public Address, edited by Shawn J. Parry Giles & J. Michael Hogan (pp ). London: Wiley Blackwell, 2010.
7 Course Assignments: I. Participation: A seminar is only successful because of the engaged involvement of the participants. As such, I expect that you will read the assigned materials for each class period and that you will be prepared to actively and interactively discuss the material in the seminar. We will potentially be dealing with controversial subjects disagreements may, and probably will arise. Heated exchange and spirited debate are good things to be embraced, not breaches of propriety to be avoided. However, there must be an atmosphere of respect and good will for the seminar to succeed. II. You are asked to select and present/summarize a critical exemplar that illustrates or exemplifies a specific critical construct. You should be prepared to guide the discussion in the seminar about your chosen critical exemplar. III. PARC Analysis: You are asked to prepare two PARC analyses (approximately 2,000 2,500 words) over the course of the semester. These will be brief, researched critical analyses of a single political advertisement. Your analyses will be posted to IV. Critical Essay: You are asked to prepare a developed, fully researched critical essay (approximately 8,500 10,000 words). Your criticism should, obviously, advance a critical argument and present a systemic and evaluative analysis of a chosen and well justified text(s). Ideally, your essay should be of publishable/convention presentation worthy. General Course Policies: Incompletes: As reprinted from the University Catalog: The mark of "I" (Incomplete) is an exceptional mark that is an instructor option. It is given only to a student, whose work in a course has been qualitatively satisfactory, when, because of illness or other circumstances beyond the student's control, he or she has been unable to complete some small portion of the work of the course. In no case will the mark "I" be recorded for a student who has not completed the major portion of the work of the course. Academic Dishonesty: As reprinted from the University Undergraduate Catalog: The University is an academic community. Its fundamental purpose is the pursuit of knowledge. Like all other communities, the University can function properly only if its members adhere to clearly established goals and values. Essential to the fundamental purpose of the University is the commitment to the principles of truth and academic honesty. Accordingly, The Code of Academic Integrity is designed to ensure that the principle of academic honesty is upheld. While all members of the University share this responsibility, The Code of Academic Integrity is designed so that special responsibility for upholding the principle of academic honesty lies with the students. Definitions of Academic Dishonesty: any of the following acts, when committed by a student, shall constitute academic dishonesty: Cheating: intentionally using or attempting to use unauthorized materials, information, or study aids in any academic exercise. Fabrication: intentional and unauthorized
8 falsification or invention of any information or citation in an academic exercise. Facilitating Academic Dishonesty: intentionally or knowingly helping or attempting to help another to violate any provision of this Code. Plagiarism: intentionally or knowingly representing the words or ideas of another as one's own in any academic exercise. Responsibility to Report Academic Dishonesty: Academic dishonesty is a corrosive force in the academic life of a university. It jeopardizes the quality of education and depreciates the genuine achievements of others. It is, without reservation, a responsibility of all members of the campus community to actively deter it. Apathy or acquiescence in the presence of academic dishonesty is not a neutral act. Histories of institutions demonstrate that a laissez faire response will reinforce, perpetuate, and enlarge the scope of such misconduct. Institutional reputations for academic dishonesty are regrettable aspects of modern education. These reputations become self fulfilling and grow, unless vigorously challenged by students and faculty alike. All members of the University community, students, faculty, and staff share the responsibility and authority to challenge and make known acts of apparent academic dishonesty. The University has a nationally recognized Honor Code, administered by the Student Honor Council. The Student Honor Council proposed and the University Senate approved an Honor Pledge. The University of Maryland Honor Pledge reads: I pledge on my honor that I have not given or received any unauthorized assistance on this assignment/examination. You will be asked to sign a statement to this effect on the final page of your exams. In addition, you will be asked to submit a written version of this pledge each time you submit an essay for evaluation. Students who fail to write and sign the Pledge will be asked to confer with the instructor. Classroom Atmosphere & Respect: As reprinted from the University Undergraduate Catalog: The University of Maryland values the diversity of its student body and is committed to providing a classroom atmosphere that encourages the equitable participation of all students. Patterns of interaction in the classroom between the faculty member and students and among the students themselves may inadvertently communicate preconceptions about student abilities based on age, disability, ethnicity, gender, national origin, race, religion, or sexual orientation. These patterns are due in part to the differences the students themselves bring to the classroom. Classroom instructors should be particularly sensitive to being equitable in the opportunities they provide students to answer questions in class, to contribute their own ideas, and to participate fully in projects in and outside of the classroom. Of equal importance to equity in the classroom is the need to attend to potential devaluation of students that can occur by reference to demeaning stereotypes of any group and/or overlooking the contributions of a particular group to the topic under discussion. Joking at the expense of any group creates an inhospitable environment and is inappropriate. Moreover, in providing evaluations of students, it is essential that instructors avoid distorting these evaluations with preconceived expectations about the intellectual capacities of any group. Sexual harassment of any kind (unwanted/unwelcome sexual comments; unwanted/unwelcome requests for sexual favors; the creation of a hostile educational environment) will not be tolerated.
9 Attendance: This class does not have an attendance policy largely because the University does not allow such policies and because I believe you are responsible for your own education. Should you choose not to attend class, then, you are responsible for the consequences of that choice.
OAKTON COMMUNITY COLLEGE INTRO TO WORLD MUSIC SYLLABUS
Intro to World Music Page 1 of 5 OAKTON COMMUNITY COLLEGE INTRO TO WORLD MUSIC SYLLABUS I. Course Course Course Credit Lecture Lab Prefix Number Name - 002 Introduction to World Music 3 3 0 M 2:00 4:30
More informationCOMMUNICATION 515 RHETORICAL CRITICISM Autumn 2009
COMMUNICATION 515 RHETORICAL CRITICISM Autumn 2009 Instructor: Leah Ceccarelli Class Meetings: Tuesdays and Thursdays, 1:30 p.m. - 3:20 p.m. Class Location: Communications Bldg. Room #321 Office Hours:
More informationAmerican Music (MUSI 1310) Spring, 2016 HCC Distance Education
American Music (MUSI 1310) 90100 Spring, 2016 HCC Distance Education An Investigation of the development and history of American Popular music from the 1840s to the present INSTRUCTOR: Dr. Aubrey Tucker
More informationUniversity of Florida Jazz Band Syllabus and Student Handbook (MUN 1710, MUN 3713 and MUN 6715 ) Fall Website:
University of Florida Jazz Band Syllabus and Student Handbook (MUN 1710, MUN 3713 and MUN 6715 ) Fall 2017 Website: www.ufjazz.com Instructor: Scott Wilson Class Meets: Tuesday and Thursday from 2pm to
More informationStephen F. Austin State University School of Music
Stephen F. Austin State University School of Music Course: MHL 245: INTRO TO MUSIC LITERATURE Time: TR 8:00 9:15 or 11:00-12:15 Semester: Fall, 2009 Credits: 3 Location: M160 Instructor: Dr. David Howard
More informationPerformance Dates on Jazz Band Website
Performance Dates on Jazz Band Website Performance Dates are listed on the Gator Jazz Band Website. Click the Critical Dates link in the top right hand corner of the website header. www.ufjazz.com Students
More informationTrombone Study at the University of Florida
Trombone Study at the University of Florida 2013-2014 MVB 1413, 2423, 3433, 4443, MVO 6460 Virtuosity is not a problem if you don t mind practicing. Frank R. Wilson, M.D. Dr. Arthur Jennings MUB 118 /
More informationUniversity of the Pacific Graduate Course Approval Form
University of the Pacific Graduate Course Approval Form Please fill in all information. After all required signatures are obtained on page two, send to Research and Graduate Studies, Knoles Hall, 2nd Floor.
More informationPOLS 3045: Humor and American Politics SPRING 2017, Dr. Baumgartner Meets Tues. & Thur., 9:30-10:45, in Brewster, D-202
POLS 3045: Humor and American Politics SPRING 2017, Dr. Baumgartner Meets Tues. & Thur., 9:30-10:45, in Brewster, D-202 Office Phone: Office: Email: 252.328.2843 Brewster A-114 jodyb@jodyb.net Office Hours:
More informationWestminster College School of Music Fall, 2018
Course Information Westminster College School of Music Fall, 2018 Title: Men s Chorus- MUS 423, 423(V), 523. Instructor: Dr. Don Schade Semester Credit Hours: 1 Location: School of Music Rm 51 Meeting
More informationUNIVERSITY OF CALIFORNIA PRESS ADVERTISING RATES & INFORMATION
UNIVERSITY OF CALIFORNIA PRESS ADVERTISING & INFORMATION BOOM: A JOURNAL OF CALIFORNIA Full page: 6 ¾ x 9 $ 660 Half page (horiz): 6 ¾ x 4 3 8 $ 465 4-Color, add per insertion: $500 full page, $250 ½ Cover
More informationTeaching Citations as a Multi-Functional Approach to Archives Instruction
Case Studies on Teaching with Primary Sources CASE #2 Teaching Citations as a Multi-Functional Approach to Archives Instruction AUTHORS Helen McManus Public Policy, Government, and International Affairs
More informationCourse Syllabus. Professor Contact Information. Office Location JO Office Hours T 10:00-11:30
Course Syllabus Course Information Course Number/Section ARHM 3342 001 Course Title Advance Interdisciplinary Study in the Arts and Humanities: The Idea of Interpretation Term Fall 2016 Days & Times TR
More informationIn order to enrich our experience of great works of philosophy and literature we will include, whenever feasible, speakers, films and music.
West Los Angeles College Philosophy 12 History of Greek Philosophy Fall 2015 Instructor Rick Mayock, Professor of Philosophy Required Texts There is no single text book for this class. All of the readings,
More informationMUSC 1313-PB3 MUSIC IN CONTEMPORARY LIFE SUMMER II, 2017
SYLLABUS MUSC 1313-PB3 MUSIC IN CONTEMPORARY LIFE SUMMER II, 2017 Instructor: Mr. Larry Jones Section # and CRN: PB3-31290 Office Location: Hobart Taylor, #2G267 Office Phone: 936-261-3319 Email Address:
More informationMUS Chamber Choir (TR 2-250) Spring 2014 COURSE SYLLABUS
MUS 183-001 Chamber Choir (TR 2-250) Spring 2014 COURSE SYLLABUS Instructor: Joe Hickman, D.Mus. (Professor of Music) CAB 1060 phone: 962-3588 e-mail: hickmanj@uncw.edu cell phone (emergencies): (910)
More informationEnglish 598: Rhetoric, Argument, and Writing. Fall 2017 Section A-01.
English 598: Rhetoric, Argument, and Writing. Fall 2017 Section A-01. Subject to Changes and Additions Contact Information josh.welsh@cwu.edu Office: L&L 408D Phone: 509-963-1549 There is another Josh
More informationAMERICA, PROSPERITY, DEPRESSION, AND WAR
Columbia University History W3649 Fall 1999 Alan Brinkley 622 Fayerweather ab65@columbia.edu AMERICA, 1918-1945 PROSPERITY, DEPRESSION, AND WAR This course examines one of the most turbulent periods of
More informationBooks The following books are required and are available at the Bookstore:
Religion 250 (HONORS) African American Religions Fall 2013 Mary Beth Mathews Trinkle B-36 Office Hours: Mondays 10-1, Tu 2-4, and gladly by appointment mmathews@umw.edu Campus: x1354 Course Description
More informationMUTH 5301: Dictation and Sight-Singing
MUTH 5301: Dictation and Sight-Singing Instructor: Jeannie Barrick Office: M 213 Office hours: 8-9, MWF, 9:30-10:30, TH, or by appointment E-mail: jeannie.l.barrick@ttu.edu Website: http:/courses.ttu.edu/musictheory
More informationHISTORY 3800 (The Historian s Craft), Spring :00 MWF, Haley 2196
HISTORY 3800 (The Historian s Craft), Spring 2008. 9:00 MWF, Haley 2196 Instructor: Dr. Kenneth Noe, 314 Thach. Telephone: 334.887.6626. E-mail: . Web address: www.auburn.edu/~noekenn.
More informationMUT 4366 JAZZ ARRANGING 2
MUT 4366 JAZZ ARRANGING 2 Fall 2018 Syllabus Course Meeting Time and Location: TBA. Class will meet a total of 3 hours a week and will be done in either 3 meetings or 2 meetings depending on the instructor
More informationWinter 2019 Department of English ENGL 5402W/ENGL 4115B. Class times: Wednesdays, 11:35 14:25 Location: 1816 Dunton Tower Instructor: Dr. J.H.C.
Winter 2019 Department of English ENGL 5402W/ENGL 4115B THE NATURE AND USES OF 18 th CENTURY BOOK SUBSCRIPTION LISTS Class times: Wednesdays, 11:35 14:25 Location: 1816 Dunton Tower Instructor: Dr. J.H.C.
More informationMUT 4366 JAZZ ARRANGING 2 (offered Spring)
MUT 4366 JAZZ ARRANGING 2 (offered Spring) Spring 2016 Syllabus Course Meeting Time and Location: TBA. Class will meet a total of 3 hours a week and will done in either 3 meetings or 2 meetings depending
More informationMusic 111 Music Appreciation I, 3 Units
Music 111 Music Appreciation I, 3 Units Associate Degree Applicable: General Studies, Music for Transfer, Local GE Plan, CSU GE Plan, IGETC, Arts & Humanities Transferable: UC, CSU, and most accredited
More informationHist Reformation Europe
Hist 3243 Reformation Europe Dr. Jennifer MacDonald Office: BAC 443 Office Hours: Tuesdays 2-4, Fridays 1:40-3:40 Email: je.macdonald@acadiau.ca Phone: (902) 585-1243 Course Description: Political, social
More informationAL 892: The Sublime and the Non-Representable Summer 2010, Michigan State University Dr. Christian Lotz
AL 892: The Sublime and the Non-Representable Summer 2010, Michigan State University Dr. Christian Lotz Tentative Schedule (last UPDATE: July 02, 2010) NUMBER DATE TOPIC READING PROTOCOL PRESENTATION ASSIGNMENTS
More informationUniversity of Florida School of Music Woodwind Skills 1 - Clarinet Section Course Syllabus
University of Florida School of Music Woodwind Skills 1 - Clarinet Section Course Syllabus Supervising Instructor: Prof. Mitchell Estrin Office: MUB 118 Office Phone: (352) 273-3177 Email: mestrin@ufl.edu
More informationPHIL 271 (02): Aesthetics and the Philosophy of Art
PHIL 271 (02): Aesthetics and the Philosophy of Art Time / Location: MWF 10:30 11:20 / BIOL 125 Instructor: William Buschert Office / Phone: McLean Hall 126 / (306) 966-6955 Office
More informationCUA. National Catholic School of Social Service Washington, DC Fax
CUA THE CATHOLIC UNIVERSITY OF AMERICA National Catholic School of Social Service Washington, DC 20064 202-319-5454 Fax 202-319-5093 SSS 930 Classical Social and Behavioral Science Theories (3 Credits)
More informationUniversity of Florida School of Music Woodwind Skills 1 - Clarinet Section Course Syllabus
University of Florida School of Music Woodwind Skills 1 - Clarinet Section Course Syllabus Supervising Instructor: Prof. Mitchell Estrin Office: MUB 305 Office Phone: (352) 273-3177 Email: mestrin@ufl.edu
More informationCOMPARATIVE RELIGION Religion 131 Spring 2017
COMPARATIVE RELIGION Religion 131 Spring 2017 Dr. Dan Capper Office: LAB 340 Office phone: 601-266-4522 Office hours: 10-11 MWF and 5:30-6:20 Tuesday Email: Daniel.Capper@usm.edu Catalog course description:
More informationSyllabus MUS 127-ETHN Discover Jazz Winter quarter 2018, UCSD Tue and Thu 11 am - 12:20 pm, CPMC 136
Syllabus MUS 127-ETHN 179 - Discover Jazz Winter quarter 2018, UCSD Tue and Thu 11 am - 12:20 pm, CPMC 136 Instructor: Kjell Nordeson Email: knordeso@ucsd.edu Office hours 1-2 pm, Tuesday and Thursday
More informationMUS Fall 2012 MWF 10 & 1, T TH 11 & 2 Online class
The History of Rock- MUS 140 501 Fall 2012 Instructor: Herbert Midgley Phone: 468-1197 or leave a message at 468-4602 Office: 310 A Fine Arts Building Email : hmidgley@sfasu.edu Webpage: www.herbertmidgley.com
More informationCOURSE APPROVAL DOCUMENT Southeast Missouri State University. Department: The Conservatory of Theatre and Dance Course No. TH 401
COURSE APPROVAL DOCUMENT Southeast Missouri State University Department: The Conservatory of Theatre and Dance Course No. TH 401 Title of Course: Private Voice for Musical Theatre III Date: 09/27/16 I.
More informationThe Thought of Antonio Gramsci
Geography 8400 Wednesday 2:15-5:15 PM Class # 32707 Derby Hall 1116 The Thought of Antonio Gramsci Aka Issues in Critical Human Geography Professor: Joel Wainwright Email: wainwright.11@osu.edu Office:
More informationMusic 111 Music Appreciation I, 3 Units
Music 111 Music Appreciation I, 3 Units Associate Degree Applicable: General Studies, Music for Transfer, Local GE Plan, CSU GE Plan, IGETC, Arts & Humanities Transferable: UC, CSU, and most accredited
More informationSan José State University School of Music and Dance MUSC 147A, Beginning Conducting, Fall 2014
San José State University School of Music and Dance MUSC 147A, Beginning Conducting, Fall 2014 Contact Information Instructor: Dr. Jeffrey Benson Office Location: Music 262 Telephone: (408) 924-4645 Email:
More informationCourse Description. Course objectives
POSC 278 Memory and Politics Winter 2015 Class Hours: MW: 11:10-12:20 and F: 12:00-1:00 Classroom: Willis 211 Professor: Mihaela Czobor-Lupp Office: Willis 418 Office Hours: MW: 3:15-5:15 or by appointment
More informationSan José State University School of Music and Dance MUSC 147C, Advanced Choral Conducting, Spring 2015
San José State University School of Music and Dance MUSC 147C, Advanced Choral Conducting, Spring 2015 Instructor: Office Location: Telephone: Email: Office Hours: Class Days/Time: Classroom: Prerequisites:
More informationCode of Practice on Freedom of Speech and Expression
Code of Practice on Freedom of Speech and Expression Document Status Author Head pf Governance Date of Origin Based on Eversheds Model and Guidance dated September 2015 Version Final Review requirements
More informationPLAGIARISM. SMARTHINKING: 24/7 online tutoring ACADEMIC HONESTY AT SAVANNAH STATE UNIVERSITY ON-CAMPUS WRITING RESOURCES
PLAGIARISM ACADEMIC HONESTY AT SAVANNAH STATE UNIVERSITY SMARTHINKING: 24/7 online tutoring ON-CAMPUS WRITING RESOURCES The Write Attitude Quality Enhancement Plan at Savannah State University qep.savannahstate.edu
More informationDRAFT (July 2018) Government 744 Foundations of Security Studies. Fall 2017 Wednesdays 7:20-10:00 PM Founders Hall 475
DRAFT (July 2018) Government 744 Foundations of Security Studies Fall 2017 Wednesdays 7:20-10:00 PM Founders Hall 475 Professor John Gordon Email: jgordon@rand.org Course description This course will provide
More informationWinthrop University Department of Theatre and Dance Fall Course Title: DANT 205 Music for Dance Credit Hours: 3
Winthrop University Department of Theatre and Dance Fall 2010 201080 Course Title: DANT 205 Music for Dance Credit Hours: 3 Time: Monday/Wednesday 11am 12:15 pm Location: 205 Johnson Hall & 235 Johnson
More informationCASPER COLLEGE COURSE SYLLABUS MUSC 1041:01 Music Theory II for Musical Theatre. Lecture Hours: 3 Lab Hours: 0 Credit Hours: 3
Semester/Year: Spring 2019 CASPER COLLEGE COURSE SYLLABUS MUSC 1041:01 Music Theory II for Musical Theatre Lecture Hours: 3 Lab Hours: 0 Credit Hours: 3 Class Time: 9:00 9:50 Days: MW Room: MUSC 106 8:00
More informationUniversity of Central Florida MUE ~ Women s Chorus Dr. Kelly A. Miller, Instructor
Miller 1 University of Central Florida MUE 3323-0001 ~ Women s Chorus Dr. Kelly A. Miller, Instructor Course Syllabus ~ Fall 2017 Time/Location Class meets on Tuesdays and Thursdays from 3:00-4:15 in PACM
More informationPolicy Statement on Academic Integrity and Plagiarism
Academic Integrity and Plagiarism 1 Policy Statement on Academic Integrity and Plagiarism For all courses in the Writing Program of the English Department at the University of Michigan-Flint including
More informationSongwriting Workshop: Swedish Pop Music Spring 2018 Credits: 3 Location: Stockholm Major Discipline: Music Faculty Member: Maria Carlsson
Songwriting Workshop: Swedish Pop Music Spring 2018 Credits: 3 Location: Stockholm Major Discipline: Music Faculty Member: Maria Carlsson Faculty Maria Carlsson, MA in Music, Royal College of Music, Stockholm,
More informationPOLI 300A: Ancient and Medieval Political Thought Fall 2018 Tuesday, Wednesday, Friday 9:30AM 10:20AM COR A229 Course Description Course Texts:
POLI 300A: Ancient and Medieval Political Thought Fall 2018 Tuesday, Wednesday, Friday 9:30AM 10:20AM COR A229 Matthew Law: law@uvic.ca Office Hours: Tuesday, 12:30PM 2:30PM (DTB A334), or by appointment.
More informationShort essays: There will be several short essays throughout the semester 10% of final grade.
HIST 200 The Historian s Craft: Methods and Approaches in the Study of History Saxe - Section 19049, Clough 300, 9-9:50 MWF E-mail - saxer@rhodes.edu; Phone 843-3249 Office Hours: 11-12, MF or by appointment
More informationInstructor: Office: Phone: Course Location/Website: Office Hours (in office, online or via phone): Teaching Assistant:
LIS5566 MULTICULTURAL LITERATURE AND INFORMATION RESOURCES FOR YOUTH SECTION(S) TERM 20XX, COURSE MEETING DAY/TIME, COURSE MEETING LOCATION MODE OF INSTRUCTION: Online Instructor: Email: Office: Phone:
More informationEnglish 2316: English Literature I
English 2316: English Literature I 9:25-10:40 TTh Irby 310 Fall 2011 Instructor: Jay Ruud Office: Irby 317I Phone: 450-3674 (or 450-5100 for secretary) Office Hours: 9:00-11:30 MWF; 2:30-4:30 TTh; or by
More information2. Readings that are available on the class ELMS website are designated ELMS. Assignments 10pts. each) 60% (300 pts.
ENGL 245: Film Form and Culture summer I 2012 Instructor: Oliver Gaycken Instructor office: Tawes 3223 Instructor email: ogaycken@umd.edu Description This course introduces you to the fundamentals of film
More informationMUSIC INTRODUCTION TO MUSIC THEORY COURSE OUTLINE Section #1240 Monday and Wednesday 8:30-11:00AM
MUSIC 200 - INTRODUCTION TO MUSIC THEORY COURSE OUTLINE Section #1240 Monday and Wednesday 8:30-11:00AM Instructor: Chauncey Maddren (telephone (818) 947-2774, email: maddrecm@lavc.edu) Office Hours: For
More informationSyllabus for MUS Music Appreciation 3 Credit Hours Spring 2016
Syllabus for MUS 300 - Music Appreciation 3 Credit Hours Spring 2016 I. COURSE DESCRIPTION A non-technical course aimed at increasing the enjoyment and appreciation of music by the listener with little
More informationMUSIC 111 -Learning How to Listen-
MUSIC 111 -Learning How to Listen- ROMEO_JAZZ HISTORY and DEVELOPMENT_CRN 72416_Spring 2018 COURSE INFORMATION Professor James J. Romeo C-109 / 388-2809 jjromeo.com jromeo@sdccd.edu San Diego Mesa College
More informationUniversity of Central Florida School of Performing Arts MUG 3104 Basic Conducting Fall 2015 Tuesdays/Thursdays 10:30-11:20 AM Rehearsal Hall
University of Central Florida School of Performing Arts MUG 3104 Basic Conducting Fall 2015 Tuesdays/Thursdays 10:30-11:20 AM Rehearsal Hall Dr. Scott Tobias Email: Scott.Tobias@ucf.edu Phone: (407) 823-3581
More informationMUSC 1313-P04 Music in Contemporary Life Spring 2016
SYLLABUS MUSC 33-P04 Music in Contemporary Life Spring 206 Instructor: Section # and CRN: Robert Clayton Sanders MUSC 33-P04 2333 Office Location: Office Phone: Email Address: Office Hours: Mode of Instruction:
More informationPELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS EAR TRAINING III MUS Class Hours: 1.0 Credit Hours: 1.0
PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS EAR TRAINING III MUS 2300 Class Hours: 1.0 Credit Hours: 1.0 Laboratory Hours: 1.0 Revised: Fall 2016 Catalog Course Description Development of skill
More informationSINGAPORE MANAGEMENT UNIVERSITY SCHOOL OF SOCIAL SCIENCES PHIL207 INTRODUCTION TO CLASSICAL CHINESE PHILOSOPHY
SINGAPORE MANAGEMENT UNIVERSITY SCHOOL OF SOCIAL SCIENCES PHIL207 INTRODUCTION TO CLASSICAL CHINESE PHILOSOPHY Instructor: Dr. Steven Burik Office: SOSS Level 4, room 4059 Tel No: 6828 0866 Email: stevenburik@smu.edu.sg
More informationENG 1131: Writing Through Media Ergodic Literature
Milligan 1 ENG 1131: Writing Through Media Ergodic Literature Section 1983 Instructor: Caleb Milligan MWF, 6; W, E1-E3 Email: camilligan@ufl.edu ARCH 116 Office Hours: TUR 4367; MWF, 4 (and by appointment)
More informationGraban, Tarez Samra. Women s Irony: Rewriting Feminist Rhetorical Histories. Southern Illinois UP, pages.
Graban, Tarez Samra. Women s Irony: Rewriting Feminist Rhetorical Histories. Southern Illinois UP, 2015. 258 pages. Daune O Brien and Jane Donawerth Women s Irony: Rewriting Feminist Rhetorical Histories
More informationQueens College, Aaron Copland School of Music Rudiments of Music 1, fall 2010 Music 060, Section BM2WA or 1M2WA Room 363
Queens College, Aaron Copland School of Music Rudiments of Music 1, fall 2010 Music 060, Section BM2WA or 1M2WA Room 363 Monday and Wednesday 11:15-12:05 pm or 1:40-2:30 pm Office hours: Monday and Wednesday,
More informationIntroduction to International Relations POLI 65 Summer 2016
University of California, Santa Cruz Politics Department Introduction to International Relations POLI 65 Summer 2016 Professor: Jeff Sherman Office: Office Hours: Email: jpsherma@ucsc.edu Teaching Assistants:
More informationSyllabus for MUS Woodwind Instruments Class 1 Credit hour Spring 2016
I. COURSE DESCRIPTION Syllabus for MUS 342 - Woodwind Instruments Class 1 Credit hour Spring 2016 A survey of the fundamentals of each of the woodwind instruments. Includes methods, teaching materials,
More informationSyllabus HIST 6320 Seminar in the Spanish Borderlands of North America Fall 2010 Dr. Jean Stuntz
Syllabus HIST 6320 Seminar in the Spanish Borderlands of North America Fall 2010 Dr. Jean Stuntz COURSE OVERVIEW: This is a course on the interaction of the Spanish Empire with the Native Peoples of the
More informationLos Angeles Valley College MUS 200: INTRO TO MUSIC THEORY
Los Angeles Valley College MUS 200: INTRO TO MUSIC THEORY FALL 2016 Tuesday/Thursday, 8:15am - 10:40am, M112 Timothy Herscovitch, professor E-mail and Phone: herscota@gmail.com / (818) 947-2346 (office)
More informationEngl 794 / Spch 794: Contemporary Rhetorical Theory Syllabus and Schedule, Fall 2012
Engl 794 / Spch 794: Contemporary Rhetorical Theory Syllabus and Schedule, Fall 2012 Pat J. Gehrke PJG@PatGehrke.net 306 Welsh Humanities Center 888-852-0412 Course Description: Simply put, there is no
More informationStenberg, Shari J. Composition Studies Through a Feminist Lens. Anderson: Parlor Press, Print. 120 pages.
Stenberg, Shari J. Composition Studies Through a Feminist Lens. Anderson: Parlor Press, 2013. Print. 120 pages. I admit when I first picked up Shari Stenberg s Composition Studies Through a Feminist Lens,
More informationUGS 303 THE BEATLES AND BEYOND SPRING 2017
UGS 303 THE BEATLES AND BEYOND SPRING 2017 UNIQUE NO.: 63305, 63310, 63315 COURSE TIME AND PLACE: T TH 3:30 5:00 in CLA 1.106 INSTRUCTOR: STEPHEN SLAWEK TEACHING ASSISTANT: OFFICE: MBE 3.202 OFFICE HOURS:
More information200 level, and AHPH 202
Disclaimer: This is an indicative syllabus only and may be subject to changes. The final and official syllabus will be distributed by the instructor during the first day of class. The American University
More informationWriting a Thesis Methods of Historical Research
History 398-002: Junior Honors Colloquium Dr. Derek Peterson Thursdays, 1:00-4:00 pm 1135 North Quad Writing a Thesis Methods of Historical Research Email: drpeters@umich.edu Tel: (734) 615-3608 Office
More informationMusic Appreciation Course Syllabus Fall 2016
Music Appreciation Course Syllabus Fall 2016 Instructor: Clark, R. Andrew (andrew.clark@tamut.edu) Course Number: MUSI 1306.001 Credits: 3 SCH Room Number: UC217 Meeting: TR 5:30PM-6:45PM Course Description:
More informationYour use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at
Michigan State University Press Chapter Title: Teaching Public Speaking as Composition Book Title: Rethinking Rhetorical Theory, Criticism, and Pedagogy Book Subtitle: The Living Art of Michael C. Leff
More informationDrama H Gogebic Community College Fall 2016
Drama 102 04 H Gogebic Community College Fall 2016 Dr. Kathleen Carlton Johnson kathleen.johnson@gogebic.edu Drama 102 Introduction to the Art of the Movies An introduction to the social significance of
More informationLEARNING OUTCOMES: After completing the requirements of this course, the student will be able to make decisions about children and books by:
SYLLABUS: EDR 344 Literature for Children Spring 2013 Tuesday & Thursday 10:15 12:15 p.m. Room: FAI 102 INSTRUCTOR: Dr. Liesa Weaver lweaver@wmcarey.edu Office: 601-318-6626 Cell: 601-297-6882 OFFICE HOURS:
More informationMarilyn Francus, ENGL 635, Spring 2005, History of the Novel
English 635 Marilyn Francus, ENGL 635, Spring 2005, History of the Novel Professor Francus English 635: History of the Novel Spring 2005 Office: 443 Stansbury Hall Office Phone: 304-293-3107 X33442 E-Mail:
More informationRTV3305: Investigative Reporting Spring 2014 Tuesday, Period 4-6 (10:40am-1:40pm) Weimer Hall Room 3024 RTV3305.wordpress.com
RTV3305: Investigative Reporting Spring 2014 Tuesday, Period 4-6 (10:40am-1:40pm) Weimer Hall Room 3024 RTV3305.wordpress.com I N S T R U C T O R Kevin Hull Office: Office Hours: E-Mail: Twitter: Webpage:
More informationENGL6350: Visual Rhetorics
ENGL6350: s Spring 2013. Thursday, 6:00-8:50 p.m. Classroom TBD Instructor: Office Number: Carlisle 623 Email Address: Office Hours: Professor Yuejiao Zhang yuejiao@uta.edu TR: 12:30-2:00 p.m. & by appointment
More informationSYLLABUS BASIC CONDUCTING MUG 3104 FALL 2018 TUESDAY-THURSDAY 9:00 A.M. - 9:50 A.M. UCF RH 0116
SYLLABUS BASIC CONDUCTING MUG 3104 FALL 2018 TUESDAY-THURSDAY 9:00 A.M. - 9:50 A.M. UCF RH 0116 INSTRUCTOR: Dr. Laszlo Marosi, PAC 235, 407-823-5002 Office hours every day between 10:00-11:00 A.M. E-mail:
More informationGlobalization and Folk Craft Production
NEW 473 (W) Dr. Marysia Galbraith Social Science II: Globalization offices: 101C Carmichael, 17 ten Hoor Spring 2004 office phone #: 348-8412 (New College), Seminar: Tuesday 9-10:50 AM 348-0585 (Anthropology)
More informationLearning Outcomes By the end of this class, students should be able to:
1 UCLR 100: Interpreting Literature (Introduction to Modernism) Spring Semester 2018 Wednesdays 10:00-12:30 a.m. Dr. Mena Mitrano Email: mmitrano@luc.edu Office Hours: Wednesdays, by appointment Course
More informationRhetorical Theory for Writing Studies
Rhetorical Theory for Writing Studies Writing 3701W Jarron Slater Spring 2018 Bruinicks Hall 420A Tuesday and Thursday, 1:00pm to 2:15pm University of Minnesota Twin Cities Instructor Profile Hello and
More informationBibliography, Research Methods, and Literary Theory, Syllabus
Georgia State University ScholarWorks @ Georgia State University Summer 2007 English Department Course Syllabi and Assignments September 2007 Bibliography, Research Methods, and Literary Theory, Syllabus
More informationHollywood and America
Hollywood and America HIST/HRS 169 Section 02 Tuesday and Thursday 9 am 10:15 am Mendocino Hall rm. 2007 California State University, Sacramento Spring 2019 Instructor: Dr. Peter Gough peter.gough@csus.edu
More informationCOLLECTION DEVELOPMENT GUIDELINES
COLLECTION DEVELOPMENT GUIDELINES Last Revision: November 2014 Conway Campus 2050 Highway 501 East Conway, SC 29526 843-347-3186 Georgetown Campus 4003 South Fraser Street Georgetown, SC 29440 843-546-8406
More informationHistory : Study and Writing of History Spring 2018 Wednesdays 7:20 pm 10:00 pm Research Hall 202
History 610.001: Study and Writing of History Spring 2018 Wednesdays 7:20 pm 10:00 pm Research Hall 202 Professor Joan Bristol Office: Robinson B 345 Email: jbristol@gmu.edu Office hours: Monday 1-2, Wednesday
More informationMusic Lessons
THE COLLEGE OF ST. SCHOLASTICA Duluth, Minnesota Music Lessons 2011-12 Section 1: Bassoon Instructor(s): Connelly--TBD Section 2: Clarinet Instructor(s): Connelly Section 3: Composition Instructor(s):
More informationMUS : SURVEY OF MUSIC LITERATURE Cultural Arts Building, 1023 TTR 5:00-6:15 p.m.
MUS 115 006: SURVEY OF MUSIC LITERATURE Cultural Arts Building, 1023 TTR 5:00-6:15 p.m. Instructor: Dr. Elizabeth Loparits Office: Cultural Arts Building 1018 Office hours: by appointment E-mail: loparitse@uncw.edu
More informationCiting Responsibly. A Guide to Avoiding Plagiarism. By The George Washington University Law School s Committee on Academic Integrity
Citing Responsibly A Guide to Avoiding Plagiarism 2016 2017 By The George Washington University Law School s Committee on Academic Integrity Revised Summer 2003 1 Contents Section Page Introduction The
More informationThe Meaning of the Arts Fall 2013 Online
The Meaning of the Arts Fall 2013 Online Instructor Information Instructor: Travis Perry Email: tmperry@temple.edu Office: Anderson 726 Office Hours: Wednesday 3:30-4:30, Thursday 12:30-1:30, by appointment
More informationHistory 495: Religion, Politics, and Society In Modern U.S. History T/Th 12:00-1:15, UNIV 301
COURSE DESCRIPTION: History 495: Religion, Politics, and Society In Modern U.S. History T/Th 12:00-1:15, UNIV 301 Instructor: Darren Dochuk, Ph.D. Office: UNIV, 125; Office Hours: T/Th 4:30-5:30 (and by
More informationIntroduction to Film Studies FILM 20A, Summer 2018
Introduction to Film Studies FILM 20A, Summer 2018 Instructor: Laimir Fano Class: M/W 9:00AM 12:30PM Email: lfano@ucsc.edu Screenings: M 12:30 3:00pm Office Hours: T 10:00AM 12:00PM Location: Soc Sci 2
More informationAesthetics and the Arts Philosophy 327 Spring 2014
Professor Dan Flory Office: 2-106 Wilson Hall Office hours: MWF, 1-2 PM, and by appointment Office phone: 994-5209 E-mail: dflory@montana.edu Aesthetics and the Arts Philosophy 327 Spring 2014 Course Description
More informationFenwick Gallery Use Policies March 29, 2014
Mission Fenwick Gallery Use Policies March 29, 2014 George Mason University Libraries provides a hybrid, walk-through exhibition space in Fenwick Library to enhance and enrich teaching, learning and culture
More informationREQUIRED TEXT: Griswold, H. Gene: Teaching Woodwinds. Upper Saddle River, NJ: Pearson, 2008
Flute portion: Dr. Nora Lee Garcia Office: PACM121 Phone: (407)823-3696 Email: noraleegarcia@ucf.edu Office Hours: TBA Clarinet portion: Mr. Erik Cole Office: PACM122 TBA Erik.Cole@ucf.edu TBA REQUIRED
More informationThe Cold War in Latin America
University of Mississippi Department of History History 470-1: Undergraduate Research Seminar The Cold War in Latin America Instructor: Oliver Dinius Office: Bishop Hall 304 Contact: dinius@olemiss.edu,
More informationFundamentals of Telecommunications and Computer Networks
Fundamentals of Telecommunications and Computer Networks 04-641 Instructor: Martin Saint msaint@africa.cmu.edu Office Hours: MW 13:30 14:30, T 10:30 11:30, and by appointment Teaching Assistants: Jean
More informationAMERICAN LITERATURE English BC 3180y Spring 2015 MW 2:40-3:55 Barnard 302
AMERICAN LITERATURE 1800-1870 English BC 3180y Spring 2015 MW 2:40-3:55 Barnard 302 Professor Lisa Gordis Office: Barnard Hall 408D Office phone: 854-2114 lgordis@barnard.edu http://blogs.cuit.columbia.edu/lmg21/
More informationTheory of Music 4/MUT 2127 Dr. Leslie Odom School of Music University of Florida Spring, 2017
Theory of Music 4/MUT 2127 Dr. Leslie Odom School of Music University of Florida Spring, 2017 e-mail address: lodom@arts.ufl.edu listserv address: odomtheory-l@lists.ufl.edu Required Texts Benward, Bruce
More information