THEORIES OF THEATRE DRAMA & PERFORMANCE

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1 Syllabus THEORIES OF THEATRE DRAMA & PERFORMANCE Last update HU Credits: 2 Degree/Cycle: 1st degree (Bachelor) Responsible Department: Theatre Studies Academic year: 3 Semester: 1st Semester Teaching Languages: Hebrew Campus: Mt. Scopus Course/Module Coordinator: Dr. Jeanette Malkin Coordinator jmalkin@mail.huji.ac.il Coordinator Office Hours: Wed. 14:10-15:00 Teaching Staff: Dr. Jeanette Malkin page 1 / 5

2 Course/Module description: The course will focus on paradigmatic changes in the understanding and practice of theatre as expressed in philosophical theories from Plato to current Performance theories. Course/Module aims: To encounter and understand theoretical texts on theatre; to understand the connection between these theories and changes in theatre practice in various periods of Western theatre history; to uncover central and recurring questions and themes among theatre theorists from Plato until today. Learning outcomes - On successful completion of this module, students should be able to: To understand the central theories connected to theatre and their importance to the development of the medium. Attendance requirements(%): 80% Teaching arrangement and method of instruction: Texts must be read before each meeting. Class discussions and screened examples from plays and performances. Course/Module Content: -From theatre to performance -Plato and mimesis -Aristoteles and mimesis -Aristoteles and the Neo-Classical theatre -The Romantic revolution -Messengers of Modernism: Hegel and Nietzsche -Modernist paradigms: Brecht and Artaud Required Reading: 1. מבוא Krasner, David (ed). Introduction, in Theatre in Theory: An Anthology: Moodle 2. מתיאטרון למופע מלכין, ז'נט. "תיאטרליות ומיסוד הפרפורמנס: פתיח למאמרה של ז'וזט פראל'. מכאן, page 2 / 5

3 2006: Moodle Loxley, James. Performativity: Chapter 7: Performativity and Performance Theory, Moodle 3. אפלטון וממסיס אפלטון: המדינה. 390) לפנה"ס) ספר 10. Moodle 4. אריסטו וממסיס אריסטו: פואטיקה. תירגום: יואב רינון (מתוארך בין לפנה"ס) Moodle סופוקלס: אדיפוס ) 428 לפנה"ס) בשמורים 5. אריסטו והתיאטרון הניאו-קלאסי רסין: פדרה (1677) בשמורים שקספיר: (1600) Hamlet בשמורים Willems, Michele. Hamlet in France HamFra.htm Moodle 6. מהפכת הרומנטיקה Victor Hugo, Preface to Cromwell (1827) קטעים Moodle 7. מבשרי המודרנה סופוקלס: אנטיגונה (441 לפנה"ס) בשמורים G. W. F. Hegel, Tragedy as a Dramatic Art (1835) קטעים Moodle Roche, Mark W. Introduction to Hegels Theory of Tragedy. Journal of Existential and Phenomenological Theory and Culture 1/2 (2006): Moodle קטעים - (1872) Music Friedrich Nietzsche, The Birth of Tragedy from the Spirit of Moodle ניטשה, פרידריך וילהלם. הולדתה של הטרגדיה. המדע העליז. תרגם: ישראל אלדד.,ירושלים: שוקן, תשכ"ט, בשמורים 8. פרדיגמות מודרניסטיות אנטונן ארטו, התיאטרון וכפילו (1938): "התיאטרון והדבר," 15-34; "תיאטרון האכזריות (מניפסט ראשון)," Bertolt Brecht, The Street Scene: A Basic Model for an Epic Theatre, translated by John page 3 / 5

4 Willet. (1938) Additional Reading Material: אפלטון. המדינה. מתוך כתבי אפלטון, תרגום מיוונית יוסף ג. ליבס. ירושלים: הוצאת שוקן, תשט"ו. (כרך ב') ארטו, אנטונן. התיאטרון וכפילו. ת"א, בבל, ברוק, פיטר. החלל הריק. ת"א: אור-עם, מלכיו, ז'נט. "תיאטרליות ומיסוד הפרפורמנס: פתיח למאמרה של ז'וזט פראל'. מכאן, כתב-עת לחקר הספרות והתרבות היהודית והישראלית, כרך ז', נובמבר 2006: עפרת, הדס. מציאות רבה מדי: על אמנות המופע. הקיבוץ המאוחד, Auslander, Phillip. From Acting to Performance: Essays in Modernism and Postmodernism. London, Brandt, George W. (ed). Modern Theories of Drama: A Selection of Writings on Drama and Theatre, Oxford, Carlson, Marvin. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present. Cornell U. Press, Counsell, Colin. Signs of Performance: An Introduction to Twentieth Century Theatre. London, Dukore, Bernard F. Dramatic Theory and Criticism: Greeks to Grotowski. New York: Holt, Rinehart and Winston, Gerould, Daniel (ed). Theatre, Theory, Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel. NY: Applause Books, Innes, Christopher. Avant-Garde Theatre London, Kirby, E.T. Total Theatre: A Critical Anthology. New York, Krasner, David (ed). Theatre in Theory: An Anthology. Blackwell, Loxley, James. Performativity. Routledge, page 4 / 5

5 Powered by TCPDF ( Roche, Mark W. Introduction to Hegels Theory of Tragedy. Journal of Existential and Phenomenological Theory and Culture 1/2 (2006): Willems, Michele. Hamlet in France. site of the New Hamlet Variorum. General Editors: Bernice Kliman and Eric Rasmussen, HamFra.htm Course/Module evaluation: End of year written/oral examination 0 % Presentation 0 % Participation in Tutorials 20 % Project work 80 % Assignments 0 % Reports 0 % Research project 0 % Quizzes 0 % Other 0 % Additional information: page 5 / 5

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