THE ALCHEMY OF HUMOR COMEDY AND JOKES AS TRANSFORMATIVE CULTURE. Tuesday, October 2, 12

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1 THE ALCHEMY OF HUMOR COMEDY AND JOKES AS TRANSFORMATIVE CULTURE

2 WHAT DOES HUMOR DO? THE PARTS OF COMEDIE ARE THE SAME WITH A TRAGEDIE, AND THE END IS PARTLY THE SAME. FOR, THEY BOTH DELIGHT, AND TEACH... JONSON DISCOVERIES

3 WHAT IS ALCHEMY?

4 WHAT IS ALCHEMY? IF IT IS A METAPHOR IN THE PLAY, WHAT IS IT A METAPHOR FOR?

5 THE PLAY THROUGH PHILOSOPHY OF HUMOR 1. SUPERIORITY THEORY EIRON? ALAZON? 2. RELIEF THEORY 3. INCONGRUITY THEORY

6 FACE AND SUBTLE TAKE ON PERSONAS TO ASSIST IN THEIR SCHEMES. WHO DO THEY BECOME? A- FACE IS A HOUSEKEEPER AND SUBTLE IS THE MASTER OF THE HOUSE. B- FACE IS A CAPTAIN AND SUBTLE IS THE ALCHEMIST. C- FACE IS THE ALCHEMIST AND SUBTLE IS THE CAPTAIN. D- FACE IS THE MASTER OF THE HOUSE AND SUBTLE IS THE HOUSEKEEPER. E- THEY BOTH PRETEND TO BE FOOLS.

7 TWO VIEWS OF THE PLAY

8 TWO VIEWS OF THE PLAY 1. EDWARD PARTRIDGE: JONSON S PLAYS AFFIRM AN IDEAL VISION

9 TWO VIEWS OF THE PLAY 1. EDWARD PARTRIDGE: JONSON S PLAYS AFFIRM AN IDEAL VISION IRONY IS USED TO SHOW HOW THE WORLD OF THE PLAY IS LACKING -- THUS CELEBRATES OUR WORLD AS MORE IDEAL

10 TWO VIEWS OF THE PLAY 1. EDWARD PARTRIDGE: JONSON S PLAYS AFFIRM AN IDEAL VISION IRONY IS USED TO SHOW HOW THE WORLD OF THE PLAY IS LACKING -- THUS CELEBRATES OUR WORLD AS MORE IDEAL 2. ALVIN KERNAN: ALCHEMIST CONTRADICTS FRYE S NOTION OF ELIMINATION OR PURGING OF UNHEALTHY ASPECTS OF SOCIETY THROUGH HUMOR

11 TWO VIEWS OF THE PLAY 1. EDWARD PARTRIDGE: JONSON S PLAYS AFFIRM AN IDEAL VISION IRONY IS USED TO SHOW HOW THE WORLD OF THE PLAY IS LACKING -- THUS CELEBRATES OUR WORLD AS MORE IDEAL 2. ALVIN KERNAN: ALCHEMIST CONTRADICTS FRYE S NOTION OF ELIMINATION OR PURGING OF UNHEALTHY ASPECTS OF SOCIETY THROUGH HUMOR BOTH ARE ABOUT MORALITY--- GERTMENIAN

12 THE CHARACTER DOL IS PRESENTED IN SEVERAL WAYS THROUGHOUT THE COURSE OF THE PLAY. WHICH OF THE FOLLOWING IS THE THE REAL DOL? A- THE QUEEN FAIRY B- A LORD S SISTER C- A MADWOMAN D- A PROSTITUTE E- NONE OF THE ABOVE

13 CAN WE HAVE A HUMOR THAT IS NEITHER MORAL NOR AMORAL?

14 CAN WE HAVE A HUMOR THAT IS NEITHER MORAL NOR AMORAL?

15 CAN WE HAVE A HUMOR THAT IS NEITHER MORAL NOR AMORAL? MY NOBLE SOUERAIGN AND WORTH GENERALL - DOL

16 CAN WE HAVE A HUMOR THAT IS NEITHER MORAL NOR AMORAL? MY NOBLE SOUERAIGN AND WORTH GENERALL - DOL AT SUPPER, THOU SHALT SIT IN TRIUMPH, AND NOT BE STIL D DOL COMMON, BUT DOL PROPER, DOL SINGULAR! THE LONGEST CUT, AT NIGHT, SHALL DRAW THEE FOR HIS DOL PARTICULAR. --FACE

17 CAN WE HAVE A HUMOR THAT IS NEITHER MORAL NOR AMORAL? MY NOBLE SOUERAIGN AND WORTH GENERALL - DOL AT SUPPER, THOU SHALT SIT IN TRIUMPH, AND NOT BE STIL D DOL COMMON, BUT DOL PROPER, DOL SINGULAR! THE LONGEST CUT, AT NIGHT, SHALL DRAW THEE FOR HIS DOL PARTICULAR. --FACE GENERAL TRIVIALIZATION OF THE HUMAN BATTLE --- LANGER

18 WHAT ABOUT AESTHETICS OF HUMOR OR HUMOR AS SUBLIME IN THE ALCHEMIST?

19 WHAT IS SATIRE?

20 WHAT IS SATIRE? ART OF NIHILISM NOTHRUP FRYE

21 WHAT IS SATIRE? ART OF NIHILISM NOTHRUP FRYE IS IT FUNNY? OR MEAN?

22 WHAT IS SATIRE? ART OF NIHILISM NOTHRUP FRYE IS IT FUNNY? OR MEAN? SOMETIMES MEANS OF SELF INTERROGATION (SERIOUS)

23 CHARACTERISTICS OF SATIRE IRONY DISPLAY OF HYPOCRISY THROUGH VARIOUS MEANS PARODY / MIMICRY / BURLESQUE/ EXAGGERATION/ JUXTAPOSITION / ANALOGY SARCASM

24 THE PLAY THROUGH THE AESTHETICS OF HUMOR COMEDY - AFTER GREEK COMEDY CITY COMEDY

25 THE COMMODITY SWINDLE

26 THE COMMODITY SWINDLE TRICKING A DEBTOR INTO TAKING UNWANTED COMMODITIES ALONG WITH A LOAN (OFFLOADING GOODS AT INFLATED PRICES).

27 THE COMMODITY SWINDLE TRICKING A DEBTOR INTO TAKING UNWANTED COMMODITIES ALONG WITH A LOAN (OFFLOADING GOODS AT INFLATED PRICES). TRICKS INTO BELIEVING SUBTLE CAN PROVIDE

28 THE COMMODITY SWINDLE TRICKING A DEBTOR INTO TAKING UNWANTED COMMODITIES ALONG WITH A LOAN (OFFLOADING GOODS AT INFLATED PRICES). TRICKS INTO BELIEVING SUBTLE CAN PROVIDE PHILOSOPHER S STONE

29 THE COMMODITY SWINDLE TRICKING A DEBTOR INTO TAKING UNWANTED COMMODITIES ALONG WITH A LOAN (OFFLOADING GOODS AT INFLATED PRICES). TRICKS INTO BELIEVING SUBTLE CAN PROVIDE PHILOSOPHER S STONE CONJURE THE QUEEN OF FAIRY

30 THE COMMODITY SWINDLE TRICKING A DEBTOR INTO TAKING UNWANTED COMMODITIES ALONG WITH A LOAN (OFFLOADING GOODS AT INFLATED PRICES). TRICKS INTO BELIEVING SUBTLE CAN PROVIDE PHILOSOPHER S STONE CONJURE THE QUEEN OF FAIRY TELL FORTUNES

31 THE COMMODITY SWINDLE TRICKING A DEBTOR INTO TAKING UNWANTED COMMODITIES ALONG WITH A LOAN (OFFLOADING GOODS AT INFLATED PRICES). TRICKS INTO BELIEVING SUBTLE CAN PROVIDE PHILOSOPHER S STONE CONJURE THE QUEEN OF FAIRY TELL FORTUNES GIVE INSTRUCTION ABOUT FASHION

32 WHO IS SUSPICIOUS OF FACE AND SUBTLE S PLOTS? A- DRUGGER B- SIR EPICURE MAMMON C- DAPPER D- DAME PLIANT E- SURLY

33 BONUS OPPORTUNITY FOR NEXT TIME PERFORM A SCENE FROM THE PLAY THAT PORTRAYS A SWINDLE. WITH A GROUP OF TWO OR MORE THINK OF HOW STAGING CHANGES THE AUDIENCES RELATION TO THE EVENTS. BE PREPARED TO GIVE AN INTERPRETATION OF IT THROUGH THE THREE THEORIES OF HUMOR REVA BY WEDNESDAY AT MIDNIGHT WITH YOUR GROUP S ACT AND SCENE

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