From the editor... Ray Sprague. Translation:
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1 2 From the editor... Giovanni Pierluigi da Palestra is the acknoledged master of the sixteenthcentury sacred polyphonic style, and his music represents the epitome of the classic Renaissance ideals of restrat, concordance, and alance. Palestra orked most of his life Rome, and the maority of his orks ere composed as service music for the Roman Catholic Church. Revered his lifetime, his music has ecome the asis for many texts on sixteenthcentury counterpot the 400+ years sce his death. This settg of Salve Rega first appeared a collection of motets (Motectorum lier secundus) pulished Venice The ases for this edition are several collections of collected orks that clude this motet. For this edition the origal mensuration sign has een changed from C to c, the note values have een halved and arles and a tempo suggestion have een ded. It should e noted as ell that the pitch has een raised a mor third from the source materials. Suggested accidentals are dicated y parentheses ( ) over no the score. The prospective performer ill notice a lack of dynamic markgs this score. Rather than clutter the score, the editor ould like to suggest that hen performg this ork the conductor rememer those Renaissance ideals of restrat and alance, and ork ith a suggested dynamic range of piano to mezzo forte. Understated shapg of phrases and a sutle emphasis on entrances and repeated pots of imitation ill also mata clarity of texture hile allog the listener to recognize the structural signposts of this motet. ne fal remark concerng appropriate choral tone: the presentday concept of straight tone ould seem to have little asis fact. While extensive virato ould fact muddy the texture of this music and make it untelligile to the listener, a udicious amount ill impart a vocal armth that ill enhance the overall effect of the music. Ray Sprague Translation: Hail Queen, thou mother of mercy; our life, our seetness, and our hope, hail. To you e cry, e anished sons of Eve. To you e sigh, groang and eepg this valley of tears. We therefore implore you, vocate of ours, to turn those eyes of mercy toards us. And after this exile sho us esus, the lessed fruit of your om. mild, dutiful, seet Virg Mary. 15/1853R2
2 hemar (d. 609) Salve Rega from Three Marian Antiphons for Trele Voices SSAA a cappella Giovanni Pierluigi da Palestra ( ) Edited y Ray Sprague 3 Soprano I [Cantus I] Prima Pars B C 6 6 agio q = ca. 84 c Soprano II [Cantus II] B C 6 6 c Alto I [Cantus III] Alto II [Altus] B B C C 6 ^ ^ sal ^ c c Sal sal Sal ve re 6 Sal ve re gi Sal. ve re gi na, re gi. gi na, 2003 Roger Dean Pulishg Company, a division of The Lorenz Corporation. All rights reserved. Prted U.S.A. Reproduction of this pulication ithout permission of the pulisher is a crimal offense suect to prosecution. THE CCLI LICENSE DES NT GRANT PERMISSIN T PHTCPY THIS MUSIC. 15/1853R3.lorenz.com D
3 4 10 re na, na, sal gi sal ve re ve re gi na,. gi ve re gi na, mi 14 na, mi se. ri cor di na, mi se ri cor di mi se ri cor di ae; vi se ri cor di ae, mi se ri cor di 18 15/1853R4 ae; ae; ae; vi vi ta, ta,. dul ce. dul ce vi do, dul do,
4 5 22. ta, dul ta, ce dul do, ce et spes do, et spes ce do, et spes nos dul ce do, et spes 26 nos tra, nos tra, tra, sal sal sal ve.. ve. te ve. te cla ma cla ma nos tra, sal ve /1853R5. te cla ma mus, te cla ma mus, mus, ex mus, ex u ex u les fi les fi lii
5 6 34 u les fi ex u lii E E vae. lii E les fi lii vae, E vae. ex u les fi lii te su spi 38 vae.. E vae.. ra te su spi. te ra su spi ra. mus, te mus, mus, su spi 42 15/1853R6 te te su te su su spi ra spi ra spi ra ra mus, ge mus, mus, ge mus, men ge men men
6 46 et flen. et et flen ge men, ge. flen. et men et flen flen, ge hac men la cri ma hac et flen hac la cri rum la cri ma rum. ma rum. val val val le, 54 le, hac la cri hac ma rum la cri ma rum hac la cri val le, val le,. ma # hac la cri la cri ma 15/1853R7 le, hac la cri ma rum
7 8 58 rum val ma rum val U le. n U le. U Secunda Pars. E E a er. rum val val le. U le. E E a er a 62. go,. vo a er go, vo ca ta nos ( ) # go, er go, vo ca ta nos 66 ca ta nos tra, tra, 15/1853R8. tra nos vo ca ta vo ca ta # nos nos tra, tra, # tra, il los il los
8 9 70 il los #. il los tu tu os. tu tu os os mi se mi se. mi ri cor os mi ri cor des, se ri des 74 se ri cor des o cu. o cor des,. mi se. cu mi se ri cor. los, mi se ri los ri cor des o cor des o 78.. des o cu los cu los cu los # nos nos. con ver con nos con ver 15/1853R9 nos con ver
9 10 82 n ver te. Et e te. Et # e te. Et e te. Et e 86 sum, sum, e sum,. ne dic e ne. e ne #. dic. dic tum fruc tum fruc sum, e ne dic 90 15/1853R10 tum tum ven tum ven tum fruc fruc tum. tris tu tris tu tum ven ven tris tu tris tu i, # i, no is post i, i, no is post no is post
10 hoc ex i li. um o sten de, no is post hoc ex.. no is post hoc ex hoc ex i li um o sten de.. hoc ex i li. um o sten de, 98. i lium o. i lium o o sten sten. sten. de. de. de. cle mens,. cle mens, cle 102 cle mens, # mens, 15/1853R11 cle pi mens, cle mens, pi pi ( ) pi a, a, a, #
From the editor... Raymond Sprague. Translation:
2 From the editor... Pierluigi da Palestrina (ca.1524 1594) is the acknoledged ster of the sixteenthcentury sacd lyphonic style, and his music psents the epitome of the classic Renaissance ideals of straint,
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