SV MUSIC MINISTRY : CONTENTS of Choral Core Collection.

Transcription

1 SV MUSIC MINISTRY : CONTENTS of Choral Core Collection. Page: Title: 3 Adoremus Te - Palestrina Roselli - D Nance - SAB 6 Alleluia - Montiverdi - D Nance - SAB Cm 11 Alleluia - Round - W Boyce 14 Alleluia - WA Mozart K D Nance SAB accap or kybrd 20 Ave Maria - Arcadelt Dietsch - wchant - D Nance C Golden - SAB rev 24 Ave Maria Caccini Fm 30 Ave Verum Corpus - WA Mozart K618 - D Nance - SAB 35 Baptismal Refrains (Three) with Optional Verses - D Nance - SAB 40 Born to Thee - D Nance C Golden 44 Call to Remembrance - Farrant - SATB 48 Cantate Domino - G Pitoni - SATB 54 Chaplet of Divine Mercy 58 Do You Who Follow Understand - Ken Morrison - SATB 67 Dona Nobis - Round - Anon 70 Four Verses from the Burial Service - Croft- SATB 75 Godhead Here in Hiding - D Nance - SAB 84 Good Friday Reproaches (The) - D Nance - SAB 98 Gospel Accl Holy Sat - Mozart Alleluia - D Nance - SAB 106 Hide Not Thou Thy Face - Farrant - SATB 110 I Saw Water - Vidi Aquuam - D Nance - SAB 114 If Ye Love Me - Tallis - D Nance SAB 118 In the Arms of St Vincent - R Sickinger 123 Jesus We Trust in You - J Anzaldua SATB 129 Jesus, Mercy, Wash Over Me - D Nance - SAB 132 Jubilate Deo - WA Mozart - D Nance - SAB 136 Litany of the Saints - Chant 140 Lord, for Thy Tender Mercy's Sake - Farrant - SATB 143 O Sacred Head - Were You There - SATB 145 Pange Lingua - Godhead Here in Hiding - Chants for Transfer of Eucharist 147 Panis-angelicus_duet_eb-dur 151 Regina Caeli - O Queen of Heaven - Chant 153 Salve Regina - Gregorian

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19 The Arcadelt Ave Maria By Pierre Louis Phililppe Dietsch (Dijon Paris); vocal parts re-conceived by Daryel Nance for SAB(TB); with a new implementation of the full text by Carmen Golden. Available at When performing with the Gregorian Chant Ave Maria just before the Arcadelt Ava Maria, pitch the Gregorian chant in Eb minor (5 flats relative minor of Gb Major). Read from the score pitches provided on the back page mentally supplying the five flats Bb Eb Ab Db and Gb. Then resolve the final two notes of the chant with Eb sus4 and Eb Major, which prepares the choir for the Eb Major of the Arcadelt Ave Maria.

20 Soprano & Alto Baritone "Arcadelt" Ave Maria By Pierre Louis Phililppe Dietsch (Dijon Paris); vocal parts re-conceived by Daryel Nance for SAB(TB); with a new implementation of the full text by Carmen Golden. A ve Ma ri a, gra - ti - a ple - na, Do - mi - nus Sop. & Alt. Bar. 6 te - cum, Do - mi - nus te - cum; Be - ne - di - cta tu, Sop. & Alt. Bar. 11 be - ne - di - cta tu in mu - li - e - ri - bus, e - - ri bus, et be - ne - di - ctus Sop. & Alt. Bar. 16 fru - ctus ven - tris tu - i, Je - sus. Sanc - ta Ma - ri - a, Copyright 2011 by Daryel Nance. All Rights Reserved.

21 Sop. & Alt. Bar Ma - ter, Ma - ter De - i, rit. rit. "Arcadelt" Ave Maria o - ra pro no - bis pec - Sop. & Alt. Bar. 26 ca - to ri-bus, ca - to ri - bus, nunc et in rit. ho rit. - ra mor - tis Sop. & Alt. Bar. 31 no A strae. - men. A - molto rit. molto rit. men. The Arcadelt Ave Maria" by Pierre Louis Phililppe Dietsch (Dijon Paris) and Franz Liszt's Ave Maria d'arcadelt: In March of 1842, Dietsch, for a choral concert, set an abbreviated text of the Ave Maria to a secular 16th century melody of Jacob Arcadelt's (c ) 3-voice madrigal Nous voyons que les hommes. The Ave Maria was thus created by Dietsch, by modifying some rhythms and adding a bass line for 4 voice parts; and Dietsch thus placed Arcadelt's name upon the Ave Maria score. Franz Liszt's ( ) "Ave Maria d'arcadelt" for organ (composed 1862, published by Peter's 1865) resulted from List's friendship with Dietsch. Both the romantic vertical harmonization of the choral voices, and Liszt's organ rendering, are indeed products of the nineteenth century romantic period, and are connected to Arcadelt's 16th century, only through Arcadelt's melody, Nous voyons que les hommes. Dietsch's text omits the "Mater Dei" and peccatoribus, nunc et in hora mortis nostrae ("Mother of God" and "sinners, now and in the hour of our death"). Arcadelt's original madrigal text: Nous voyons que les hommes We see that men (translation: Carmen Golden) Font tous vertu d'aimer, Are all under love, Et sottes qui nous sommes And silly that we are Voulons l'amour blamer:...etc. Want love blamed:

22

23 Ave Maria by "Giulio Caccini" This Ave Maria by "Giulio Caccini" ( ch as in Puccini) is a popular and much recorded aria penned by Vladimir Vavilov around Vavilov recorded it himself on the Melodiya label in 1972 and ascribed the Ave Maria to "Anonymous". After Vavilov's death, an organist Mark Shakhin, one of the performers on the 1972 recording, attributed the "Ave Maria" to the late Rennassiance / Early Baroque composer Giulio Caccini (October 1551 December 1618). Shakhin gave copies of the "newly discover scores" to other musicians, hence a distribution to the public of the original music. However, several copyrighted arrangements and orchestrations exist. In an arrangement made by the organist Oleg Yanchenko for the recording by Irina Arkhipova in 1987, the piece came to be famous worldwide. The "Cassini" Ave Maria's original text is merely multiple repetitions of "Ave Maria"; here however is a complete implementation of the standard Roman Catholic text of the Ave Maria for use at Mass, by Daryel Nance, Also the piano accompniment is a new offering by the same. Check for availability of this arrangement at This arrangement with the proper liturgical text was first performed by Lauren Nance, in Houston, May 18, A List of Recorded versions: 1972 Vladimir Vavilov, Melodiya label 1987 Irina Arkhipova, arranged by Oleg Yanchenko 1994 Inessa Galante, arranged for organ, on the live CD Musica Sacra, Campion label 1995 Inessa Galante, arranged by Georgs Brinums on the album Debut, Campion label 1997 Lesley Garrett, arranged by Nick Ingman, on the album A Soprano Inspired 1998 Charlotte Church, arranged by Nick Ingman, on the album Voice of an Angel 1998 Julian Lloyd Webber on the album Cello Moods 1999 Andrea Bocelli, on the album Sacred Arias 2001 Sumi Jo, arranged by Steven Mercurio, on the album Prayers 2005 Hayley Westenra, arranged by Steven Mercurio, on the album Odyssey Films and Trailers: Donnie Darko (2001) Trollywood (2004) Our Lady of the Assassins (2000, American release trailer)

24 Ave Maria "Caccini" Voice Anonymous/Giulio Caccini /Vladimir Vavilov (1970) Arr. Daryel Nance, 2011 with correct Liturgical text of the Ave Maria; not implemented before this arrangement; first performed May 18, Piano Vce. 5 Pno. Vce. Pno A A ve ve Ma Ma - ri ri Note: verse 1. is optional and may be omitted if a shorter length is desired; to do so, begin with the proper liturgical text in verse 2., omit the repeat at measure 41, and sing through to the end a a, Copyright 2011 by Daryel A. Nance. All Rights Reserved.

25 2 Ave Maria "Caccini" Vce. Pno A ve Ma Gra - ti - a ple - na, Do-mi ( ) - - ri nus te - a. cum. Vce. 17 Pno. 17 A ve Be - ne - di - cta tu in mu - li e - ri - bus, A et - be- ne - Vce. 21 Pno. 21 ve dic - tus, fruc - tus ven - Ma tris - ri tu - i Je - a su. Copyright 2011 by Daryel A. Nance. All Rights Reserved.

26 Ave Maria "Caccini" 3 Vce. 25 Pno. 25 A ve Sanc - ta Ma - ri - Ma - a, Ma - ri ter a A De - i, o - - ra Vce. Pno ve Ma - pro - no - bis pe - ca - to - ri - ri bus, a Vce A ve Nunc et in ho ra mor - Ma tis - no - ri strae. - a A - Pno. Copyright 2011 by Daryel A. Nance. All Rights Reserved.

27 4 Ave Maria "Caccini" Vce. 37 Pno. 37 A ve Ma - men! A - ve Ma - ri ri - - a, a, A A - - ve! ve! Vce. 41 Pno. 41 Vce. 45 A ve Ma - ri a A Pno. 45 Copyright 2011 by Daryel A. Nance. All Rights Reserved.

28 Ave Maria "Caccini" 5 Vce. 50 Pno. 50 ve Ma - ri a A Vce. 55 ve Ma - ri - a A ve Ma - ri - 55 Pno. Vce. 59 Pno. 59 a, A - ve! Mother of Grace, pray for us. Copyright 2011 by Daryel A. Nance. All Rights Reserved.

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100

101

102

103

104

105

106

107

108

109

110 I Saw Water Flowing (Vidi Aquam) Baptism and Sprinkling Rite: English text adapted from the traditional Latin "Vidi Aquam" sprinkling rite for the Easter season. This traditional text is based on the account of the prophet Ezekiel 47:1,9.) Soprano & Alto = 70 Refrain. E m C I E m C B E m B m saw wa - ter flow - ing from the right side of the tem-ple a - le - lu - Baritone Sop. & Alt. Bar. 4 E m A m ia; and all to whom this D E m D wa - ter came ob- tained sal - va - tion, and they ex - E m E m D and all to whom this wa - ter came ob- tained sal - va - tion, and they ex - Sop. & Alt. 7 B E m B m E m C D 1. rit. E m E m C a tempo claimed, "Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia". I saw wa - ter.. Bar. 1. rit. a tempo claimed, "Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia". Sop. & Alt. Bar. E m C D rit. Fine al - le - lu - ia, al - le - lu - 2. rit. Fine ia. a tempo Give a tempo E m C M7 thanks to the Lord, who is Psalm 118:1 (117:1) al - le - lu - ia, al - le - lu - ia.

111 2 I Saw Water Flowing (Vidi Aquam) Sop. & Alt. Bar. Sop. & Alt. Bar D C M7 E m B m D E m good, whose optional men only: ( whose E m D C e - ver last - ing mer - cy is up - on us. Glo - ry ( be to the Fa - ther, and the Son, and to the Ho - ly Spi - rit; e - ver - last - ing mer - cy is up - on us. A m C D D E m optional men only: ) ) Sop. & Alt. Bar. Sop. & Alt. Bar E m D C M7 as it was in as it was in B m D E m B m D E m and to the Ho - ly Spi - rit; the be - gin - ing, the be - gin - ing, E m D C is now, and is now, and e - ver shall be. A - men. I saw wa - ter e - ver shall be. A - E m D E m men. E m E m C D.C. al Fine D.C. al Fine Music: Copyright 2005 by Daryel Allan Nance; All rights reserved. Text: translation of the Latin Vidi Aquam Copyright 2005 by Daryel Allan Nance. All rights reserved. "Vidi aquam, egredientemde templo, a latere dextero, alleluia: et omnes, ad quos pervenit aqua ista, salvi facti sunt, et dicent, alleluia, alleluia. Confitemini Domino quoniam bonus: quoniam in saeculum misericordia ejus. Gloria Patri, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen." The Lyric Mass Suite is an ongoing work in progress of music settings of the sung texts of the Roman Catholic Mass, by Daryel Nance, for the worshiping assembly, supported by a vocal ensemble with keyboard accompaniment. These music settings along with various other works are online.pdf files available from for free use in worship. This music is protected under registered U.S. copyright and the legal free use of this copyrighted intellectual property requires that the user request permission for its use through

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154