Project by Andrea Listenberger. Black Flag

Transcription

1 Project by Andrea Listenberger Black Flag Coming to NBC Fall 2009

2 Project by Andrea Listenberger Black Flag is an original hour-long drama set in 1855 that followsthecourseofoneship,theblackprince,andthestoriesof its crew. In the pilot episode, Thomas Mayfair and friend, Jacob Huntington, join the ship, with the understanding that they will be working as ship hands on a government boat. They quickly discover that they have in fact been employed by a privateering ship still under the jurisdiction of the crown, but with very questionable tactics. Thomas and Jacob meet the crew, including Christopher Nobbins, thequartermaster,andjennifer,thecookontheshipwhowelater learn is also the never-seen Captain s daughter. While the pilot revolves around the arrival of the new crew membersandanencounterwithashipfromanenemynation,the continuing storyline slowly moves into the bizarre and possibly supernatural, as well as an exploration of the characters pasts.

3 Project by Andrea Listenberger The Creative Team Andrea Listenberger Story Writer, Executive Producer, Director Listenberger has absolutely no real-world experience outside of independent or classroom projects, but in the fictional world of her fictional project, is lovingly inserting herself as the showrunner of her dream team. Because a dream team, of course, includes oneself. Jane Espenson Screenplay Writer, Executive Producer Best known for her writing on Buffy the Vampire Slayer, Espenson has a diverse portfolio of writing including credits from Gilmore Girls, The Inside, and Jake in Progress. She brings her unique style of intelligent comedy to the project. Michael Giacchino Composer Giacchino brings his remarkable musical talent to this project, providing original, fullyscored episodes. A frequent award-winner and Oscar-nominated, Giacchino is best known for his work on LOST, Alias, The Incredibles, and Ratatouille. NBC Universal Production Company, Distributor NBC Universal is one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Jerry Bruckheimer Television Production Company Jerry Bruckheimer Television is responsible for hit shows including the three CSI series, The Amazing Race, Cold Case, and Without A Trace. Black Flag combines their innovative serial storytelling style with the experience gained in their sister film division working on movies such as Pirates of the Caribbean.

4 Project by Andrea Listenberger Lead Cast Bradley Cooper Thomas Mayfair Immediately after Bradley Cooper graduated from the Honors English program at GeorgetownUniversityin1997,hemovedtoNewYorkCitytoenrollintheMastersof Fine Arts program at the Actors Studio Drama School at New School University. While still in school, Bradley began his professional career, appearing opposite Sarah Jessica ParkerinSexandtheCityandintheseriesTheBeat.Hebrokeintofeaturefilmswith 2001 swethotamericansummer.heismostrecentlyknownforhisworkonalias. Danny Strong Jacob Huntington Danny Strong was born and raised in Manhattan Beach, a little borough south of Los Angeles. He attended the University of Southern California where he majored in Theater. Upon graduation he immediately started working as an actor. Over the next several years, his acting resume quickly grew with guest appearances on such seminal TV shows as

5 Project by Andrea Listenberger Third Rock from the Sun, Seinfeld, Nip/Tuck and films including Pleasantville, Seabiscuit and the critically acclaimed indie New Suit. He has also had lead roles in several independent films. Danny is best known for the five years he played Jonathan Levenson on the landmark television series Buffy the Vampire Slayer. John Ratzenberger Christopher Nobbins John Ratzenberger s face is most prominently etched into America s mind as Cliff Clavin, the mailman on the widely successful sitcom Cheers, but has gone on to achieve successinmanyareas,includingasavoiceartistforpixarfeaturefilms.hereturnsto primetime as Quartermaster Christopher Nobbins, and brings his extensive experience and character acting skills to Black Flag. TheroleofJenniferisyettobecastbutwillbefilledbyatalentedunknown.

6 Project by Andrea Listenberger Project Overview Black Flag has been greenlit by NBC-Universal for a minimum of 11 episodes under the Peacock s new policies instituted by Ben Silverman. The enclosed budget covers the production costs for the pilot episode. Costs for subsequent regular-season episodes will be lower, using existing constructed sets. Above-the-line writers costs will also be lower, in accordance with the lower WGA scale. NBC-Universal anticipates pickinguptheremainderoftheseasonforatotalof22episodes. The pilot will be shot on the NBC-Universal soundstages in Los Angeles, the largestbulkofwhichwillbeontheconstructedsetoftheblackprince.specialeffects for the pilot have been contracted to Spectrum Effects and background CGI and CGI effects will be completed by Stargate Digital. NBC has signed off on a production budget of $7 million, costs to be split between NBC Universal and Jerry Bruckheimer Television, the production company for the series. The series will be shot using Red Digital technology, with full support from the Red Digital Cinema Camera Company. It will be broadcast, compliant with new FCC regulations, in widescreen HDTV. Marketing The summer months of 2009 will slowly see the emergence of Black Flag s extensive marketing campaign. All aspects of the campaign will be coordinated through NBC Universal s marketing department. Aspects of marketing pertaining to the screening of the pilot episode are detailed below. June Limited Information Campaign Guerilla Campaign black pirate flags placed in major U.S. metropolitan areas, mailing of pre-press kits to prominent entertainment journalists and bloggers Viral Campaign launch of pirate-themed website and dissemination of short web videos July Reveal of Television Series TVAds VideosinsamestyleaswebvideosappearattheendofNBCsummershows Viral Campaign VC website linked to NBC site, continuation of blogger game: mailed clues lead to further videos, websites, and images (heavily influenced by Dark Knight viral tactics) August Teaser Trailers TV Ads viral-esque videos replaced by standard teaser trailers Web Official NBC website launch Magazine two page ads in major magazines, feature interviews in Entertainment Weekly Guerilla Campaign resurfaces with the appearance of a pirate ship in New York s Bryant Park September Premiere of Series TV booking of series stars and creators on guest-oriented late night and daytime television after release

7 Project by Andrea Listenberger Distribution Black Flag is tentatively slated to air Wednesday nights on NBC during the 10 o clock timeslot.thisprogrammingslotisidealfortheadultcrowdtheshowhopestoattract. While advertising fees are well poised to recoup some of the cost to the network and Bruckheimer (the show appeals to the very attractive young male demographic), long termgoalsaretoachievesyndication,whichwillmorethanrecoupallcostsoftheshow. itunes downloads will be available on the NBC itunes channel for the standard $1.99 per episode. Online streaming video will be available on nbc.com in the weeks following the initial airing. Selected episodes will also be available on hulu.com, NBC s joint project with FOX. International Syndication will be offered through NBC Universal s International Division( DVDSeasonSalescanexpecttobegintwomonthsfollowingtheendofthefirstseason, alsotimedtofitintothemarketingcampaignfortheleaduptothesecondseason.22- episodedvdsetswillsellfor$45each.shouldtheseriesnotbepickedupforasecond season,acompleteseriesdvdsetwillbesoldforthesameprice. Domestic Syndication will be strongly considered if the show is renewed for additional seasons. Although license fees will be dependent on series success, producers expect a minimum of $100,000 per week from stations in top U.S. markets. In addition, first-run repeats may be aired on NBC Universal s cable channel, USA. Final Summary Black Flag will have the opportunity to earn back a portion of its initial investment during its initial run. The high-profile nature of the project will attract high ad sales. To become a viable project, however, popular success will be necessary to propel the project into international and domestic syndication and ensure that it is a popular continuing project for NBC Universal.

8 Cash Flow - Black Flag Stage Month Income Outcome In-Out Balance Pre-Prod 1 $2,000,000 Bruckheimer -$500,000 $1,500,000 $1,500, $500,000 -$500,000 $1,000,000 3 $1,000,000 NBC-Uni -$1,500,000 -$500,000 $500,000 4 $1,000,000 Bruckheimer -$1,500,000 -$500,000 $0 Production 5 $2,000,000 NBC-Uni -$2,000,000 $0 $0 Post-Prod 6 $1,500,000 Bruckheimer -$500,000 $1,000,000 $1,000, $500,000 -$500,000 $500, $500,000 -$500,000 $0 Andrea Listenberger

9 SUMMARY BUDGET Fringe assumptions: Production: "Black Flag" Payroll Tax 18.00% Shoot Days: 18 WGA 12.50% Location: Los Angeles DGA 12.50% Unions: WGA, DGA, SAG SAG 12.80% Shoot Date: Overtime 10% Exec. Producer: Andrea Listenberger, Jane Espenson Director: Andrea Listenberger Script 175, Producers Unit 374, Direction 114, Cast 1,706,549 TOTAL ABOVE-THE-LINE 2,371, Production Staff 286, Extra Talent 99, Production Design 63, Set Construction 1,200, Set Operations 101, Special Effects 32, Set Dressing 224, Property 78, Wardrobe 94, Make-Up and Hairdressing 50, Electrical 82, Camera 124, Sound 31, Transportation 230,150 TOTAL PRODUCTION 2,700, Editorial 1,241, Music 85, Post Production Sound 108,370 TOTAL POST-PRODUCTION 1,434, Insurance 85,470 TOTAL OTHER 85,470 Total Above-The-Line 2,371,458 Total Below-The-Line 4,220,858 Total Above and Below-the-Line 6,592, % 659,232 GRAND TOTAL $7,251,548 ABOVE-THE-LINE Script Writer's Salaries Treatment 1 Allow 1 30,000 30,000 First Draft 1 Allow 1 35,000 35,000 Final Draft 1 Allow 1 17,000 17,000 Polish 1 Allow 1 10,000 10,000 Production Bonus 1 Allow 1 20,000 20, , Research 1 Allow 1 10,000 10,000 10, Title Registration 1 Allow Script Copying 1 Allow 1 1,000 1,000 1, Budget

10 02-06 Script Delivery Service 1 Allow Script Timing 1 Allow Development 1 Allow 1 15,000 15,000 15,000 Payroll 122,750 22,095 WGA 112,000 14,000 Total for , Producers Unit Executive Producer 1 Allow 1 175, , , Producer 1 Allow 1 100, , , Associate Producer 1 Allow 1 75,000 75,000 75, Assistant to Exec. Prod. 3 Weeks ,400 2, Consultants 1 Allow 1 5,000 5,000 5, Producer's Misc. Expenses 1 Allow 1 2,500 2,500 2,500 Payroll 82,400 14,832 Total for , Direction Director 1 Allow 1 100, , , Assistant 3 Weeks ,650 1,650 Payroll 1, DGA 100,000 12,500 Total for , Cast Lead Actors Role of Thomas 1 Allow 1 250, ,000 Role of Jacob 1 Allow 1 250, , ,000 Role of Christopher 1 Allow 1 250, , ,000 Role of Jennifer 1 Allow 1 250, , , Supporting Cast (6 day weeks) Role of Sydney 2 Weeks 1 3,750 7,500 Role of Elizabeth 1 Week 1 4,000 4, Day Players (Includes agency fees at 10%) Role of Michael 5 Days ,500 Role of Francis 2 Days ,300 Role of Morgan 4 Days ,220 Role of Ralph 5 Days , Casting Director/Staff - L.A. 1 Allow 1 25,000 25,000 25,000 Casting - Los Angeles 1 Allow 1 10,000 10,000 10, Casting Expenses 1 Allow 1 1,000 1,000 1, Stunt Coordinator 3 Weeks 1 3,500 10,500 10, Stunt Players (6 day weeks) 1.4 Weeks 15 2,051 43,069 43, Stunt Costs/Adjustments 1 Allow 1 50,000 50,000 50, Stunt Equipment 1 Allow 1 25,000 25,000 25, Looping (Actor's fees) 1 Allow 1 10,000 10,000 10, Cast Overtime 1 Allow 1 15,000 15,000 15,000 Payroll 1,071, ,923 SAG 578,569 74,057 Total for ,706,549 BELOW-THE-LINE Production Staff UPM/Line Producer Prep 7 Weeks 1 5,000 35,000 Shoot 3 Weeks 1 5,000 15,000 Wrap 3 Weeks 1 5,000 15,000 Severance 1 Allow 1 6,000 6,000 71, Assistant Directors First A.D. 2 - Budget

11 Prep 2 Weeks 1 3,595 7,190 Shoot (Incl. 6th day 3 Weeks 1 3,595 10,785 Prod. Fee (shoot da 20 Days ,920 Severance 1 Allow 1 3,595 3,595 Overtime Allow 10 Days ,000 27,490 Second A.D. Prep 1.8 Weeks 1 2,406 4,331 Shoot (Incl. 6th day 3 Weeks 1 2,406 7,218 Prod. Fee 18 Days ,142 Severance 1 Allow 1 2,406 2,406 Overtime Allow 5 Days ,003 17, Production Coordinator Prep 4 Weeks 1 1,200 4,800 Shoot 3 Weeks 1 1,200 3,600 Wrap 2 Weeks 1 1,200 2,400 10,800 Asst. Coord. Prep 6 Weeks ,500 Shoot 3 Weeks ,250 Wrap 1 Week , Script Supervisor Prep 5 Days ,286 Shoot 18 Days ,400 Saturdays Worked 3 Days ,157 Wrap 3 Days nd Camera Days 8 Days Overtime 1 Allow 8, , Production Auditor/Accountant Prep 7 Weeks 1 2,100 14,700 Shoot 3 Weeks 1 2,100 6,300 Wrap 3 Weeks 1 2,100 6,300 Post Production 7 Weeks ,600 32,900 Assistant Auditor Prep 6 Weeks 1 1,300 7,800 Shoot 3 Weeks 1 1,300 3,900 Wrap 4 Weeks 1 1,300 5,200 16, Technical Advisors 1 Flat 1 25,000 25,000 25, Production Assistants Office PA Prep 30 Days ,574 Shoot 18 Days ,802 Wrap 10 Days Saturdays Worked 9 Days Overtime 1 Allow 1 5, ,529 Set PA #1 Prep 3 Days Shoot 18 Days ,802 Saturdays Worked 3 Days Overtime 1 Allow 1 2, ,690 Set PA #2 Shoot 18 Days ,802 Saturdays Worked 3 Days Overtime 1 Allow 1 2, ,407 Payroll 230,144 41,426 DGA 115,589 14,449 Total for , Extra Talent hr. days 18 Days ,340 11, Extras (non-sag) 300 Extras ,146 34, Extras Casting 10% 1 Allow 1 45,486 4,549 45, Budget

12 Payroll 45,486 8,187 Total for , Production Design Production Designer Prep 6 Weeks 1 5,000 30,000 Shoot 3 Weeks 1 5,000 15,000 45, Assistants Assistant #1 Prep 30 Days ,600 Shoot 18 Days ,520 Overtime 1 Allow 1 6, , Purchases/Rentals 1 Allow 1 1,000 1,000 1, Research/Materials 1 Allow Car Expense 7 Weeks ,050 1,050 Payroll 51,732 9,312 Total for , Set Construction Construction Coordinator Prep 60 Days ,000 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Overtime 1 Allow 1 25,650 2,565 28, Labor - Foreman Prep 60 Days ,430 Shoot 18 Days ,400 Saturdays Worked 4 Days ,543 Overtime 1 Allow 1 22,373 2,237 24,610 Labor - Crew 1 Allow 1 50,000 50,000 50, Scenic Painters Lead Scenic Painter Prep 10 Days ,572 Shoot 20 Days ,000 Saturdays Worked 4 Days ,543 Overtime 1 Allow 1 10,115 1,011 11,126 Labor - Painters 1 Allow 1 25,000 25,000 25, Greens 1 Allow 1 10,000 10,000 10, Purchases (Bldg materials) 1 Allow 1 1,000,000 1,000,000 1,000, Rentals (Tools/Paint kit) 1 Allow 1 15,000 15,000 15, Equipment 1 Allow 1 12,000 12,000 12,000 Payroll 138,952 25,011 Total for ,200, Set Operations First Grip Prep 5 Days ,750 Shoot 18 Days ,300 Saturdays worked 3 Days ,350 Wrap 1 Day Overtime 1 Allow 1 9, , Second Grip (Best Boy) Prep 5 Days ,500 Shoot 18 Days ,400 Saturdays worked 3 Days ,157 Wrap 1 Day Overtime 1 Allow 1 8, , Other Grips 4 - Budget

13 Grip #1 Prep 4 Days ,000 Shoot 18 Days ,498 Saturdays worked 4 Days ,285 Wrap 1 Day Overtime 1 Allow 14 7, ,736 Grip #2 Prep 4 Days ,000 Shoot 18 Days ,498 Saturdays worked 4 Days ,285 Wrap 1 Day Overtime 1 Allow 14 7, ,736 Grip #3 Prep 4 Days ,000 Shoot 18 Days ,498 Saturdays worked 3 Days Wrap 1 Day Overtime 1 Allow 14 6, ,383 Additional Grips 40 Mandays ,999 Overtime 1 Allow 3 8, , Dolly Grip Prep 1 Day Shoot 18 Days ,400 Saturdays worked 3 Days ,157 Overtime 1 Allow 1 6, , Craft Service Prep 4 Days Shoot 18 Days ,238 Saturdays worked 4 Days Wrap 2 Days Overtime 1 Allow 1 5, , Grip Rentals Package 3 Weeks 1 1,250 3,750 Dollies 3 Weeks 1 1,250 3,750 Cranes (Incl. Driver) 5 Days 1 1,000 5,000 Addl. Equip. 1 Allow 1 2,000 2,000 14, Grip Expendables 1 Allow 1 7,500 7,500 7, Box Rentals Key Grip 3 Weeks Craft Service 3 Weeks Payroll 65,983 11,877 11,877 Total for , Special Effects Special Effects Person Prep 12 Days ,600 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Overtime 1 Allow 1 11,250 1,125 12, SFX Assist. 18 Days ,400 Saturdays Worked 3 Days ,157 Overtime 1 Allow 1 6, , Manufacturing Labor 1 Allow 1 1,500 1,500 1, Fabrication 1 Allow 1 1,000 1,000 1, Expendables 1 Allow 1 5,500 5,500 5, Rentals 1 Allow 1 1,000 1,000 1,000 Payroll 19,588 3,526 3,526 Total for , Budget

14 17-00 Set Dressing Set Decorator Prep 17 Days ,950 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Wrap 5 Days ,750 Overtime 15,350 1,535 16, Lead Man Prep 17 Days ,100 Shoot 18 Days ,400 Saturdays Worked 4 Days ,543 Wrap 5 Days ,500 Overtime 13,544 1,354 14, Swing Gang Swing Gang #1 Prep 10 Days ,499 Shoot 18 Days ,498 Saturdays Worked 4 Days ,285 Wrap 5 Days ,250 Overtime 9, ,485 Swing Gang #2 Prep 10 Days ,499 Shoot 18 Days ,498 Saturdays Worked 3 Days Wrap 5 Days ,250 Overtime 9, ,132 Swing Gang #3 Prep 10 Days ,499 Shoot 18 Days ,498 Saturdays Worked 3 Days Wrap 5 Days ,250 Overtime 9, , Additional Labor 1 Allow 1 1,400 1,400 1,400 On-Set Dresser (Shoot) 18 Days ,050 Saturdays Worked 3 Days Overtime 4, , Expendables 1 Allow 1 1,500 1,500 1, Purchases 1 Allow 1 100, , , Rentals 1 Allow 1 35,000 35,000 35, Loss & Damage 1 Allow 1 1,500 1,500 1, Box Rentals 0 0 Set Decorator 6 Weeks ,200 1,200 Lead Person 6 Weeks Car Expense Set Decorator 6 Weeks Lead Person 6 Weeks Film 1 Allow Payroll 69,341 12,481 12,481 Total for , Property Property Master Prep 14 Days ,900 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Wrap 5 Days ,750 Overtime 14,300 1,430 15, Assistant Prep 14 Days ,200 Shoot 18 Days , Budget

15 Saturdays Worked 4 Days ,543 Wrap 5 Days ,500 Overtime 12,644 1,264 13, Purchases 1 Allow 1 20,000 20,000 20, Rentals 1 Allow 1 15,000 15,000 15, Loss & Damage 1 Allow 1 5,000 5,000 5, Box Rentals Prop Master 6 Weeks ,500 1, Car Expense Prop Master 6 Weeks Assistant 6 Weeks Film 1 Allow Payroll 29,638 5,335 5,335 Total for , Wardrobe Costume Designer (6 day flat) Prep 4 Weeks 1 2,250 9,000 Shoot 3 Weeks 1 2,250 6,750 Wrap 1 Week 1 2,250 2,250 18, Costumer Prep 17 Days ,251 Shoot 18 Days ,501 Saturdays Worked 4 Days ,286 Wrap 5 Days ,250 Overtime 1 Allow 1 11,288 1,129 12, Additional Costumer Prep 15 Days ,751 Shoot 18 Days ,501 Saturdays Worked 4 Days ,286 Wrap 5 Days ,250 Overtime 1 Allow 1 10,787 1,079 11, Expendables 1 Allow Purchases 1 Allow 1 10,000 10,000 10, Rentals 1 Allow 1 25,000 25,000 25, Alteration & Repairs 1 Allow 1 3,000 3,000 3, Cleaning & Dyeing 1 Allow 1 3,000 3,000 3, Loss & Damage 1 Allow 1 1,500 1,500 1, Box Rentals Costume Designer 7 Weeks ,050 1, Car Expense 0 0 Costume Designer 7 Weeks ,050 1,050 Payroll 42,282 7,611 7,611 Total for , Make-Up and Hairdressing Key Make-Up Artist Prep 4 Days ,400 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Wrap 1 Days Overtime 1 Allow 1 9, , Additional Make-Up Artist 18 Days ,400 Saturdays Worked 3 Days ,157 Overtime 1 Allow 1 6, , Hair Stylist Prep 4 Days ,400 Shoot 18 Days , Budget

16 Saturdays Worked 3 Days ,350 Wrap 1 Days Overtime 1 Allow 1 9, ,340 Additional Hair Stylist 18 Days ,400 Saturdays Worked 4 Days ,543 Overtime 1 Allow 1 6, , Purchases 1 Allow 1 2,000 2,000 2, Rentals 4 Weeks ,000 1, Box Rentals Key Make-Up 22 Days Addl. Make-Up 18 Days Hair Stylist 22 Days Addl. Hair 18 Days Film 1 Allow Payroll 38,111 6,860 6,860 Total for , Electrical Gaffer Prep 7 Days ,450 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Wrap/Travel 1 Days Overtime 1 Allow 1 10,450 1,045 11, Best Boy Prep 5 Days ,500 Shoot 18 Days ,400 Saturdays Worked 3 Days ,157 Wrap 1 Days Overtime 1 Allow 1 8, , Electrics Electric #1 Prep 4 Days ,000 Shoot 18 Days ,498 Saturdays Worked 3 Days Wrap 1 Days Overtime 1 Allow 1 6, ,383 Electric #2 Prep 4 Days ,000 Shoot 18 Days ,498 Saturdays Worked 3 Days Wrap 1 Days Overtime 1 Allow 1 6, ,383 Electric #3 Prep 4 Days ,000 Shoot 18 Days ,498 Saturdays Worked 3 Days Wrap 1 Days Overtime 1 Allow 1 6, , Purchases 1 Allow 1 7,000 7,000 7, Rentals 4 Weeks 1 5,500 22,000 22, Loss & Damage 1 Allow 1 2,000 2,000 2, Box Rentals Gaffer 4 Weeks ,000 1,000 Payroll 42,837 7,711 7,711 Total for , Camera Director of Photography/OP 8 - Budget

17 Prep 7 Days 1 1,200 8,400 Shoot 3 Weeks 1 7,200 21,600 30, Camera Operator (B Cam) Prep 2 Days Shoot 18 Days ,200 Saturdays Worked 3 Days ,543 Overtime 1 Allow 1 8, , st Asst. Camera Prep 4 Days ,400 Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Wrap 2 Days Overtime 1 Allow 1 9, ,725 B Cam 1st Assist. 18 Days ,300 Saturdays Worked 3 Days ,350 Overtime 1 Allow 1 7, , nd Asst. Camera Prep 2 Days Shoot 18 Days ,400 Saturdays Worked 4 Days ,543 Wrap 2 Days Overtime 1 Allow 1 8, ,958 B Cam 2nd Assist. 18 Days ,400 Saturdays Worked 2 Days Overtime 1 Allow 1 6, , Expendables 1 Allow 1 1,200 1,200 1, Camera Package Rental 3 Weeks 1 7,000 21,000 21, Additional Equipment 1 Allow 1 5,000 5,000 5, Steadicam Operator & Equip 4 Days 1 1,500 6,000 6, Maintenance/Loss & Damage 1 Allow 1 1,500 1,500 1, Box Rentals 1st Assist. Cam 3 Weeks Payroll 75,189 13,534 13,534 Total for , Sound Mixer Prep 2 Days Shoot 18 Days ,300 Saturdays Worked 3 Days ,350 Wrap/Travel 2 Days Overtime 1 Allow 1 9, , Boom Operator Shoot 18 Days ,400 Saturdays Worked 3 Days ,157 Overtime 1 Allow 1 6, , Expendables (Batteries, etc) 1 Allow 1 1,500 1,500 1, Sound Package 3 Weeks 1 1,900 5,700 5, Walkie Talkies 3 Weeks ,500 1, Radio Mics & Head Sets 3 Weeks Misc. / Loss & Damage 1 Allow 1 1,500 1,500 1,500 Payroll 18,073 3,253 3,253 Total for , Transportation Transportation Coordinator (6 day flat) 6 Weeks 1 2,500 15,000 15, Budget

18 24-02 Drivers Captain Prep 10 Days ,900 Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 5 Days ,710 11,362 Star Trailer Drivers Driver #1 Prep 1 Day Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 1 Day ,284 Driver #2 Prep 1 Day Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 1 Day ,284 Production Van Driver Prep 3 Days Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 2 Days ,006 Camera Truck Driver Prep 3 Days Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 2 Days ,006 Set Dressing Driver Prep 10 Days ,900 Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 5 Days ,710 11,362 Second Set Dressing 5 Ton 10 Days ,420 3,420 Props Driver Prep 6 Days ,140 Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 5 Days ,710 10,602 Make-Up/Wardrobe Driver Prep 6 Days ,140 Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 5 Days ,710 10,602 Prod. Office Trailer Driver Prep 1 Days Shoot 18 Days ,156 Saturdays Worked 4 Days ,596 Wrap 1 Days ,284 Caterer Shoot 20 Days ,840 Saturdays Worked 4 Days ,596 8,436 Caterer Asst. Shoot 20 Days ,480 Saturdays Worked 4 Days ,512 9,588 Additional Drivers 1 Allow 1 3,500 3,500 3, Equipment Rental Star Dressing Trailers 4 Weeks ,800 3,800 Crew Cab 20 Days ,200 1,200 Production Van (40' w/ 2 gennies) 20 Days ,000 6,000 Camera Truck 25 Days ,500 2,500 Stake Bed 7 Days Set Dressing 5 Ton 34 Days ,230 3,230 Addl. Set Dressing 5 Ton 14 Days ,330 1, Budget

19 Set Dress Van 34 Days ,210 2,210 Props 5 Ton 25 Days ,375 2,375 Wardrobe/Make-Up 25 Days ,500 7,500 Prod. Office Trailer 20 Days ,400 2,400 Camera Car 3 Days Gas & Oil 1 Allow 1 12,000 12,000 12, Repairs & Maintenance 1 Allow 1 3,500 3,500 3, Honey Wagon Pumping 1 Allow Miscellaneous 1 Allow 1 5,000 5,000 5,000 Teamster Fringes: P&H - 6,400 $ ,744 15,744 15, % 9,783 9,783 9,783 Payroll 126,736 22,812 22,812 Total for , Editorial Editor - Shoot/Post 8 Weeks 1 2,400 19,200 Post Production Supervisor 5 Weeks 1 2,400 12,000 31, Assistant Editor - Shoot/Pos 8 Weeks 1 1,300 10,400 10, Music Editor 3 Weeks 1 1,500 4,500 4, Sound Editor 3 Weeks 1 1,500 4,500 4, Purchases 1 Allow 1 1,500 1,500 1, CGI Post 1 Allow 1 1,000,000 1,000,000 1,000,000 Payroll 1,052, , ,378 Total for ,241, Music Composer 1 Allow 1 85,000 85,000 85,000 (All-In Package includes: Arrangers, Copyists,...Musicians, Instruments) Total for , Post Production Sound Spotting for Music/Sound Ef 30 Hours ,500 4, Music Scoring Stage 4 Days 1 2,400 9,600 9, Music Mix Down 2 Days 1 2,400 4,800 4, ADR & Foley 7 Days 1 2,600 18,200 18, Laydown 4 Hours Editing (Digital Work Station) Sound Editing 90 Hours ,250 20,250 Dialogue Editing 60 Hours ,500 13, Track Stock 30 Reels ,500 7, Pre-Dub 45 Hours ,250 11, Final Dub (Mix) 45 Hours ,250 11, Printmaster + M&E 8 Hours ,400 2, Optical Sound Transfer Ft ,320 4,320 Total for , Insurance (Allow 3% of Below-The Line) 1 Allow 1 2,848,999 85,470 85,470 Total for ,470 10% 659, ,232 GRAND TOTAL $7,251,548 Total Above-The-Line 2,371, Budget

20 Total Below-The-Line 4,220,858 Total Above and Below-the-Line 6,592,316 Check budget totals 7,251,548 7,251, Budget