CHAPTER ONE. of Dr. Scheiner s book. The True Definition.

Similar documents
Welcome to My Favorite Human Behavior Hack

The Solution. The business man behind a desk, the scientist in the lab, the artist approaching his

And yet we still don't stand a chance with any of them

An analysis of beauty as it is related to the ratio 1:1.618

Consumer Choice Bias Due to Number Symmetry: Evidence from Real Estate Prices. AUTHOR(S): John Dobson, Larry Gorman, and Melissa Diane Moore

How can recurring patterns and forms found in nature be explained mathematically and why are humans visually drawn to recreating these patterns?

Golden Ratio and Its Effect on Handwritings Using Golden Line

Investigation of Aesthetic Quality of Product by Applying Golden Ratio

Prehistoric Patterns: A Mathematical and Metaphorical Investigation of Fossils

Secrets of Communication and Self Development

How do we assign value to knowledge in art? Madison Roberts, Elli Ward, Julia Payne

LEONARDO: REVISED EDITION BY MARTIN KEMP DOWNLOAD EBOOK : LEONARDO: REVISED EDITION BY MARTIN KEMP PDF

PRECEDING PAGE BLANK NOT t_ilmed

Jennifer L. Fackler, M.A.

Codes. -Semiotics- Ni Wayan Swardhani W. 2015

Life Areas Test & Bagua Map

Oh, Brother! Brat Attack!

How Mathematics and Art Are Interconnected. Liz Sweetwood. October 24th, 2016

Tell People NO GRADE K-2 LESSON 10

100 Years of Dance ESSENTIAL QUESTION. Why might people dance, and how have dance trends changed in America since the 1920s?

Symmetry & Proportion

Student Learning Assessment for ART 100 Katie Frank

PREPARATION (0-30 POINTS PER SONG) (Visual Plan)

St. John-Endicott Cooperative Schools. Art Curriculum Standards

SqueakCMI Notebook: Projects, Tools, and Techniques

Drama Targets are record sheets for R-7 drama students. Use them to keep records of students drama vocabulary, performances and achievement of SACSA

SACRED GEOMETRY: DECIPHERING THE CODE BY STEPHEN SKINNER DOWNLOAD EBOOK : SACRED GEOMETRY: DECIPHERING THE CODE BY STEPHEN SKINNER PDF

Subject Area. Content Area: Visual Art. Course Primary Resource: A variety of Internet and print resources Grade Level: 1

Allen ISD Bundled Curriculum Document. Grade level Time Allotted: Days Content Area Theatre 2 Unit 1 Unit Name:

Opinion & Perspective

Medieval and Renaissance Music

The Lost Art of Listening. How to Remember Names

Nour Chalhoub Shanyu Ji MATH 4388 October 14, 2017

Haiku and the Personal

Report to the Education Department of the Isabella Stewart Gardner Museum

Storyboard. Look Closer. Fannin Musical Productions Storyboard by Jason Shelby (270)

21 DAYS OF KINDNESS. inspired by the guys at KindSpring.org

Academic. Vocabulary. Assessments. Student Outcomes. Duration of Unit: 7 weeks Title of Unit: Art Showcase. Content Area: Visual Art Grade Level:

A Vision for the World Trade Center Memorial

MICHAEL RICE ARCHITECT ALL RIGHTS RESERVED.

Portrait of Marcus Aurelius (A.D )

This past April, Math

Curriculum Framework for Visual Arts

Comparing Neo-Aristotelian, Close Textual Analysis, and Genre Criticism

Curriculum Framework for Visual Arts

Chapter 14 Art Lesson Plans

Chetek-Weyerhaeuser High School

Presentation April 8, 2014 International conference Grundtvig Art-Age!, Utrecht

SEVENTH GRADE. Revised June Billings Public Schools Correlation and Pacing Guide Math - McDougal Littell Middle School Math 2004

Here s a question for you: What happens if we try to go the other way? For instance:

Renaissance II - 14/1 (Impact and further development of renaissance)

the mathematics of the voice. As musicians, we d both been frustrated with groups inability to

Divine Ratio. Envisioning Aesthetic Proportion in Architecture and Art. HRS 290 Mack Bishop September 28, 2010

WHY DO PEOPLE CARE ABOUT REPUTATION?

Walt Stanchfield 03 Notes from Walt Stanchfield s Disney Drawing Classes

Capitol Cadences. A Collection from Young Washington Poets 2018 Edition

The worst/meanest things a dentist has ever said to a dental assistant

Roche Court Seminars

Characterization Imaginary Body and Center. Inspired Acting. Body Psycho-physical Exercises

The Mona Lisa Effect. Utah State University. From the SelectedWorks of Gene Washington. gene washington, Utah State University

Using the Brain to Learn, Laugh, and Continuously Improve

Almost Never Occasionally Frequently Very Frequently Almost Always 2. My concentration levels are good.

Visual Art Department Indian Hill Exempted Village School District

2011 Kendall Hunt Publishing. Setting the Stage for Understanding and Appreciating Theatre Arts

Criterion A: Understanding knowledge issues

Learning to Listen.. and Defusing a Hostile Situation. Course Outline

Leonardo Da Vinci And A Memory Of His Childhood (The Standard Edition) (Complete Psychological Works Of Sigmund Freud) Download Free (EPUB, PDF)

S1C1-301 Contribute to a discussion about ideas for his or her own artwork. Assessed by performance assessment DOK 3

Increasing Retail Brick-and-Mortar Traffic With Innovative Digital Signage

MOZART S PIANO SONATAS AND THE THE GOLDEN RATIO. The Relationship Between Mozart s Piano Sonatas and the Golden Ratio. Angela Zhao

The 5 Step Visual Guide To Learn How To Play Piano & Keyboards With Chords

THE GOLDEN SECTION AND PRODUCT DESIGN

LEAD SECTIONAL. Expression Accurate sense of plan basic to complex Ability to craft a simple and successful plan, leave the interp for coaches

Talking About Your Value in Social Situations

Analyzing Numerical Data: Using Ratios I.B Student Activity Sheet 4: Ratios in the Media

LS Hub S3 Humanities Summary Notes Sub-module 1 - Renaissance

AN INSIGHT INTO CONTEMPORARY THEORY OF METAPHOR

Music Appreciation: The Enjoyment of Listening

Of Cigarettes, High Heels, and Other Interesting Things

Music. A Powerful Soul-ution 6/3/2013. Pythagoras 600 B.C. Music is math. Harmonic Ratios

THE SUPERCHARGED VALUE OF MUSIC EDUCATION

CHINO VALLEY UNIFIED SCHOOL DISTRICT INSTRUCTIONAL GUIDE ART HISTORY

Renaissance I - 13/1 (Cause and Features of Renaissance)

MINI EXPRESS AND THE EXPRESSIONS 2017 SUMMER Audition Package

Gripers, Complainers & Whiners Oh My! How to Deal with Chronically Cranky People! Presented for the American Rental Association

Katy JH Musical Audition Contract

The Intonation of the Soul

River Dell Regional School District. Visual and Performing Arts Curriculum Music

INTRO TO PRESENTATION

PHOTOGRAPHY MASTERCLASS

Music s Physical and Mental Influence on Humans

Content Map For Fine Arts - Visual Art

Ed. Carroll Moulton. Vol. 1. New York: Charles Scribner's Sons, p COPYRIGHT 1998 Charles Scribner's Sons, COPYRIGHT 2007 Gale

Appendix D CONGRUENCE /INCONGRUENCE SCALE. Body and face give opposite message to underlying affect and content

Explorations 2: British Columbia Curriculum Correlations Please use the Find function to search for specific expectations.

Individual Events

5 th Grade BAND. Artistic Processes Perform Respond. Fairfield s Band Program Ensemble Sequence

Chapter Five: The Elements of Music

10 Steps To Effective Listening

Euclid for Kids. Ruth Richards. Click here if your download doesn"t start automatically

Transcription:

www.adamscheinermd.com CHAPTER ONE of Dr. Scheiner s book The True Definition of Beauty Facial Cosmetic Treatment s Transformational Role

The Science Behind What We Find Beautiful (And What it Means for Communication) Throughout history, human beings have searched for beauty and have revered it when they found it. It s something we do without thinking. When Aristotle was asked back in Ancient Greece why people desire physical beauty, the great sage replied, No one who is not blind could ask that question. But why is this? Why does beauty have such a hold over us and how do our brains recognize it? Is it, as they say, in the eyes of the beholder, or is there an objective measure of what we consider beautiful? While it may surprise you, there is an objective measure and the math to back it up. Regardless of personal preferences, we are all genetically hard-wired to find certain things beautiful. True beauty has a natural harmony to it, and this harmony sends signals that let our unconscious minds know we re in the presence of something beautiful. It all comes down to a mathematical ratio known as the Golden Ratio. Developed by a mathematician in the 200s by the name of Leonard Fibonacci, this ratio holds the key to the visual balance and harmony we unconsciously perceive in the things we find attractive. Simply put (I promise this won t be a complicated math lesson!), Fibonacci introduced a series of numbers to Western European mathematics that had previously been studied in Indian mathematics. This series of numbers was:,, 2, 3, 5, 8, 3, 2, 34, 55, 89, 44 etc. When you take any two successive numbers from the Fibonacci Sequence (in other words, any numbers that directly follow one another) and determine their ratio, this ratio will always come out to :.68, or what is known as the Golden Ratio. Why the Golden Ratio? Because this incredible ratio can be found in countless instances in nature. From the branching of trees to the arrangement of leaves on a stem, the Golden Ratio pops up again and again. Let s take a look at some examples: This sequence evolves by taking the first number and adding it to the following number to generate the next number in the sequence. So, + = 2 2 + = 3 2 + 3 = 5 3 + 5 = 8 and so on.

The Golden Ratio in Action The first embodiment of the Golden Ratio is a spiral shape. When you create squares that are the width of each number in the Fibonacci sequence, you get a diagram that looks like this: If you look from the outside in, the numbers in each box follow the Fibonacci sequence ( plus 2 equals 3, 2 plus 3 equals 5, 3 plus 5 equals 8 and so on). When we connect these boxes from the inside of the diagram out, they create a spiral pattern, as illustrated by the red line. We see this spiral in many instances in nature, from the shape of a seashell to the structure of the human ear: When we remove the spiral line from the diagram, the Golden Ratio creates a rectangle that looks like this: Once again, each block in the sequence adds to the next to create the following number, in accordance with the ratio of :.68. The lengths of the lines between these squares are all in keeping with the Golden Ratio..68.68 3 8 2 3 5 2 34 2

During the Renaissance, many artists worked with the lines of this Golden Ratio in mind. Architects constructed buildings like Notre Dame Cathedral that contained the ratios of :.68 in their design: Lines of these ratios can also be found in Leonardo da Vinci s famous paintings The Last Supper and The Mona Lisa: These are just a few of the countless examples you can find of the Golden Ratio, both in the beauty of nature and in the pieces of artwork we hold up as beautiful. The Golden Ratio is everywhere, and it provides us with the mathematical key to true, natural beauty. What This Means for Human Relations Unless they re drawn out for us, as in the examples above, our perception of the Golden Ratio occurs on a subconscious level. Regardless of ethnic background, current fads or personal preference, the more a person s face contains balance in harmony with the Golden Ratio, the more attractive we perceive that person to be: This has much deeper implications than simply judging who is the fairest of them all. The way the world perceives us greatly impacts the way the world relates to us (and, in turn, the way we view ourselves). 3

Harnessing the Power of Appearance in Non-Verbal Communication Our face is our calling card. And when our facial aspects are out of balance, it can have a significant impact on the quality of our relationships and our lives. First impressions are formed within the first seven seconds of meeting someone.2 As much as we d like to consider ourselves evolved and egalitarian, as much as we may strive to treat each person equally, the scientific truth is that our brains are hard-wired to deduce certain things from someone s appearance. We may not even realize we re doing it, but we do, to a large extent, judge a book by its cover. We can t help it. Consider this: Researchers estimate that only 7% of our words come across in conversation, while 38% of our vocal tone and 55% of non-verbal communication is perceived.3 This non-verbal communication includes things like our posture, our gestures and, yes, our facial appearance. When we communicate, our words don t speak for us nearly as loudly as these other factors do. Which is why our communication and relationships with others can be so greatly improved by making sure our face is communicating what we want it to that our calling card is an accurate representation of who we really are and how we really feel. Does an Improved Appearance Give You an Advantage? In a word yes. In her book Survival of the Prettiest,4 Nancy Etcoff observed the ways in which we routinely evaluate the attractiveness of one another. She argued that our sensitivity to beauty is a biological adaptation that was shaped by natural selection. Etcoff noted that babies stare significantly longer at the faces of adults who are appealing, and that mothers of attractive babies display more intense bonding behaviors towards their children. She also observed that we often try to please people we find attractive, with no expectation of immediate reward or reciprocal gestures. I don t think it s a scientific breakthrough to suggest that in everyday life, attractive adults are more likely to get away with things whether it s little infractions like cutting someone off in traffic or larger offenses like taking advantage of someone. Our appearance plays a key role in the non-verbal communication we send out into the world and, in turn, influences the way the world relates to us. Whether you d like to gain the respect of your colleagues, make friends more easily or just communicate with your loved ones better, your appearance either helps or hinders you. 4

What Your Face Says About You There are two parts of the face that we perceive the strongest in communication. The first is the areas around the eyes and the second is the area around the mouth. When we first see one another, our brains quickly scan these two areas for nonverbal cues. Irregularities in these areas affect our assessment of a person. Optimizing these areas can pay big dividends in the way other people perceive us. This can be done by something as simple as using makeup to highlight certain areas and smooth out others or by wearing flattering glasses to bring attention to the eyes. Unfortunately, as we age, sometimes makeup and glasses aren t enough. In fact, as we get older, our faces can begin to send more non-verbal messages that are inconsistent with the way we truly feel. Consider the eyes specifically. As we age, our eyelids can begin to droop and look heavy. This may be due to a lower eyelid height, heaviness of the upper or lower eyelid or an eyebrow falling into the upper eyelid space. Whatever the cause, having baggy, puffy eyes can make a person look tired, sleepy, old or sick. It s been said that the eyes are the windows to the soul. Yet when our eyes are projecting an image that isn t us when people start commenting on how tired we look, when in fact we feel fine we can start to feel like we truly embody the message we see in the mirror. We begin to feel old or sick or tired because we always look like we are. Rejuvenating your eyes can have an incredible impact on the way you feel about yourself and the way you interact with the world. How Putting Your Best Face Forward Can Improve Communication (And Your Life) When you enhance your natural beauty, it enables you to communicate more effectively with people across all areas of your life. By making natural-looking changes in your appearance that allow others to better relate to you, you gain a competitive edge in your business interactions and improve communication with friends and loved ones. The non-verbal cues you send out are more in line with who you really are and how you really feel. Working with a cosmetic surgeon who takes the time to assess your face on an individual basis, and one who has the experience and specialization to customize the right procedures for your needs, makes all the difference in the world. It results in an enhanced natural beauty that directly impacts communication in a positive and often life-changing way. The proper cosmetic procedures, performed by a surgeon who understands true, balanced beauty and can bring out the unique beauty in each of his patients can be transformative. I am able to take patients from a place of disconnect and unhappiness to a more harmonious and positive life experience, and it never ceases to be rewarding to me. Unfortunately, many people are hesitant at the thought of having any sort of cosmetic procedure or surgery. In the next two chapters, we ll explore the ways cosmetic procedures have gotten a bad rap and then learn what the proper approach to cosmetic procedures should be. To order a copy of Dr. Scheiner s book, please click here. 5