FOLIO AFRICAN MODERN CRITICAL
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1 FOLIO AFRICAN MODERN CRITICAL Supported by the Graduate School of Architecture at the University of Johannesburg and the Graham Foundation for Advancement in the Fine Arts, FOLIO: Journal of Contemporary African Architecture is Africa s newest, peer-reviewed journal of architecture exploring and reflecting on issues, ideas, built projects, criticism and speculative work on a wide range of topics concerning architecture, urbanism and creative practice across Africa and the African diaspora. With articles, essays and projects ranging from landscape architecture to poetry-in-motion, FOLIO showcases the work of African architects, practitioners and academics committed to shaping new discourses that define our contemporary built environments. The journal is the first publication of GSA Imprints, the publishing arm of the Graduate School of Architecture. Edited by Professor Lesley Lokko, Head of School, with an international advisory board and six reviewers, FOLIO will be published annually, with calls-for-papers distributed globally each September. FOLIO is available in Cape Town from The Book Lounge; in Johannesburg from Love Books, Melville and directly from the GSA. For subscription and purchases, please contact Denise Fouché at dfouche@uj.ac.za. It is also available as a free online download from:
2 KEY DATES Volume 2, Noir Radical November Call-for-papers announced via GSA Website and FOLIO Facebook Page January Abstracts due to Editor(s) (llokko@uj.ac.za) by January Abstracts should be 300 words or less, together with an indication of the following type of submission: Essay Visual Work Photo-essay Interview Other Abstracts for Volume 2 should indicate which of the three themes applies (combinations welcomed): Radical Discourse Radical Discipline Radical Development Whilst interpretations of the word radical are open and wide-ranging, we are primarily looking for submissions that reflect the author s interests in radical explorations of the above three broad themes. We seek perspectives on, about, in, in relation to and of Africa, including the African Diaspora, in any discipline relating to architecture, urbanism, landscape, spatial practice and/or engineering, town planning, policy or infrastructure development. In this second volume, we are also interested in work that is cross-, multi- or interdisciplinary in nature. Final submissions should be between 3,500 and 5,000 words. All work should follow the FOLIO Style Guide (below). All work must be original, unless otherwise stated. All permissions and attributions are the sole responsibility of the author. All submissions where work by other authors, including work produced in association with other authors, has been included must be accompanied by a signed and dated permissions form (below). All images should be at minimum 300dpi at A4 (or size equivalent). For exceptionally large or high-quality images, the editors and designers reserve the right to make the necessary adjustments to fit. March Editor(s) notify authors of acceptance or rejection via . May First draft submission, including images and permissions, to Editor(s). May Submissions sent for peer-review (if applicable) to two external reviewers. July Reviewers comments sent to authors for review and amendments. September Second draft to Editor(s) for final edit. Editor to send for proof- and copy-editing. October Final draft to authors for final check and approvals. November Launch at GSA Summer Show.
3 Abstract Submission Form Title: Abstract (300 words max): Sample image, if applicable (file name): No of planned images: Indexing: academic discipline and sub-discipline (e.g., Architecture & Urbanism ) Keywords (6 max): Chronological or historical coverage (if appropriate):
4 [Recipient s name] [Address line 2] [Address line 3] [Date] Dear Sir/Madam Re: Permission to use copyrighted material I am preparing for publication a chapter to be included in FOLIO: Journal of Contemporary African Architecture, to be published by GSA Imprints, GSA, FADA Building, University of Johannesburg, Bunting Road, Auckland Park Campus, Johannesburg 2006 ( GSA Imprints ). I understand that you or your company are the legal copyright holder, or are licensed to allow usage of the following text/image: [Insert name of work] I request your permission to include part of this material (as shown in the attached document) in my publication, in both print and electronic format, in all languages and all territories throughout the world, for the life of the work and all future editions. The material may also appear incidentally in GSA Imprint s marketing material for the book, and the editorial team may need to make minor alterations (such as cropping or resetting) for design purposes, however, all work will be duly credited. A typical form of acknowledgement would be: [Author], [year], [title of book], [publisher], reproduced by permission of [copyright owner] but if you would like me to include an alternative acknowledgement then I would be pleased to do so. If you are prepared to grant this permission then please confirm by signing the slip below and returning to me at postal address or address (scanned copy). Alternatively you may copy and paste the statement below directly into an . If you do not control the rights to this material, then I would appreciate your advice as to whom I should contact. Finally, in order to reproduce your image to the best standard possible, please could you also send a high-resolution (minimum size 300dpi) copy to me a JPEG or TIFF file. I,, warrant that I own the copyright to/have the rights to allow usage of the work insert name of work, and hereby grant GSA Imprints permission for this material to be published in the journal entitled FOLIO, in both print and electronic format, in English-language and in all territories throughout the world, for the life of the work and all future editions. The material may also be used for marketing the new publication and may undergo minor alterations for design purposes. Date Signed
5 REFERENCES AND NOTES When writing your manuscript you may wish to reference other pieces of work, or add in explanatory notes to expand on something you ve mentioned in the main text body. If so, you should use the Oxford style referencing system. This involves inserting number cues into the text which direct the reader to notes printed at the end of the chapter or book (endnotes). To do this, please use the Insert Endnote feature on your word processor. Please do not manually insert superscript numbers into the text. Please also adhere to the following guidelines: Insert the cue at the end of the sentence, after any punctuation (unless the note refers exclusively to text within parenthesis, in which case the cue should sit inside the bracket). Use Arabic numerals for the number cues (i.e. 1,2,3,4 etc.). Use a consistent form of citation. If you are unsure how to cite a work, a good source of guidance can be found at (see Part 3: Collating a Bibliography ). When referencing another work, include page numbers. If repeating the same reference as cited immediately above, you may use ibid. followed by the relevant page number (ensuring the term ibid. is in italics and followed by a full stop). If repeating a reference cited earlier in the same chapter, simply enter the author s surname and a shortened title of the work. For example, if the first citation was Smith, J., Publishing Rules in the UK, Small Publisher (London, 1990), p.62, a later reference of the same work might be Smith, Publishing Rules, p.2, or even Smith, p.2 (where no other works by Smith are listed in that chapter). Bibliography/Further Reading If you include a bibliography with your manuscript (a list of all works and material of potential interest to the reader, including all those cited in the manuscript) or a Further Reading list (just a list of all works and material of potential interest to the reader), please use the same citation format as used in your endnotes, and then order the entries alphabetically by surname.
6 Oxford Referencing System Book 1 Adriaan Bedner, Administrative Courts in Indonesia: a Socio-Legal Study, Kluwer Law International, The Hague, 2001, p. 51. Bedner, A. Administrative Courts in Indonesia: a Socio-Legal Study. Kluwer Law International, The Hague, Chapter 2 Jennifer Balint, 'Law's constitutive possibilities: reconstruction and reconciliation in the wake of genocide and state crime' in Lethe's Law. Justice, Law and Ethics in Reconciliation, eds. E. Christodoulidis & S. Veitch, Hart Publishing, Oxford, 2001, p Balint, J. 'Law's constitutive possibilities: reconstruction and reconciliation in the wake of genocide and state crime' in Lethe's Law. Justice, Law and Ethics in Reconciliation eds. E. Christodoulidis & S. Veitch. Hart Publishing, Oxford, Journal Article 3 Jennifer Balint, 'Towards the anti-genocide community: the role of law', Australian Journal of Human Rights, Vol. 1, issue 1, 1994, p. 12. Balint, J. 'Towards the anti-genocide community: the role of law', Australian Journal of Human Rights, Vol. 1, issue 1, 1994, pp e-journal Article 4 Anne Scully-Hill, 'Consent, frozen embryos, procreative choice and the ideal family', The Cambridge Law Journal, 63:47-49, < (accessed 31 August 2004). Scully-Hill, A. 'Consent, frozen embryos, procreative choice and the ideal family'. The Cambridge Law Journal, 63:47-49, < (accessed 31 August 2004). Websites 5 Sam Biondo, 'Drug Outreach Law. A new way of meeting client need', Fitzroy Legal Service, < 20Factsheet.htm>, 2002, (accessed 30 August 2004). Biondo, S. 'Drug Outreach Law. A new way of meeting client need', Fitzroy Legal Service, < (accessed 30 August 2004).
7 Legislation (statutes) 6 Trustees Act 1962 (WA) s90. Trustees Act 1962 (WA) s90. Cases 7 DPP (WA) v Silbert, 2000, 112, A Crim R, 88. DPP (WA) v Silbert, 2000, 112, A Crim R, 88. Newspaper articles 8 Ellen Connolly, 'Strapped for cash: man gets $2.5m for a 1984 caning', Sydney Morning Herald, 15 Feb. 2001, p. 1. Connolly, E. 'Strapped for cash: man gets $2.5m for a 1984 caning', Sydney Morning Herald, 15 Feb. 2001, p. 1. Reports (print) 9 Darren Palmer, Reece Walters & Garry Coventry, Care, Co-operation and Youth 'at risk': the Fitzroy Youth Care Project... final evaluation report. National Centre for Socio-Legal Studies, La Trobe University, Bundoora, Vic.,1993, p. 9. Palmer, D. Walters, R. & Coventry, G. Care, Co-operation and Youth 'at risk': the Fitzroy Youth Care Project... final evaluation report. National Centre for Socio-Legal Studies, La Trobe University. Bundoora, Vic., Reports (web) 10 Heather Douglas & Lee Godden, 'The Decriminalisation of Domestic Violence', Socio-Legal Research Centre - Reports, < 2002, (accessed 8 September 2004). Douglas, H. & Godden, L. 'The Decriminalisation of Domestic Violence'. Socio-Legal Research Centre - Reports, < 2002, (accessed 8 September 2004). Works cited in another work 11 Australian Law Reform Commission, Multiculturalism and the Law, Report No. 57, 1992, p. 187, cited in Simon Bronitt and Kumaralingam Amirthalingam, 'Cultural Blindness. Criminal Law in Multicultural Australia', Alternative Law Journal, Vol. 21, No. 2, 1996, p. 59.
8 Australian Law Reform Commission, Multiculturalism and the Law. Report No. 57, 1992.Bronitt, S and Amirthalingam, K 'Cultural Blindness. Criminal Law in Multicultural Australia'. Alternative Law Journal, Vol. 21, No. 2, 1996, pp Conference papers 12 Mairéad Birch & Gianni Scollen, 'Penetrating the silence: shame, peers and the community' in Proceedings of the 4th International Symposium on Victimology, August, ed. C. Sumner, Australian Institute of Criminology, Canberra, 1992, pp Birch, M & Scollen, G 'Penetrating the silence: shame, peers and the community' in Proceedings of the 4th International Symposium on Victimology, August, ed. C. Sumner, Australian Institute of Criminology, Canberra, Television Programmes 13 'Legislating for Tolerance,' Storyline Australia, television programme, SBS Television, Sydney, broadcast 5 June 'Legislating for Tolerance,' Storyline Australia, television program, SBS Television, Sydney, broadcast 5 June DVDs 14 Housing and Poverty, DVD, 4most Films, Melbourne, Housing and Poverty, DVD, 4most Films, Melbourne, 2004.
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