Russian 2454: Spring 2004Symbolism, Acmeism, Futurism [1890s-1930s] 1
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1 Russian 2454: Spring 2004Symbolism, Acmeism, Futurism [1890s-1930s] 1 SYLLABUS Spring 2004: Russian #2454 Symbolism, Acmeism, Futurism Office: 1417 CL Time: Friday 1:30-4:15 Place: 1221 CL Office hours: Tues 8-9am, 6-7pm, Thurs 10-11am, and by appointment jgharris@pitt.edu This course will focus on close readings and analyses of poetic texts from the three most significant literary movements of 20 th century Russian Modernism: Symbolism, Acmeism, Futurism (1890s-1930s). In addition to enjoying the unique poetic language and formal characteristics of new verse forms, we will consider how these poetic texts reflect or refute the manifestos of the major literary movements and their relationship to the historical, literary, cultural, and biographical contexts of the era. Our readings will include Balmont, Sologub, Gippius, Blok, Ivanov, Annensky, Akhmatova, Mandelstam, and Gumilev, Mayakovsky, Khlebnikov, Pasternak, and Tsvetaeva. Goals: to understand the cultural significance of poetry in Russia; to learn to read Russian poetic texts [specifically, 1890s-1930s] by identifying structurally meaningful elements, which produce themes and motifs as well as the images, verbal semantics, and intertextual references or subtexts; to understand how any formal element can acquire semantic meaning[s] in the creative production of verse in the Russian cultural context; to gain an understanding of how the formal elements of meter, rhyme, and other structural characteristics are combined to create or contribute to this extremely dense form of expression of the human imagination. Required Readings: Primarily from Handouts. Also: E. Draitser: Russkie Poety XX Veka [Pitt Bkstore] See Verse handouts from last term. There will be additional ones as well. You should also refer to Handouts from last term for Chronology, Manifestoes, etc. Critical readings: See Reading List of New Handouts, parts I & II Please pay Chris Metil for the New Handouts: available in her office Recommended Website: This site provides background, poems, translations, and it allows you to listen to the reading of many poems!! An extremely useful source, which is still in process, so it is far more useful for some poets than others. Readings for each class: Specific texts will be highlighted for each class meeting. However, you are also responsible for reading the more general materials, critiques, background information, and particular articles on the different poets we will be reading as we move through the course. See separate reading list of handouts. Poems marked Markov anthology refer to the handouts from last term taken from that collection, page numbers are given for reference purposes. Some poems will be provided as separate handouts; and you may have to locate some poems yourselves in the library or on the website listed above. For analyses of poems, see requirements below. Week Date Subject 1 Jan 9 Introduction. Syllabus. Historical background. Versification. Bal mont: Overview of verse forms, musicality 1890s Briusov
2 Russian 2454: Spring 2004Symbolism, Acmeism, Futurism [1890s-1930s] 2 2 Jan 16 Gippius and Briusov: introduction of Dol niki Gippius Pesnia [dol niki] Ivanov and Briusov: esthetics of beauty Griadushchie guny [dolniki] response to Ivanov s Kochevniki krasoty Bal mont poems from Liturgiia krasoty, 1905 Sound texture Trochaic tetrameter. Pushkin s Besy Sologub Chertovy kacheli Balmont Lemury Venclova: K demonologii russkogo simvolizma Briusov: trochaic tetrameter and the ballad Orfei ; classical references Briusov, p. 3, in Gasparov #77 Bliz medlitelnogo nila the East Bal mont Pliaska atomov [fr Liturgiia krasoty, 1905] 3 Jan 23 Decadence and Russian Symbolism: Sologub, Gippius, Briusov Readings: appropriate bio-bibliographical materials for today s poets The following articles will be helpful, useful: both Clowes: Lit Decadence And The Nietzschean Image Schmid on Sologub s late verse; 2 articles on Sonnet form and Ivanov: by Etkind and Klimoff Topics: Urban themes; eroticism; theme of sorcery; theme of ennui, etc. (1) Urban themes, esp. on Peterburg: see page in handout after Annensky: Includes Briusov, Peterburg, Blok Petr, Annensky Peterburg Also Gippius, p 72 Peterburg (1909) [Pushkin s Mednyi Vsadnik, as subtext] (2) Eroticism p48 Briusov Bessonitsa ( ), p58 Gippius Tsvety nochi And Briusov s pp42,44 V sklepe and V zastenke [1905] (3) More on theme of ennui: Briusov p 50 Tsvetok zasokhshii (4) Sorcery and creative imagination, nature: Sologub Okolodovai ia vsiu prirody p 96 in contrast to My plennye zvery p98 (5) Also: poems emphasizing sound texture, more Sologub + Sologub, in Gasparov, p.39 #113; p27, #17, Sologub, Belyi, Briusov, #s36, 38, 39, pp (6) Sonnets: Post-symbolist Sonnets: Bal mont and Ivanov [Markov anthol] Compare [all Marjov anthol] Bal mont s earlier Podvodny rasten ia (1905) and Ivanov Perevodchiku w later sonnets both Bal mont & Ivanov Bal mont: pp16,18,20 Tsvet strasti, Tsveta dragotsennogo, Kover Ivanov pp140, 142, 144, 146, Sfinsky nad Nevy Sobor Sv Marka Tvoe Imenovanie Dvustvorku 4 Jan 30 Ivanov and Annensky: As Symbolists, and as Mentors of Post-Symbolism Readings: appropriate bio-bibliographical materials for today s poets; & introductory articles on Ivanov, and Terras on Annensky Religious themes, theurgy; Aesthetics of nature and death Ivanov p130. Al piiskii rog and Janacek article
3 Russian 2454: Spring 2004Symbolism, Acmeism, Futurism [1890s-1930s] 3 Annensky Verbnaia nedel ja in Borker article and poe Continue: Sonnets from last time + Annensky sonnets [separate Xerox] Statue poems: Ivanov p136 Nartsiss, Annensky p122 Pace A Wanner article, Blok s Scuptural Myth [under Blok] Annensky pp *112, 114, , 126 Iul Sentiabr Iamby Chernaia vesna Maki Amnetisty, Moia Toska 5 Feb 6 No class. Add extra hour to both Feb 13 and Feb 20 6 Feb 13 Finish Annensky, above: pp *112, 114, , 126 Sentiabr Iamby Cerhnaia vesna Maki Ametisty, Moia Toska Blok Early and Middle verse, through 1908 [see Draitser, and handouts] Vkhozju ia v temnye khramy [web copy] w chronology of poems; Markove, pp , Draitser, pp 9-17 Read in chronolog. Order. +Blok in Gasparov, p24, #100 [1905], p43, #118 [1908] Re-read Wanner on Blok s Sculptural myth, & Kostich Petr Articles: Lidiia Ginzburg. Nasledie I otkrytiia [fr O lirike]; Feinberg, Of Two Minds ; Klenin O doblestjakh, o podvigakh Sagatov, Blok s Nochnaia Fial ka: Self thru dream Smirnova Perception of Creativity Byrns, Vrubel & Blok One report [Luba]: Ia prigvozhden k traktirnoi stoike If time, begin: Rodina poems. Read: Na kulikovo pole [canto I] 7 Feb 20 Blok Middle and Late verse, 1909/ , including Dvenadtsat Read Rodiina cycle poems in our texts: Na Kulikovo pole, Rossiia, Rozhdennye v goda glukhie [Report Samantha], Korshun Read Draitser, pp18-27, Marjov pp172 [ Chernyi voron ] -182, + One report [Michelle] Unizhenie 1910 Read 4 articles on Dvenadtsat and of course, Dvenadtast copy in articles Articles: Etkind & Ivanov on Shagi komandora ; Lotman on 1913 poem to Akhmatova; Kodjak, Vroon, Hughes, on cycles, etc. Schwarzband Blok & Gumilev Last hour: Begin Acmeism. Read Gumilev: Read articles on Acmeism and on Gumilev Gumilev shorter poems: Review Giraffe [Parnassian influence] Piatistopnye iamby as manifesto poem; Somnenie, Sovremennost Pamiati Annenskogo Voina + Markov: Rabochii Shestoe chustvo Articles on Zabliudivshiisia tramvai and the longer poem
4 Russian 2454: Spring 2004Symbolism, Acmeism, Futurism [1890s-1930s] 4 8 Feb 27 Post-symbolism: Acmeism: Akhmatova 9 Mar 5 Post-symbolism: Acmeism: Mandel shtam 10 Mar 12 Spring Break 11 Mar 19 Post-symbolism: Futurism: Khlebnikov, Kruchenykh, Guro 12 Mar 26 Post-symbolism: Futurism: Mayakovskii 13 Apr 2 Futurism and its influence: Pasternak Readings: Marburg, Sestra moia-zhizn and other handouts. See handouts. See handouts for designated poems. 14 Apr 9 Futurism and its influence: Tsvetaeva 15 Apr 16 Catch-up day 16 Apr 23 Final Papers due, Student Reports on final papers Basic Requirements: Reading of all class materials and Active participation in class 3 Class reports: Analyses of poems [15-20 minutes]. Each of these should be written up and handed in, subsequently, BUT within two weeks of the presentation. 1-Weeks 5-6: Blok 2-Weeks 7-9: Acmeism 3- Weeks 11-14: Futurism Final page paper on poet and topic of your choice Final Class report on Final paper [25-30 minutes] An annotated bibliography on a poet of your choice should accompany your final paper Final paper is due the last week of class. Analyses of Poems should include: 1-Copy of poem with stresses marked 2-Meter: written out 3-Rhyme scheme 4-References to significant elements of sound texture besides rhyme: assonance, alliteration, paronomasia, etc. 5-Identify speaker or lyric persona and audience 6-Identify key themes, motifs, thematic devices, and how they are expressed 7-Identify key images, and how they are expressed
5 Russian 2454: Spring 2004Symbolism, Acmeism, Futurism [1890s-1930s] 5 8-Identify any subtexts references to previous poems or dialogue with other poets, writers, where you can 9-Pick a theoretical approach to the poem which can help to elaborate on its meaning, significance. This may involve a psychological, biographical, intertextual, linguistic, structural, political, philosophical, religious interpretation, or a gender critique, or any other critique which seems to suit the particular poem, poet, or topic. 10-Please refer to Sherr, Gasparov, and/or Lotman, etc. for help with identifying formal characteristics, versification patterns, etc. 11-Please refer to bio-bibliographical information and other handouts for suggestions, help, etc. Final paper: Paper may be an outgrowth of one of the shorter analyses above, or it may be comparative, or a more elaborate investigation of one particular poet and his/her work, or of a particular theme or versification problem as presented by a variety of poets, or a particular cycle of poems, or Consult handouts. Consult with me after you have thought about your topic. But DO NOT wait until the last minute.
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