MUSIC EMORY EMORY WIND ENSEMBLE EMORY UNIVERSITY SYMPHONY ORCHESTRA PAUL BHASIN, CONDUCTOR JOHN LYNCH, GUEST CONDUCTOR

Transcription

1 MUSIC EMORY at EMORY WIND ENSEMBLE EMORY UNIVERSITY SYMPHONY ORCHESTRA PAUL BHASIN, CONDUCTOR JOHN LYNCH, GUEST CONDUCTOR SATURDAY, DECEMBER 1, 2018, 8:00 P.M. EMERSON CONCERT HALL SCHWARTZ CENTER FOR PERFORMING ARTS

2 EMORY WIND ENSEMBLE Through the Looking Glass John Lynch, guest conductor Jess Turner (b. 1983) Ballad for Band John Lynch, guest conductor Morton Gould ( ) Russian Christmas Music Alfred Reed ( ) EMORY UNIVERSITY SYMPHONY ORCHESTRA Karelia Overture, op. 10 Jean Sibelius ( ) Capriccio espagnol, op. 34 Nikolai Rimsky-Korsakov I. Alborada. Vivo e strepitoso ( ) II. Variations. Andante con moto III. Alborada. Vivo e strepitoso IV. Scene and Gypsy Song. Allegretto V. Fandango of the Asturias 2

3 Through the Looking Glass PROGRAM NOTES Composer Jess Turner describes his fanfare, Through the Looking Glass, as a concert opener, bringing the audience into the musical world created by the concert they are about to hear. In this way, this piece acts in a similar manner to the looking glass through which Alice was able to gain access to her wonderland. The entire three minutes of the piece consists of only five different pitches that are constantly reconfigured into running passages, driving ostinati, and thrilling fanfares. Ballad for Band Program note by Paul Bhasin. Composing is my life blood, said Pulitzer Prize winning composer Morton Gould. That is basically me, and although I have done many things in my life conducting, playing piano, and so on what is fundamental is my being a composer. Capping a life full of achievements in all facets of music are Morton Gould s 1995 Pulitzer Prize for Stringmusic, commissioned by the National Symphony for the final season of music director Mstislav Rostropovich and his 1994 Kennedy Center Honor in recognition of lifetime contributions to American culture. Born in Richmond Hill, New York, on December 10, 1913, Gould was recognized as a child prodigy based on his improvisation and composition skills. He published his first work at age six and went on to study at the Institute of Musical Art (now the Juilliard School). His most important teachers, however were Abby Whiteside (piano) and Vincent Jones (composition). During the Depression, Gould (still a teenager) found work in New York s vaudeville and movie theaters. Gould was the first staff pianist for Radio City Music Hall and by age 21 he was conducting and arranging a series of orchestral programs for WOR Mutual Radio. Gould attained national prominence through his work in radio, as he appealed to a wide-ranging audience with his combination of classical and popular programming. During the 1940s, Gould appeared on the Cresta Blanca Carnival program and The Chrysler Hour (CBS), reaching an audience of millions. Ballad for Band was composed in It is loosely based on the stylistic elements of the Negro spiritual, but does not contain any direct quotes from that literature. It is, instead, an original expression of what Gould called the Negro folklore idiom that intrigued him as a composer. The spirituals have always been the essence, in many ways, of our musical art, our musical spirit. The spiritual is an emotional, rhythmic expression. The spiritual has a universal feeling; it comes from the soul, from the gut. Program note excerpted from An American Salute liner notes by The President s Own United States Marine Band. 3

4 Russian Christmas Music On his work, Russian Christmas Music, the composer Alfred Reed writes, Originally written in November 1944, Russian Christmas Music was first performed in December of that year at a special concert in Denver, Colorado, by a select group of musicians from five of the leading service bands stationed in that area. Two years later, the music was revised and somewhat enlarged, and in this form was one of the three prize-winning works in the 1947 Columbia University contest for new, serious music for the symphonic band. First performances of this second version subsequently took place in 1948; the first, by the Juilliard Band under Donald I. Moore, and the second by the Syracuse University Symphonic Band under Harwood Simmons, to whom the work was dedicated. An ancient Russian Christmas carol (Carol of the Little Russian Children), together with a good deal of original material and some motivic elements derived from the liturgical music of the Eastern Orthodox Church, forms the basis for this musical impression of Old Russia during the jubilant Christmas season. Although cast in the form of a single, continuous movement, four distinct sections may be easily recognized, which the composer originally subtitled: Children s Carol, Antiphonal Chant, Village Song, and the closing Cathedral Chorus. Program note by Paul Bhasin. Karelia Overture, op. 10 Karelia is a region located along the Finnish-Russian border. As such, it was long an area of contention between Finland, Russia, and Sweden as well. Karelia is also celebrated as a seat of Finnish culture and folklore. Many artists, Jean Sibelius included, traveled to Karelia to study the region s traditions and forms of expression. On November 13, 1893, the Viborg Students Society at Helsinki University staged a gala to fund education initiatives in Karelia. The society requested Sibelius to compose music to accompany a series of tableaus depicting pivotal moments in Karelian history. Sibelius responded with an overture and seven additional numbers. The overture was published as the composer s op. 10. The Karelia Suite, op. 11, comprises three of the tableau pieces. The Karelia Overture is based upon a trio of principal themes. The first, energetic and optimistic, is presented at the outset. The key shifts from C major to E minor, as the strings introduce the introspective, cantabile second theme. The horns announce the final theme, a vibrant martial episode. A brief development and varied restatement of the themes lead to the Karelia Overture s triumphant close. Capriccio espagnol, op. 34 Nikolai Rimsky-Korsakov composed his brilliant Capriccio espagnol in summer For some time, the Russian composer had been occupied with the orchestration of his opera, Prince Igor. However, according to Rimsky-Korsakov: 4

5 In the middle of the summer this work was interrupted: I composed the Spanish Capriccio from the sketches of my projected virtuoso violin fantasy on Spanish themes. According to my plans the Capriccio was to glitter with dazzling color, and manifestly, I had not been wrong. It was Rimsky-Korsakov who led the October 31, 1887, premiere of his Capriccio espagnol. The concert took place at the Small Theater in St. Petersburg, as part of the Russian Musical Society s concert series. Rimsky- Korsakov conducted the orchestra of the Imperial Russian Opera House. The concert, according to Rimsky-Korsakov, was played with a perfection and enthusiasm the like of which it never possessed subsequently.... Despite its length, the composition called forth an insistent encore. Rimsky-Korsakov has long been hailed as one of the masters of orchestration. The composer himself acknowledged that the Capriccio espagnol, along with Scheherazade (1888) and the Russian Easter Overture (1888), marked the culmination of a period in which my orchestration had reached a considerable degree of virtuosity and bright sonority. The five movements are played without pause. I. Alborada. Vivo e strepitoso The Capriccio espagnol opens with a scintillating Alborada (an aubade, or morning serenade). II. Variations. Andante con moto The horn introduces a languid, dolce theme that serves as the basis for a series of variations, showcasing the orchestra s wide range of colors. III. Alborada. Vivo e strepitoso The third movement offers a repetition of the opening Alborada, now transposed from A to B-flat major. IV. Scene and Gypsy Song. Allegretto A roll of the snare drum introduces a series of cadenzas for the horns and trumpets, violin, flute and clarinet, and harp. A vibrant Gypsy song dominates the latter part of the movement, gathering impressive momentum as it proceeds directly to the finale. V. Fandango of the Asturias The final movement opens with a fandango, a lively dance in triple meter. The Gypsy song briefly returns, as does the opening Alborada, bringing the Capriccio espagnol to a dazzling Presto conclusion. Program notes by Ken Meltzer, unless otherwise indicated. PAUL BHASIN, CONDUCTOR Paul Bhasin serves on the faculty of Emory University as director of wind studies and interim director of orchestral studies. In this capacity, he conducts the Emory University Symphony Orchestra, Emory Youth Symphony Orchestra, and Emory Wind Ensemble, and he teaches conducting. Praised for his crisp, clear conducting and highly expressive interpretations, Bhasin has led a variety of university, youth, and professional ensembles throughout North America and abroad including recent performances at the Kennedy Center in Washington, D.C., and throughout the People s Republic of China. 5

6 Bhasin s most recent guest engagements include appearances with the Virginia Symphony Orchestra (including live radio broadcasts of subscription concerts), American Youth Philharmonic, Williamsburg Symphony, New Jersey Youth Symphony, and at Interlochen Arts Academy. He has also led performances as a guest conductor with members of the Richmond Symphony, National Symphony, Baltimore Symphony, and Kennedy Center Opera Orchestra. He has led honor orchestras and bands, including at the all-state level; served as a guest clinician throughout the United States; and presented at national conferences including the Midwest Orchestra Clinic and the National Music Teachers Association Conference. Bhasin is an accomplished orchestral trumpeter, having performed and recorded with the Virginia Symphony and Opera, Columbus (Ohio) Symphony, New World Symphony, the Civic Orchestra of Chicago, and at the music festivals of Aspen, Tanglewood, and Ravinia. With these institutions, he has performed under the batons of Michael Tilson Thomas, James Conlon, James DePriest, Leonard Slatkin, Andreas Delfs, and Gustav Meier, and he has participated in the conductor training program at Aspen under David Zinman and Murry Sidlin. A committed trumpet teacher, his students have won first prize at major competitions including the National Trumpet Competition. He has been featured as a soloist on National Public Radio, Detroit PBS-TV, the International Computer Music Conference, at the Chautauqua Music Festival, and at the International Dvořák Festival (Prague, Czech Republic). Bhasin has recorded as trumpeter and conductor for both the Centaur and Interscope record labels, and his 2015 Centaur Records release features the music of Brian Hulse and is performed by principal soloists from the Richmond and Virginia Symphonies. A forthcoming CD project with Centaur will feature Atlanta Symphony Orchestra principals as concert soloist with Emory student musicians. Bhasin s transcriptions and arrangements are published by Balquhidder Music and have been performed and commissioned in the United States and abroad by the St. Louis Opera Theater, Grand Tetons Festival Orchestra, La Unió Musical l Horta de Sant Marcel lí (Valencia, Spain), and the Washington Symphonic Brass (Washington, D.C.). In 2015, Bhasin composed and conducted the orchestral score to 9:23 Films motion picture, Hogtown (award winner at the Berlin, Los Angeles and Nashville International Black Film Festivals, and Cannes Festival Marché du Film). Michael Phillips of the Chicago Sun-Times writes that the film was... scored beautifully by composer Paul Bhasin... better than the entirety of the last few features I ve seen, period. In 2016, reviewer Ben Kenigsberg of the New York Times named the film a Critic s Pick and one of the Top 10 Films of Bhasin s previous appointments include positions at the University of Wisconsin Green Bay, Triton College, and the College of William and Mary. He received his musical education from the University of Wisconsin Madison, Northwestern University, and the University of Michigan. 6

7 EMORY WIND ENSEMBLE The Emory Wind Ensemble (EWE) is dedicated to performing wind band and chamber literature of the highest caliber while nurturing individual artistic excellence within an ensemble setting. Concert programming comprises a wide variety of styles, forms, and genres from several centuries of compositional practice, designed to provide a comprehensive exposure to the masterpieces for winds and percussion from the Renaissance period through the modern era. EWE performs two concerts each semester; regularly participates in world premieres of new music; tours the United States and abroad; and is a national leader in the commissioning of new music, including works by Warren Benson, Bruce Broughton, Jennifer Higdon, Libby Larsen, John Mackey, Jonathan Newman, Joseph Schwantner, and many others. EWE s recent collaborations include performances with the Emory University Chorus; the Emory Dance Company; Emory s Mary Emerson Professor of Piano William Ransom; Chris Martin, principal trumpet of the Chicago Symphony Orchestra; Stuart Stephenson, principal trumpet of the Atlanta Symphony Orchestra; Joe Alessi, principal trombone of the New York Philharmonic; Adam Frey, international euphonium solo artist; and Grammy Award winning clarinetist Richard Stoltzman; among many others. EWE has performed concert tours of Munich, Salzburg, Innsbruck, Lucerne, Graz, Prague, Vienna, and Greece. Additionally, the EWE has performed at the Georgia Music Educators Association State Convention in Savannah, Georgia; the Southern Division College Band Directors National Association Conference (CBDNA); and for various events on the Emory campus, including the inauguration of James Wagner as president of Emory. EWE was recognized in 2017 as a Top 10 program among its peers by CBDNA, and it was featured at the 2017 CBDNA National Conference Small Band Showcase. EWE is recorded on the NAXOS music label. John Lynch, guest conductor Prior to joining the Sydney Conservatorium of Music as associate professor and director of bands in June 2014, John Lynch was the director of bands and a professor of music at the University of Georgia where he guided all aspects of the band and graduate and wind conducting programs. Previous positions included those at the University of Kansas, Northwestern University, and Emory University. He has 10 years of high school teaching experience in his native New York where he was the national recipient of the Stanbury Award for outstanding teaching and conducting. Lynch has degrees from Indiana University, the Eastman School of Music, and the University of Cincinnati College Conservatory of Music. He has conducted throughout North America, South America, Europe, and Asia, including invited tours of China, Argentina, and Europe. He has performed at the national conferences of the College Band Directors National Association, the American Bandmasters Association, the National Association 7

8 for Music Education, the Midwest Clinic; at the Georgia Music Educators Association and the Kansas Music Educators Association; and at Interlochen. Recent conducting engagements include the West Point Band, the Army Field Band, and the United States Marine Band. Lynch has held residencies at the Vivaldi Conservatory in Alessandria, Italy; the Conservatory in Vilnius, Lithuania; and the University of Costa Rica. He has three recordings on the Naxos label including the debut of the Wind Band Classics Series. His recordings have been broadcast throughout the United States, Europe, and Japan. He is a member of the American Bandmasters Association, the College Band Directors National Association, Phi Beta Mu, and the World Association for Symphonic Bands and Ensembles; a recipient of the American Prize and the University of Georgia s Creative Research Medal; and a Northwestern Fellow for Teaching Excellence. EMORY WIND ENSEMBLE FLUTE AND PICCOLO Irena Kuan Marietta, GA NBB Claire Mahon Norcross, GA Business Claudia Wahoski Fayetteville, GA Music/Biology Justin Au Saratoga, CA Psychology/Music Michelle Lee Saratoga, CA Business Ananya Zacariah Houston, TX International Business OBOE Sophia Seo Aldie, VA Applied Mathematics/QSS Kevin Qui Cranbury, NJ Undecided Jane Farrell Worthington, OH Undecided Rachel Jennings Savannah, GA Biology/Music BASSOON Mehvish Kahn Lakewood, NY International Studies/Economics Allison Rose Marietta, GA Music/QSS Sohil Shah Edison, NJ Music/Political Science Caitlin MacDonald Scotland, UK Emory Bobby Jones Scholar CLARINET Elise Kulers Decatur, GA Environmental Studies/Anthropology Tylor Lee Johns Creek, GA Economics Kelsey Newman Martinsville, VA Music/Business Ester Ro Sugar Hill, GA Music/Psychology Nicole Pierce Savannah, GA Psychology/Sociology Lydia Yang Cedar Rapids, IA Human Health Lucy MangalapallI Chicago, IL Biology/Sociology Brian Nguyen Moore, OK Music/Art History Joyce Li Cedar Rapids, IA NBB BASS CLARINET Josh Pynn Duluth, GA Music/Economics SAXOPHONE Kiran Sundar Bridgewater, NJ Music/Business Zigeng (Chris) Zhu Beijing, China Applied Mathematics/Computer Science Christopher Liu Staten Island, NY Applied Mathematics Tito Tomei Dacula, GA Music/Environmental Studies Jack Douglas Huntington, NY Political Science Jemma Kim Chicago, IL Human Health/Spanish and Portuguese Ronan Ramdeholl Suwanee, GA NBB 8

9 EMORY WIND ENSEMBLE TRUMPET Jacob Germany Alpharetta, GA Music/Chemistry Tony Kasper Huntington, NY Music/Environmental Studies Andrew Mahoney Atlanta, GA Chemistry, PhD student Paul Armitage Newnan, GA Undecided Tad Kim Suwanee, GA Undecided HORN Qifan Pei Zhejiang, China Music/Biology Samuel Edwards Jupiter, FL Music/Philosophy Jack Tellerday Clinton Corners, NY Biology Jang Soo Lee Bryan, TX Music/Chemistry Owain Thorogood Havertown, PA Business Nicholas Lee Cupertino, CA NBB TROMBONE Max Inman Cary, NC Music/Chemistry Graham Crain Maryville, TN Undecided Ethen Feldman Minneapolis, MN Political Science EUPHONIUM Gabe Hart H Austin, TX Music/Business Christopher Labaza Cary, NC Music/Creative Writing TUBA Sean Delaney Winchester, MA Music/Business Graham Wells Norcross, GA 07C STRING BASS Max Heeden Atlanta, GA Undecided PERCUSSION Chris Prugh Swarthmore, PA Film Studies/Biology Jason Goodman Granada Hills, CA Music/Political Science K mani Blyden Acworth, GA Music/Chemistry Dana Kahn Evergreen Park, IL Music/Engineering Sciences Zoe Zimmerman Ooltewah, TN Biology Morissa Wisdom Douglasville, GA Political Science/Interdisciplinary Studies PIANO Leo Zhao Pasadena, CA Music LIBRARIAN Tito Tomei OPERATIONS Jacob Germany Josh Pynn QSS: Quantitative Sciences NBB: Neuroscience and Behavioral Biology LACS: Latin American and Caribbean Studies Emory Youth Symphony Orchestra Alumni Woodruff / Music Woodruff Scholar H Emory Scholar 9

10 EMORY UNIVERSITY SYMPHONY ORCHESTRA The Emory University Symphony Orchestra (EUSO) presents an annual season of dynamic performances with major works from the established orchestral repertoire and new works of the 21st century. EUSO also combines forces regularly with Emory s University Chorus to feature masterworks of the rich symphonic-choral tradition. In addition to collaborations with faculty and other distinguished guest artists, students have the opportunity to appear as soloists with the orchestra as winners of the annual Concerto and Aria Competition. True to the spirit of the liberal arts environment, the large-scale symphony orchestra draws its membership from not only the Department of Music, but from all disciplines across campus. Largely populated by music double majors, the orchestra also welcomes the participation of qualified non-majors. EUSO is featured regularly on Atlanta s National Public Radio affiliate with broadcast performances including Beethoven s Symphony No. 9, Holst s The Planets, Shostakovich s Symphonies Nos. 5 and 10, Tchaikovsky s Symphonies Nos. 4 and 6, and Philip Glass s Cello Concerto No. 2 with acclaimed cellist, Matt Haimovitz. EMORY UNIVERSITY SYMPHONY ORCHESTRA The Joel M. Felner, MD, and Edward Goodwin Scruggs Chairs The two named chairs, concertmaster and principal second violin, are in recognition of instruments given to the EUSO in the value of $350,000. Joel M. Felner is associate dean at the Emory University School of Medicine; Edward Goodwin Scruggs was for 37 years a tenured member of the Atlanta Symphony Orchestra. The lives of both men represent distinguished careers and great philanthropy as patrons of music and friends of Emory. The concertmaster plays a 1687 Grancino and the principal second an 1870 Scarampella. VIOLIN I Claire Roesler Western Springs, IL Music/Chemistry Joel M. Felner MD Concertmaster Chair Patricia Lin Atlanta, GA Music/Chemistry Hyerin Yoon Great Neck, NY Music/Chemistry Amy Zhang Johns Creek, GA Music/Human Health Caroline Sikuta Naples, FL Music/Economics Kathy Li Lilburn, GA Music/Biology Judy Oh Auburn, AL Music/Biology Emily Chen Wexford, PA Chemistry Jonathan Park Decatur, GA Psychology Meg Winata Houston, TX Music/Nursing 14C Matthew Huang Shrewsbury, MA Business Haley Snyder Atlanta, GA English/Anthropology 12C Sofia Ayres Aronson Shaker Heights, OH Biology/Creative Writing Ariana Rahgozar Dix Hills, NY Music 16C 10

11 EMORY UNIVERSITY SYMPHONY ORCHESTRA VIOLIN II Catherine MacGregor Marietta, GA Music Edward Goodwin Scruggs Principal Second Chair Trevor Chun H Alpharetta, GA Music/Business Lesley Mun Vernon Hills, IL Music/Biology Alec Reinhardt Decatur, GA Music/Applied Math Ben Furman Atlanta, GA NBB Paolo Mutia Richmond, VA Environmental Sciences David Chen East Lyme, CT Undecided Franck Daryl Nana Tangpi Reminderville, OH Music/Business Cameron White Chicago, IL Music/Biochemistry Sizhe (Alex) Ren Changsha, Hunan, China Business/Computer Sciences Angela Cao H Edison, NJ Music/Mathematics Kristin Wadsworth Tampa, FL Undecided Carol Hou H Cherry Hill, NJ Applied Math/Quantitative Sciences Gloria Jung Centennial, CO Undecided Ellie Coe Roswell, GA Russian Studies Emma Kantor Oakland, CA Creative Writing/Film Studies VIOLA Emma DeJarnette Snellville, GA Music/Quantitative Sciences Zola Berger-Schmitz Venice, GA Music/Political Science Ji Won Lee Princeton, NJ Music/Biology Duncan Tam Hamden, CT Music Wilson Hsu H Chesnut Hill, MA Business Minnie Yang West Lafayette, IN History/Media Studies Alex Sabol Bethesda, MD Music/NBB Jabin Sohng Las Vegas, NV Music/Biology Julia Borthwick Atlanta, GA Psychology Sobin (Sophie) Ahn Seoul, Korea Music Sophia Weinstein H Brooklyn, NY International Studies Lucas Mock Durham, NC Undecided Talin Handa Melbourne, FL NBB/Chemistry Chris Breuer Aurora, IL Business CELLO Anna Bing Atlanta, GA Music/Spanish Literature Molly Ball H Virginia Beach, VA Music/Philosophy Eric Yang Houston, TX Music/Mathematics Sean Parker Baton Rouge, LA Music/Biology Sirian Yi Suwanee, GA Music/Psychology Claire Lee Suwanee, GA Music/International Affairs Hwanwook Seong Atlanta, GA Undecided Brian Le Richardson, TX Music/Business Haley Roesler Western Springs, IL Music/Quantitative Sciences Chris Fenger Greensboro, NC Music Jake Kanef Lexington, MA Undecided Amanda Ramirez H Atlanta, GA Music/Biology BASS Dashiell Wakeman Atlanta, GA Mathematics Hannah Perron Princeton Junction, NJ Undecided Max Heedon Atlanta, GA Undecided ZijianTan Suwannee, GA Music/Biology Alex Petralia Atlanta, GA Undecided Bijean Ford Durham, NC Immunology, PhD Kait McGann-Ludwin Palm City, FL Business 17B 11

12 EMORY UNIVERSITY SYMPHONY ORCHESTRA FLUTE AND PICCOLO Claire Mahon Norcross, GA Business Claudia Wahoski 4 Fayetteville, GA Music/Biology Olivia Stam Cumberland Foreside, ME Music/Psychology OBOE AND ENGLISH HORN Daniel Shin Holmdel, NJ Business Ria Brown H Houston, TX Biology Jane Farrell Worthington, OH Undecided CLARINET AND BASS CLARINET Kelsey Newman Martinsville, VA Music/Business Ester Ro Sugar Hill, GA Music/Psychology Josh Pynn Decatur, GA Music/Economics Lucy Mangalapalli Chicago, IL Biology/Sociology BASSOON Sohil Shah H Edison, NJ Music/Political Science Allison Rose Marietta, GA Music/Quantitative Science Caitlin MacDonald Scotland, UK Emory Bobby Jones Scholar HORN Samuel Edwards Palm Beach, FL Music/Philosophy Owain Thorogood Havertown, PA Business Danielle Staffin Bridgewater, NJ Music/Business David Pickworth Naples, FL Music 99C TRUMPET Jacob Germany Alpharetta, GA Music/Chemistry Andrew Mahoney Atlanta, GA Chemistry, PhD student Tony Kasper Huntington, NY Music/Environmental Science TROMBONE Max Inman Cary, NC Music/Chemistry Graham Crain H Maryville, TN Undecided BASS TROMBONE Ethan Feldman 4 Minneapolis, MN Political Science TUBA Sean Delaney Winchester, MA Music/Business TIMPANI AND PERCUSSION Christopher Prugh H Swarthmore, PA Film Studies/Biology Jason Goodman Los Angeles, CA Music/Political Science Zoe Zimmerman 4 Ooltewah, TN Biology Dana Kahn 4 Evergreen Park, IL Music/Political Science Calvin Bruno Fair Haven, NJ Undecided HARP Amanda Melton Kennesaw, GA Music 18C NBB: Neuroscience and Behavioral Biology Emory Youth Symphony Orchestra Alumni Woodruff/Music Woodruff Scholar H Edward Goodwin Scruggs Lesson Scholarship 4 Emory Friends of Music Scholarship for Applied Lessons 12

13 Laura Ardan, clarinet Marc Boehm, trombone Emily Brebach, oboe Jay Christy, violin Jason Eklund, horn Elizabeth Fayette, violin 4 Karen Freer, cello Adam Frey, euphonium Anthony Georgeson, bassoon Roee Harran, cello Yinzi Kong, viola 4 Michael Kurth, bass Michael Moore, tuba Ed Nicholson, trombone EMORY STRING, WIND, AND PERCUSSION FACULTY DEPARTMENT OF MUSIC ADMINISTRATION Kevin Karnes, chair Kristin Wendland, director of undergraduate studies Lynn Bertrand, director of graduate studies Martha Shockey, senior secretary Kathy Summers, academic department administrator Alexandra Shatalov, program coordinator Julia Hudgins, academic services coordinator Gary Paulo, saxophone Scott Pollard, percussion Jaclyn Rainey, horn Elisabeth Remy, harp Alexandra Shatalov, oboe Jessica Sherer, flute Christina Smith, flute Stuart Stephenson, trumpet Amy Trotz, horn H Shelly Unger, bassoon Guang Wang, cello 4 Jessica Wu, violin 4 Mark Yancich, percussion James Zellers, flute Atlanta Symphony Orchestra Atlanta Opera Orchestra H Atlanta Ballet Orchestra 4 Vega String Quartet Arts at Emory Box Office/Audience Information arts.emory.edu IN CONSIDERATION Please turn off all electronic devices. PHOTOGRAPHS AND RECORDINGS Not permitted without advance permission. COUGH DROPS Available in the lobby. USHERS Members of Music at Emory Volunteers and Alpha Phi Omega, a national service and social fraternity. Call for ushering opportunities. EVENT AND PROGRAM INFORMATION Available online at arts.emory.edu. ACCESSIBILITY The Schwartz Center for Performing Arts is committed to providing performances and facilities accessible to all. Please direct accommodation requests to the Arts at Emory Box Office at , or by at boxoffice@emory.edu. For seating accommodations, please contact us at least 24 hours in advance of the event. COVER PHOTO Trevor Chun Photography. TREE LIGHTS AND EXTERIOR ARCHITECTURAL BUILDING LIGHTS Made possible by a generous gift from Donna and Marvin Schwartz. 13