MUSIC EMORY EMORY WIND ENSEMBLE WITH STUART STEPHENSON, TRUMPET AND EMILY BREBACH, OBOE PAUL BHASIN, CONDUCTOR SUNDAY, OCTOBER 21, 2018, 4:00 P.M.

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MUSIC EMORY at 2018 2019 EMORY WIND ENSEMBLE WITH STUART STEPHENSON, TRUMPET AND EMILY BREBACH, OBOE PAUL

1 MUSIC EMORY at EMORY WIND ENSEMBLE WITH STUART STEPHENSON, TRUMPET AND EMILY BREBACH, OBOE PAUL BHASIN, CONDUCTOR SUNDAY, OCTOBER 21, 2018, 4:00 P.M. EMERSON CONCERT HALL SCHWARTZ CENTER FOR PERFORMING ARTS

2 PROGRAM Variations on America (1923) Charles Ives ( ) Trans. Rhoads Passacaglia and Fugue in C minor, BWV 582 Johann Sebastian Bach ( ) Trans. Hunsberger Concerto No. 2 for Trumpet (1954) I. Mesto-Concitato II. Grave III. Giocoso André Jolivet ( ) Stuart Stephenson, trumpet Concertino for Oboe (1811) I. Adagio II. Polacca Carl Maria Von Weber ( ) Emily Brebach, oboe Out of Africa (1985) John Barry ( ) Trans. De Meij Cuban Overture (1932) George Gershwin ( ) Trans. Hunsberger 2

3 PROGRAM NOTES Variations on America (1923) Charles Ives wrote Variations on America at age 17 when he was the organist for a local church. Despite its early origin, it still contains many characteristics of the Ives sound: unapologetic bitonality, themes of patriotism, some sense of playfulness and optimism. American composer and Lincoln Center president William Schuman transcribed the original organ work for orchestra in 1962, after which it was transcribed for band in short order by William Rhoads. note by Andy Pease Passacaglia and Fugue in C minor, BWV 582 In the Passacaglia and Fugue in C minor, BWV 582, Bach joins together elements from distinct nations and traditions in ways that may be heard very close to the musical surface. The eight-bar ground bass upon which the Passacaglia is based (and also the Fugue, which is actually not marked by Bach as a distinct and separate piece, but rather as just another use of the passacaglia ground bass, Thema fugatum ) seems to have been extracted from a sacred work by an obscure contemporary French composer named Andre Raison. There are, leading up to the fugue portion, 21 statements of the ground bass in all, starting with the unharmonized bass solo at the very opening and growing ever more active until at last a full-blown frenzy of imitative 16th notes in the upper voices leads the way to the fugue; during a few of the middle variations, the ground bass moves up into the soprano and then into the alto voice. The fugue makes use only of the first four bars of the French ground bass, transforming it into a subject upon which Bach can, over the course of 124 bars, exercise the full glory of his wholly Northern-learned contrapuntal genius. Since the fugue is not really separate in the manner of, for example, Bach s preludes and fugues, the work is sometimes known simply as the Passacaglia. note by Blair Johnson Concerto No. 2 for Trumpet (1954) The jazz influence, which is one of several important elements of André Jolivet s music, comes to the fore in the Trumpet Concerto No. 2 of 1954, which the composer described as one of my ballets for trumpet (the other being the Concertino for Trumpet, Strings and Piano of 1948). Jolivet s scoring here is quite unusual and hints at the jazz inspiration: two flutes, clarinet, English horn, two saxophones, piano, double bass, and no fewer than 14 different percussion instruments. The concerto opens quietly with a subgroup of those percussion instruments, joined by the trumpet soloist playing with a mute. That 3

4 music alternates with livelier dance-like material in the first movement. The bluesy second movement, Grave, once again features muted trumpet. A simple tune works against a harsher, percussion-laden accompaniment in the final movement, marked Giocoso. There is even a passage for just the percussion in the middle of the movement, which is heavily syncopated and makes for a lively conclusion. note by Christopher Morrison Concertino for Oboe (1811) Some controversy surrounds the Concertino for Oboe and Wind. It was discovered in the early 1970s in a stack of manuscripts in the library of Prince Carl von Lowenstein-Wertheim, a friend and supporter of Carl Maria von Weber. A manuscript of the piece was first published in 1980 by Musica Rara. Although all of the music in the stack surrounding the piece was written and signed by C. M. von Weber, this piece only had his name written on it, in a hand other than Weber s. It is thought by some that the piece is too simplistic in its writing to be Weber, yet the orchestration of the accompaniment for one flute, two clarinets in C, two clarinets in B flat, two bassoons, two horns, a trumpet, a trombone, and a double bass, directly reflects the instrumentation Weber was using for a number of Harmoniemusik groups, a favorite of the prince. Prince Carl was an amateur oboist, and the piece could very likely have been written for him to perform with the wind players employed at his court in about There is also a reference in Weber s diary, November 10, 1811: This evening I orchestrated an adagio for Flad. Anton Flad was the principal oboist in the Munich Orchestra at that time. It could be he was reworking the very piece he wrote for Prince Carl, or perhaps there is still another work by Weber for oboe to be discovered. Weber s Oboe Concertino is in two movements, played continuously but for a brief Eingänge (short non-modulating cadenza) that leads from movement one, an aria-like Adagio, to movement two, a light, upbeat Polacca. note by Lauren Murray Out of Africa (1985) Sydney Pollack s film Out Of Africa features title music composed by John Barry. The atmospheric theme illustrates the beautiful nature images of the impressive African landscape. Barry is well-known for his work as a film music composer, responsible for music for several James Bond films: Goldfinger, Octopussy, Diamonds Are Forever, Moonraker, and From Russia with Love. note by Johan de Meij 4

5 Cuban Overture (1932) Inspired by the music he heard on a 1932 vacation to Havana ( two hysterical week... where no sleep was had ), George Gershwin created a short, impressionistic piece to provide a taste of Cuban rhythms for American audiences who had never been to the island nation. In an effort to provide authenticity, he brought a set of Cuban musical instruments with him when he returned to New York, and upon completion of the work, originally titled RUMBA, sketched them on the title page of his manuscript, indicating where the instrumentalists should be placed on the stage: right in front of the conductor s stand. note by Albert Coates EMORY WIND ENSEMBLE The Emory Wind Ensemble (EWE) is dedicated to performing wind band and chamber literature of the highest caliber while nurturing individual artistic excellence within an ensemble setting. Concert programming comprises a wide variety of styles, forms, and genres from several centuries of compositional practice, designed to provide a comprehensive exposure to the masterpieces for winds and percussion from the Renaissance period through the modern era. The Wind Ensemble performs two concerts each semester, regularly participates in world premieres of new music, tours the United States and abroad, and is a national leader in the commissioning of new music, including works by Warren Benson, Bruce Broughton, Jennifer Higdon, Libby Larsen, John Mackey, Jonathan Newman, Joseph Schwantner, and many others. The Emory Wind Ensemble s recent collaborations include performances with the Emory University Chorus; the Emory Dance Company; Emory s Mary Emerson Professor of Piano William Ransom; Chris Martin, principal trumpet of the Chicago Symphony Orchestra; Stuart Stephenson, principal trumpet of the Atlanta Symphony Orchestra; Joe Alessi, principal trombone of the New York Philharmonic; Adam Frey, international euphonium solo artist; and Grammy Award winning solo clarinetist Richard Stoltzman, among many others. The Emory Wind Ensemble has performed concert tours of Munich, Salzburg, Innsbruck, Lucerne, Graz, Prague, Vienna, and Greece. Additionally, the Wind Ensemble has performed at the Georgia Music Educators Association (GMEA) State Convention in Savannah, Georgia; the Southern Division College Band Directors National Association Conference (CBDNA); and for various events on the Emory campus, including the inauguration of James Wagner as president of Emory University. The EWE was recognized in 2017 as a Top 10 program among its peers by CBDNA and featured at the 2017 CBDNA National Conference Small Band Showcase. The EWE is recorded on the NAXOS music label. 5

Paul Bhasin, conductor Paul Bhasin serves on the faculty of Emory University as director of wind studies and interim director of orchestral studies.

6 Paul Bhasin, conductor Paul Bhasin serves on the faculty of Emory University as director of wind studies and interim director of orchestral studies. In this capacity, he conducts the Emory University Symphony Orchestra, Emory Youth Symphony Orchestra, and Emory Wind Ensemble, and he teaches conducting. Praised for his crisp, clear conducting and highly expressive interpretations, Bhasin has led a variety of university, youth, and professional ensembles throughout North America and abroad including recent performances at the Kennedy Center in Washington, D.C. and throughout the People s Republic of China. Bhasin s most recent guest engagements include appearances with the Virginia Symphony Orchestra (including live radio broadcasts of subscription concerts), American Youth Philharmonic, Williamsburg Symphony, New Jersey Youth Symphony, and at Interlochen Arts Academy. He has also led performances as a guest conductor with members of the Richmond Symphony, National Symphony, Baltimore Symphony, and Kennedy Center Opera Orchestra. Ensembles under his direction have collaborated with soloists from the San Francisco Symphony, Atlanta Symphony, and Richmond Symphony. He has led honor orchestras and served as a guest orchestral clinician throughout the United States, and he presented at national conferences including the Midwest Orchestra Clinic and the National Music Teachers Association Conference. Bhasin is an accomplished orchestral trumpeter, having performed and recorded with the Virginia Symphony and Opera, Columbus (Ohio) Symphony, New World Symphony, and the Civic Orchestra of Chicago, and at the music festivals of Aspen, Tanglewood, and Ravinia. With these institutions he has performed under the batons of Michael Tilson Thomas, James Conlon, James DePriest, Leonard Slatkin, Andreas Delfs, and Gustav Meier and participated in the conductor training program at Aspen under David Zinman and Murry Sidlin. A committed trumpet teacher, his students have attended prestigious conservatories and music schools and have won first prize at major competitions including the National Trumpet Competition. He has been featured as a soloist on National Public Radio, Detroit PBS-TV, the International Computer Music Conference, at the Chautauqua Music Festival, and the International Dvořák Festival (Prague, Czech Republic). Bhasin has recorded as trumpeter and conductor for both the Centaur and Interscope record labels, and his 2015 Centaur Records release features the music of Brian Hulse and is performed by principal soloists from the Richmond and Virginia Symphonies. A forthcoming CD project with Centaur will feature Atlanta Symphony Orchestra principals as concert soloists with Emory ensembles. 6

Bhasin s transcriptions and arrangements are published by Balquhidder Music and have been performed and commissioned in the US and abroad by the St.

7 Bhasin s transcriptions and arrangements are published by Balquhidder Music and have been performed and commissioned in the US and abroad by the St. Louis Opera Theater, Grand Tetons Festival Orchestra, La Unió Musical l Horta de Sant Marcel lí (Valencia, Spain), and the Washington Symphonic Brass (Washington, D.C.). In 2015, Bhasin composed and conducted the orchestral score to 9:23 Films motion picture, Hogtown (award winner at the Berlin, Los Angeles, and Nashville International Black Film Festivals, and Cannes Festival Marché du Film). Michael Phillips of the Chicago Sun-Times writes that the film was... scored beautifully by composer Paul Bhasin... better than the entirety of the last few features I ve seen, period. In 2016, reviewer Ben Kenigsberg of the New York Times named the film a Critic s Pick and one of the Top 10 Films of Bhasin s previous appointments include positions at the University of Wisconsin Green Bay, Triton College, and the College of William and Mary. He received his musical education from the University of Wisconsin Madison, Northwestern University, and the University of Michigan. Stuart Stephenson Virginia native and New York City/Chicago trained classical trumpeter Stuart Stephenson began playing trumpet at age 10, after starting piano at age six. He spent his childhood in Northern Virginia, where he studied with members of the United States military bands and the National Symphony. From there he went to New York City and completed his undergraduate degree at the Juilliard School. During his time at Juilliard, Stephenson was a member of the Vandalay Brass Quintet, which performed at the Bachauer Scholarship event for two years in a row live on New York s 96.3 WQXR-FM. The quintet was an active participant in the Young People s Concert Series, sponsored by the Juilliard Office of Educational Outreach. His quintet played throughout New York City, including philanthropic events at hospitals, hospices, and rehabilitation centers, and even the United Nations Building. The quintet members studied privately with musicians of the New York Philharmonic, Metropolitan Opera, American Brass Quintet, and New York City Ballet, with frequent chamber coachings by members of the American Brass Quintet. Stephenson performed regularly with the Juilliard Orchestra in New York City at Carnegie Hall, Avery Fischer Hall, and the Peter Jay Sharp Theater. Stephenson then went on to study at Northwestern University with Barbara Butler, Charlie Geyer, and Chicago Symphony principal trumpet Chris Martin, where he earned a master's degree in music. 7

8 His instructors in the Washington, D.C., area included Adel Sanchez (NSO), Tom Cupples (NSO), and Jim Bittner (USAF Band). Stephenson has spent summers at the Aspen Music Festival in Aspen, Colorado; the Schleswig-Holstein Musik Festival in Germany; and the Tanglewood Music Center in Lenox, Massachussetts; and he was invited most recently to play with the Grand Tetons Music Festival in Jackson, Wyoming. Stephenson joined the Atlanta Symphony in spring 2013, immediately following his graduation from Northwestern University. Emily Brebach Emily Brebach joined the Atlanta Symphony Orchestra (ASO) as English horn and oboe in fall Brebach, a Philadelphia native, has performed with several orchestras throughout the United States, including the Boston Symphony Orchestra, the Minnesota Orchestra, the Kansas City Symphony, and the Houston Symphony. In past summers, she has performed at the Grand Teton Music Fesival, the Des Moines Metro Opera, Strings Music Festival (Steamboat Springs, CO), Festival Mozaic (San Luis Obispo, CA), Tanglewood Music Center, and the Aspen Music Festival. Prior to joining the ASO, Brebach held the position of english horn and oboe with the Sarasota Orchestra. Brebach holds degrees from Oberlin Conservatory and Rice University s Shepherd School of Music, and she studied with Louis Rosenblatt, James Caldwell, Robert Atherholt, and Robert Walters. She has performed in recitals at Merkin Hall in New York; Reinberger Hall in Cleveland, Ohio; and at the Kennedy Center in Washington, D.C., where she represented Oberlin Conservatory as part of the Conservatory Project. Locally, she regularly performs with the Riverside Chamber Players in Roswell, Georgia. Brebach is a faculty member of the Atlanta Symphony s Talent Development program and maintains an active private studio in her home. She has also given masterclasses and reedmaking seminars at the University of Cincinnati College Conservatory of Music, Florida State University, the University of Minnesota, and the North Carolina School for the Arts. Her students have gone on to study at a variety of institutions including the Curtis Institute of Music, the University of Texas at Austin, and Baylor University. Brebach s students have achieved success after college as well, with recent student accomplishments including a Fulbright Scholars award and a one-year position in the Colorado Symphony. She spends her summers in residence at the Brevard Music Center in Brevard, North Carolina, as English horn and oboe as well as artist faculty. 8

9 FLUTE AND PICCOLO EMORY WIND ENSEMBLE Irena Kuan Marietta, GA NBB Claire Mahon Norcross, GA Business David Shainberg Asheville, NC Business Claudia Wahoski Fayetteville, GA Music/Biology Sarah Morrissey Fairview, NC Business Olivia Stam Cumberland Foreside, ME Music/Psychology OBOE Sophia Seo Aldie, VA Applied Mathematics/QSS Kevin Qui Cranbury, NJ Undecided Jane Farrell Worthington, OH Undecided BASSOON Mehvish Kahn Lakewood, NY International Studies/Economics Allison Rose Marietta, GA Music/QSS Sohil Shah Edison, NJ Music/Political Science Caitlin MacDonald Scotland, UK Emory Bobby Jones Scholar Haley Matthews Jasper, GA Music/Biology 18C CLARINET Elise Kulers Decatur, GA Environmental Studies/Anthropology Tylor Lee Johns Creek, GA Economics Kelsey Newman Martinsville, VA Music/Business Ester Ro Sugar Hill, GA Music/Psychology Nicole Pierce Savannah, GA Psychology/Sociology Lydia Yang Cedar Rapids, IA Human Health Lucy MangalapallI Chicago, IL Biology/Sociology Brian Nguyen Moore, OK Music/Art History Joyce Li Cedar Rapids, IA NBB BASS CLARINET Josh Pynn Duluth, GA Music/Economics SAXOPHONE Kiran Sundar Bridgewater, NJ Music/Business Zigeng (Chris) Zhu Beijing, China Applied Mathematics/Computer Science Christopher Liu Staten Island, NY Applied Mathematics Tito Tomei Dacula, GA Music/Environmental Studies Jack Douglas Huntington, NY Political Science Jemma Kim Chicago, IL Human Health/Spanish and Portuguese TRUMPET Jacob Germany Alpharetta, GA Music/Chemistry Tony Kasper Huntington, NY Music/Environmental Studies Andrew Mahoney Atlanta, GA Chemistry, PhD student 9

10 HORN EMORY WIND ENSEMBLE Qifan Pei Zhejiang, China Music/Biology Samuel Edwards Jupiter, FL Music/Philosophy Jack Tellerday Clinton Comers, NY Biology Jang Soo Lee Bryan, TX Music/Chemistry Owain Thorogood Havertown, PA Business Nicholas Lee Cupertino, CA NBB TROMBONE Anna Bing Atlanta, GA LACS/Music Max Inman Cary, NC Music/Chemistry Graham Crain Maryville, TN Undecided Ethen Feldman Minneapolis, MN Political Science EUPHONIUM Gabe Hart + Austin, TX Music/Business Christopher Labaza Cary, NC Music/Creative Writing TUBA Sean Delaney Winchester, MA Music/Business Graham Wells Norcross, GA 07C HARP Amanda Melton Kennesaw, GA Music 18C STRING BASS Max Heeden Atlanta, GA PERCUSSION Chris Prugh Swarthmore, PA Film Studies/Biology Jason Goodman Granada Hills, CA Music/Political Science K mani Blyden Acworth, GA Music/Chemistry Dana Kahn Evergreen Park, IL Music/Engineering Sciences Zoe Zimmerman Ooltewah, TN Biology Morissa Wisdom Douglasville, HS Political Science/Interdisciplinary Studies PIANO Elena Cholokova, Piano Faculty, Department of Music LIBRARIAN Tito Tomei OPERATIONS Josh Pynn Jacob Germany QSS: Quantitative Sciences NBB: Neuroscience and Behavioral Biology LACS: Latin American and Caribbean Studies Emory Youth Symphony Orchestra Alumni Woodruff / Music Woodruff Scholar + Emory Scholar 10

11 EMORY STRING, WIND, AND PERCUSSION FACULTY Laura Ardan, clarinet * Scott Pollard, percussion Emily Brebach, oboe * Elisabeth Remy-Johnson, harp * Marc Boehm, trombone Jessica Sherer, flute Jason Eklund, horn Christina Smith, flute * Adam Frey, euphonium Stuart Stephenson, trumpet * Anthony Georgeson, bassoon * Amy Trotz, horn ** Michael Moore, tuba * Shelly Unger, bassoon Ed Nicholson, trombone Mark Yancich, percussion * Gary Paulo, saxophone Jim Zellers, flute *Atlanta Symphony Orchestra Atlanta Opera Orchestra ** Atlanta Ballet Orchestra DEPARTMENT OF MUSIC ADMINISTRATION Kevin Karnes, Chair Kristin Wendland, Director of Undergraduate Studies Lynn Bertrand, Director of Graduate Studies Martha Shockey, Senior Secretary Kathy Summers, Academic Department Administrator Sasha Shatalov, Program Coordinator Julie Hudgins, Academic Services Coordinator MUSIC AT EMORY The department of Music at Emory University provides an exciting and innovative environment for developing knowledge and skills as a performer, composer, and scholar. Led by a faculty of more than 60 nationally and internationally recognized artists and researchers, our undergraduate and graduate students experience a rich diversity of performance and academic opportunities. Undergraduate students in our department earn a BA in music with a specialization in performance, composition, or research, many of whom simultaneously earn a second degree in another department. True to the spirit of Emory, a liberal arts college in the heart of a research university, our faculty and ensembles also welcome the participation of non-major students from across the Emory campus. Become a part of Music at Emory by giving to the Friends of Music. Your gift provides crucial support to all of our activities. To learn more, visit music.emory.edu or call

12 UPCOMING MUSIC EVENTS Go to music.emory.edu to view the complete list of upcoming music events. Ticket prices are listed in the following order: Full price/emory student price (unless otherwise noted as the price for all students). For more information contact the Arts at Emory Box Office at , or visit arts.emory.edu. Friday, October 26, 8:00 p.m., Sudden Light, Emory Choirs Concert, Schwartz Center, Emerson Concert Hall, free Saturday, October 27, 8:00 p.m., Best of Beethoven, Concertgebouw Preview, ECMSA: Emerson Series, Schwartz Center, Emerson Concert Hall, free Wednesday, October 31, 8:00 p.m., Daniel Hope and Friends: AIR A Baroque Journey, Candler Concert Series, Schwartz Center, Emerson Concert Hall, $50/$5 Sunday, November 4, 7:00 p.m., Emory s Annual Concerto and Aria Competition, Schwartz Center, Emerson Concert Hall, free Friday, November 9, noon, Emory s Young Artists, ECMSA: Cooke Noontime Series, Michael C. Carlos Museum, free Saturday, November 10, 8:00 p.m., Bradley Howard, tenor, faculty recital, Lee Thompson, piano, Schwartz Center, Emerson Concert Hall, free Sunday, November 11, 4:00 p.m., Emory Collaborative Piano Concert, Schwartz Center, Emerson Concert Hall, free Sunday, November 11, 7:00 p.m., Emory Chamber Ensembles, Schwartz Center, Emerson Concert Hall, free Wednesday, November 14, 6:00 p.m., and Thursday, November 15, 4:00 p.m., Schubert Lieder Symposium, Performing Arts Studio, 1804 N. Decatur Road, free Wednesday, November 14, 8:00 p.m., Emory Youth Symphony Orchestras, Schwartz Center, Emerson Concert Hall, free Saturday, November 17, 8:00 p.m., Lise de la Salle, piano, Candler Concert Series, Schwartz Center, Emerson Concert Hall, $45/$5 Saturday, December 1, 8:00 p.m., Emory University Symphony Orchestra and Emory Wind Ensemble, Schwartz Center, Emerson Concert Hall, free Tuesday, December 4, 8:00 p.m., Emory Jazz Ensembles, Schwartz Center, free Wednesday, December 5, 8:00 p.m., Tango, Performing Arts Studio, 1804 N. Decatur Road, free 12

13 Friday, December 7, noon, Vega String Quartet, ECMSA: Cooke Noontime Series, Michael C. Carlos Museum, free Friday, December 7, 8:00 p.m. & Saturday, December 8, 4:00 p.m. & 8:00 p.m., A Festival of Nine Lessons and Carols, Glenn Auditorium, 1652 N. Decatur Road, $20/$5 Saturday, December 15, 8:00 p.m. & Sunday, December 16, 4:00 p.m., Christmas with Atlanta Master Chorale, Emerson Concet Hall, $35/$10 Sunday, December 16, 4:00 p.m., Santa s Favorite Chamber Music, ECMSA: Family Series, Michael C. Carlos Museum, free Arts at Emory Box Office/Audience Information arts.emory.edu IN CONSIDERATION Please turn off all electronic devices. PHOTOGRAPHS AND RECORDINGS Not permitted without advance permission. COUGH DROPS Available in the lobby. USHERS Members of Music at Emory Volunteers and Alpha Phi Omega, a national service and social fraternity. Call for ushering opportunities. EVENT AND PROGRAM INFORMATION Available online at arts.emory.edu. ACCESSIBILITY The Schwartz Center for Performing Arts is committed to providing performances and facilities accessible to all. Please direct accommodation requests to the Arts at Emory Box Office at or by at boxoffice@emory.edu. For seating accommodations, please contact us at least 24 hours in advance of the event. COVER PHOTO Trevor Chun Photography. TREE LIGHTS AND EXTERIOR ARCHITECTURAL BUILDING LIGHTS Made possible by a generous gift from Donna and Marvin Schwartz. 13

MUSIC AT EMORY UNIVERSITY OLIVIA STAM, FLUTE CATHERINE MACGREGOR, VIOLIN JUNIOR RECITAL SATURDAY, NOVEMBER 4, 2017, NOON

17 18 MUSIC AT EMORY UNIVERSITY OLIVIA STAM, FLUTE CATHERINE MACGREGOR, VIOLIN JUNIOR RECITAL SATURDAY, NOVEMBER 4, 2017, NOON PERFORMING ARTS STUDIO 1804 N. DECATUR ROAD PROGRAM Sonata No. 1 in G Minor