RUDIMENTAT DRUMSET SOIOS

Transcription

1 Mel Bay Presents UDIMENTAT DUMSET SOIOS T'() THE MUSICAI DUMME byobleytham Free aud o available online! Visitt I 5 Contents T ack# F se# iddles Track i 3 Double the Pleasure Track? 5 HankeyPankey Track3 7 Cause and Effect Track4 9 hythms of the Heart Track 5 11 Diamonds in the uff Track 6 1i Vhite tightning TrackT 1,6 Chi llacks 19 Festival Track9 22 Antioch Track 10 2-i At the Edge Track YourTurn Trackt? 2008, 2OO2 BY ME BAY PUBICATIONS, INC, PACIFIC, MO 630ô9. A IGHTS HESEVED. INTEFNATIONA COPYIGHT SECUHED, B.M,I. MADE AND PHINTEO IN U.S.A, No part of this publication may be reproduced in whole or n part, or stored n a retrieval systern, or transmitt d n any form or by any means, lectronic, mechanical, photocopy, record ng, or otherw se, without written pormiss on of the publ sher. úbit us on the Web at www,melbay.com - us at @melbay.com

2 This Book is Dedicated to my beøutiful wife Alyce ønd our son Nicholas, for øll their love ønd support. Special thanks should go to the following: My parents Bob and inda, my sister Tonya, Herb and Audra eytham, ay and Mae McCollum, Matt and Carol Curtis, Tom May, Jack Wells, Allen, Doug, Bob, Clay and Steve at Antioch Music Center. Dennis Norton, Bill Miller at Modern Drumme Doane Perry, Dom Famularo, Gregg Bissonette, Dr. Phil Posey, Dr. Dennis ogers, Phil Schaefer, ay DiMarchi, Paul Smith, Neil arrivee, Mike Hoff at Vic Firth, Wes Faulconer at Explorer's Percussion, and Mr. William Bay, Ed, Jon, Shawnna, and evi. I also thank God for giving me the opportunity to teach so many wonderful students. I am truly Blessed! Other ME BAY Percussion Books by ob eytham: ock Drumming and Soloing Methods (Book/CD) (966688CD) Jazz and Blues Drumming (Book/CD) (966698CD) Progressive ock Drumming and Soloing Methods (Book/CD) (966708CD) Ostinatos for the Melodic Drumset (96451) Visit ob at Introduction Drummers all around the world try to out do each other on who can play the fastest paradiddle. If you go to any music competition or percussion recital, one would hear a dozen snare drum solos played at blazing speeds. That's what comes to mind when talking about the drum rudiments and technique - speed and how can I play them faster! I like to look at the rudiments in a different way. I learned them so I could play interesting ideas and phrases around the drum set with ease. It is not necessarily about playing fast. If you think back to your school days and having to learn vocabulary words, the more words you learned the more intelligent you were able to speak. You were also able to communicate your ideas easier. If you think of the rudiments as words, then the more of them you know and can play, the more interesting your music and drumming will be. And if you need to be able to play something at a fast tempo then you will have the technique to play it. After many years of teaching drum set to young drummers, I find the most enjoyable way for the student to learn the rudiments is through solos. The student is able to hear and perform the rudiment in context. Sort of like using that new vocabulary word in a sentence. In this book, I have written 12 drum set solos built around the rudiments. Each new solo will use a new rudiment with some containing more than one to learn. The solos will also list and use rudiments played in previous solos. This repetition will embed the "stickings" into the mind of the student. The last solo is a combination of all rudiments used and the student gets to create his or her own rudimental solo in four measure phrases. I hope you enjoy playing these solos and learn to create some new musical drumming ideas in your own playing. Note: On the solos, hythm of the Heart, Festival, and At the Edge there are some difficult foot ostinatos being played. earn the solos with the hands first using this foot ostinato to make it easier. ihen go back and attempt the written ostinato. alternate foot ostinato: Notation * B"lt of

3 Single Paradiddle ]r! iddles (Dedicated to Dr. Dennis ogers) udiments used: Single Strokes Flams I I r, ipf I *l *J =l *n! ^.!-\KDIDD-,!nlr-

4 ti. _ lr**!*rrsgl!*,-,- 5r**3iåI'**!*r, Ir* *9åf'+r**9I" lr**!+l- 9r**9*r,- 9*;-å!-ll*í+l

5 &, Double the Pleasure New udiments used: Double stroke (open) oll t* J = np fnr-r- 'I_X i4 -gg! ;

6 è)è Sj-*r* - --l!3! nn -I.!.! Other udiments used: Single Pa adiddle Single Stroke Flams

7 5> Five Stroke oll nn IS Hankey Pankey New udiments used: l nn ll$. Single Stroke oll 633 -rnj=100-ll0 > nf > **tts

8 Other udiments used: Single Paradiddle Flams Open Double strokes

9 &, Cause and Effect New udiment used: Six Stroke oll *J =tti"o J lr'-ån9= Sr ru* *9'

10 !_! j B_ n 6 ó rri Srooi-I--!5t*oi-9 > >> Other udiments used: Five Stroke oll Single Paradiddle Single Stroke oll Flams t0

11 hythms of the Heart Seven Stroke oll New udiments used: Nine Stroke oll or --J = l >++ + I n ln r- 11

12 >>> T2

13 p flvl) cresc. Other udiments used: Five Stroke oll Flams Six Stroke oll Single Paradiddle Single Strokes 13

14 Diamonds in the uff r Drag New udiments used: esson 25 *J = ÅBrnn n&! t4

15 >> 3 3 >> 3 3 Other udiments used: Single Paradiddle Flams Single Stroke oll Nine Stroke oll Five Stroke oll Seven Stroke oll 15

16 White ightning Paradiddle-diddle New udiments used: Four Stroke uff 3 or nf S r *ó 9 r *ó I t nó I t *ó ^f mp ó I6

17 5r**;å!Ir.*"ì * t *ó >

18 >6 '.t ó ó Other udiments used: Single Paradiddle Five Stroke oll Flams uff Nine Stroke oll Seven Stroke oll 18

19 chi New udiments used: Thirteen Stroke oll I mmj.=70 > IIII > ; 19

20 $t*l rlrnrsr > 20

21 >> >> >>> > > >S> 3 > S> Other udiments used: Nine Stroke oll uffs Five Stroke oll Six Stroke oll Four Stroke uff Seven Stroke oll Single Paradiddles 2t

22 Festival New udiments used: Ten Stroke oll >>>> 22

23 ; ó > -g$ qs -r-! >!nsrl*j lnst9 Other udiments used: Four Stroke uff Seven Stroke oll Nine Stroke oll Flams Five Stroke oll Six Stroke oll Paradiddle-diddle uff 23

24 &'" 3 a t-] l7l = Flam Accent: Ir n tn;r Antioch New udiments used: Single atamacue ln-t l9 l-l-l I l-l-t I *t: * 3 Swiss Triplet,!g-,.9-g-! - - mmj = 140,-Iå,+-1, =; >.t >3 >3 >3 >3 >3!* t!*-i t 9n-i r l*: r A tempo 3 >3 >-t >3 >3 f 3333 n B >J >

25 9ts nsn-lr Its nln: r " >J n! ir" nin-i r-. >J-a n!.d!t. *5n-ll il,ni*;t li' J> J> ó I > J> 25

26 r J; 3, i9 3 3 ^ -t I l n 3 -t I f 3 'jl t3l 33 -t ) tr J 3 Ð'r*k:', 3 rt -J I 3 l -t rt 3 tt 3 Other udiments used: Flams Single stroke roll Four Stroke uff Nine Stroke oll Five Stroke oll Flam Taps 26

27 &' Flamadiddle - At the Edge New udiments used: Flamacue mmj = 110 Snares off ++++ Bell of cym 'p cresc. r 'p cresc

28 *fujd=!rnn > > > > r :> 9l * * > 9r*t- I 'I r! r n-!s9'9: mf 28

29 1. S I 5 2. ó óó >5 I'I' >> p 4x decrescendo Other udiments used: Flams Thirteen Stroke oll Flam Taps uff Four Stroke uff Six Stroke oll Seven Stroke oll Nine Stroke oll Five Stroke oll Single Stroke oll Double Paradiddle 29

30 &, Your Turn This Solo is a combination of all the udiments used in this book. Play the four measures written and see what rudiments are being used. Then create your own four measure solo using those same rudiments. The solo should never sound the same way twice. Be creative and have fun! mmj =

31 --!-3- ó ó r å$ j _ r

32 Bn En 9 -rr3 3 >3 >