TWENTY-FIFTH ANNUAL UNITED STATES OPEN MUSIC COMPETITION

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1 PMB #418, 6114 La Salle Ave., Oakland, CA Web: Tel: COMPETITION DATES: February 20th - 26th, 2017 (Monday to Sunday: a total of 7 days) SCHEDULES: Monday Friday 8:30 AM 8:00 PM LOCATION: The Oakland Inter-Stake Center of the Church of Jesus Christ of Latter-Day Saints 4770 Lincoln Avenue, Oakland, CA PRIZE WINNERS CONCERTS: February 25, 2017, Saturday: 9:00 AM 8:00 PM in Oakland (Oakland ISC) February 26, 2017, Sunday: 10:00 AM 4:00 PM in Hayward (Concert Hall to be announced) ENTRY DEADLINES: Registered online by October 10 th, Registration will be opened on September 15 th, $25 late fee for entries registered online October 11 th 20 th, Entries after October 20 th, 2016, will NOT be accepted. ENTRY AGREEMENTS: Upon entering the annual United States Open Music Competition, contestants and their families: (1) assign USOMC, and only USOMC, all rights to use any photographs or video recordings, or interviews of any USOMC events for any purpose, without compensation; and (2) permit USOMC the right to provide to Steinway & Sons contestant s contact information, limited to and inclusive of home and addresses, and telephone numbers. ALL ENTRY FEES ARE NON-REFUNDABLE. USOMC reserves the right to combine / cancel events for any reason. VIDEO RECORDING OR PHOTOGRAPHY: The use of cameras, recording devices, and other electronic equipment during the competitions and during the concerts is strictly prohibited. General photography is allowed only at the announcement portions (at the conclusion) of the competitions, after the performance of each event and during the awards ceremonies. For the Prize Winners Concerts, USOMC shall employ professional Videography services. Concerts videos will be posted at the USOMC web-site free of charge to all the contestants. JUDGING PROCEDURES: Judges may not necessarily hear pieces in their entirety, and this in no way is to reflect negatively upon the performers. All winners will be announced at the end of each event and judges comments will be available to all contestants shortly after the conclusion of each event. THE JUDGES DECISIONS ARE FINAL. Talking with or contacting the judges before, during or after the competitions is unethical, and, thus, inappropriate. The USOMC board may disqualify any contestant(s) displaying such conduct. COMPETITION SCHEDULE: Notification of competition schedules, with names of all contestants in each event (dates and times), including details and maps, will be posted on our website by January 12 th, CAREFULLY check and re-check your entries (after January 17 th ) at the USOMC web site ( Be sure all personal information (including names of pieces) is correctly recorded; you are required to notify USOMC of any mistakes immediately by , before January 19 th, Note: It is the contestant s responsibility to arrive at the competition site on time and ready to perform. In 2017, there are a total of 108 different events to choose from. To promote a greater wealth of repertory for the student musicians, USOMC will not repeat any piece that have been used as designated music within There are a total of 73 events with designated music including: OPEN SOLO 24 Events (4 Categories x 6 levels), TREASURY Categories 29 Events (including Baroque, Classical, Romantic, Contemporary, U.S.A., Chinese), and OPEN DUET 20 Events. Page 1 of 20

2 PMB #418, 6114 La Salle Ave., Oakland, CA Web: Tel: FINAL COMPETITION PROCEDURE: In cases where there are more than 15 to 28 contestants in an event, depending upon level & length of pieces, the event will be divided into different groups, e.g. of A, B, C, etc. CASH PRIZES, MEDALS and AWARDS: ALL Medals and Prizes will be presented during the Prize Winners Concerts on Saturday, February 25 th, 2017 and on Sunday, February 26 th, st place winners will perform at the Prize Winners Concerts and will receive Gold Medals and Cash Prizes. 2 nd place winners will receive Silver Medals 3 rd place winners will receive Bronze Medals 4 th place winners will receive 4 th place Medals Outstanding Gold Medalists: At the conclusion of each of the Prize Winners Concerts, exceptional performers will be chosen to receive an Outstanding Gold Medalists Award. PROCESSING FEE Application processing fee... $60 to be paid once every year. Entries which require extra handling (For example: Visa document mailing or translation)... $25 FEES PER ENTRY Open Solo (each of 24 events)... $30 Treasury Events: Elementary, Junior and Intermediate levels... $30 Senior and Advanced levels... $40 Showcase Sight-Reading Solo... $30 Showcase Sight-Reading Duet (fee covers both contestants)... $40 Open Own Composition... $40 Open Duet, Showcase Duet/Ensemble, Duo/Ensemble (per entry)... $50 Showcase Piano Solo and Instrumental Solo... $50 Showcase Piano Concerto... $65 Complete Piano Concerto and Showcase Instrumental Ensemble... $80 USOMC will assess a $20 fee against your account, in the event any credit card or PayPal charge of fees is reversed called a chargeback through contacting the credit card company or PayPal, without first contacting us for resolution. Account privileges, including membership discount and the ability to place orders at our site will be discontinued until fees are paid. The $20 fee will apply regardless of the reason of the chargeback. Rule 1 - AGE DETERMINATION: CONTEST RULES The cut-off date for age accountability is December 31 st, All contestants are required to upload proof of age at the time of entry, except returning contestants who have provided such documents before; (ages 7 and under are preparatory ; above 19 are advanced ). AGE DETERMINATION TABLE Born in Year Age Page 2 of 20

3 PMB #418, 6114 La Salle Ave., Oakland, CA Web: Tel: Rule 2 - ORIGINAL MUSIC Required for certain Categories: (a) Contestants do not have to bring their music for the following categories: Open Piano Solo (24 events), Treasury-Composers (29 events) and Open Duet (20 events). USOMC will provide judges with music for the above 73 events (all of them with preselected music). For ALL SHOWCASE Categories inclusive of Concerto & Instrumental Categories (with a contestant s own-choice of music): Original music or legally purchased-online music must be provided for the judges (no illegal photocopies are permitted). They include: (A) Showcase Piano Solo (6 events), (B) Showcase Duet & Duo (8 events); (C) CONCERTOS (5 events); (D) Instrumental Solo & Ensemble Categories (total of 7 events). Contestants of the above 26 events (all with a contestant s choice of music) are required to provide their own music for the adjudicators. Without proper music, a contestant will be disqualified from competing. Rule 3 MUSIC EDITION: (a) Categories 1 11: the stated music editions will be used as the official music by all judges throughout the competitions, which include all Open Solo (24 events), Treasury Solos: (29 events) of Baroque, Classical, Romantic, Contemporary, U.S.A., Chinese and Open Duets (20 events). If you are using a different edition, carefully check to make sure they are not critically different from the official edition; including dynamic markings, articulations, phrasings and notations. (b) Exceptional performance guidelines will be given to judges concerning the Baroque Categories in order that the judges will be prepared to accept any Baroque articulation different from the notation (in the music), as listed at the top of p.5 and P. 6. (c) All contestants from the above mentioned 10 categories (73 events) must perform music designated for their events. Any contestant playing a wrong piece, he/she will be disqualified to win a prize in that event. Rule 4 - MEMORIZATION: Except where noted, all music must be performed from memory. Repeats are not allowed, unless instructed in the syllabus to do so. Rule 5 - TIME LIMIT FOR ALL CONTESTANTS: Table for Time-Limit Competition Maximum time (in minutes) Prize Winners' Concert Maximum time (min.) Prep. Ele. Jr. Inter. Sr. Adv. Prep. Ele. Jr. Inter. Sr. Adv. All Treasury Categories Open Duet Showcase Piano Solo* Showcase Piano Duet* Showcase Piano Duo* Open Piano Concerto* Complete Piano Concerto* 25 min. at the judges' discretion (see P.19) 15 minutes Instrumental Solo* Instrumental Ensemble* Note the difference between time limit for the Competitions and the Prize Winners Concerts! For winners who play music longer than the allotted time, they must adjust their pieces (with cuts, if necessary) to make the time limit allowed for the PRIZE WINNERS CONCERTS. Page 3 of 20

4 PMB #418, 6114 La Salle Ave., Oakland, CA Web: Tel: (a) Any Prize Winner who exceeds the time limit listed for the Prize Winners Concerts (which is different from the actual competition) will be disqualified from winning the Outstanding Gold Medalists Award at the Prize Winners Concerts. (b) RULES for the time limit in the Concerto, Showcase Solo and Instrumental events: NOTE: The USOMC committee has agreed to allow the contestants to play music beyond the indicated time limits. Time each piece carefully and mark them clearly on the entry form. USOMC will do its best to allow extra time for each of these events (as calculated from contestants time assessments). It is to each contestant s advantage to correctly assess the playing time of his pieces, so as to prevent judges from having to rush or run overtime. IMPORTANT: All contestants must prepare to play their music entirely (no personal cuts are allowed during the competitions). The judges may stop a performance before it ends or begin a piece from a certain section, neither of which will reflect negatively upon the contestants. Rule 6 FOR ALL PRIZE WINNERS (1 st, 2 nd, 3 rd and 4 th place winners): All prize winners (including 1 st, 2 nd, 3 rd and 4 th place winners) must attend the concerts to receive their awards. All Winners whether performing or not, must attend their designated Prize Winners Concerts on Saturday, Feb. 25 th and/or Sunday, Feb. 26 th in order to receive their certificates, medals and cash awards. Winners are expected to attend the Prize Winners Concerts in formal attire. No one is permitted to receive a medal for an absentee. If a winner cannot attend the concert(s), he/she may request that his/her medal(s) be mailed to them (for which a $25 shipping and handling fee will apply). TABLE OF CONTENTS Announcement & Information on the 2017 USOMC Competitions... 1 CONTEST RULES... 2 TABLE OF CONTENTS... 4 CATEGORY 1: OPEN SOLO NO AGE LIMIT... 5 CATEGORY 2: THE TREASURY OF BAROQUE COMPOSERS NO AGE LIMIT... 6 CATEGORY 3: THE TREASURY OF CLASSICAL COMPOSERS NO AGE LIMIT... 7 CATEGORY 4: THE TREASURY OF ROMANTIC COMPOSERS NO AGE LIMIT... 8 CATEGORY 5: THE TREASURY OF CONTEMPORARY COMPOSERS NO AGE LIMIT... 9 CATEGORY 6: THE TREASURY OF U.S.A. COMPOSERS NO AGE LIMIT CATEGORY 7: THE TREASURY OF CHINESE COMPOSER NO AGE LIMIT CATEGORY 8: OPEN DUET - BAROQUE NO AGE LIMIT CATEGORY 9: OPEN DUET - CLASSICAL NO AGE LIMIT CATEGORY 10: OPEN DUET - ROMANTIC NO AGE LIMIT CATEGORY 11: OPEN DUET - CONTEMPORARY NO AGE LIMIT CATEGORY 12: SHOWCASE PIANO DUET/ENSEMBLE: OWN CHOICE OF MUSIC CATEGORY 13: SHOWCASE PIANO DUO/ ENSEMBLE OWN CHOICE OF MUSIC CATEGORY 14: SHOWCASE PIANO SOLO CATEGORY 15: OPEN PIANO CONCERTO ONE MOVEMENT NO AGE LIMIT CATEGORY 16: COMPLETE PIANO CONCERTO NO AGE LIMIT CATEGORY 17: SHOWCASE SIGHT- READING SOLO CATEGORY 18: SHOWCASE SIGHT-READING DUET CATEGORY 19: OPEN OWN COMPOSITION NO AGE LIMIT CATEGORY 20: INSTRUMENTAL SOLO CATEGORY 21: SHOWCASE INSTRUMENTAL ENSEMBLE Page 4 of 20

5 Level 1 TWENTY-FIFTH ANNUAL CATEGORY 1: OPEN SOLO NO AGE LIMIT (Total 24 Events: 6 Levels of 4 different Categories) There are four categories each, of six levels a total of 24 Events, with contestants performing the same music. All pieces are pre-selected. Contestants may enter any and all of the levels as they choose. Please review the Contest Rules before making your selection. NO REPEATS, unless instructed clearly. For Levels 1A to 8A (Baroque): Guidelines will be given to judges concerning commonly known baroque performance practices which include ornaments, phrasings, dynamics, and articulations, not marked as such, but used by Bach, Scarlatti, Handel, and other Baroque composers and musicians as appropriate styles for the period. This is an exception to Rule #3 (p.3). A (Baroque) B (Classical) C (Romantic) D (Contemporary) Louis Kohler: Echoes All Legato, No Accompaniment (P.5: 8 bars, in C ) Ferdinand Beyer: In an Old Castle (P.9: 16 bars, in A Minor only) play as Solo, not octave higher Page 5 of 20 Ferdinand Beyer: Melody Op.101 # 39 (P.14-15: 16 bars, in G only, No Accompaniment) Book: Preparatory Piano Literature, Faber & Faber. Faber Piano Adventures HL ISBN Level 2 Jean Francois Dandrieu: Les Fifres (The Fifers) (P.14: total 32 bars, no repeat but follow D.C. al Fine) Daniel Gottlob Turk: Arioso (P.64: 16 bars, no repeat) Felix Le Couppey: Mussette (P.116: 27 bars) Moritz Vogel: The Hero's March (P.13: 12 bars, in C, No Accompaniment) Bela Bartok: Minuet (P.124: 22 bars, in C ) Book: Beginning Piano Solos, 132 Original MasterPieces, Compiled and edited by Paul Sheftel, Carl Fischer ISBN Level 3 John Stanley: Invention (P.52: 24 bars, no repeat, in A Minor) Book 1 W.A. Mozart: Burleska (P.50: 26 bars, no repeat) Book 1 Johann Georg Graeff: Nocturne (P.56-57: 23 bars, no repeat) Book 1 Vladimir Rebikov: Playing Soldier (P.28: 24 bars) Book 2 Book 1: The Joy of First Classics Book 2, Selected and edited by Denes Agay, Yorktown Music Press ISBN Book 2: Piano Literature Volume 2, Compiled and Edited by James Misor Bastien, KJOS, GP10 ISBN Level 4 Johann Adolf Hasse: Cappriccio in D Minor (P.74-75, 46 bars, no repeat) Book 1 Ludwig Van Beethoven: Allegro assai from Sonatina in F (P.14-15, 71 bars, no repeat) Book 2 Fritz Spindler: Rondo from Sonatina, Op.157 #2 in A Minor (P.58-59, 78 bars, no repeat) Book 1 Bela Bartok: Playtime (P.30-31, 52 bars, no repeat) Book 2 Book 1: The Joy of First Classics Book 2, Selected and edited by Denes Agay, Yorktown Music Press ISBN Book 2: Piano Literature Volume 2, Compiled and Edited by James Misor Bastien, KJOS, GP10 ISBN Level 6 George Frideric Handel: Gigue from Suite in F# Minor, HWV 431 (P.63-65, no repeat) Book 1 W.A. Mozart: Alla Turca (3rd mvt) from Sonata K.331 in A (P , no repeat) Book 2 Gabriel Faure: Clair de Lune, Op.46 #2 (P.2-6) Book 3. Study Version by Isidor Philipp Ernesto Lecuona: La Comparsa (Carnival Procession) (P ) Book 4 Book 1: Celebrate Handel, Series Editor Andrew Hisey, Frederick Harris Music ISBN Book 2: Mozart Piano Sonatas, Volume II, Urtext Book 3: 36 Twentied Century Piano Pieces, A Collection of Contemporary Works for Recital and Study, G Schirmer, Inc. HL Book 4: Ernesto Lecuona Piano Music: 55 pieces by Cuba s Greatest Composer, Marks Music Company, HL ISBN Level 8 Domenico Scarlatti: Cat s Fugue aka Sonata in G Minor, K.30 Sheet music, Publisher: Schott Music Order No.: ED0 982 or Book: Henle Selected Piano Sonatas Vol 1 HN395 (p.1-5) Ludwig van Beethoven: Six Bagatelle Op.126 #3 & #4 Book: Beethoven Six Bagatelle, G.Henle Urtext, HN158 Robert Schumann: Op.12 #2 Soaring from Fantasiestucke in F Minor Book: Schumann Piano Works Vol. II, Urtext Edition Aaron Copland: The Cat and the Mouse (P.86-91) Book: Anthology of American Piano Music, Edited by Maurice Hinson, Alfred ISBN -10:

6 TWENTY-FIFTH ANNUAL CATEGORY 2: THE TREASURY OF BAROQUE COMPOSERS NO AGE LIMIT There are FIVE LEVELS in this Category. Please review the Contest Rules before making your selection. Contestants may choose to enter one or more levels, but only one from six pre-selected pieces in each level. For all Baroque Music: The judges will be instructed to accept all commonly known baroque performance practices which include ornaments, phrasings, dynamics, and articulations, not marked as such, but used by Bach, Scarlatti, Handel, and other Baroque composers and artists as appropriate styles for the period. This is an exception to Rule #3 (p.3). ELEMENTARY 6 pre-selected pieces No Repeats #1, 2: The Joy of Bach, Yorktown Music Press YK21004, HL #3-5: Essential Keyboard Repertoire Volume Early Intermediate Selections in Their Original Forms - Baroque to Modern - Lynn Freeman Olson - Alfred Publishing #6: The Joy of First Classics Book 2, Selected and edited by Denes Agay, Yorktown Music Press ISBN JCF Bach: Country Dance in F P.12: 24 bars, no repeat 2. CPE Bach: Arioso in C P.9: 16 bars, no repeat 3. George Philipp Telemann: Fantasia in G Minor P.10: 16 bars 4. George Frideric Handel: Passepied P.18: 20 bars, no repeat 5. Leopold Mozart: Minuet in F P.23: 16 bars, no repeat 6. Erasmus Widmann: Old German Dance in C P.57: 12 bars, no repeat JUNIOR 6 pre-selected pieces No Repeats 1. Domenico Scarlatti: K.88d Minuet in G Minor, L.36 P.28-29: 32 bars 2. Domenico Scarlatti: K.77b Minuet in D Minor, L.168 (No repeat, No D.C.) P.32-35: 40 bars 3. Domenico Scarlatti: K.34 Sonata in D Minor, L.S.7 P.38-39: 28 bars 4. Domenico Scarlatti: K.90d Sonata in D Minor, L.106 (No repeat, No D.C.) P.42-43: 32 bars 5. Domenico Scarlatti: K.42 Minuetto in Bb, L.S.36 P.44-45: 28 bars 6. Domenico Scarlatti: K.415 Pastoral in D, L.511 P.48-51: 30 bars SCARLATTI: An Introduction to His Keyboard Works, Alfred AP pre-selected pieces No Repeats 1. J.S. Bach: Partita I BWV 825, Menuet I & II in Bb P J.S. Bach: Partita II BWV 826, Sarabande in C Minor P J.S. Bach: Partita III BWV 827, Burlesca in A Minor P J.S. Bach: Partita III BWV 827, Scherzo in A Minor P J.S. Bach: Partita V BWV 829, Tempodi Minuette in G P J.S. Bach: Partita VI BWV 830, Air in E Minor P pre-selected pieces No Repeats BACH: Bach French Suites BWV , Urtext Edition ISBN J.S. Bach: French Suite #1 BWV 812, Allemande in D Minor P J.S. Bach: French Suite #1 BWV 812, Gigue in D Minor P J.S. Bach: French Suite #2 BWV 813, Sarabande & Gigue in C Minor P.14 & J.S. Bach: French Suite #5 BWV 816, Allemande & Courante in G P J.S. Bach: French Suite #5 BWV 816, Gigue in G P J.S. Bach: French Suite #6 BWV 817, Allemande & Courante in E P ADVANCED 6 pre-selected pieces No Repeats BACH: Preludes and Fugues, The Well-Tempered Clavier Vol. II, Urtext Edition 1. J.S. Bach: Prelude and Fugue BWV 872, WTC Bk.2 #3 in C# P J.S. Bach: Prelude and Fugue BWV 873, WTC Bk.2 #4 in C# Minor P J.S. Bach: Prelude and Fugue BWV 874, WTC Bk.2 #5 in D P J.S. Bach: Prelude and Fugue BWV 885, WTC Bk.2 #16 in G Minor P J.S. Bach: Prelude and Fugue BWV 886, WTC Bk.2 #17 in Ab P J.S. Bach: Prelude and Fugue BWV 887, WTC Bk.2 #18 in G# Minor P BACH: Six Partitas, G. Henle #HN28, HL , Urtext Edition Page 6 of 20

7 CATEGORY 3: THE TREASURY OF CLASSICAL COMPOSERS NO AGE LIMIT There are FIVE LEVELS in this Category. Please review the Contest Rules before making your selection. Contestants may choose to enter one or more levels, but only one from six pre-selected pieces in each level. ELEMENTARY 6 pre-selected pieces No Repeats Book: The Joy of First Classics Book 2, Selected and edited by Denes Agay, Yorktown Music Press ISBN Jean Jacques Rousseau: The Village Prophet in G Minor P.23: 24 bars, no repeat 2. Antonio Diabelli: Bagetelle in A Minor P.45: 16 bars, no repeat 3. Francois Hunten: Chansome Rustic in G P.46: 16 bars, no repeat, follow D.C. al Fine 4. Ludwig van Beethoven: Country Waltz in D P.67: 16 bars, no repeat 5. James Hook: Sonatina Op.12 #3 in F P.69-70: 28 bars, no repeat 6. Johann Adam Hiller: Ballet in A P.71: 26 bars, no repeat JUNIOR 6 pre-selected Sonata pieces. No Repeats Book: Piano Literature Volume Three, Compiled and edited by James Bastien, KJOS, GP20 ISBN Fritz Spindler: Sonatina Op.157 #4 (Presto) in C P Joseph Haydn: Allegro Scherzando in F P Friedrich Kuhlau: Allegro from Sonatina Op.55 #1 in C P Friedrich Kuhlau: Vivace from Sonatina Op.55 #1 in C P Friedrich Kuhlau: Allegro con spirito from Sonatina Op.55 #3 in C P Friedrich Kuhlau: Allegretto grazioso from Sonatina Op.55 #3 in C P pre-selected Sonata Movements. No Repeats Book: HAYDN: Complete Piano Sonatas Volume I G. Henle Urtext, HN238 ISMN Note: Must use book Henle Urtext HAYDN Vol I for #4 & #5. Other pieces can be from any edition. 1. Joseph Haydn: Allegretto (1st mvt) from Sonata Hob. XVI:3 in C P Joseph Haydn: Andante (2nd mvt) from Sonata Hob. XVI:3 in C P Joseph Haydn: 1st mvt from Sonata Hob. XVI:4 in D P Joseph Haydn: Allegro (2nd mvt) in E from Sonata Hob. XVI:47 in E Minor P Joseph Haydn: Finale Tempo di menuet (3rd mvt) in E from Sonata Hob. XVI:47 in E Minor P Joseph Haydn: Finale Allegro assai (3rd mvt) from Sonata Hob. XVI:19 in D P pre-selected Sonata Movements. No Repeats Book 1: HAYDN: Complete Piano Sonatas Volume II G. Henle Urtext, HN240 ISMN Book 2: HAYDN: Complete Piano Sonatas Volume III G. Henle Urtext, HN242 ISMN Joseph Haydn: Allegro moderato (1st mvt) from Sonata Hob. XVI:32 in B Minor P , Book 1 2. Joseph Haydn: Finale Presto (3rd mvt) from Sonata Hob. XVI:32 in B Minor P , Book 1 3. Joseph Haydn: Finale Allegro (3rd mvt) from Sonata Hob. XVI:20 in C Minor P , Book 1 4. Joseph Haydn: Andante con espressione (1st mvt) from Sonata Hob. XVI:48 in C P.56-61, Book 2 5. Joseph Haydn: Rondo Presto (2nd mvt) from Sonata Hob. XVI:48 in C P.62-67, Book 2 6. Joseph Haydn: Adagio e cantabile (2nd mvt) from Sonata Hob. XVI:49 in Eb Minor P.75-79, Book 2 ADVANCED 6 pre-selected Beethoven Sonata Movements. No Repeats BEETHOVEN: Piano Sonatas Volume II G. Henle Urtext, HN34 ISMN Ludwig van Beethoven: Adagio grazioso in C from Sonata Op.31 #1 in G P Ludwig van Beethoven: Andante espressico and Vivacissimamente from Sonata Op.81a in Eb P Ludwig van Beethoven: Allegretto ma non troppo, Vivace alla Marcia from Sonata Op.101 P Ludwig van Beethoven: Adagio and Presto from Sonata Op.101 P Ludwig van Beethoven: Scherzo from Sonata Op.106 in Bb P Ludwig van Beethoven: Maestoso from Sonata Op.111 in C Minor P Page 7 of 20

8 CATEGORY 4: THE TREASURY OF ROMANTIC COMPOSERS NO AGE LIMIT There are FIVE LEVELS in this Category. Please review the Contest Rules before making your selection. Contestants may choose to enter one or more levels, but only one from six pre-selected pieces in each level. ELEMENTARY 6 pre-selected pieces No Repeats #1-4: The Joy of First Classics Book 2, Selected and edited by Denes Agay, Yorktown Music Press ISBN #5-6: Discovering Piano Literature Book 2, Selected and edited by M Lou Dietzer, Alfred ISBN Nicolas Miaskovsky: Dialogue P.24: 16 bars 2. Cornelius Gurlitt: Sonatina in C P.28: 24 bars 3. William Crotch: Spring Morning P.36: 40 bars, including DC. Al Fine 4. Louis Kohler: Fandago P.42: 40 bars 5. Theodor Oesten: Hunting Horns in C P.26: 16 bars 6. A. Parusinov: Echo in F P.37: 12 bars JUNIOR 6 pre-selected pieces No Repeats #1-2: Essential Keyboard Repertoire Volume Early Intermediate Selections in Their Original Forms Baroque to Modern - Lynn Freeman Olson - Alfred Publishing #3-6: Beethoven to Shostakovich, 53 Piano Solos in their Original Form Theodore Presser Company 1. Jean-Baptiste Duvernoy: Etude Op.176 #24 in C P Giuseppe Concone: Etude Op.24 #8 in A Minor P Stephen Heller: Curious Story Op.138 #11 in F P Cornelius Gurlitt: The SunShiny Morning Op.101 #3 in G P Cornelius Gurlitt: Morning Greeting Op.130 #1 and Cheerily, Oh! Op.131 #1 P Gustav Merkel: The Jolly Huntsman in F P pre-selected pieces No Repeats SCHUMANN: Albumn for the Young Op.68, any Urtext edition 1. Robert Schumann: Op.68 #11 Sicilienne 53 bars, including DC Al. Fine 2. Robert Schumann: Op.68 #12 Knight Rupert 72 bars, including DC Al. Fine 3. Robert Schumann: Op.68 #23 The Horseman 54 bars 4. Robert Schumann: Op.68 #25 Echoes from the Theater 31 bars 5. Robert Schumann: Op.68 #26 Andante con moto (Untitled) in F 22 bars 6. Robert Schumann: Op.68 #28 Remembrance in A 34 bars 6 pre-selected pieces No Repeats CHOPIN: Chopin Nocturnes, G. Henle #HN185, HL Frederic Chopin: Nocturne Op.15 #1 in F P Frederic Chopin: Nocturne Op.15 #2 in F# P Frederic Chopin: Nocturne Op.15 #3 in G Minor P Frederic Chopin: Nocturne Op.37 #2 in G P Frederic Chopin: Nocturne Op.48 #2 in F# Minor P Frederic Chopin: Nocturne Op.27 #1 in C# Minor P ADVANCED 6 pre-selected pieces No Repeats CHOPIN: Chopin Etudes, G. Henle #HN124, HL Frederic Chopin: Etude Op.10 #2 in A Minor P Frederic Chopin: Etude Op.10 #4 in C# Minor P Frederic Chopin: Etude Op.10 #6 in Eb Minor P Frederic Chopin: Etude Op.10 #9 in F Minor P Frederic Chopin: Etude Op.10 #10 in Ab P Frederic Chopin: Etude Op.10 #11 in Eb P Page 8 of 20

9 CATEGORY 5: THE TREASURY OF CONTEMPORARY COMPOSERS NO AGE LIMIT There are FIVE LEVELS in this Category. Please review the Contest Rules before making your selection. Contestants may choose to enter one or more levels, but only one from six pre-selected pieces in each level. ELEMENTARY 6 pre-selected pieces No Repeats KABALEVSKY: Book: 24 Pieces for Children, Op.39; 35 Easy Pieces, Op.89 G. Schirmer, HL Dmitri Kabalevsky: First Waltz P.24: 16 bars 2. Dmitri Kabalevsky: Little Goat Limping P.30: 12 bars 3. Dmitri Kabalevsky: Trumpet and Drum P.31: 20 bars 4. Dmitri Kabalevsky: The Little Juggler P.32: 24 bars 5. Dmitri Kabalevsky: March P.32: 12 bars 6. Dmitri Kabalevsky: Brave Song P.33: 24 bars JUNIOR 6 pre-selected pieces No Repeats Book: Beginning Piano Solos, 132 Original MasterPieces, Compiled and edited by Paul Sheftel, Carl Fischer ISBN Bela Bartok: Children Dance Vol 1 #10 P.127: 48 bars 2. Bela Bartok: Study for the Left Hand Vol 1 #6 P : 57 bars 3. Bela Bartok: Pillow Dance P : 51 bars 4. Darius Milhaud: Black Keys P : 28 bars 5. Darius Milhaud: White Keys P : 40 bars 6. Howard Hanson: Enchantment P : 35 bars 6 pre-selected pieces No Repeats MARTINU: Loutky Marionetten Marionettes Puppets I III, Barenreiter Publishing BA 8195 or Books from Masters Music Publications: Pieces #1-3: Martinu Puppets Book 1 M1085; Pieces #4-5: Martinu Puppets Book 2 M1086; Piece #6: Martinu Puppets Book 3 M Bohuslav Martinu: Columbine Dances P Bohuslav Martinu: The New Puppet P Bohuslav Martinu: The Shy Puppet P Bohuslav Martinu: Puppet Show P or P.3-5 (M1086) 5. Bohuslav Martinu: Harlequin P or P.6-9 (M1086) 6. Bohuslav Martinu: Pierrot s Serenade P or P.3-4 (M1087) 6 pre-selected pieces No Repeats JOAQUIN TURINA: The Circus Suite for Piano Edition Schott 2226AP 1. Joaquin Turina: Fanfare P Joaquin Turina: Jugglers P Joaquin Turina: The Bareback Rider P Joaquin Turina: The Trained Dog P Joaquin Turina: Clowns P Joaquin Turina: The Aerialists P ADVANCED 6 pre-selected pieces No Repeats ERNESTO LECUONA Piano Music: 55 Pieces by Cuba s Greatest Composer, Marks Music Company, HL ISBN Ernesto Lecuona: Andalucia P Ernesto Lecuona: Alhambra P Ernesto Lecuona: Malaguena P Ernesto Lecuona: Ante El Escorial P Ernesto Lecuona: Aragon P Ernesto Lecuona: La Conga De Media Noche P Page 9 of 20

10 CATEGORY 6: THE TREASURY OF U.S.A. COMPOSERS NO AGE LIMIT There are FIVE LEVELS in this Category. Please review the Contest Rules before making your selection. Contestants may choose to enter one or more levels, but only one from six pre-selected pieces in each level. ELEMENTARY 6 pre-selected pieces No Repeats Book: Monsterpieces (and Others) William Bolcom, Edward B. Marks Music HL William Bolcom: The Mad Monster P.2: 16 bars 2. William Bolcom: The Sad Monster P.3: 16 bars 3. William Bolcom: The Bad Mister P.4-5: 18 bars 4. William Bolcom: The Plaid Miss P.7: 14 bars 5. William Bolcom: A Boating Tune P.12: 20 bars 6. William Bolcom: The Bitty Town P.13: 20 bars JUNIOR 6 pre-selected pieces No Repeats Book: EMMA LOU DIEMER: Reaching Out, for Solo Piano, Early Intermediate/Intermediate Edited by Helen Marlais FJH Music Company Inc ISBN Emma Lou Diemer: Anger P.14-15: 24 bars 2. Emma Lou Diemer: Another Moonlight Serenade P.16-17: 46 bars (with D.C. al Coda, then Coda) 3. Emma Lou Diemer: Teasing P.22-23: 26 bars 4. Emma Lou Diemer: Surprises P.26-27: 25 bars 5. Emma Lou Diemer: Chatter P.28-29: 20 bars 6. Emma Lou Diemer: Busy Toccata P.30-32: 56 bars 6 pre-selected pieces No Repeats #1-5: Libby Larsen Penta Metrics, Five Pieces for Solo Piano, Oxford University Press ISBN #6: 36 Twentieth Century Pieces, Schirmer #ED2734, HL ISBN Libby Larsen: Penta Metrics I P Libby Larsen: Penta Metrics II P.4 3. Libby Larsen: Penta Metrics III P Libby Larsen: Penta Metrics IV P.8 5. Libby Larsen: Penta Metrics V P Paul Creston: Festive Dance Op.24 #5 P pre-selected pieces No Repeats NORMAN DELLO JOIO: Piano Music Selected Works, Associated Music Publishers, Inc. HL Norman Dello Joio: Arietta from Diversions P Norman Dello Joio: Giga from Diversions P Norman Dello Joio: Caccia from Diversions P Norman Dello Joio: Salute to Scarlatti #3 P Norman Dello Joio: Fourth's and Fifth's P Norman Dello Joio: Second's P ADVANCED 6 pre-selected pieces No Repeats Piano Music of Louis Moreau Gottschalk The Principal Works 26 Complete Pieces from Original Editions Selected and Introduced by Richard Jackson, Dover, ISBN Louis Moreau Gottschalk: Le Bananier P Louis Moreau Gottschalk: La Savane P Louis Moreau Gottschalk: La Jota Araconesa P Louis Moreau Gottschalk: O My Charmer, Spare Me P Louis Moreau Gottschalk: Ojos Criollos P Louis Moreau Gottschalk: Suis Moi P Page 10 of 20

11 CATEGORY 7: THE TREASURY OF CHINESE COMPOSER NO AGE LIMIT There are FOUR LEVELS in this Category. Please review the Contest Rules before making your selection. Contestants may choose to enter one or more levels, but only one from six pre-selected pieces in each level. ELEMENTARY 6 pre-selected pieces No Repeats Selection from Chinese Classical Music for Piano, Book 4, Edited by Wei Tingge, Li Mingjun, Xu Min ShiDaiWenYi Publishing House 1. Chongguang Li: Song of the Birds (Allegro) P.4: 22 bars 2. Chongguang Li: Dance in G (Allegretto) P.5: 26 bars, no repeats 3. Yinghai Li: Panda #1 from The Zoo Suite P.8: 21 bars 4. Yinghai Li: Giraffe #2 from The Zoo Suite P.9: 20 bars 5. Yinghai Li: Elephant #3 from The Zoo Suite P.10: 17 bars 6. Yinghai Li: Lantern (Allegretto) P.14: 15 bars JUNIOR 6 pre-selected pieces No Repeats Piano Pieces on Chinese Folk Tunes For Children; Arranged by Ma Shui-Long, Edited by Hsu Tze-Cheng 台北音樂家書房 1. Shui-Long Ma: The Purple Bamboo Flute P.10-11, #1: 28 bars 2. Shui-Long Ma: The Cutting of Leeks P.21, #8: 12 bars 3. Shui-Long Ma: Sha-Li-Hong-Pa P.22-23, #10: 24 bars 4. Shui-Long Ma: The Jasmine Flower P.24, #11: 15 bars 5. Shui-Long Ma: Maiden in Red P.25 #12: 10 bars, no repeat 6. Shui-Long Ma: A Grain of Bean P.27 #14: 21 bars 6 pre-selected pieces No Repeats Wang Lisan Selected Works for The Piano, SMPH 4J006 ISBN Lisan Wang: After Another Rainfall P Lisan Wang: Sparkling Stream Flowing On P Lisan Wang: Robust Flower P Lisan Wang: Big Head Child Dance P Lisan Wang: Nursery Rhymes P Lisan Wang: Sketches The Impression of Dulcimer P pre-selected pieces No Repeats Cui Shiguang Selected Works for The Piano, SMPH 3J476 ISBN Shiguang Cui: Drizzle P Shiguang Cui: The Bright March P Shiguang Cui: Long Drum Koreana Suite, IV P Shiguang Cui: Shangri-La Meet at Horizon, III P Shiguang Cui: By The Songhua River P Shiguang Cui: By The Jianling River P Page 11 of 20

12 CATEGORY 8: OPEN DUET - BAROQUE NO AGE LIMIT There are FOUR LEVELS in this Category. Contestants may choose to enter one or more levels, but only once in each level. This category DOES NOT REQUIRE MEMORIZATION. Contestants may use music for the competitions as well as the Prize Winners Concerts. Contestants may only perform the pre-selected pieces listed below. JUNIOR J.S. Bach Rohr : Gavotte in G P.20: 24 bars Book: J.S. Bach Favorite Piano Duets for Beginners Edition Peters No ISMN M NOTE: Articulation: use traditional articulation instead of the printed phrasing. Wrong notes: PRIMO measure 10: last quarter note should be a G, not a B. PRIMO measure 23: first eighth note should be a G, not a F#. J.S. Bach / Weekley Arganbright: Siciliano from Sonata in Eb, BWV 1031 P.9-12, no repeat Book: Three Baroque Pieces for one piano, four hands arranged by Weekley & Arganbright J.S. Bach Aston : Sinfonia from Cantata BWV 29 in D P Book: Baroque Composers, Oxford University Press ISBN X ADVANCED J.S. Bach Reger: Allegro from Brandenburg Concerto No.3 in G P Book: Bach: Brandenburg Concertos Transcribed by Max Reger For One Piano / Four Hands Kalmus K03027, Alfred Publishing Co., Inc. ISBN , or any Edition CATEGORY 9: OPEN DUET - CLASSICAL NO AGE LIMIT There are FIVE LEVELS in this Category. Contestants may choose to enter one or more levels, but only once in each level. This category DOES NOT REQUIRE MEMORIZATION. Contestants may use music for the competitions as well as the Prize Winners Concerts. Contestants may only perform the pre-selected pieces listed below. ELEMENTARY JUNIOR ADVANCED Johann Anton Andre: Rondo from Op.45 #1 P Book: Haydn to Stravinsky 44 Original Piano Duets, Theodore Presser ISBN W.A. Mozart: Menuetto-Trio- Menuetto P Book: Mozart Eine Kleine Nachtmusik (K.525), Piano Pour Hands G. Schirmer, Inc. HL W.A. Mozart: Allegro from Sonata in D, K.381/123a P.2-7, no repeat Book: Works for Piano Four Hands and Two Pianos W.A. Mozart Dover Music ISBN Ludwig Van Beethoven: No. 3 from 3 March P.34-37, plus a DC. Al Fine Ludwig Van Beethoven: Theme, Variations 1, 4, 8 to the end P.2-3, 6-7 & Book: Great Works for Piano Four Hands Edited by Ronald Herder, Dover ISBN CATEGORY 10: OPEN DUET - ROMANTIC NO AGE LIMIT There are FIVE LEVELS in this Category. Contestants may choose to enter one or more levels, but only once in each level. This category DOES NOT REQUIRE MEMORIZATION. Contestants may use music for the competitions as well as the Prize Winners Concerts. Contestants may only perform the pre-selected pieces listed below. ELEMENTARY Johann Strauss Robert Schultz: Blue Danube Waltz Op.314 P.18-21: 37 bars In Recital Duets Vol 1, Book 2 Helen Marlais, FJH ISBN JUNIOR Robert Schumann: Op.85 #1 P.70-73: 50 bars, no repeat Haydn to Stravinsky, 44 Original Piano Duets, Theodore Presser ISBN Amy Beach: Robin Redbreast Op.47 #2 P Summer Dreams for Piano Four Hands by Amy Beach Op.7, Masters Music Pub., Inc. M3171 Florent Schmitt: Reflection of Germany Waltzer P Great Works for Piano Four Hands Edited by Ronald Herder, Dover ISBN ADVANCED Moritz Moszkowski: Germany & Hungary P.6-9, P From Foreign Parts Piano Duet Moritz Moszkowski, Stainer & Bell ISBN Page 12 of 20

13 CATEGORY 11: OPEN DUET - CONTEMPORARY NO AGE LIMIT There are SIX LEVELS in this Category. Contestants may choose to enter one or more levels, but only once in each level. This category DOES NOT REQUIRE MEMORIZATION. Contestants may use music for the competitions as well as the Prize Winners Concerts. Contestants may only perform the pre-selected pieces listed below. PREPARATORY Peter Heilbut: The Trotting Brown Pony ELEMENTARY Janina Garscia: The Drum P.6-7: 16 bars, no P.26-29: 38 bars repeat Book: The four-handed Keyboard Crocodile Edition Breitkopf 8592, Breitkopf & Hartel -Wiesbaden JUNIOR Norman Dello Joio: The Ballerina P.10-13: 60 bars Book: Five Images for Piano, Four Hands, Marks Music Company HL Richard Rodney Bennett: Sadie s Waltz P.9-13 Book: Richard Rodney Bennett: for Skip and Sadie for Suite Piano Duet Novello Publishing Limited ISBN Darius Milhaud: Enfantines Fumee, Fete de Bordeaux and Fete de Monmarte Book: Enfantines For Piano Four Hands by Darius Milhaud, Masters Music Pub., Inc., M2534 ADVANCED Maurice Ravel: Malaguena P Book: Great Works for Piano Four Hands Edited by Ronald Herder, Dover ISBN CATEGORY 12: SHOWCASE PIANO DUET/ENSEMBLE: OWN CHOICE OF MUSIC One Piano: Four to Eight Hands There are FOUR levels of different age groups in this Category with two to four performers. This category DOES NOT REQUIRE MEMORIZATION. Contestants may use music for the competitions as well as the Prize Winners Concerts. Contestants will choose their own music: Original compositions and all creative arrangements are acceptable. Any combination of pieces by one composer will be accepted for this event, with the exception of music from the Open Duet events of 2017, which cannot be used for this event (even in a different format/arrangement). Whether entering with partner(s) of the same age group or with older partner(s) at a higher age group, the rules are: each contestant can enter more than one level but only once at each level with partner(s) from the proper age group and with different music for each entry. The oldest partner determines the age group. You must time your pieces accurately and mark them clearly on the Entry form. Please review the Contest Rule #5 (b): on P.3-4 Contestants must upload the first page of each piece at the time of their on-line application. When entering a complete Set or Suite, the first page of each movement must be uploaded with your entry. Contestants must bring a copy of their music (no illegal photocopies) for the judges during the competition. Without proper music, the contestants will be disqualified. ELEMENTARY Ages 9 and Under for the competition Max. 6 minutes JUNIOR Ages (2 nd /+ contestants may be younger) for the competition Max. 8 minutes Ages (2 nd /+ contestants may be younger) for the competition Max.10 minutes Ages 16 and up (2 nd /+ contestants may be younger) for the competition Max.12 minutes Page 13 of 20

14 CATEGORY 13: SHOWCASE PIANO DUO/ ENSEMBLE OWN CHOICE OF MUSIC Two Pianos: four to twelve Hands There are FOUR levels of different age groups in this Category with two to six performers. This category DOES NOT REQUIRE MEMORIZATION. Contestants may use music for the competitions as well as the Prize Winners Concerts. Contestants will choose their own music: Original compositions and all creative arrangements are acceptable. Any combination of pieces by one composer will be accepted for this event, with the exception of music from the Open Duet events of 2017, which cannot be used for this event (even in a different format/arrangement). Whether entering with partner(s) of the same age group or with older partner(s) at a higher age group, the rules are: each contestant can enter more than one level but only once at each level with partner(s) from the proper age group and with different music for each entry. The oldest partner determines the age group. You must time your pieces accurately and mark them clearly on the Entry form. Please review the Contest Rule #5 (b): on P.3-4 Contestants must upload the first page of each piece at the time of their on-line application. When entering a complete Set or Suite, the first page of each movement must be uploaded with your entry. Contestants must bring a copy of their music (no illegal photocopies) for the judges during the competition. Without proper music, the contestants will be disqualified. ELEMENTARY Ages 9 and Under for the competition Max. 6 minutes JUNIOR Ages (2 nd /+ contestants may be younger) for the competition Max. 8 minutes Ages (2 nd /+ contestants may be younger) for the competition Max.10 minutes Ages 16 and up (2 nd /+ contestants may be younger) for the competition Max.12 minutes CATEGORY 14: SHOWCASE PIANO SOLO This event is for the exceptionally gifted There are Six Different Age Groups in this Category. Contestants must select two original and contrasting pieces from different musical periods. ANY STANDARD REPERTOIRE will be acceptable. No simplified music allowed. Notice: all pre-selected music used for 2017: including Open Solo (24 events), and ALL Treasury categories (29 events) cannot be used as a piece for the Showcase Solo Events of Performance must be from memory. You must time your pieces accurately and mark them clearly on the Entry form. Please review the Contest Rule #5 (b): on P.3-4 Contestants must upload the first page of each piece at the time of their on-line application. When entering a complete Set or Suite, the first page of each movement must be uploaded with your entry. Contestants must bring a copy of their music (no illegal photocopies) for the judges during the competition. Without proper music, the contestant will be disqualified. NEW: After each Competition, the 1 st Place Winner should immediately notify USOMC which piece he/she will perform at the Prize Winners' Concert (only one piece is allowed). Please check carefully for the maximum time allowed for the Prize Winners' Concerts (cuts may be necessary). PREPARATORY Ages 7 and Under ELEMENTARY Ages 8 9 JUNIOR Ages Ages Ages ADVANCED Ages 19 & Above max. performance time: 5 minutes max. performance time: 8 minutes max. performance time: 10 minutes max. performance time: 13 minutes max. performance time: 15 minutes max. performance time: 18 minutes Page 14 of 20

15 CATEGORY 15: OPEN PIANO CONCERTO ONE MOVEMENT NO AGE LIMIT This event is for the exceptionally gifted There are FOUR levels in this Category. Contestants may enter only once (at any level they choose). To promote broader repertory knowledge, contestants who have won medal(s) in the past years are not allowed to enter the same concerto movement(s) they have won before, unless they are used for the Complete Concerto Event. Performance must be from memory. Contestants should provide their own accompanists for this event. The accompanist will not be judged. Piano teachers cannot accompany their own students; NOT EVEN DURING THE PRIZE-WINNERS CONCERTS. The name of the accompanist should be listed in the entry form. In case there is a change of accompanist, the contestant must notify USOMC via . It is improper to have a substitute accompanist without first notifying USOMC. You must time your piece accurately and mark it clearly on the Entry form. Please review the Contest Rule #5 (b): on P.3-4 The judges may not hear the pieces in their entirety. This does not reflect negatively on the performers. Please Note: It is your responsibility to show up at the competition site on time. Contestants must bring a copy of their music (no illegal photocopies) for the judges during the competition. Without proper music, the contestant will be disqualified. The 1 st Place Winners should be prepared to play their pieces (shortened if necessary) at the Prize Winners Concerts. See Table for Time-Limit under Contest Rules (on P.3) JUNIOR 19 pre-selected Concerto movements 1. J.S. Bach: Adagio (2 nd mvt) in F from Concerto BWV.1052 in D Minor 2. J.S. Bach: Largo (2 nd mvt) in A b from Concerto BWV.1056 in F Minor 3. Sir Richard Rodney Bennett: Party Piece (Universal Edition) 4. Joseph Haydn: Allegro (1 st mvt) from Concerto Hob.XVIII:4 in G 5. Joseph Haydn: Presto (3 rd mvt) from Concerto Hob.XVIII:4 in G 6. Joseph Haydn: Vivace (1 st mvt) from Concerto Hob.XVIII:11 in D 7. Joseph Haydn: Poco adagio (2 nd mvt) from Concerto Hob.XVIII:11 in D 8. Joseph Haydn: Allegro assai (3 rd mvt) from Concerto Hob.XVIII:11 in D 9. W.A. Mozart: Andante (2 nd mvt) in G from Concerto K.175 in D 10. W.A. Mozart: Allegro (3 rd mvt) from Concerto K.175 in D 11. W.A. Mozart: Allegro aperto (1 st mvt) from Concerto K.238 in B b 12. W.A. Mozart : Andante (2 nd mvt) in E b from Concerto K.238 in B b 13. W.A. Mozart : Allegro (3 rd mvt) from Concerto K.238 in B b 14. W.A. Mozart : Allegro aperto (1 st mvt) from Concerto K.246 in C 15. W.A. Mozart : Allegro (1 st mvt) from Concerto #11 K.413 in F 16. W.A. Mozart : Romanze (2 nd mvt) in B b from Concerto #20 K.466 in D Minor 17. W.A. Mozart : Andante (2 nd mvt) in F from Concerto #21 K.467 in C 18. W.A. Mozart : Adagio (2 nd mvt) in f # from Concerto #23 K.488 in A 19. W.A. Mozart : Larghetto (2 nd mvt) in A from Concerto #26 K.537 in D Page 15 of 20

16 CATEGORY 15: OPEN PIANO CONCERTO ONE MOVEMENT NO AGE LIMIT (CONTINUED) (Please check the details concerning the Concerto Events, listed on top of P.15) 32 pre-selected Concerto movements 1. J.S. Bach: Allegro (1 st mvt) from Concerto BWV.1052 in D Minor 2. J.S. Bach: Allegro (3 rd mvt) from Concerto BWV.1052 in D Minor 3. J.S. Bach: Allegro moderato (1 st mvt) from Concerto BWV.1056 in F Minor 4. J.S. Bach: Allegro con fuoco (3 rd mvt) from Concerto BWV.1056 in F Minor 5. J.S. Bach: Allegro maestoso (1 st mvt) from Concerto BWV.1058 in G Minor 6. J.S. Bach: Allegro assai (3 rd mvt) from Concerto BWV.1058 in G Minor 7. Dmitry Kabalevsky: Allegro molto (1 st mvt) from Concerto #3 Op.50 in D 8. Dmitry Kabalevsky: Andante (2 nd mvt) from Concerto #3 Op.50 in D 9. Dmitry Kabalevsky: Presto (3 rd mvt) from Concerto #3 Op.50 in D 10. Felix Mendelssohn: Capriccio Brillante, Op. 22 in B Minor 11. W.A. Mozart : Allegro (1 st mvt) from Concerto #6 K.175 in D 12. W.A. Mozart : Allegro (1 st mvt) from Concerto #12 K.414 in A 13. W.A. Mozart : Andante (2 nd mvt) in D from Concerto #12 K.414 in A 14. W.A. Mozart : Allegretto (3 rd mvt) from Concerto #12 K.414 in A 15. W.A. Mozart : Andante (2 nd mvt) in E b from Concerto #15 K.450 in B b 16. W.A. Mozart : Allegro vivace (1 st mvt) from Concerto #18 K.456 in B b 17. W.A. Mozart : Andante un poco sostenuto in G Minor (2 nd mvt) from Concerto #18 K.456 in B b 18. W.A. Mozart : Allegro vivace (3 rd mvt) from Concerto #18 K.456 in B b 19. W.A. Mozart : Allegro (1 st mvt) from Concerto #19 K.459 in F 20. W.A. Mozart : Allegro assai (3 rd mvt) from Concerto #19 K.459 in F 21. W.A. Mozart : Allegro (1 st mvt) from Concerto #20 K.466 in D Minor 22. W.A. Mozart : Rondo (3 rd mvt) from Concerto #20 K.466 in D Minor 23. W.A. Mozart : Allegro vivace assai (3 rd mvt) from Concerto #21 K.467 in C 24. W.A. Mozart : Rondo (3 rd mvt) from Concerto #22 K.482 in E b 25. W.A. Mozart : Allegro (1 st mvt) from Concerto #23 K.488 in A 26. W.A. Mozart : Allegro assai (3 rd mvt) from Concerto #23 K.488 in A 27. W.A. Mozart : Allegro (3 rd mvt) from Concerto #26 K.537 in D 28. W.A. Mozart : Allegro scherzo (3 rd mvt) from Concerto #27 K.595 in B b 29. Gabriel Pierne: Scherzando (2 nd mvt) from Concerto Op.12 in C Minor 30. Dmitri Shostakovich: Allegro (1 st mvt) from Concerto #2 Op.102 in F 31. Dmitri Shostakovich: Andante (2 nd mvt) in C from Concerto #2 Op.102 in F 32. Dmitri Shostakovich: Allegro (3 rd mvt) from Concerto #2 Op.102 in F Page 16 of 20

17 CATEGORY 15: OPEN PIANO CONCERTO ONE MOVEMENT NO AGE LIMIT (CONTINUED) (Please check the details concerning the Concerto Events, listed on top of P.15) 32 pre-selected Concerto movements 1. W.A. Mozart: Presto (3 rd mvt) from Concerto #9 K.271 in E b 2. W.A. Mozart: Allegro (1 st mvt) from Concerto #15 K.450 in B b 3. W.A. Mozart: Allegro (3 rd mvt) from Concerto #15 K.450 in B b 4. W.A. Mozart: Allegro maestoso (1 st mvt) from Concerto #21 K.467 in C 5. W.A. Mozart: Allegro maestoso (1 st mvt) from Concerto #25 K.503 in C 6. Ludwig Van Beethoven: Allegro con brio(1 st mvt) from Concerto #1 Op.15 in C 7. Ludwig Van Beethoven: Rondo (3 rd mvt) from Concerto #1 Op.15 in C 8. Ludwig Van Beethoven: Allegro con brio (1 st mvt) from Concerto #2 Op.19 in B b 9. Ludwig Van Beethoven: Rondo (3 rd mvt) from Concerto #2 Op.19 in B b 10. Ludwig Van Beethoven: Allegro con brio (1 st mvt) fr. Concerto #3 Op.37 in C Minor 11. Ludwig Van Beethoven: Largo (2 nd mvt) in E from Concerto #3 Op.37 in C Minor 12. Ludwig Van Beethoven: Rondo (3 rd mvt) from Concerto #3 Op.37 in C Minor 13. Ludwig Van Beethoven: Allegro moderato (1 st mvt) Concerto #4 Op.58 in G 14. Frederic Chopin: Larghetto (2 nd mvt) in A b from Concerto #2 Op.21 in F Minor 15. Edvard Grieg: Allegro molto moderato (1 st mvt) fr Concerto Op.16 in A Minor 16. Edvard Grieg: Adagio (2 nd mvt) in D b from Concerto Op.16 in A Minor 17. Edvard Grieg: Allegro moderato molto e marcato (3 rd mvt) from Concerto Op.16 in A Minor 18. Fran Liszt: Hungarian Fantasy (in one mvt) in E & F s 19. Felix Mendelssohn: (1 st /2 nd mvts: both) from Concerto #1 Op.25 in G Minor 20. Felix Mendelssohn: Presto molto allegro(3 rd mvt) from Concerto #1 Op.25 in G Minor 21. Felix Mendelssohn: (1 st /2 nd mvts: both) from Concerto #2 Op.40 in d-b b keys 22. Felix Mendelssohn: Finale Presto (3 rd mvt) from Concerto #2 Op.40 in D 23. Gabriel Pierne: Allegro (1 st mvt) from Concerto Op.12 in C Minor 24. Gabriel Pierne: Final (3 rd mvt) from Concerto Op.12 in C Minor 25. Sergei Rachmaninoff: Andante cantabile (2 nd mvt) in D from Concerto #1 Op.1 in F # Minor 26. Maurice Ravel: Allegramente (1 st mvt) from Concerto in G Minor 27. Camille Saint-Saens: Andante sostenuto (1 st mvt) from Concerto #2 Op.22 in G Minor 28. Camille Saint-Saens: Molto allegro (3 rd mvt) from Concerto #5 Op.103 in F 29. Dmitri Shostakovich: Allegro con brio (4 th mvt) Concerto #1 Op.35 in C Minor 30. Richard Strauss: Burleske in D Minor 31. Pyotr llyichtchaikovsky: Andante (2 nd mvt) in D b from Concerto #1 Op.23 in B b Minor 32. Carl Maria von Weber: Concertstuck (One mvt) Op.21 in F & Minor Page 17 of 20