MAHATMA GANDHI UNIVERSITY
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1 MAHATMA GANDHI UNIVERSITY COURSE CREDIT AND SEMESTER (C.C.S) SYSTEM B. A. MUSIC PROGRAMME (VIOLIN) Sl. No. SEM Alpha numerical code Course Course Title Course Type Hrs/ Week Credits Duration of examination 1. I Common course hrs 2. Common course hrs 3. Common course hrs 4. I MUSCOR VIO Core course-1 Fundamental Practical min 101 lessons 5. I MUSCOM VIO 1 st Complimentary Preliminary Practical min svara Exercises (vocal) 1 6. I MUSCOM nd Complimentary Musicology Theory 2 2 3hrs II Common Course hrs 4 8. Common Course hrs 5 9. Common Course 4 4 3hrs 6 0. II MUSCORVIO Core Course-2 Fundamental Practical min 1 lessons II 1. II MUSCOMVIO 1 st Complimentary Preliminary Practical min 2-2 Exercises 2 (vocal) 2. II MUS COM 3 2 nd Complimentary Musicology Theory 2 2 3hrs 2 3. III Common Course 5 4 3hrs 7 4. Common Course 5 4 3hrs 8 5. III MUSCOR 301 Core Course 3 Theory of Theory 3 3 3hrs Music 6. III MUSCORVIO Core Course 4 Fundamental Practical min 302 lessons 2 7. III MUSCOMVIO 1 st Complimentary Gitams, Practical min Swarajatis & (vocal) 8. III MUSCOM nd Complimentary 3 Varnams Musicology Theory 2 2 3hrs % of Marks Total Credits MAHATMA GANDHI UNIVERSITY COURSE CREDIT AND SEMESTER (C.C.S) SYSTEM B. A. MUSIC PROGRAMME (VIOLIN) 9. IV Common Course hrs 0. Common Course 5 4 3hrs IV MUSCOR 401 Core Course 5 Theory of Music Theory 3 3 3hrs 1/10
2 2. IV MUSCORVIO 402 Core Course 6 Varnams & Simple Kritis Practical min 3. IV MUSCOMVIO 1 st Complimentary Varnam & Kriti Practical min (vocal) 4. IV MUSCOM nd Complimentary Musicology Theory 2 2 3hrs 4 5. V V MUSCOR 501 Core Course 7 Theory of Music Theory 4 4 3hrs 6. V MUSCOR VIO Core Course 8 Varnams Practical min V MUSCORVIO 503 Core Course -9 varnams & kritis 2 Practical min 8. V MUSCOR VIO Core Course 10 Kritis Practical min V MUSOPCVIO 505 Open Course 1 1* V MUSCW/P VIO Course Work/Project VI MUSCOR 601 Core Course 11 Theory of Music Theory 4 4 3hrs 2. VI VI MUSCOR VIO Core Course 12 Raga alapana & Practical min 602 kalapanasvaras 3. VI MUSCORVIO Core Course 13 Group kritis & Practical min 603 ragamalika 4. VI MUSCORVIO Core Course 14 Padam,javali & Practical min 604 Tillana 5. VI MUSVIOOPC Open Course 2 2* VI MUSCW/P VIO 606 Course Work/ Project * Open Course 1 2* Open Course 2 Optional Optional 1. Svara exercises 1. Ragam tanam and pallavi 2. Alankaras and geethams 2. Prominent Musicologists 3. Fingering and bowing techniques 3. Different systems of music education. MAHATMA GANDHI UNIVERSITY COURSE CREDIT AND SEMESTER (C.C.S) SYSTEM B. A. MUSIC PROGRAMME (VIOLIN) Reference Books recommended for the Course: 1. Dakshinendyan Sangeetham by Vidwan A.K.Ravindranath ( Malayalam) (Vol 1 & 2) 2. South Indian Music by Prof.P.Sambamoorthy (Vol I to VI) 3. The Dictionary of South Indian Music by Prof.P.Sambamoorthy (A to F, G to K, L to N and P to S) 4. The Splendour of South Indian Music by Prof.Chelladurai 5. Sangeetha Kalpadrumam by Dr.L.Muthiah Bhagavatar (Malayalam) 6. Sangeetha Sastra Pravesika by Shri.Venkatasubbayyar (Malayalam) 7. Karnataka Sangeetha Charitram by Shri.Ravindranath (Malayalam) MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME (VIOLIN) COURSE DETAILS Sem Course Title Hrs/ Week Credit Exam Hrs Total Credit Common Course I Common Course Common Course /10
3 II III IV V VI Core Course 1 (Practical) st Complementary 1 (Instrumental) nd Complementary 1 (Theory) Common Course Common Course Common Course Core Course 2 (Practical) st Complementary 2 (Instrumental) nd Complementary 2 (Theory) Common Course Common Course Core Course 3 (Theory) Core Course 4 (Practical) st Complementary 3 (Instrumental) nd Complementary 3 (Theory) Common Course Common Course Core Course 5 (Theory) Core Course 6 (Practical) st Complementary 4 (Instrumental) nd Complementary 4 (Theory) Core Course 7 (Theory) Core Course 8 (Practical) Core Course 9 (Practical) Core Course 10 (Practical) Open Course Course Work/ Project Work Core Course 11 (Theory) Core Course 12 (Practical) Core Course 13 (Practical) Core Course 14 (Practical) Open Course Course Work/ Project Work Total Course Credits TOTAL COMMON COURSES TOTAL CORE COURSE (10Pr. + 4Th.) =56 TOTAL COMPLIMENTARY COURSES 8 16 TOTAL OPEN COURSES 2 4 TOTAL COURSE WORK/ PROJECT WORK 2 4 TOTAL 36 1 MAHATMA GANDHI UNIVERSITY B. A. VIOLIN 1 ST SEMESTER I MUSCORVIO Saptaswaras a. Sarali varisas b. Janta varisas c. Dhattu varisas. CORE COURSE I FUNDAMENTAL LESSIONS I(PRACTICAL) 2. Saptha Thala Alankaras in Three degrees of speed. 3. Trikala varisas amd chathurkala varisas. 4. Triswara Prastharam. 5. Mandra sthayi, Madhyasthayi and Tarasthayi varisas 6. Geetam in the ragas:-malahari & Mohanam 1 st COMPLIMENTARY I (VOCAL) I MUSCOMVIO 102 PRELIMINARY EXERCISES I(PRACTICAL) 1. Ability to play preliminary svara exercises a. Sarali varisas b. Janta varisas 3/10
4 c. Madhyasthayi varisas I MUSCOM Distinctive features of Indian music 2 ND COMPLEMENTARY I MUSICOLOGY (THEORY) 2. Cultural,Intellectual,Emotional,Spiritual values of music 3. Technical terms and their explanations. a. Nadam b. Sruti c. Svaram Svara nomenclature d. Sthayi e. Graha f. Nyasa g. Amsa h. Tala Sapta talas and their angas, shadangas. 4. Life sketch and contributions of the following vaggeyakaras a. Purandaradasa and b.trinity (Thyagaraja,Muthuswamy Dikshitar,Syama Sastri) 2 ND SEMESTER II MUSVIO 1 CORE COURSE II FUNDAMENTAL LESSIONS II (PRACTICAL) 1. Playing Sudhamadhyama ragas in poorvanga utharanga combination based on ragas Thodi, Mayamalavagowla, Kharaharapriya and Sankarabharanam MAYAMALAVAGOWLA (POORVANGA) Utharanga= Thodi, Kharaharapriya and Sankarabharanam THODI (POORVANGA) Utharanga= Mayamalavagowla, Kharahapriya and Sankarabharanam KHARAHARAPRIYA (POORVANGA) Utharanga=Thodi, mayamalavagowla and Sankarabharanam SANKARABHARANAM (POORVANGA) Utharanga=Mayamalagowla, thodi and Kharaharapriya 4/10
5 3. Jathiswaram 4. Swarajathi. 5. Trisvara & chatursvara prastarams in two degrees of speed in prati madhyma ragas. 6. Adi thala varnam in Mohana raga. 7. One simple composition of Tyagaraja, Muthuswami Dikshithar and Swathithirunal. 1 st COMPLEMENTARY II INSTRUMENT (VOCAL) II MUSCOMVIO 2 PRILIMINARY EXERCISES II 1. Sapta tala alankaras in the following ragas in two degrees of speeds. a. Mayamalavaguala b.mohanam c Pantuvarali d. Hamsadwani 2.Any One Simple Gita in the following ragas a.mohanam or b. Malahari 2 nd COMPLEMENTARY II II MUSCOM 3 MUSICOLOGY (THEORY) 1. Musical Instruments and their classification in general (in detail) 2. Detailed knowledge of the notation used in South Indian Music 3. Principal seats of Music a.tanjore b.thiruvananthapuram 4. Folk music out line knowledge of folk music in general, their characteristics, and its varieties 5. Ability to write in notation a.sapta tala alankaras b. Geetams (as prescribed in practical paper) 3 RD SEMESTER CORE COURSE III III MUSCOR 301 THEORY OF MUSIC (THEORY) 1.The characteristic features of a Janaka Mela a. Scheme of 72 melas b. Application of Kadapayadi formula c. Application of Bhutasankhya 2. Explanation of the technical terms Vadi, Samvadi, Vivadi and Anuvadi 3. Raga classification in detail a. Janaka-Janya b. Upanga-Bhashanga c. Varjya-Vakra d. Nishadantya, Dhaivatantya and Panchamantya e. Ghana, Naya, Desya f. Karnataka, desya g. Sudha, Chayalaga, Sankeerna h. Classification based on Kampita svaras i. Mitra ragas j Ganakala niyama 4. The scheme of 35 talas, 175 talas and Chapu talas 5. Raga lakshana in detail of the following ragas a. Mohanam b. Hamsadhvani c. Sankarabharanam IVMUSCOR VIO 302 CORE COURSE IV FUNDAMENTAL LESSONS II 1.Playing of Sudhamadhyama and Pratimadhyama in a full octave in each strings in different speeds in the following: A. Sudhamadhyama ragas: a. Mayamalavagaula b. Chakravakam c. Todi d. Dhenuka e. Keeravani f. Natabhairavi g. Gaurimanohari h. Harikamboji i. Charukesi j. Kharaharapriya 5/10
6 B. Pratimadhyama ragas: a. Kalyani b. Latangi c. Vachaspati d. Pantuvarali e. Dharmavati f. Hemavati g. Ramapriya h. Subhapantuvarali i. Shanmughapriya j. Simhendramadhyamam 2. Gitam in Kalyani 3. Adi tala varna in the following ragas: a. Abhogi b. Sri c. Kalyani 4. Ata tala varna in Kamboji 5. Compositions in the following ragas: a. Mohanam b. Hamsadwani c. Bilahari III MUSCOMVIO st COMPLEMENTARY 3 INSTRUMENTAL (VOCAL) GITAMS, SVARAJATIS 1. Two Gitams in any of the following ragas a.kalyani or b.suddha Saveri c. Saveri 2. One Jatisvaram or Svarajati III MUSCOM nd COMPLEMENTARY 3 MUSICOLOGY(THEORY) 1. Musical Forms and their classification a. Gita b. Jatisvaram c. Svarajati d. Varnas 2. Construction and playing technique of the following instruments: a. Tambura b. Veena 3. Life sketch and Contributions of the Pre-trinity composers: a. Jayadeva b. Narayana Thirtha c.kshetrajna 4. Raga lakshana in detail of the following ragas. a. Mayamalavagaula b. Bilahari c. Kanada 6/10
7 IV MUSCOR TH SEMESTER CORE COURSE V THEORY OF MUSIC (THEORY) 1. Gamakas Dasavidha gamakas and Panchadasa gamakas - Model shift of tonic 2. Musical forms: a. Kriti b. Kirtana c. Ragamaliga d. Padam e. Javali f. Tillana 3. Mudras and its varieties figuring in Musical compositions. 4. Ragalakshana of the following ragas with sancharas: 1. Bhairavi 2. Anandabhairavi 3. Sahana 4. Begada 5. Arabhi 6. Saveri 7. Surutti 8. Nattakurinji 9. Khamas 5. Ability to write in notation the following: 1. Adi tala varba 2. Ata tala varna IV MUSCOR VIO 402 CORE COURSE VI VARNAMS AND SIMPLE KRITIS 1. Adi tala varnams a. Sahana b. Navaragamalika varnam 2. Ata tala varnas a. Kanada or Sankarabharanam 3. Compositions in the following ragas a. Kanada b. Abhogi c. Nattakurinji d. Vachaspati e. Sahana IV MUSCOM VIO st COMPLEMENTARY 4 (VOCAL) VARNAM AND SIMPLE KRITI 1. One Adi tala varna (Mohanam, Hamsadwani or Abhogi) 2. One Simple Kriti IV MUSCOM nd COMPLEMENTARY 4 MUSICOLOGY (THEORY) 1. Kathakali music ragas and talas figuring in kathakali music 2. Prominent musical instruments of Kerala a. Chenda b. Maddalam 7/10
8 c. Idakka d. Ilathalam e. Thimila f. Chengila g. Kombu h. Kuzhal 3. Panchavadyam Kriyanga and Sevanga panchavadyas 4. Composers of Kerala a. Swathithirunal b. Iravivarman thampi c. K. C. Kesava pillai 5. Ritualistic Music of Kerala Folk rituals Temple rituals a. Thiruvathirakali a. Kalamezhuthupattu b. Thaiyyam b. Bhadrakalipattu c. Padayani c. Teeyattu V MUSCOR TH SEMESTER CORE COURSE VII THEORY OF MUSIC (THEORY) 1. Manodharma Sangita paddhati in detail Raga alapana, Tanam, Pallavi, Niraval, Kalpanasvara 2. Lakshana Grandhas a. Natya Sastram b. Sangita ratnakaram c. Chaturdhandi prakasika 3. Ancient Raga Classification Grama murchana Jathi System, Shadjagrama, Madhyamagrama, Gandharagrama and raga ragini parivara system 4. Application of 22 Srutis in the ragas popularly used in the present day. 5. Ragalakshana with sancharas a. Begada b. Kedaragoula c. Kanada d. Poorvikalyani e. Kharaharapriya f. Atana V MUSCOR VIO 502 CORE COURSE VIII VARNAMS 1. Adi tala varnas in the following ragas a. Thodi b. Pantuvarali c. Nattakurinji V MUSCOR VIO 503 CORE COURSE IX 8/10
9 1. Ata tala varnam in Bhairavi raga 2. Compositions in the following rags a. Bahudari b. Hamsanadam c. Shanmughapriya d. Pantuvarali e. Madhyamavati VARNAMS AND KRITIS 2 V MUSCOR VIO 504 CORE COURSE X KRITIS 1. Compositions in the following major ragas a. Sankarabharanam b. Kalyani c. Todi 2. Pancharatna kriti of Thyagaraja in Arabhi raga V MUSOPC VIO 505 OPEN COURSE I OPTION.1 1. Sarali varfisas Madhyasthayivarisas and Janta varaisas. 2. Tuning in violin 3. Basic knowledge of parts and structure of violin. OPTION.2 1. Tuning of violin in Madhyama sruthi. 2. Sapthathala Alankaras 3. One simple geetham. OPTION.3 1. Techniques of Bowing 2. Comparative study in Violin and Viola COURSE WORK/ PROJECT WORK 1 V MUSCW/P VIO 506 Submission of review of a live concert of any Carnatic Musician. VI MUSCOR TH SEMESTER CORE COURSE XI THEORY OF MUSIC (THEORY) 1. Acoustics a. Production and transmission of sound b. Laws of vibration of strings c. Pitch d. Intensity e. Timbre f. Loudness g. Echo h. Resonance 2. Group kritis of Trinity and Swathithirunal 3. Lakshanas of the following ragas a. Ritigaula 9/10
10 b. Khamas c. Nattakurinji d. Todi e. Charukesi f. Vachaspati g. Kapi h. Anandabhairavi i. Saveri j. Mukhari VI MUSCOR VIO 602 CORE COURSE XII RAGA ALAPANA AND KALPANASVARAS (PRACTICAL) 1. Ability to play Raga, Kritis, Niraval and Kalpanasvaras a. Bhairavi b. Kalyani 2. Raga Alapana and Kalpanasvaras in the following ragas 1. Mohanam 2. Hamsadwani 3. Todi 4. Pantuvarali 5. Bilahari 6. Kalyani 7. Hindolam 8. Kamboji 9. Abhogi 10. Vachaspati VI MUSCOR VIO 603 CORE COURSE XIII GROUP KRITIS AND RAGAMALIKA (PRACTICAL) 1. Swarajathi of Syama Sastri Bhairavi 2. Navarathri Kriti of Swatitirunal (any one) 3. Navagraha kriti of Muthuswami Dikshitar (any one) 4. Ragamalika (any one) CORE COURSE XIV VI MUSCOR VIO 604 PADAM, JAVALI AND TILLANA(PRACTICAL) VI MUSOPC VIO 605 OPEN COURSE II OPTION.1 1. Basic knowledge of playing Ragam, Thanam and Pallavi OPTION.2 1. Different schools of violin playing 2. Arrangement of strings in western and Indian Style OPTION.3 1. A comparative study on Music education in Gurukula System and Institute system. COURSE WORK/ PROJECT WORK II VI MUSCW/P VIO 606 Presentation of a record containing the notations of the compositions learnt. 10/10
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