CCE PF CCE PR. O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl

Size: px
Start display at page:

Download "CCE PF CCE PR. O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl"

Transcription

1 CCE PF CCE PR O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALORE G È.G È.G È.. Æ fioê,» ^È% / HØ È, 2018 S. S. L. C. EXAMINATION, MARCH / APRIL, 2018» D} V fl MODEL ANSWERS MO : ] MOÊfi} MSÊ : 98-E Date : ] CODE NO. : 98-E Œ æ fl : O %lo MWfi} / M MWfi} À apple V Subject : CARNATIC MUSIC / HINDUSTANI MUSIC THEORY (BMW«ŒÈ Œ M} / English Version) ( Ê Æ p O» fl / New Syllabus) (S % & Æ» ~%} S % / Private Fresh & Private Repeater) (O %lo M V Δ«æ» JM fl-aæêflq» toê flÿ» fl) [ V Œ V fl : 50 [ Max. Marks : 50 ( CARNATIC MUSIC ) I. Multiple Choice : 10 1 = This is a wind instrument. A Naga swara 1 2. Five swaras are used in arohan-avarohan in Raga C Audhav 1

2 98-E 2 CCE PF & PR 3. The Talanga counts become in one swara C First speed 1 4. The type(s) of Indian Music is/are D two 1 5. The Nadageeth poet is B K.V.P The clay instrument is A Ghatam 1 7. The 15th melakartha Raga is A Mayamalavagaula 1 8. The type(s) of Sthayi is/are C three 1 9. The ankita of Purandara Dasa is A Purandara Vithala The minister of Bijjala is A Basuvannunavaru. 1 II. Answer the following questions in a sentence each : 10 1 = What is the birth place of Sri Kanakadasa? Haveri (Dharwad) District, Bada Village What is Music? Vocal songs, Instrument playing & Dancing are called music What is Vikrit swara? The Swara having varieties is called Vikrit swara. 1

3 CCE PF & PR 3 98-E 14. What is Aarohan? The systematic ascending order of swaras is Aarohan How many swaras in Saptak of Carnatic Music are there? There are sixteen swaras in an octave according to Carnatic music Mention one Talavadya. The Mridanga is a talavadya Mention one Raga without Madhyama. Raga Mohan is without Madhyama Write the symbol of Druta. The symbol of Druta is "O" Mention Khanda Jati Akshara. There are five Aksharas in Khanda Jati What is Audhav Raga? Audhav is a Raga with five swaras both in Arohana and Avarohana. 1 III. Answer the following questions in two to three sentences each : 10 2 = What is Mandra Sthayi? The swara that commences in descending order from Adhara Shadja is called Mandra Sthayi. Example : Ṇi, Dha,. Pa,. Ma,. Ga,. Re,. Sa What is Janya Raga? The systematic arrangement of all seven swaras both in Arohana and Avarohana is called Janaka raga. Janaka Raga is also called Janya Raga. 2

4 98-E 4 CCE PF & PR 23. Give example of Raganga. Janaka raga is called as Raganga raga. Example : Mayamalavagoula etc What is Datu varase? The swara exercises that will be arranged by skipping one, two or three swaras in a systematic way are called Datu varase What is Swaravali? Sarale Varse, Mandra Sthayi Varse, Tara Sthayi Varse Alankaras are called Swaravali What is Sanchari geet? This is a simple form comprising devotional Sahitya. This is also called as Samanya geet and Lakshya geet Write the Lakshan of Mohan Raga. Janya Raga. Janaya of 28th mela. Harikambhoji. The swaras of this raga are Sa, Cha, Ri, An, Ga, Pa, Cha, Dha. Audhav Raga. Madhyam and Nishada swaras are omitted What is Vachan? Vachan is a poem or prosaic poem. This can take any form of musical composition depending on the capacity of the musicians Mention any four Tat instruments. Veena, Ghotuvadya, Tamboori, Violin. These are four Tat vadyas What is Deshi geet. Regional music is called Deshi Sangeet. Every country has its music. 2

5 CCE PF & PR 5 98-E IV. Answer the following questions in brief : 2 5 = Write Mohan Raga's Roopak tala geet in Music notation. Raga : Mohan. Tala : Roopaka : Write in brief the biography of Sri Purandara Dasa. Sri Purandara Dasa A.D. Shreenivasa Nayaka was the name given to the child. Varadappa Nayaka and Lakshmakka were the parents of Purandara Dasa. He laid the foundation for the systematic study of Carnatic music and was also educated in Sanskrit, Kannada, Kavya, Vyakarana, Purana, Upanishad. When he was 16 years old he married Saraswathi. One miracle happened in his life. God in the disguise of an old brahmin pleaded for financial help. But he refused. Nayaka left the house with his wife and children to have the darshan of Lord Purandara Vitala. Sri Purandara Dasa is respected as "Carnatic Music Pithaamaha". He spent fifty years of his life in composing music. On Pushyabahula Amavasye he shook off his mortal life. 5

6 98-E 6 CCE PF & PR ( HINDUSTANI MUSIC ) I. Multiple Choice : 10 1 = One of the string instruments is C Violin 1 2. The Raga that has only five swaras ( notes ) is D Audhav 1 3. The speed of tala is A Laya 1 4. Varjit swara in Bhoop Raga are A Ma and Ni 1 5. Thaat of Raga Durga is D Bilaval 1 6. Vadi swara in Raga Sarang is A Re 1 7. The Jati of Raga Kafi is A Sampoorna 1 8. The set of seven notes is B Saptak 1 9. The important swara of a Raga is C Vadi Komal swara in Raga Desh is A Ni 1

7 CCE PF & PR 7 98-E II. Answer the following questions in a sentence each : 10 1 = Define Music. Vocal Music, instrument playing and dancing called music What is Swara? Swaras are the musical notes of a composition What is Aroha? The systematic ascending order of swaras is Aroha What is Sthayi? Sthayi is the frist as well as the fundamental part of a composition What is Matra? Matra is an inseparable part of Taal What is Sam? Sam is a predisposed arrangement of first beats or (matra) What is Pakad? Pakad is the catch phrase of note combinations, which normally comprises five notes. It characterizes the flow of raga What is Nada? Musical notes in Music are known as nada vibrations. 1

8 98-E 8 CCE PF & PR 19. What is Khyal? The prevalent vocal genre in Hindustani Classical Music has its origin in the Khyal What is Saptak? Saptak means the set of seven swars or seven notes of the Indian Classical music. 1 III. Answer the following questions in two to three sentences each : 10 2 = What is Raga Jati? Jati refers to the classification of musical compositions as per the tones. Audhav is a raga that has only five swaras (notes). Shadhav is a raga that has only six swars. Sampoorna ragas are those ragas that comprise all the seven notes What is Vikrit swara? The swara having varieties is called as Vikrit Swara. Different pitch in the same swaras comes in vikrit swaras. 2

9 CCE PF & PR 9 98-E 23. What is Taan? Taan : an improvised vocal or instrumental musical phrase What is Gayan Samay? Gayan Samay : A unit of time of three hours division of the day totalling eight such in 24 hours or one day. Each raga has its own Prahar, as the opportune time to sing. Some ragas have their own seasons What is Swargeet? Swargeet is the term used to define the scale of notes used in the composition of music What is Thaat? Thaat is Pandit Bhatkhande's classification of all the ragas into one of ten present scales What is Alap? Alap is the free flow of the raga in which there are no words and no fixed rhythm. It is the purest form of melody. 2

10 98-E 10 CCE PF & PR 28. What is Vadi? Vadi swara is a dominant swara or musical note, Vaadi swara is ajeeva swara of that particular raga What is Samvadi? Samvadi is second most important class into which the notes in the basic musical gamut are divided What is Avaroha? The term Avarohi, also known as Avarohan and Avaroha are used to define the descending melody in music. 2 IV. Answer the following questions in brief : 2 5 = Write the information and Notation of Tritala. Taal : Tritala Matras 16 Pettu 3 Husi 1 Symbol Matra Bol Dha Dhi Dhi Dha Dha Dhi Dhi Dha Dha Tim Tim Tha Dha Dhi Dhi Dha Part

11 CCE PF & PR E 32. Write classical introduction of Raga Durga. Classical introduction of Raga Durga. Thaat : Bilaval Jati : Audhava Vadi : Ma Samvadi : Sa Varjt swara : Ga, Ni Rasa : Veer, Dheer and Gambheer Anga : Poorvanga Aaroha : Sa Re Ma Pa Dha Sa. Avaroha : Sa. Dha Pa Ma Re Sa Pakad : Re Ma Pa Dha Ma Pa Dha. 5

HINDUSTANI MUSIC VOCAL (Code 034) Examination Structure for Assessment Class IX

HINDUSTANI MUSIC VOCAL (Code 034) Examination Structure for Assessment Class IX Theory Time: 01 hours HINDUSTANI MUSIC VOCAL (Code 034) Examination Structure for Assessment Class IX TOTAL: 100 Marks 30 Marks 1. Five questions to be set with internal choice covering the entire syllabus.

More information

CARNATIC MUSIC (VOCAL) THEORY (Code No. 031) Syllabus for Class - IX

CARNATIC MUSIC (VOCAL) THEORY (Code No. 031) Syllabus for Class - IX CARNATIC MUSIC (VOCAL) THEORY (Code No. 031) Syllabus for Class - IX Periods : 135 Marks : 25 I. Brief history of Carnatic Music with special reference to Saint Purandara dasa, Annamacharya, Bhadrachala

More information

Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras

Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras Lecture - 09 Lecture title: Understanding Rag -2 (RAga & Swara) (Music Starts: 00:21) (Music Ends: 06:30) We just

More information

Lecture Title VARNA AND ALANKAR

Lecture Title VARNA AND ALANKAR Course - Bachelor of Performing Arts (Music) Year - I Paper Name Theory Paper - I Paper No.- I Lecture No.- 25 Lecture Title VARNA AND ALANKAR Hello viewers, today in my this lecture, I will tell you about

More information

HINDUSTANI MUSIC 2016 (A) ( NEW SYLLABUS ) SCHEME OF VALUATION

HINDUSTANI MUSIC 2016 (A) ( NEW SYLLABUS ) SCHEME OF VALUATION HINDUTANI MUIC 2016 (A) ( NEW YLLABU ) CHEME OF VALUATION ubject Code : 26 (N/) 1 Raga Bhimpalas That Kafi Varjswara Rishab, Dhaivat in Aroha Jati Avadhava mpoorna Vadi Ma ( Madham) mvadi ( dja) Ganasamaya

More information

AN INTERESTING APPLICATION OF SIMPLE EXPONENTIAL SMOOTHING

AN INTERESTING APPLICATION OF SIMPLE EXPONENTIAL SMOOTHING AN INTERESTING APPLICATION OF SIMPLE EXPONENTIAL SMOOTHING IN MUSIC ANALYSIS Soubhik Chakraborty 1*, Saurabh Sarkar 2,Swarima Tewari 3 and Mita Pal 4 1, 2, 3, 4 Department of Applied Mathematics, Birla

More information

CCE RR REVISED & UN-REVISED KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALORE G È.G È.G È..

CCE RR REVISED & UN-REVISED KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALORE G È.G È.G È.. CCE RR REVISED & UN-REVISED O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl 560 003 KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALORE 560 003 G È.G È.G È.. Æ fioê, d È 2018 S.

More information

An honourable title conferred on an eminent musician. dlineation, elaboration, unfolding of the Raga.

An honourable title conferred on an eminent musician. dlineation, elaboration, unfolding of the Raga. Glossary: Aftab-e-Mousiqui Alap or Aalaap Alapchari Alankar Ang Antara Aroha Asthayi or Sthayi Ati Avaroha Baant Banaav Bandish Bani Barhat or Badhat Been Beenkar Bhajan Bol Bol baant Chalan Chaiti An

More information

Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras. Lecture - 07 Carnatic Music as RAga Music

Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras. Lecture - 07 Carnatic Music as RAga Music Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras Lecture - 07 Carnatic Music as RAga Music What we have so far seen is that Carnatic music is primarily a melodic system,

More information

IndianRaga Certification

IndianRaga Certification IndianRaga Certification Hindustani Instrumental Syllabus: Levels 1 to 4 Level 1 Overview: The aim of this level is for the student to develop a basic sense of Swara (Note) and Taal (Rhythm) so that he/she

More information

Bharati Vidyapeeth School of Performing Arts, Pune (India)

Bharati Vidyapeeth School of Performing Arts, Pune (India) Total Marks 50 Minimum Marks: 18 Total No. of Periods 50 Foundation Duration of Examination 15 Min Theory - Total Marks 15 There will not be any written examination for this Foundation Course Examination.

More information

PRSSV Institute of Performing Arts and Heritage

PRSSV Institute of Performing Arts and Heritage PRSSV Institute of Performing Arts and Heritage World Music and Dance Examinations Syllabuses Hindustani Subjects PRSSV Institute of Performing Arts and Heritage www.sangeet-examinations.co.uk examinations@prssv.com

More information

Three year B.A. (Hons.) Hindustani Music Vocal/Instrumental

Three year B.A. (Hons.) Hindustani Music Vocal/Instrumental Three year B.A. (Hons.) Hindustani Music Vocal/Instrumental CO-1: Understand the basic terminologies of Indian Music. CO-2: Stage Performance & Viva-voce of prescribed Ragas and Talas. CO-3: Compositional

More information

Unit 5. Lesson 2 By Sudha Sahgal

Unit 5. Lesson 2 By Sudha Sahgal Unit V Lesson 2 By Sudha Sahgal A very worm welcome. To this web based course on vocal music for graduate student. This course has been developed by the faculty members of the department of music faculty

More information

HINDUSTANI VOCAL SYLLABUSES 2014

HINDUSTANI VOCAL SYLLABUSES 2014 SYLLABUSES 2014 CONTENTS: Initial Grade Level 1 Grades 1, 2 and 3 Level 2 Grades 4 and 5 Level 3 Grades 6, 7 and 8 Level 4 Grade 9 APPEARING FOR THE EXAMINATIONS Candidates are required to complete all

More information

PERFORMING ARTS (91 95)

PERFORMING ARTS (91 95) PERFORMING ARTS (91 95) Aims: 1. To develop a perceptive, sensitive and critical response to music, dance and drama in its historical and cultural contexts. 2. To stimulate and develop an appreciation

More information

PERFORMING ARTS (91 95)

PERFORMING ARTS (91 95) PERFORMING ARTS (91 95) Aims: 1. To develop a perceptive, sensitive and critical response to music, dance and drama in its historical and cultural contexts. 2. To stimulate and develop an appreciation

More information

An interesting comparison between a morning raga with an evening one using graphical statistics

An interesting comparison between a morning raga with an evening one using graphical statistics Saggi An interesting comparison between a morning raga with an evening one using graphical statistics by Soubhik Chakraborty,* Rayalla Ranganayakulu,** Shivee Chauhan,** Sandeep Singh Solanki,** Kartik

More information

On Music related. A shot of Kapi

On Music related. A shot of Kapi On Music related. A shot of Kapi If you ever thought a coffee and kapi meant the same, you may want to sit someone from Tamilnadu down and get them to explain the fine line of distinction to you. In music

More information

Evolution of Music P.Padmanabha Sarma It was the great scientist Einstein who said to the world on hearing the British violinist, Yehudi, you have

Evolution of Music P.Padmanabha Sarma It was the great scientist Einstein who said to the world on hearing the British violinist, Yehudi, you have Evolution of Music P.Padmanabha Sarma It was the great scientist Einstein who said to the world on hearing the British violinist, Yehudi, you have proven to me again there is a God in the heaven. We all

More information

Karnataka state women s university. Bijapur. Hindustani Music Syllabus. UG semester. I to VI. Hindustani Music syllabus.

Karnataka state women s university. Bijapur. Hindustani Music Syllabus. UG semester. I to VI. Hindustani Music syllabus. Karnataka state women s university Bijapur Hindustani Music Syllabus UG semester I to VI Hindustani Music syllabus With effect from 2015-16 Onwards Karnataka State Women University Vijayapura Hindustani

More information

M.A./M.MUS (Previous) Music

M.A./M.MUS (Previous) Music M.A./M.MUS (Previous) Music There shall be three papers of theory of 100 Marks each and two papers of practical (Stage Demonstration and Viva voce) of 150 marks each. Candidates can offer either Vocal

More information

Analyzing & Synthesizing Gamakas: a Step Towards Modeling Ragas in Carnatic Music

Analyzing & Synthesizing Gamakas: a Step Towards Modeling Ragas in Carnatic Music Mihir Sarkar Introduction Analyzing & Synthesizing Gamakas: a Step Towards Modeling Ragas in Carnatic Music If we are to model ragas on a computer, we must be able to include a model of gamakas. Gamakas

More information

Bharati Vidyapeeth (Deemed to be University) School of Performing Arts, Pune. Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System)

Bharati Vidyapeeth (Deemed to be University) School of Performing Arts, Pune. Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System) Bharati Vidyapeeth (Deemed to be University) School of Performing Arts, Pune Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System) B.A. 1 st Year (Music) (Vocal / Instrumental / Percussion)

More information

AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA

AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA Rangaraj M. Rangayyan raj_rangayyan@shaw.ca website: rangayyan.ca I. INTRODUCTION Indian classical music is one of the oldest forms of music in the world.

More information

Artists on Tour. Indian Culture Comes to You: Music of India. Cultural Centre of India

Artists on Tour. Indian Culture Comes to You: Music of India. Cultural Centre of India Artists on Tour Cultural Centre of India Indian Culture Comes to You: Music of India Study Guide Written by Padma Chebrolu, Cultural Centre of India Edited & Designed by Kathleen Riemenschneider Cincinnati

More information

The Context Quarterly e journal of language, literary and cultural studies

The Context Quarterly e journal of language, literary and cultural studies The Context Quarterly e journal of language, literary and cultural studies Publication details and instructions for authors: http://www.magnuspublishing.com This is an Open Access Journal distributed under

More information

Hindustani Music: Appreciating its grandeur. Dr. Lakshmi Sreeram

Hindustani Music: Appreciating its grandeur. Dr. Lakshmi Sreeram Hindustani Music: Appreciating its grandeur Dr. Lakshmi Sreeram Music in India comprises a wide variety: from the colourful and vibrant folk music of various regions, to the ubiquitous film music; from

More information

Chapter 0 Fundamentals of Indian Classical Music

Chapter 0 Fundamentals of Indian Classical Music Chapter Fundamentals of Indian Classical Music.1 Symbols, Notes and Octave Indian Classical Music (ICM) has its origin from Sama Veda, one of the four Vedas. Bharata Muni has illustrated ICM in his book

More information

International Journal of Research in Engineering and Innovation (IJREI) journal home page: ISSN (Online):

International Journal of Research in Engineering and Innovation (IJREI) journal home page:   ISSN (Online): International Journal of Research in Engineering and Innovation Vol-2, Issue-3 (2018), 293-298 International Journal of Research in Engineering and Innovation (IJREI) journal home page: http://www.ijrei.com

More information

Programme Specific Outcome (PSO) B.A. (Hons.) Hindustani Music (Vocal & Instrumental)

Programme Specific Outcome (PSO) B.A. (Hons.) Hindustani Music (Vocal & Instrumental) Programme Specific Outcome (PSO) B.A. (Hons.) Hindustani Music (Vocal & Instrumental) PSO-1 PSO-2 PSO-3 PSO-4 PSO-5 PSO-6 PSO-7 PSO-8 PSO-9 PSO-10 The student is able to give a practical demonstration

More information

UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE

UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE UNIVERSITY OF MAURITIUS and MAHATMA GANDHI INSTITUTE Regulations and Programme of Studies B.A (Hons) Performing Arts (Sitar) [Review] - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART I General

More information

PRSSV Institute of Performing Arts and Heritage

PRSSV Institute of Performing Arts and Heritage PRSSV Institute of Performing Arts and Heritage World Music and Dance Examinations Syllabuses Carnatic Subjects PRSSV Institute of Performing Arts and Heritage www.sangeet-examinations.co.uk examinations@prssv.com

More information

Œ æ fl : ~fiæ fl ŒÊ BMW«ŒÈ

Œ æ fl : ~fiæ fl ŒÊ BMW«ŒÈ CCE RR UN-REVISED O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl 560 003 KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALE 560 003 G È.G È.G È.. Æ fioê,» ^È% / HØ È 08 S. S. L.

More information

Raga Identification Techniques for Classifying Indian Classical Music: A Survey

Raga Identification Techniques for Classifying Indian Classical Music: A Survey Raga Identification Techniques for Classifying Indian Classical Music: A Survey Kalyani C. Waghmare and Balwant A. Sonkamble Pune Institute of Computer Technology, Pune, India Email: {kcwaghmare, basonkamble}@pict.edu

More information

Part 1. Part 2. Part 3. Part 4

Part 1. Part 2. Part 3. Part 4 Part 1 Part 2 Part 3 Part 4 I SEMESTER SYLLABUS Subjects Language 1 Sanskrit/Kannada Language 2 English Theory Kathak Practical Kathak Theory Music Practical Music Theory FC/SDC CC&EC Subjects Paper Marks

More information

Addition of Indian Classical Music symbols used in Gurmukhi Script to the Unicode Character Set.

Addition of Indian Classical Music symbols used in Gurmukhi Script to the Unicode Character Set. Addition of Indian Classical Music symbols used in Gurmukhi Script to the Unicode Character Set. Hardeep Singh Jawanda 1, Dr. K.S Mann 2 1 Head Computer Engineering Department, Guru Nanak Dev Polytechnic,

More information

INTRODUCTION. This thesis is towards discovering the factors responsible for a good voice. Good music is

INTRODUCTION. This thesis is towards discovering the factors responsible for a good voice. Good music is INTRODUCTION This thesis is towards discovering the factors responsible for a good voice. Good music is created when Voice produces the sound at the correct pitch, accurate frequency and with good quality.

More information

SYLLABUS INDIAN MUSIC SEMESTERS III, IV, V, VI UNDER GRADUATE LEVEL

SYLLABUS INDIAN MUSIC SEMESTERS III, IV, V, VI UNDER GRADUATE LEVEL SYLLABUS INDIAN MUSIC SEMESTERS III, IV, V, VI UNDER GRADUATE LEVEL Dated:- Convenor Board of Studies Indian Music Govt. M.A.M. (PG) College Jammu INDIAN MUSIC SEMESTER III (THEORY) Examination to be held

More information

Level Semester Wise credits Total Credits Bachelor s program

Level Semester Wise credits Total Credits Bachelor s program Implementation of Choice Based Credit System Department of Music (Vocal & Instrumental) The M. S. University of Baroda (Appendix A) A general framework for Bachelor s Program shall as follows. Level Semester

More information

LESSON PLAN. S No Period Topics To Be Covered Academic Activity To Be Organized

LESSON PLAN. S No Period Topics To Be Covered Academic Activity To Be Organized Name of the Teacher: Dr. Paramjeet Kaur Class: BA I (1st Sem) LESSON PLAN S No Period Topics To Be Covered Academic Activity To Be Organized 1. 17-31 July 1. Introduction of Instrument (Sitar) and its

More information

ART & CRAFT Month July

ART & CRAFT Month July ART & CRAFT Month July 2018-19 es Sketch book- Drawing of Rainy Day. Tree with texture. Learning Outcomes The students will be able to understand the different seasons, colours & texture. Book Artoons

More information

SEMESTER III (THEORY ) INDIAN MUSIC (HINDUSTANI MUSIC) VOCAL AND INSTRUMENTAL (SITAR)

SEMESTER III (THEORY ) INDIAN MUSIC (HINDUSTANI MUSIC) VOCAL AND INSTRUMENTAL (SITAR) SEMESTER III (THEORY ) INDIAN MUSIC (HINDUSTANI MUSIC) VOCAL AND INSTRUMENTAL (SITAR) Syllabus and Courses of Study in Indian Music for B.A. Under CBCS for the Examination to be held in Dec. 2017, 2018

More information

CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI

CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI Syllabus of B.A. (Prog.) Hindustani Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC

More information

Subject:- Indian Classical Music (Vocal & Instrumental)

Subject:- Indian Classical Music (Vocal & Instrumental) - 1 - DR. BABASAHEB AMBEDKAR MARATHWADA UNERSTY, AURANGABAD, (M.S.) Revised Syllabus of B.A. Second year Semester- & Subject:- ndian Classical Music (Vocal & nstrumental) W.E.F. June - - 2 - Syllabus for

More information

Section B. Section C. (a)

Section B. Section C. (a) B.A. (General) (Vocal) Semester III Historical study and detailed description of the ragas prescribed in the syllabus. Ability to write the notations of vilambit and drut khyals in the following ragas:

More information

(A) INDIAN MUSIC (HINDUSTANI)

(A) INDIAN MUSIC (HINDUSTANI) MUSIC Aims: 1. To encourage creative expression in music. 2. To develop the powers of musical appreciation. One of the three following syllabuses may be offered: (A) Indian Music (Hindustani) (872). (B)

More information

Raag Durga Alankars. Learn Raaga Basics Raag Baageshree

Raag Durga Alankars. Learn Raaga Basics Raag Baageshree Raag Durga Alankars [EBOOK] Download Book Raag Durga Alankars PDF [BOOK]. This Book have some digital formats such us : paperbook, epub, ebook, kindle, and another formats. Here is The Perfect ebook Library.

More information

FACULTY OF PERFORMING & VISUAL ARTS DEPARTMENT OF MUSIC MAHARSHI DAYANAND UNIVERSITY ROHTAK

FACULTY OF PERFORMING & VISUAL ARTS DEPARTMENT OF MUSIC MAHARSHI DAYANAND UNIVERSITY ROHTAK FACULTY OF PERFORMING & VISUAL ARTS DEPARTMENT OF MUSIC MAHARSHI DAYANAND UNIVERSITY ROHTAK Scheme of Examination of M.A. Hindustani (Vocal and Instrumental) for semester system w.e.f. academic year 2010-11

More information

Theory Syllabus: Written exam paper # 1: Written exam paper # 2:

Theory Syllabus: Written exam paper # 1: Written exam paper # 2: Theory Syllabus: Written exam paper # 1: www.swaranjalimusicschool.com Syllabus for practical Vocal and Theory Exams ABGMVM - Akhil Bharatiya Gandharva Mahavidyalay Mandal India abgmvm.org Visharad Pratham

More information

TIMBRE SPACE MODEL OF CLASSICAL INDIAN MUSIC

TIMBRE SPACE MODEL OF CLASSICAL INDIAN MUSIC TIMBRE SPACE MODEL OF CLASSICAL INDIAN MUSIC Radha Manisha K and Navjyoti Singh Center for Exact Humanities International Institute of Information Technology, Hyderabad-32, India radha.manisha@research.iiit.ac.in

More information

Raga Identification by using Swara Intonation

Raga Identification by using Swara Intonation Journal of ITC Sangeet Research Academy, vol. 23, December, 2009 Raga Identification by using Swara Intonation Shreyas Belle, Rushikesh Joshi and Preeti Rao Abstract In this paper we investigate information

More information

BPA. MUSIC (Carnatic Vocal) THEORY. Paper I - History of Music

BPA. MUSIC (Carnatic Vocal) THEORY. Paper I - History of Music MUSIC (Carnatic Vocal) FY Paper I - History of Music 1. Life and contribution of the father of Carnatic music and the Carnatic music trinity. 14 2. Major seats of music Tanjore, Madras and Mysore. 14 3.

More information

Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras

Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras Appreciating Carnatic Music Dr. Lakshmi Sreeram Indian Institute of Technology, Madras Lecture - 08 Lecture title: Understanding RAga - 1 (RAga & Swara) So, we have been talking about raga, what then is

More information

Andrew Salimbeni World Music Professor Levine 10/20/06 Paper Three: Musical Analysis. Rāgā Bhimpalāsrī

Andrew Salimbeni World Music Professor Levine 10/20/06 Paper Three: Musical Analysis. Rāgā Bhimpalāsrī Andrew Salimbeni World Music Professor Levine 10/20/06 Paper Three: Musical Analysis Rāgā Bhimpalāsrī Rāgā is a concept that is difficult to compare with the musical traditions of cultures outside of the

More information

M.A. GURMAT SANGEET PART - I

M.A. GURMAT SANGEET PART - I Page 1 of 18 M.A. GURMAT SANGEET PART - I ACADEMIC POLICY/ORDINANCES (2016-17, 2017-18 Sessoions) Objectives of the Course : An Online Initiative by Gurmat Gyan Online Study Centre, Punjabi University,

More information

Categorization of ICMR Using Feature Extraction Strategy And MIR With Ensemble Learning

Categorization of ICMR Using Feature Extraction Strategy And MIR With Ensemble Learning Available online at www.sciencedirect.com ScienceDirect Procedia Computer Science 57 (2015 ) 686 694 3rd International Conference on Recent Trends in Computing 2015 (ICRTC-2015) Categorization of ICMR

More information

Indian Classical Music: Tuning and Ragas *

Indian Classical Music: Tuning and Ragas * OpenStax-CNX module: m12459 1 Indian Classical Music: Tuning and Ragas * Catherine Schmidt-Jones This work is produced y OpenStax-CNX and licensed under the Creative Commons Attriution License 3.0 Astract

More information

Spectral analysis of Gamaka Swaras of Indian music

Spectral analysis of Gamaka Swaras of Indian music ndianjournal of Traditional Knowledge Vol.5(4), October 2006, pp. 439-444 Spectral analysis of Gamaka Swaras of ndian music Karuna Nagarajan, Heisnam Jina Devi, N V C Swamy* & H R Nagendra Swami Vivekananda

More information

M.A MUSIC First Semester Paper-CC 01 (Theory) History of Music (Ancient Period)

M.A MUSIC First Semester Paper-CC 01 (Theory) History of Music (Ancient Period) UNIT 3. First Semester Paper-CC 01 (Theory) History of Music (Ancient Period) 1. Classification of History of Indian Music. 2. Music in Pre-Ancient Period. 3. Music in Ancient Period. 1. Music in Vedic

More information

DOWNLOAD OR READ : ESSAYS ON INDIAN MUSIC HISTORY AND CULTURE SERIES PDF EBOOK EPUB MOBI

DOWNLOAD OR READ : ESSAYS ON INDIAN MUSIC HISTORY AND CULTURE SERIES PDF EBOOK EPUB MOBI DOWNLOAD OR READ : ESSAYS ON INDIAN MUSIC HISTORY AND CULTURE SERIES PDF EBOOK EPUB MOBI Page 1 Page 2 essays on indian music history and culture series essays on indian music pdf essays on indian music

More information

University of Mauritius. Mahatma Gandhi Institute

University of Mauritius. Mahatma Gandhi Institute University of Mauritius Mahatma Gandhi Institute Regulations And Programme of Studies B. A (Hons) Performing Arts (Vocal Hindustani) (Review) - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART

More information

\+,- rt. turk. Dr*E) ( {ate r-q %1. C4Lr) {4&'< ;A A?= - 13, L, >-al4. Q +* ' >=al I. b-bf- a- t r>) e- {;t. .prr>6) ,-t -. [\ T?

\+,- rt. turk. Dr*E) ( {ate r-q %1. C4Lr) {4&'< ;A A?= - 13, L, >-al4. Q +* ' >=al I. b-bf- a- t r>) e- {;t. .prr>6) ,-t -. [\ T? ;A A?= - 13, L, >-al4 LT-6 l{ t >-i / Q +* - 13. 6' >=al I a- t r>) e- {;t a-o f\ T_a2 24 t ryl rfl 4>tIA /\ {ate r-q %1 t.,-t -. [\ T?,-'a rl: I C4Lr) 4 /\ {4&'< 2, turk b-bf- \+,- rt Dr*E) (.prr>6) 13,6

More information

The Microtones of Bharata s Natyashastra

The Microtones of Bharata s Natyashastra The Microtones of Bharata s Natyashastra John Stephens I N about 200 CE, Bharata and Dattila penned closely related Sanskrit treatises on music in the Natyashastra and Dattilam, respectively (Ghosh 1951,

More information

Modular Representation of Thaala in Indian Classical System Mr. Mahesha Padyana [1], Dr. Bindu A Thomas [2]

Modular Representation of Thaala in Indian Classical System Mr. Mahesha Padyana [1], Dr. Bindu A Thomas [2] RESEARCH ARTICLE Modular Representation of Thaala in Indian Classical System Mr. Mahesha Padyana [1], Dr. Bindu A Thomas [2] Department of Electronics and Communication Vidya Vikas Institute of Eng and

More information

Revised Syllabus For

Revised Syllabus For Revised Syllabus For M.P.A. I & II (Vocal / Instrumental Music) From 2017 Music And Dramatics Department, Shivaji University, Kolhapur 1 SHIVAJI UNIVERSITY KOLHAPUR DEPARTMENT OF MUSIC & DRAMATICS Master

More information

10 2. Dance Literary Events Theatre

10 2. Dance Literary Events Theatre Sl. Items Participants Accompanists No. No. P+A. Music Min. Time (Minutes) Max. Time (Minutes) (a) Classical Vocal Solo 0 (Hindustani or Karnatak) (b) Classical Instrumental Solo (Percussion) 0 (c) Classical

More information

FACULTY OF PERFORMING AND VISUAL ARTS DEPARTMENT OF MUSIC. (w.e.f. Academic session January- December 2017)

FACULTY OF PERFORMING AND VISUAL ARTS DEPARTMENT OF MUSIC. (w.e.f. Academic session January- December 2017) FACULTY OF PERFORMING AND VISUAL ARTS DEPARTMENT OF MUSIC (w.e.f. Academic session January- December 2017) Scheme of Examinations January-December 2017 (M.Phil Music) (Vocal & Instrumental) SEMESTER-1

More information

It is a document of supreme educative value.

It is a document of supreme educative value. Tracing the origin of music is not an easy task. Great minds have delved deep into the past to take a glimpse of the primitive music, but failed to obtain any authentic facts. Indian music however traces

More information

SEMESTER-II. Basics of Indian Music Hours (Inter-Disciplinary) (W.E.F ) SEMESTER-III

SEMESTER-II. Basics of Indian Music Hours (Inter-Disciplinary) (W.E.F ) SEMESTER-III SCHEME OF EXAMINATION According to CBCS M.A. MUSIC (VOCAL) (W.E.F. -2016-17) SEMESTER-I Paper s Max. Internal Total Time Specification Marks Assessment Marks Core-I General & Applied Music Theory 80 20

More information

SL. No. : X CCE PF CCE PR. General Instructions to the Candidate : 1. This Question Paper consists of 62 objective and subjective types of

SL. No. : X CCE PF CCE PR. General Instructions to the Candidate : 1. This Question Paper consists of 62 objective and subjective types of SL. No. : X Jlflo Æ ÀÊ-V MSÊ : 62 ] [ Jlflo» flfl } Æ lv MSÊ : 8 Total No. of Questions : 62 ] [ Total No. of Printed Pages : 8 MOÊfi} MSÊ : 14-E Code No. : 14-E Œ æ fl : Æ» fl ŒÊ BMW«ŒÈ Subject : First

More information

1) Eligibility Criteria

1) Eligibility Criteria 1) Eligibility Criteria Two-Year Diploma Course in Harmonium A candidate seeking admission in the first year of the Harmonium Diploma Course in Hindustani Music, besides having passed the 10+2 Examination

More information

SYLLABUS OF M.PHIL. HINDUSTANI MUSIC. Course-I Research Methodology* Max Marks Hours

SYLLABUS OF M.PHIL. HINDUSTANI MUSIC. Course-I Research Methodology* Max Marks Hours SYLLABUS OF M.PHIL. HINDUSTANI MUSIC Course-I Research Methodology* Max Marks 100 3 Hours 1. Research- Definition, its aims and objectives, Varieties, methodology and process. 2. Synopsis- Definition,

More information

B.A. General Music V & VI Semesters w.e.f

B.A. General Music V & VI Semesters w.e.f B.A. General Music V & VI Semesters w.e.f. 2012-13. Semester-V 1. Theory 40+10(Int. 3 Hours Assessment) 2. Practical 50 20-30 Minutes Semester-VI 1. Theory 40+10(Int. 3 Hours Assessment) 2. Practical 50

More information

CHAPTER II THAAT & RAAG

CHAPTER II THAAT & RAAG CHAPTER II THAAT & RAAG 2 1 Thaat 2 2 Raag 23 Anulwia (Aroha) / Ascending 23.1 (AvarohaV Descending 2 3 1(a) Viloma 232 Pakad 24 Varna 2 5 Vakra 26 Vadi-Samvadi 2 6.1 Anga Pradhaanya 27 Anuvadi 2.8 Vivadi

More information

CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI

CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI Syllabus of B.A. (Hons.) Hindustani Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC

More information

M.A. (MUS) Vocal IV th Semester

M.A. (MUS) Vocal IV th Semester M.A. (MUS) Vocal IV th Semester 1. Two Theory papers (40+40) = Total 80 Marks (10+10) = Total 20 Marks Total 100 Marks 2. Two Practical paprs each of Total 100 Marks Project paper 1 st Theory Paper Applied

More information

ALL INDIA_RADIO MUSIC COMPETITION 2018 ANNOUNCEMENT AND PRESS RELEASE. i. Preliminary Competition will be held at every regional Station of AIR; and

ALL INDIA_RADIO MUSIC COMPETITION 2018 ANNOUNCEMENT AND PRESS RELEASE. i. Preliminary Competition will be held at every regional Station of AIR; and -1- ALL INDIA_RADIO MUSIC COMPETITION 2018 ANNOUNCEMENT AND PRESS RELEASE As done every year, this year also All India Radio is organizing a Music Competition for discovering and encouraging new talent

More information

Computational Study of Ornaments in Hindustani Music

Computational Study of Ornaments in Hindustani Music Computational Study of Ornaments in Hindustani Music Thesis submitted in partial fulfillment of the requirements for the degree of Master of Science By Research in Exact Humanities by S Achyuth Narayan

More information

World Music Indian Music By Dr.R.Sathyanarayana

World Music Indian Music By Dr.R.Sathyanarayana 1 World Music Indian Music By Dr.R.Sathyanarayana What is world music? Is it a summation of music of all parts of the world? If it is, I am totally incompetent to speak of it, for, I know I think I know

More information

The authors objective has been to provide every material support to the teacher, to leave you free to teach your subject.

The authors objective has been to provide every material support to the teacher, to leave you free to teach your subject. Introduction This series will help both specialist and non-specialist teachers deliver the Key Stage 3 curriculum for Music effectively. The books follow the Scheme of Work objectives, providing: on left-hand

More information

Nehru Gram Bharati (Deemed to be University) Kotwa-Jamunipur-Dubawal, Allahabad (U.P.) SYLLABUS

Nehru Gram Bharati (Deemed to be University) Kotwa-Jamunipur-Dubawal, Allahabad (U.P.) SYLLABUS Nehru Gram Bharati (Deemed to be University) Kotwa-Jamunipur-Dubawal, Allahabad (U.P.) SYLLABUS Bachelor of Music Faculty of Arts Nehru Gram Bharati Vishwavidyalaya Kotwa-Jamunipur-Dubawal, Allahabad (U.P.)

More information

COMPOSITIONAL VARIETY OF SELECTED VAGGEYAKARS OF GWALIOR GHARANA

COMPOSITIONAL VARIETY OF SELECTED VAGGEYAKARS OF GWALIOR GHARANA Keywords COMPOSITIONAL VARIETY OF SELECTED VAGGEYAKARS OF GWALIOR GHARANA By Swarlpi Daas Gamaka It is a style of uttering swara in which a swara slips from its sruti temporarily. If any other swara is

More information

M. A. Tabla Part I Semester I Paper I ( , ) Theoretical Survey: Critical Study of the Talas. Section A

M. A. Tabla Part I Semester I Paper I ( , ) Theoretical Survey: Critical Study of the Talas. Section A Part I Semester I Paper I Theoretical Survey: Critical Study of the Talas Time: 3 Hours Maximum Marks: 75 Internal Assessment: 25 Marks INSTRUCTIONS FOR PAPER SETTER The paper shall set four questions

More information

Available online at International Journal of Current Research Vol. 9, Issue, 08, pp , August, 2017

Available online at  International Journal of Current Research Vol. 9, Issue, 08, pp , August, 2017 z Available online at http://www.journalcra.com International Journal of Current Research Vol. 9, Issue, 08, pp.55560-55567, August, 2017 INTERNATIONAL JOURNAL OF CURRENT RESEARCH ISSN: 0975-833X RESEARCH

More information

International Journal of Computer Architecture and Mobility (ISSN ) Volume 1-Issue 7, May 2013

International Journal of Computer Architecture and Mobility (ISSN ) Volume 1-Issue 7, May 2013 Carnatic Swara Synthesizer (CSS) Design for different Ragas Shruti Iyengar, Alice N Cheeran Abstract Carnatic music is one of the oldest forms of music and is one of two main sub-genres of Indian Classical

More information

Towards Automatic Audio Segmentation of Indian Carnatic Music

Towards Automatic Audio Segmentation of Indian Carnatic Music Friedrich-Alexander-Universität Erlangen-Nürnberg Master Thesis Towards Automatic Audio Segmentation of Indian Carnatic Music submitted by Venkatesh Kulkarni submitted July 29, 2014 Supervisor / Advisor

More information

== HAIKU AND INDIAN MUSIC == Kala Ramesh, India

== HAIKU AND INDIAN MUSIC == Kala Ramesh, India http://athenaeum-articles.blogspot.ca/ == HAIKU AND INDIAN MUSIC == By Kala Ramesh, India To an outside eye both Haiku and Indian Music would seem a world apart. But as a practicing vocalist of Hindustani

More information

SCHME OF EXMINATION FOR M.A. MUSIC (VOCAL & INSTRUMENTAL)

SCHME OF EXMINATION FOR M.A. MUSIC (VOCAL & INSTRUMENTAL) SCHME OF EXMINATION FOR M.A. MUSIC (VOCAL & INSTRUMENTAL) SEMESTER I Max. Internal Total Time Marks Assessment Marks Written : Vocal and Instrumental Music Paper I General & Applied Music Theory 80 20

More information

IndianRaga Certification

IndianRaga Certification IndianRaga Certification Movie Songs Syllabus A IndianRaga Certification The new gold standard in Movie Songs Performance IndianRaga s Movie Song performance certification takes you through the journey

More information

Œ æ fl : ~fiæ fl ŒÊ BMW«ŒÈ

Œ æ fl : ~fiæ fl ŒÊ BMW«ŒÈ SL. No. : EE Jlflo Æ ÀÊ-V MSÊ : 45 ] [ Jlflo» flfl } Æ lv MSÊ : 8 CCE RR Total No. of Questions : 45 ] [ Total No. of Printed Pages : 8 UN-REVISED MOÊfi} MSÊ : 31-E Code No. : 31-E Œ æ fl : ~fiæ fl ŒÊ

More information

Œ æ fl : ~fiæ fl ŒÊ BMW«ŒÈ

Œ æ fl : ~fiæ fl ŒÊ BMW«ŒÈ CCE RR REVISED O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl 560 003 KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALE 560 003 G È.G È.G È.. Æ fioê, d È 208 S. S. L. C. EXAMINATION,

More information

Listening with Awareness. Hassan Azad. (The author is a mathematician by profession and a senior student of sitar-nawaz Ustad Mohammad Shareef Khan)

Listening with Awareness. Hassan Azad. (The author is a mathematician by profession and a senior student of sitar-nawaz Ustad Mohammad Shareef Khan) Listening with Awareness Hassan Azad (The author is a mathematician by profession and a senior student of sitar-nawaz Ustad Mohammad Shareef Khan) This essay is addressed to listeners of Raag music who

More information

Musicological perspective. Martin Clayton

Musicological perspective. Martin Clayton Musicological perspective Martin Clayton Agenda Introductory presentations (Xavier, Martin, Baris) [30 min.] Musicological perspective (Martin) [30 min.] Corpus-based research (Xavier, Baris) [30 min.]

More information

CCE RF CCE RR. General Instructions to the Candidate : 1. This Question Paper consists of 50 objective and subjective types of

CCE RF CCE RR. General Instructions to the Candidate : 1. This Question Paper consists of 50 objective and subjective types of SL. No. : DD Jlflo Æ ÀÊ-V MSÊ : 50 ] [ Jlflo» flfl } Æ lv MSÊ : 8 Total No. of Questions : 50 ] [ Total No. of Printed Pages : 8 MOÊfi} MSÊ : 14-E Code No. : 14-E Œ æ fl : Æ» fl ŒÊ BMW«ŒÈ Subject : First

More information

Article Music Melodic Pattern Detection with Pitch Estimation Algorithms

Article Music Melodic Pattern Detection with Pitch Estimation Algorithms Article Music Melodic Pattern Detection with Pitch Estimation Algorithms Makarand Velankar 1, *, Amod Deshpande 2 and Dr. Parag Kulkarni 3 1 Faculty Cummins College of Engineering and Research Scholar

More information

UNIVERSITY OF DELHI DEPARTMENT OF MUSIC. UNDERGRADUATE PROGRAMME (Courses effective from Academic Year )

UNIVERSITY OF DELHI DEPARTMENT OF MUSIC. UNDERGRADUATE PROGRAMME (Courses effective from Academic Year ) Choice Based Credit System (CBCS) UNIVERSITY OF DELHI DEPARTMENT OF MUSIC UNDERGRADUATE PROGRAMME (Courses effective from Academic Year 2015-16) SYLLABUS OF COURSES TO BE OFFERED Core Courses, Elective

More information

Fax: / ~

Fax: / ~ Telephone No.2419677/2419361 e-mail: registrar@uni-mysore.ac.in Fax:0821-2419363/2419301 ~ www.uni-mysore.ac.in No.AC.6/32/2018-19 UNIVERSITY. OFMYSORE Estd.1916 Vishwavidyanilaya Karyasoudha Crawford

More information

Nad: Understanding Raga Music By Sandeep Bagchee

Nad: Understanding Raga Music By Sandeep Bagchee Nad: Understanding Raga Music By Sandeep Bagchee If you are searching for a ebook by Sandeep Bagchee Nad: Understanding Raga Music in pdf form, then you have come on to the right website. We presented

More information

Class- IX. April hi ho. Folk song. September Revision

Class- IX. April hi ho. Folk song. September Revision Subject- Classical vocal New Session begins on 2 nd, 2018 Alankar in different rhythm Prayer : Sari srishti ke malik tum hi ho Definition-Saptak and Swar ke prakar Raag darbaari Summer Vacations 21st 1st

More information