UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE

Transcription

1 UNIVERSITY OF MAURITIUS and MAHATMA GANDHI INSTITUTE Regulations and Programme of Studies B.A (Hons) Performing Arts (Sitar) [Review] - 1 -

2 UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART I General Regulations for B.A (Hons) Performing Arts (Sitar) 1. Programme title: B.A (Hons) Performing Arts (Sitar) 2. Objectives a. To equip students with further knowledge and skills in Sitar playing and proficiency in the teaching of the subject.. General Entry Requirements In accordance with the University General Entry Requirements for admission to undergraduate degree programmes. 4. Programme Requirement A post A-Level MGI Diploma in Performing Arts (Sitar) or an equivalent qualification acceptable to the University of Mauritius / MGI 5. Programme Duration Normal Maximum Part- time 2 years 4 years 6. Credit System 6.1 Introduction (4 semesters) (8 semesters) The B.A (Hons) in Performing Arts (Sitar) programme is built up on a -year part time Diploma, which accounts for 60 credits The Programme is structured on the credit system and is run on a semester basis 6.1. A semester is of a duration of 15 weeks (excluding examination period) - 2 -

3 6.1.4 A credit is a unit of measure, and the Programme is based on the following guidelines: 15 hours of lectures and / or tutorials: 1 credit (Theory Module) 5 hours of Applied Theory : 1 credit (Practical Module) 20 hours of practical sessions 6.2 Programme Structure The B.A Programme is made up of a number of modules carrying credits each, except the Dissertation which carries 9 credits 6. Minimum Credits Required for the Award of the Degree: 6..1 The MGI Diploma already accounts for 60 credits 6..2 For the award of the B.A (Hons) (Sitar), the student must obtain at least 108 credits, including the 60 credits already earned at Diploma level 6.4 Distribution of Credits Modules No. of Credits I. Diploma 60 II. Core 6 III. Dissertation 9 IV. Electives GEM (from MGI lists) 6.5 Credits per semester Minimum - 18 credits Maximum - 48 credits (Subject to Regulation 5 above) 7. MODE OF DELIVERY TOTAL 108 ( ) ========== Modules are delivered on a face-to-face basis, unless otherwise specified. - -

4 8. ASSESSMENT 8.1 All modules will carry 100 marks and will be assessed as follows unless otherwise specified: A two-hour written paper and/or a practical examination carrying 70% of the total marks per module will be set at the end of each semester unless otherwise stated Continuous Assessment will be based on practical work and/or assignment and at least one class test For a student to pass a module, an overall total of 40% for combined Continuous Assessment (CA) and Written Examination (WE) components would be required, without minimum thresholds within the individual CA and WE components Modules PAS1 110, PAS1 120, 10, 250, 160, and 190 will be assessed as follows:- 1. Continuous Assessment 0% (i) One Short assignment (ii) Two Class tests 2. Practical - Viva-Voce 70% Modules PASI 1240 and 280 will be assessed as follows:- 1. Continuous Assessment 0% (i) One Short assignment (ii) Two Class tests 2. Written Examination (2 hrs) 70% Modules PASI 20 and 260 will be assessed as follows:- 1. Continuous Assessment 0% (i) One Short assignment (ii) Two Class tests/exposés 2. Practical - (i)viva-voce 5% (ii) Demonstration 5% - 4 -

5 8.1.7 Modules PASI 2170 and 2270 will be assessed as follows:- 1. Continuous Assessment 0% (i) One Short assignment (ii) Two Class tests/exposés 2. Project 70% PASI 000- Dissertation 100% (with research methodology) 9. Module Weighting Modules will carry the weightings of 1, or 5 depending on their status (introductory, intermediate or advanced). Weighting for a particular module is indicated within parentheses in the module code. IMPORTANT NOTE: Students are advised to consult the General information to students booklet available at the office of Registrar, University of Mauritius, Réduit, or the Mahatma Gandhi Institute Library for further details

6 PART II Credit Distribution I. Diploma ( years Part-time) Level I = 18 Level II = 18 Level III = 18 = 54 + Project = 6 6 Total 60 ==== II. B.A (2 years Part-time) Top up Level I = 21 Level II = 18 Dissertation = 9 = 48 Total = 108 ===== - 6 -

7 PART III PROGRAMME STRUCTURE Module Code Core Module Hrs/Wk L+P PASI 110 (5) Swara and Laya in Indian Music Credits PASI 120 (5) Raga and Tala in Hindustani Music PASI 10 (5) Forms of Compositions PASI 1240 (5) Music theories and Concepts A Historical +0 Approach PASI 20 (5) Ornamentation PASI 250 (5) Sitar Techniques PASI 160 (5) Improvisation I PASI 2170 (5) Compositional Work I PASI 190 (5) Raga in Hindustani Music PASI 2270 (5) Compositional Work II PASI 260 (5) Improvisation II PASI 280 (5) Music Pedagogy / Teaching Practice 2+2 PASI 000 (5) Dissertation 9 45 GEM

8 PART IV PROGRAMME PLAN Level 1 Semester I PASI 110 (5) Swara and Laya in Indian Music Hrs/W k L + P PASI (5) Raga and Tala in Hindustani Music PASI 10 (5) Forms of Compositions 1 +4 Credits Semester II Hrs/Wk L + P PASI 1240 (5) Music Theories and Concepts A + 0 Historical Approach PASI 20 (5) Ornamentation PASI 250 (5) Sitar Techniques 1+ 4 GEM MGI - Elective +0 Credits Level II Hrs/Wk Semester I L + P PASI 2170 (5) Compositional Work I Credits Semester II PASI 2270 (5) Compositional Work II Hrs/Wk L + P Credits PASI (5) PASI 260 (5) Improvisation I 1+ 4 Improvisation II PASI 190 (5)Raga in PASI 280 (5) Hindustani Music Music Pedagogy / Teaching Practice PASI 000 Dissertation (with research methodology) - - PASI 000 Dissertation

9 PART V PROGRAMME OUTLINE LEVEL 1 SEMESTER 1 PASI 110 Swara and Laya in Indian Music This module explores the two basic concepts of music, namely Swara (musical notes) and Laya (speed). It analyses the types, properties and physics of sound. It also deals with rhythm, speed in music and different categories of speed current in music. Study of Ragas and notation writing of compositions, salient features of Ragas Basant, Deshkar and Sankara PASI 120 Raga and Tala in Hindustani Music The focus of this module is on Raga, Tala and Raga Sangeet. It traces the development of the concept of Raga and deals with the actual rendering of Raga as a melodic structure. It also deals with rhythmic cycles in music. Salient features of Ragas Rageshri, Tilang and Marwa. Notation writing and rendering of compositions, Alap, Jod Alap, Tanas and Jhala in the above mentioned Ragas. PASI 10 Forms of Compositions This module focuses on the bound (nibaddha) aspect of music. It provides knowledge on some popular forms of compositions used in Hindustani music. It also deals with the actual rendering of Raga-Sangeet with emphasis on vocal compositions from which instrumentalists derive inspiration to create Gats (compositions played on instruments). Salient features of Ragas Puria, Kedar and Shudha Sarang. Notation writing and rendering of composition, Alap, Jod Alap and Tanas and Jhala in the above mentioned Ragas. LEVEL 1 SEMESTER 1I PASI 1240 Music theories and concepts A historical approach - 9 -

10 This module provides an indepth study of the important theories of Indian music from a historical perspective with reference to important music treatises. It also familiarizes students with the origin and development of Indian music. PASI 20 Ornamentation This module stresses on a detailed study of ornamentation (gamaka) in Indian music. It deals with their application in Raga-sangeet. Salient features of Ragas Malkauns, Bahar and Durbari Kanhara and a light classical or light composition in any Raga Tala so far studied. Notation writing and rendering of composition, Alap, Jod Alap, Tanas and Jhala in the above mentioned Ragas. PASI Sitar techniques This module aims at providing the necessary knowledge on the technical aspects of Sitar playing. It will also give knowledge on how different distribution of strings by different schools affect the tonal quality of the instruments. Salient features of Ragas Puria Dhanashri, Adana and Piloo. LEVEL II SEMESTER 1 PASI 160 Improvisation I The main thrust of this module is on the Alap type of improvisation. It provides knowledge of and skills in Alap and Jod Alap. Salient features of Ragas Puria Kalyan, Chayanat and Komal Rishab Asavari. Notation writing and rendering of composition, Alap, Jod Alap, Tanas and Jhala in the above mentioned Ragas. PASI 2170 Compositional work I The aim of this module is to develop the creativity of the students in compositional work. It provides them with opportunities to study the various materials used in music and it will help them to use same systematically for compositional work. It will also deal with pedagogical principles and practices involved therein. PASI 190 Raga in Hindustani Music The aim of this module is to analyse Raga-sangeet from the following points of view: angas, nature of notes and schools (gharanas). It also provides knowledge and skills in the practical rendering of some ragas. Salient features of Ragas Maru Bihag, Sohani and

11 Nat Bhairav. Notation writing and rendering of composition, Alap, Jod Alap, Tanas and Jhala in the above mentioned Ragas. LEVEL II SEMESTER 1I PASI 2270 Compositional Work II This module lays emphasis on the practical aspects of compositions in instrumental music. It further provides knowledge and skills to create different types of compositions in various ragas and talas. The module also examines the pedagogical principles and practices involved therein. PASI 260 Improvisation II This module lays emphasis on the tana aspect of improvisation. It provides knowledge and skills to compose different types of todas/tanas like shuddha tana, kuta tana, vakra tana, mishra tana etc. Salient features of Raga Gujri Todi, Raga Ahir Bhairav, Raga Kirvani and a light classical or light composition in any Raga Tala so far studied. Notation writing and rendering of composition, Alap, Jod Alap, Tanas and Jhala in the above mentioned Ragas. PASI 280 Music Pedagogy Teaching Practice This module analyses some of the principles and techniques used in the teaching of instrumental music. It deals with factors influencing effective teaching and also the procedures used in the assessment and evaluation of music. PASI 000 Dissertation The student will be expected to carry out a research work in either the practical or the theoretical aspects of the subject. The student opting for the theoretical aspect will be expected to submit a dissertation of 8000 to words on the topic chosen. Research on the practical aspect will be decided by the student and the Supervisor