CREATIVE WORKS (CW) DATA 2
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1 CREATIVE WORKS (CW) DATA 2
2 CW: CATEGORIES WHAT IS COLLECTED? Original Recorded/rendered - Visual art - Film/video - Design/architectural - Performance - Textual - Inter-arts - Composition - Digital creative work - Web site/exhibition Live performance - Music Curated/produced exhibition/event - Theatre - Web-based - Dance - Exhibition/event - Inter-arts - Festival
3 CW: RESEARCH CRITERIA WHAT QUALIFIES? Each creative work submitted as research, MUST: - meet the Excellence in Research for Australia (ERA) definition of research: creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings. This could include synthesis and analysis of previous research to the extent that it is new and creative - be substantiated by documentary evidence ERA 2010 Submission Guidelines - have a research contribution or statement (if major category) in IRMA - have faculty research committee/sub-committee approval - have a signed proforma/letter of affiliation (casual staff and students)
4 CW: DATA & VERIFICATION WHAT IS REQUIRED? Data - date (first into public domain) - authors - title of event/exhibition - title/s of each creative work - publisher/venue - place of publication (city, country) - extent - role of creator and media - research contribution Evidence - Original CW exhibition catalogue/invitation, project documentation, musical score, publication front-matter & chapter/article/poem - Live performance program - Recorded/rendered program, catalogue, DVD/CD booklet, PDF of URLs - Curated/produced exhibition catalogue, festival program, PDF of URLs
5 ORIGINAL CWs EXAMPLES Visual art - Fine arts and crafts work, diagram, map, photographic image, sculpture or installation Purple Rain David Haines & Joyce Hinterding Textual - Novels, poems, exhibition catalogues and reviews The Summer Exercises Ross Gibson Design/architecture - Realised, constructed, fabricated or unrealised (if output provides evidence of research) building and design projects Composition - Musical score In God s Esperanto Damien Ricketson
6 LIVE PERFORMANCE CWs EXAMPLES Music - Mothership Orchestra 2009 tour David Theak, Musical Director - Alkan: Enigma or schizophrenia? Stephanie McCallum The Anne Landa Preludes Concert - The Anne Landa Preludes Concert Clem Leske
7 RECORDED/RENDERED CWs EXAMPLES Performance - created specifically for a recorded medium (tv, radio, DVD, film etc...) Bach: complete sonatas for viola da gamba and harpsichord Daniel Yeadon and Neal Peres da Costa Für Elise: Bagatelles for piano by Ludwig van Beethoven Stephanie McCallum Film/video - usually publicly available in cinema/tv context The party shoes Michelle Blanchard Inter-arts - works (often experimental) resulting from inter-disciplinary collaboration Digital it creative work - 3D models (of arch & design projects), computer programs, games and visual artworks
8 CURATED/PRODUCED CWs EXAMPLES Exhibition/event - curation/production of a collective of CWs exhibited together for the first time, in that particular arrangement Remembrance + The Moving Image Persistence of Vision Reverberation Ross Gibson Festival - brings together innovative or existing works in an innovative format or through a theme that provides ne w perspectives and/or experiences Aurora Festival Matthew Hindson Revealing the Human Colin Rhodes
9 CW HISTORY MULTIPLE OUTINGS IN THE PUBLIC DOMAIN For each and every subsequent showing of an output, find the record in IRMA : create a history note, that shows: - date/s - title of exhibition/event - title of work/s (if a variation on those recorded in the original record) - venue - city, country of venue eg March Primavera Cosmos MCA Sydney Australia add documentary evidence - verification material with explicit description
10 CWs: PEER REVIEW WHAT ELSE? Creative work outputs often have related information satellites which are publicly available and constitute a form of peer review. Attach documents as ERA Supporting Docs with an explicit description. Examples include: - funding - prizes and/or awards - essays, chapters and/or articles - reviews e - interviews - TV and/or radio broadcasts - distinguished commissions - prestigious invitations
11 PROFESSIONAL PRACTICE Professional practice activities are collected in IRMA. Staff members will be able to retrieve this collected material for use in annual PM&D, reports and promotions applications. According to the Research Funding Guide produced by the Arts and Humanities Research Council, UK: The research carried out should bring about enhancements in knowledge and understanding in the discipline, or in related disciplinary areas. This requirement excludes research to provide content. t For example, if a filmmaker wanted to make a film about refugees, the research questions should be about the process of making the film, not about the experience of the refugees. Work that results purely from the creative or professional development of an artist, however distinguished, is unlikely to fulfil the requirements of research.
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