Royal Liverpool Philharmonic Orchestra Programme Notes Online. Sunday Afternoon Classics Beethoven s Fourth Piano Concerto Sunday 3 June
|
|
- Jason French
- 5 years ago
- Views:
Transcription
1 Royal Liverpool Philharmonic Orchestra Programme Notes Online Sunday Afternoon Classics Beethoven s Fourth Piano Concerto Sunday 3 June pm LUDWIG VAN BEETHOVEN ( ) Overture, Egmont, Op.84 It s no use pretending that Germany s greatest writer is well known in this country. It s our loss but even if Goethe s 1787 tragedy Egmont is hardly familiar on the British stage, there s no doubt what Beethoven thought of it. Count Egmont was a leader of the Netherlands struggle for freedom from Spanish rule. Captured and executed in Brussels in 1588, he became a martyr of the liberation movement. Goethe turned the dry facts into a visionary drama of courage and freedom so it s no surprise that Beethoven, the most heroic and revolutionary artist of his age, was swept away by it. In June 1810 he completed a suite of incidental music for the play, and sent a deluxe edition of it to Goethe at his own expense: the music to Egmont, your glorious Egmont, which I have set to music as powerful as my emotions on reading it. There s no arguing with that. In the Overture, Beethoven takes two standard classical procedures sonata-form, and the transformation of minor key (tragic) to major key (optimistic) music and turns them into the stuff of heroic musical drama. The grim introduction immediately paints a scene of oppression and Beethoven gives it the rhythm of a sarabande, a distinctively Spanish dance. Clear enough! A passionate, tragic melody races in on the cellos, and the revolutionary struggle is underway. There are glimpses of light perhaps Egmont s beloved Clärchen and the rhythmic stamp of that Spanish jackboot. And finally Egmont is captured and executed; a powerful cry on the violins,
2 cut off in mid-flow. But that s not the end. Four woodwind chords start to glow in the silence, the strings begin to race, and with a sudden, thrilling rush, trumpets ring out in a blazing Symphony of Victory as the last words of Goethe s hero inspire Beethoven to one of the most stirring finishes even he ever wrote: Your enemies surround you friends, take courage! Behind you are your parents, wives, children. Protect them! And to save all that you hold most dear, fall joyfully, as I give you the example! Richard Bratby 2018 LUDWIG VAN BEETHOVEN Piano Concerto No.4 in G major, Op.58 Allegro moderato / Moderately fast Andante con moto / At a walking pace, with movement Rondo: vivace / Rondo: lively The onset of Beethoven s deafness was slow and gradual, but by around 1801 he realised the worst and unburdened himself to one of his oldest friends, Franz Wegeler. If I had any other profession, he wrote, it would be easier, but in my profession it is a terrible handicap. As for my enemies, what would they say? He despaired more deeply about the effect his deafness was having on his social life than how it was affecting his life as a musician. Despite this severe and irreversible handicap, the next few years proved to be among his most productive. He had considered leaving Vienna, but in 1804 chose to stay. A factor in this decision was probably the entry into his life of Josephine von Brunswick, a young widow with whom he had a turbulent relationship until Some sources claim that his real love was for her sister Therese. It has been suggested that Josephine was the model for Leonora, the heroine of his only opera, Fidelio, which he completed in 1805.
3 In 1805, at around the time that he was working on the Appassionata Sonata and the three Razumovsky Quartets, Beethoven began sketching his Fourth Piano Concerto. On completing the work the following year he dedicated it to his patron, pupil and friend, Archduke Rudolph of Austria. The concerto was first performed in 1807 at a private concert at Prince Lobkowitz s palace. Beethoven, the soloist and conductor on this occasion, is reputed to have played very impulsively and at a tremendous pace. Of all Beethoven s five piano concertos, the Fourth is the most introspective and gentle. From the outset the relationship between the soloist and the orchestra is unusually intimate. Unlike the Fifth Emperor Piano Concerto and many of his other works, the Fourth does not seek to dominate by force. Rather, the drama is on a small scale. The care Beethoven put into this work is immediately apparent it is a profoundly appealing concerto of perfect proportions. First movement Beethoven s opening gambit is unusual and arresting: the piano enters alone with a five-bar phrase of restrained elegance. The orchestra answers in equally subdued tones, before launching into a development of the initial statement and a presentation of new ideas. Before Mendelssohn s innovations in the 1830s, a concerto would almost invariably start with a long passage for the full orchestra, during which the main thematic ideas were presented. Apart from Beethoven, only Mozart occasionally dared to stray from this norm before Mendelssohn s time. The tranquil mood of the opening exchange persists throughout the movement, and later reprises of this theme possess an important structural significance. The piano needs no grand statement for its next main entry, and slips unobtrusively into the orchestral texture. In the gracious and varied themes that follow there seems to be more co-operation than competition between
4 soloist and orchestra. Beethoven himself provided two cadenzas for this movement. Second movement In contrast, the Andante exploits to the full the opposition of piano and strings. Set in the form of a dialogue, the two protagonists possess characters that could not be more strongly differentiated. In response to the gruff and demanding enquiry of the strings, given in unison, the piano gives a tender, pleading answer. As this exchange continues, the grumblings of the strings begin to subside in volume and fervour. By the end of the movement the piano has clearly charmed the strings into cowed submission. Liszt was possibly the first to attach a programme to this movement, supposedly an episode from the Orpheus myth. While the piano represents Orpheus, the strings are the Furies, the wild beasts who guard the gates of hell. Orpheus (the piano) calms and tames them with his lyre in order to gain admission to the underworld. Whether or not this episode was in Beethoven s mind as he was composing, it certainly fits the music. Third movement Trumpets and timpani make their first appearance in the Vivace finale, imparting to it a good-natured robustness. Like all Beethoven s concerto finales it is cast in the form of a rondo, in which a main theme is given in alternation with various contrasting ideas. In the final section there is an opportunity for another cadenza, but Beethoven was clear that he wanted no extended flights of fantasy he gave the soloist the characteristically terse direction must be short. Ian Stephens 2018 PIOTR ILYICH TCHAIKOVSKY ( ) Symphony No.5 in E minor, Op.64 Andante allegro con anima / At a walking pace fast, animatedly
5 Andante cantabile, con alcuna licenza / At a walking pace, in a singing style, with some freedom Valse: allegro moderato / Waltz: moderately fast Andante maestoso allegro vivace / At a majestic walking pace fast, lively When Tchaikovsky showed his Fifth Symphony to Taneyev, the younger composer was typically forthright in pointing out what he felt to be its faults. Unfortunately, the hypersensitive Tchaikovsky overreacted and, in red pencil, wrote Awful muck across the score. Still not satisfied with his punishment, he then tore the score in two, hurled it on the floor and stormed out of the room. Piotr Ilyich takes everything to heart, said the unflustered Taneyev. After all, he himself asked me to give my opinion Awful muck or not, with its gorgeous lyricism and powerful dramatic sweep, Tchaikovsky s Fifth remains beloved of concert audiences around the globe. It was completed in 1888 and first performed in St Petersburg under the baton of the composer himself. Like his Fourth Symphony, the work explores Tchaikovsky s obsession with the theme of Fate. Throughout the symphony, therefore, a Fate motif reappears providing the listener with a recurring reference point and giving the work its overall structural unity. First movement The symphony opens with a lengthy slow introduction featuring a funereal clarinet solo. According to Tchaikovsky this music evokes Total submission before Fate. With the onset of the Allegro con anima the Fate motif appears in a different, more dance-like guise, gradually building in intensity and representing Murmurs, doubts, laments. Following this no fewer than four sumptuous themes are introduced, the last of which is a soaring violin melody as Tchaikovsky considers whether to cast himself into the embrace of faith. After a short section in which all the preceding music is developed, the Fate theme creeps back in,
6 now in the bassoons. The material is repeated before a dark coda sinks into the depths of despair. Second movement Over hushed string chords a horn sings the most exquisite and heart-rending of melodies before engaging in intimate dialogue with the clarinet. The oboe then introduces a more animated second theme; massed cellos warmly restate the horn melody and the strings give an expansive rendition of the oboe tune. Amidst this wealth of glorious melody, however, a different tone is struck by the intrusion of the Fate motif which enters fortissimo in the trumpets and later returns even more defiantly. Following various re-workings of its luscious melodic material the movement winds down to the most serene of endings. Third movement After the draining emotional intensity of the first two movements, this charming and untroubled waltz comes as welcome relief. The contrasting middle section features chattering runs in the strings and woodwind, echoes of which remain when the waltz eventually returns. During a buoyant little coda, the Fate motif tries to re-establish itself but a more cheery temper now prevails. Fourth movement The slow introduction to the finale is a majestic statement of the Fate motif, now transformed into something altogether more positive in outlook. In the main body of the movement the new mood is celebrated with abandon in music struggling to contain its sheer energy and self-assurance. On two occasions the Fate theme blasts out exultantly and the movement builds to a powerful false ending (not a good place to applaud!). Now the Fate motif is triumphantly restated all vestiges of doubt and anxiety are gone and the final presto rounds things off with breathtaking panache and brio. The journey from darkness to light is complete. Anthony Bateman 2018
Royal Liverpool Philharmonic Orchestra Programme Notes Online
Royal Liverpool Philharmonic Orchestra Programme Notes Online Henry E Rensburg Series Beethoven s Third Piano Concerto Thursday 31 May 2018 7.30pm sponsored by Investec LI HUANZHI (1919-2000) Spring Festival
More informationSonata No. 13 in E-flat Major, Opus 27, No. 1, Quasi una fantasia (1801)
Concert of Wednesday, February 28, 2018, at 8:00p Jonathan Biss, piano Ludwig van Beethoven (1770-1827) Sonata No. 1 in F minor, Opus 2, No. 1 (1795) I. Allegro II. Adagio III. Menuetto. Allegretto IV.
More informationrhinegold education: subject to endorsement by ocr Mozart: Clarinet Concerto in A, K. 622, first movement Context Scores AS PRESCRIBED WORK 2017
94 AS/A LEVEL MUSIC STUDY GUIDE AS PRESCRIBED WORK 2017 Mozart: Clarinet Concerto in A, K. 622, first movement Composed in 1791 (Mozart s last instrumental work, two months before he died), dedicated to
More informationLISTENING GUIDE. p) serve to increase the intensity and drive. The overall effect is one of great power and compression.
LISTENING GUIDE LUDWIG VAN BEETHOVEN (1770 1827) Symphony No. 5 in C Minor Date of composition: 1807 8 Orchestration: two flutes, two oboes, two clarinets, two horns, two trumpets, timpani, strings Duration:
More information17. Beethoven. Septet in E flat, Op. 20: movement I
17. Beethoven Septet in, Op. 20: movement I (For Unit 6: Further Musical understanding) Background information Ludwig van Beethoven was born in 1770 in Bonn, but spent most of his life in Vienna and studied
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Queensborough Community College Instructor: Dr. Alice Jones Spring 2018 Sections H2 (T 2:10-5), H3 (W 2:10-5), L3 (W 5:10-8) Recap Midterm optional
More informationThe Classical Period (1825)
The Classical Period 1750-1820 (1825) 1 Historical Themes Industrial Revolution Age of Enlightenment Violent political and social upheaval Culture 2 Industrial Revolution Steam engine changed the nature
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2017 Sections J2 (Tuesdays 3:10-6) and C3A (Wednesdays 9:10-12) Recap Employment
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections F1 (Mondays 12:10-3) and F4 (Thursdays 12:10-3) Recap Musical analysis
More informationrhinegold education: subject to endorsement by ocr Beethoven: Symphony No. 3 in Eb, Op. 55, Eroica, first movement
80 AS/A LEVEL MUSIC STUDY GUIDE Mozart: Symphony No. 41 in C, K. 551 Jupiter Composed in 1788 in Vienna It is not known if the symphony was performed in Mozart s lifetime it was not published until after
More informationRoyal Liverpool Philharmonic Orchestra Programme Notes Online
Royal Liverpool Philharmonic Orchestra Programme Notes Online Thursday Series Petrenko s Brahms III: The Dream Team Returns Thursday 15 November 2018 7.30pm Sponsored by Weightmans JOHANNES BRAHMS (1833-1897)
More informationBeethoven s Violin Concerto and his Battle with Form. Presented by Akram Najjar STARK Creative Space
Beethoven s Violin Concerto and his Battle with Form Presented by Akram Najjar STARK Creative Space A Collaboration between JML, STARK Creative Space and Karaz w Laimoon Agenda 1) Placing the Concerto
More informationConcerts of Thursday, February 15, and Saturday, February 17, at 8:00p. Concerto for Piano and Orchestra No. 4 in G Major, Opus 58 (1806)
Concerts of Thursday, February 15, and Saturday, February 17, at 8:00p Roberto Abbado, Conductor Jorge Federico Osorio, piano Gioachino Rossini (1792-1868) Overture to Semiramide (1823) Franz Schubert
More informationWestern Classical Tradition. The concerto
Western Classical Tradition The concerto Classical! The word classical is often used in a general way to refer to any music that is not pop music! However, the term also has a more precise meaning, and
More informationSunday, May 21, :00 p.m. Anne-Sophie Paquet. Certificate Recital. DePaul Recital Hall 804 West Belden Avenue Chicago
Sunday, May 21, 2017 4:00 p.m Anne-Sophie Paquet Certificate Recital DePaul Recital Hall 804 West Belden Avenue Chicago Sunday, May 21, 2017 4:00 p.m. DePaul Recital Hall PROGRAM Anne-Sophie Paquet, violin
More informationRoyal Liverpool Philharmonic Orchestra Programme Notes Online. Sunday Afternoon Classics Peer Gynt Sunday 20 January pm
Royal Liverpool Philharmonic Orchestra Programme Notes Online Sunday Afternoon Classics Peer Gynt Sunday 20 January 2019 2.30pm EDVARD GRIEG (1843-1907) Peer Gynt: Suite No.1, Op.46 Morning Mood The Death
More informationMusic Study Guide. Moore Public Schools. Definitions of Musical Terms
Music Study Guide Moore Public Schools Definitions of Musical Terms 1. Elements of Music: the basic building blocks of music 2. Rhythm: comprised of the interplay of beat, duration, and tempo 3. Beat:
More informationL van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising)
L van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising) Background information and performance circumstances The composer Ludwig van Beethoven was born
More informationBeethoven: Sonata no. 7 for Piano and Violin, op. 30/2 in C minor
symphony, Piano Piano Beethoven: Sonata no. 7 for Piano and Violin, op. 30/2 in C minor Gilead Bar-Elli Beethoven played the violin and especially the viola but his writing for the violin is often considered
More informationPart IV. The Classical Period ( ) McGraw-Hill The McGraw-Hill Companies, Inc. All rights reserved.
Part IV The Classical Period (1750-1820) Time-Line Seven Years War-1756-1763 Louis XVI in France-1774-1792 American Declaration of Independence-1776 French Revolution-1789 Napoleon: first French consul-1799
More informationIntroduction to Music
Introduction to Music Review Romanticism In Music (1820 1900) Romantic Composers and their Public Art Song Franz Schubert Robert Schumann Clara Wieck Schumann Frédéric Chopin Polish born musician (1810
More informationSeasoned American symphony-goers would probably find it easy to rattle off the names
Prelude to Oedipus Tyrannus John Knowles Paine (1839 1906) Written: 1880 81 Movements: One Style: Romantic Duration: Eight minutes Seasoned American symphony-goers would probably find it easy to rattle
More informationRoyal Liverpool Philharmonic Orchestra Programme Notes Online
Royal Liverpool Philharmonic Orchestra Programme Notes Online Henry E Rensburg Series Elgar s Cello Concerto Thursday 5 April 2018 7.30pm sponsored by Investec RICHARD WAGNER (1813-1883) Overture: Rienzi
More informationBeethoven and the Battle with Form
Beethoven and the Battle with Form The Violin Concerto Theme 1 Theme 1 T1 Theme 1 In D Major Transition Transition T2 Transition Op 61 (1806) Theme 2 Theme 2 Theme 2 Cadence Cadence T3 T4 Cadenza Presented
More informationTEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music
Identity Symbol TEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music Grade 11 2012-13 Name School Grade Date 5 MUSIC ERAS: Match the correct period of music history to the dates below. (pg.42,43)
More informationII. Die Abwesenheit (L Absence). Andante espressivo (In gehender Bewegung, doch mit viel Ausdruck)
Concert of Wednesday, May 30, 2018, at 8:00p Jonathan Biss, piano Ludwig van Beethoven (1770-1827) Sonata No. 8 in C minor, Opus 13, Pathétique (1798) I. Grave; Allegro di molto e con brio II. Adagio cantabile
More informationThe Classical Period
The Classical Period How to use this presentation Read through all the information on each page. When you see the loudspeaker icon click on it to hear a musical example of the concept described in the
More informationCHAPTER 1 ANTONIN DVORAK S SERENADE IN D MINOR, OP. 44, B.77. Czech composer, Antonin Dvořák is well known for his orchestral repertoire.
1 CHAPTER 1 ANTONIN DVORAK S SERENADE IN D MINOR, OP. 44, B.77 Czech composer, Antonin Dvořák is well known for his orchestral repertoire. His works encompass a variety of genres including, but not limited
More informationCONCERT PROGRAM BEETHOVEN S FIFTH
Portrait of Ludwig van Beethoven, by Joseph Willibrord Mähler, c. 1804 1805 CONCERT PROGRAM BEETHOVEN S FIFTH Saturday, April 14, 2018 7:30pm Sunday, April 15, 2018 3:00pm Earl Lee RBC Resident Conductor
More informationLudwig van Beethoven
Ludwig van Beethoven Haga clic para modificar el estilo de subtítulo del patrón María Sobrón Jorge 3º E.S.O. - B y la sonata Claro de Luna Beethoven Beethoven was a XIXth century German composer, conductor
More informationRoyal Liverpool Philharmonic Orchestra Programme Notes Online
Royal Liverpool Philharmonic Orchestra Programme Notes Online Classic FM Series Beethoven s Fifth Symphony Thursday 14 June 2018 7.30pm Friday 15 June 2018 1.30pm JOHANNES BRAHMS (1833-1897) Variations
More informationConcerto No. 1 in E-flat Major for Piano and Orchestra, S. 124 (1855)
Concert of Friday, November 1, 2013, at 6:00p. Robert Spano, Conductor Stephen Hough, Piano Franz Liszt (1811-1886) Concerto No. 1 in E-flat Major for Piano and Orchestra, S. 124 (1855) I. Allegro maestoso.
More informationSAN DIEGO SYMPHONY ORCHESTRA TCHAIKOVSKY SYMPHONY NO. 5 A JACOBS MASTERWORKS CONCERT Gemma New, conductor. May 18 and 19, 2019
SAN DIEGO SYMPHONY ORCHESTRA TCHAIKOVSKY SYMPHONY NO. 5 A JACOBS MASTERWORKS CONCERT Gemma New, conductor May 18 and 19, 2019 ALYSSA WEINBERG Reign of Logic (West Coast Premiere) ALEXANDER GLAZUNOV Violin
More informationMu 110: Introduction to Music
Reading/Attendance quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections F1 (Mondays 12:10-3) and F4 (Thursdays 12:10-3) Recap Meter is the
More informationLISTENING GUIDE. FORM: SONATA ALLEGRO EXPOSITION 1st Theme. 1st Theme. 5. TRANSITION ends with 2 CHORDS.
LISTENING GUIDE Ludwig van Beethoven (1770 1827) Symphony No. 5 in C minor, Opus 67 Composed 180 1808 1st Performance in Vienna, December 22, 1808 Movement I Allegro con brio FORM: SONATA ALLEGRO EXPOSITION
More informationMaestoso / Majestic Adagio / Slow Rondo: allegro non troppo / Rondo: fast, but not too fast
Royal Liverpool Philharmonic Orchestra Programme Notes Online Sunday Afternoon Classics Petrenko s Brahms IV Sunday 18 November 2018 2.30pm Sponsored by Investec JOHANNES BRAHMS (1833-1897) Piano Concerto
More informationModerato quasi andante / moderately, as if walking Tema: moderato semplice / theme: moderately, with simplicity
Royal Liverpool Philharmonic Orchestra Programme Notes Online Classic FM Series Eroica Thursday 8 February 2018 7.30pm Friday 9 February 2018 1.30pm sponsored by Boodles GIOACHINO ROSSINI (1792-1868) Overture:
More informationConcerts of Thursday, September 20, and Saturday, September 22, at 8:00p, and Sunday September 23, 2018, at 3:00p
Concerts of Thursday, September 20, and Saturday, September 22, at 8:00p, and Sunday September 23, 2018, at 3:00p Robert Spano, Conductor Kirill Gerstein, piano John Stafford Smith (1750-1836) (arr. Walter
More informationThe Classical Period-Notes
The Classical Period-Notes The Classical period lasted from approximately 1750 1810. This was a fairly brief period but contains the work of three of the greatest composers of all time. They were... Joseph
More informationConcerts of Thursday, April 26, and Saturday, April 28, at 8:00p, and Sunday, April 29, 2018, at 3:00p
Concerts of Thursday, April 26, and Saturday, April 28, at 8:00p, and Sunday, April 29, 2018, at 3:00p Carlo Rizzi, Conductor Elizabeth Koch Tiscione, oboe Sergei Prokofiev (1891-1953) Symphony No. 1 in
More informationGREAT STRING QUARTETS
GREAT STRING QUARTETS YING QUARTET At the beginning of each session of this course we ll take a brief look at one of the prominent string quartets whose concerts and recordings you will encounter. The
More information3. Berlioz Harold in Italy: movement III (for Unit 3: Developing Musical Understanding)
3. Berlioz Harold in Italy: movement III (for Unit 3: Developing Musical Understanding) Background information Biography Berlioz was born in 1803 in La Côte Saint-André, a small town between Lyon and Grenoble
More informationRoyal Liverpool Philharmonic Chamber Music Series Programme Notes Online
Royal Liverpool Philharmonic Chamber Music Series Programme Notes Online Pavel Haas Quartet Tuesday 8 May 2018 7.30pm St George s Hall Concert Room sponsored by Investec ANTONÍN DVOŘÁK (1841-1904) String
More informationConcerts of Thursday, September 26, and Friday, September 27, 2013, at 8:00p, and Saturday, September 28, 2013, at 7:30p.
Concerts of Thursday, September 26, and Friday, September 27, 2013, at 8:00p, and Saturday, September 28, 2013, at 7:30p. Robert Spano, Conductor André Watts, Piano John Stafford Smith (1750-1836) (arr.
More informationExam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY
Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during
More informationClassical Time Period
Classical Time Period 1750-1825 Return to Greek ideas General Characteristics Expanded middle class Conflict between classes Age of the enlightenment-used reason to reform society Patronage system-support
More informationConcerto No. 2 for Piano and Orchestra in C minor, Opus 18 (1901)
Concert of Sunday, November 4, 2018, at 3p Overture Concert Stephen Mulligan, Conductor Jason Guo, piano ASYO Concerto Competition Winner George Enescu (1881-1955) Rumanian Rhapsody No. 1 in A Major, Opus
More informationConcerts of Thursday, January 22, at 8:00p, Saturday, January 24, at 7:30p, and Sunday, January 25, 2015, at 2:00p. Matthias Pintscher, Conductor
Concerts of Thursday, January 22, at 8:00p, Saturday, January 24, at 7:30p, and Sunday, January 25, 2015, at 2:00p Matthias Pintscher, Conductor Inon Barnatan, piano Richard Wagner (1813-1883) Siegfried
More informationConcerts of March 6-8, Michael Stern, Music Director. Anthony McGill, clarinet. Beethoven. Leonore Overture No. III, op. 72b (1806) Danielpour
Concerts of March 6-8, 2015 Michael Stern, Music Director Anthony McGill, clarinet Beethoven Leonore Overture No. III, op. 72b (1806) Danielpour From the Mountaintop for Clarinet and Orchestra (2013) Co-commission
More informationOCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME
OCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME Abstract [Draw your reader in with an engaging abstract. It is typically a short summary of the document. When you re ready to add
More informationPerhaps is an English translation of a Spanish poem by Miguel Hernandez.
Audrey Seah Senior Recital paper Committee members: Dr. Strizich, Dr. Gilroy, and Dr. Boone In this paper, I will present an in depth discussion of three of my compositions. I will talk about word setting
More informationSAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT. February 27 and 28, 2015 March 1, 2015
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT February 27 and 28, 2015 March 1, 2015 ELLEN TAAFFE ZWILICH Upbeat! WOLFGANG AMADEUS MOZART Piano Concerto No. 25 in C Major, K. 503 Allegro maestoso
More informationConcerts of Thursday, February 1, and Saturday, February 3, 2018, at 8:00p
Concerts of Thursday, February 1, and Saturday, February 3, 2018, at 8:00p Robert Spano, Conductor Jorge Federico Osorio, piano Ludwig van Beethoven (1770-1827) Symphony No. 1 in C Major, Opus 21 (1800)
More information=Causeway Performing Arts= GCSE Music AoS 2: Shared Music (vol.3) CLASSICAL CONCERTO. in conjunction with
=Causeway Performing rts= GCSE Music os 2: Shared Music (vol.3) CLSSICL CONCERTO in conjunction with www.musicdepartment.info THE CLSSICL CONCERTO The Classical period lasted from about 1750-1820. Composers
More informationSAN DIEGO SYMPHONY ORCHESTRA THE OPUS 2015 GALA CONCERT. October 10, AN-LUN HUANG Saibei Dance from Saibei Suite No. 2, Op.
SAN DIEGO SYMPHONY ORCHESTRA THE OPUS 2015 GALA CONCERT October 10, 2015 AN-LUN HUANG Saibei Dance from Saibei Suite No. 2, Op. 21 PIOTR ILYICH TCHAIKOVSKY Piano Concerto No. 2 in G Major, Op. 44 Allegro
More information8663 and 9703 MUSIC 8663/01 and 9703/01 Paper 1 (Listening), maximum raw mark 100
UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS GCE Advanced Subsidiary Level and GCE Advanced Level MARK SCHEME for the May/June 2009 question paper for the guidance of teachers 8663 and 9703 MUSIC
More informationBela Bartok ( ). Sonata for Violin and Piano
Richard Strauss (1864-1949). Piano op.18 Sonata for Violin and Richard Strauss wrote only five instrumental chamber works: a sonata for violin, for cello, for piano, a string quartet, and a piano quartet.
More informationMu 101: Introduction to Music
Attendance/Reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2018 Sections F2 (T 12:10-3) and J2 (3:10-6) Reading quiz Religion was the most important
More informationBeethoven was known for his emotions, both in life and in his music. This is one of the qualities that sets his music apart from his predecessors.
LUDVIG van BEETHOVEN Beethoven was known for his emotions, both in life and in his music. This is one of the qualities that sets his music apart from his predecessors. Listen for Emotions Worksheet: With
More informationFriday and Saturday, January 26-27, 2018 at 8 p.m. Sunday, January 28, 2018 at 2 p.m. Helzberg Hall, Kauffman Center for the Performing Arts
2017/18 SEASON CLASSICAL SERIES MAHLER S SEVENTH Friday and Saturday, January 26-27, 2018 at 8 p.m. Sunday, January 28, 2018 at 2 p.m. Helzberg Hall, Kauffman Center for the Performing Arts MICHAEL STERN,
More informationVirginia resident Adolphus Hailstork received his doctorate in composition from
An American Port of Call Adolphus Hailstork (1941 ) Written: 1985 Movements: One Style: Contemporary American Duration: Nine minutes Virginia resident Adolphus Hailstork received his doctorate in composition
More informationPiano Concerto No. 2 in F Minor, Op. 21
The Chopin piano concertos are simply beautiful to hear, whether from a seat in the audience or from a seat on the stage. I especially love the second movement of the Piano Concerto No. 2 and always wish
More informationCALIFORNIA STATE UNIVERSITY, NORTHRIDGE. Concerto and Recital Works by Tausig, Beethoven, Chopin, Schumann, Turina and Mozart.
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Concerto and Recital Works by Tausig, Beethoven, Chopin, Schumann, Turina and Mozart A graduate project submitted in partial fulfillment of the requirements for
More informationPrincipal timpani Orchestral excerpts Thursday 14 and Friday 15 February 2019
Principal timpani Orchestral excerpts Thursday 14 and Friday 15 February 2019 Solo repertoire (not included in this booklet) CARTER Audition excerpts Eight Pieces for Four Timpani V. Improvisation MAHLER
More informationChapter 13. Key Terms. The Symphony. II Slow Movement. I Opening Movement. Movements of the Symphony. The Symphony
Chapter 13 Key Terms The Symphony Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation Coda Fragmentation Retransition Theme and variations
More informationSymphony No. 4, I. Analysis. Gustav Mahler s Fourth Symphony is in dialogue with the Type 3 sonata, though with some
Karolyn Byers Mr. Darcy The Music of Mahler 15 May 2013 Symphony No. 4, I. Analysis Gustav Mahler s Fourth Symphony is in dialogue with the Type 3 sonata, though with some deformations. The exposition
More informationChapter 13. The Symphony
Chapter 13 The Symphony!1 Key Terms symphony sonata form exposition first theme bridge second group second theme cadence theme development retransition recapitulation coda fragmentation theme
More informationGreat Pianists Schnabel J. S. BACH. Italian Concerto, BWV 971 Toccatas, BWV 911 and BWV 912 Concerto No. 2 for Two Keyboards, BWV 1061
Great Pianists Schnabel ADD J. S. BACH Italian Concerto, BWV 971 Toccatas, BWV 911 and BWV 912 Concerto No. 2 for Two Keyboards, BWV 1061 Artur Schnabel Karl Ulrich Schnabel London Symphony Orchestra Adrian
More informationConcerts of Thursday, March 1, and Saturday, March 3, 2018, at 8:00p
Concerts of Thursday, March 1, and Saturday, March 3, 2018, at 8:00p Edo de Waart, Conductor Augustin Hadelich, violin Dmitri Shostakovich (1906-1975) Concerto for Violin and Orchestra No. 1 in A minor,
More informationFirst Movement: Allegro con brio; sonata-allegro form, 2/4 meter, C minor. Allegro con brio. & bb b 4 2 œœœ. ƒ S S
istening Guide CD: CHR/STD 4/32 56, SH 2/8 32 Beethoven: Symhony No. 5 in C minor, O. 67 DATE OF WORK: 1807 8 MOVEMENTS: I. Allegro con brio; sonata-allegro form, C minor II. Andante con moto; theme and
More informationConcerts of Thursday, April 27, and Saturday, April 29, 2017, at 8:00p. Don Juan, Tone Poem after Nikolaus Lenau, Opus 20 (1888)
Concerts of Thursday, April 27, and Saturday, April 29, 2017, at 8:00p Vasily Petrenko, Conductor Stewart Goodyear, piano Richard Strauss (1864-1949) Don Juan, Tone Poem after Nikolaus Lenau, Opus 20 (1888)
More informationContents of this CD-ROM. (click on a category to go to that section of the Table of Contents) The complete Table of Contents begins on the next page
1 Beethoven Major Works for Orchestra - Full Scores Table of ontents Welcome to the Music edition of Beethoven, Major Works for Orchestra - Full Scores. This Table of ontents is interactive. lick on a
More informationSAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT David Danzmayr, conductor. December 1 and 2, 2017
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT David Danzmayr, conductor December 1 and 2, 2017 GRAŻYNA BACEWICZ Overture FRÉDÉRIC CHOPIN Piano Concerto No. 1 in E minor, Op. 11 Allegro maestoso
More informationPortrait of Ludwig van Beethoven, by Joseph Willibrord Mähler, c ALL BEETHOVEN
Portrait of Ludwig van Beethoven, by Joseph Willibrord Mähler, c. 1804 1805 ALL BEETHOVEN 32 CONCERT PROGRAM Ludwig van Beethoven Coriolan Overture, Op. 62 Romance No. 1 in G Major for Violin and Orchestra,
More informationIsabella Warmack. Professor Pecherek. 24 October 2016 MUS
Isabella Warmack Professor Pecherek 24 October 2016 MUS 1000-03 The DuPage Symphony Orchestra, directed by Barbara Schubert, plays an Out-of-This- World themed concert on October 23 rd in spirit of Halloween.
More informationof musical means, and conduct it toward a solution that corresponds apprehensively to that of
Overture to Tannhäuser Richard Wagner (1813 1883) Written: 1845 Movements: One Duration: Fourteen minutes An opera overture must encompass the general spirit of the action without the misuse of musical
More informationBEETHOVEN TRIPLE CONCERTO (1804)
BEETHOVEN TRIPLE CONCERTO (1804) BEETHOVEN TRIPLE CONCERTO (1804) CONCERTO IN C MAJOR FOR VIOLIN, CELLO AND PIANO CONCERTO: A three movement musical work for solo instrument and orchestra. PIANO TRIO:
More informationPeoria Symphony Orchestra Program Notes September 22, 2018 Michael Allsen
Peoria Symphony Orchestra Program Notes September 22, 2018 Michael Allsen This opening program of the Peoria Symphony Orchestra s season features the distinguished violinist Catherine Cho, who performs
More informationBurkholder/Grout/Palisca, Ninth Edition, Chapter 24
8 Chapter 24 Revolution and Change 1. [559] What transformed the economy in the 19th century? Where was the population centered? Society was based on and. Which class became more powerful? So what? 12.
More informationHaydn: Symphony No. 101 second movement, The Clock Listening Exam Section B: Study Pieces
Haydn: Symphony No. 101 second movement, The Clock Listening Exam Section B: Study Pieces AQA Specimen paper: 2 Rhinegold Listening tests book: 4 Renaissance Practice Paper 1: 6 Renaissance Practice Paper
More informationAnalysis Worksheet Fauré Elegy
Analysis Worksheet Fauré Elegy Composer/ Composition Information from analysis How this affects/informs performance Skill, Knowledge, Expression? Gabriel Fauré (1845-1924) pianist and organist, studied
More informationThe Elements of Music. A. Gabriele
The Elements of Music A. Gabriele Rhythm Melody Harmony Texture Timbre Dynamics Form The 7 Elements Rhythm Rhythm represents the element of time in music. When you tap your foot, you are moving to the
More informationSymphony in C Igor Stravinksy
Symphony in C Igor Stravinksy One of the towering figures of twentieth-century music, Igor Stravinsky was born in Oranienbaum, Russia on June 17, 1882 and died in New York City on April 6, 1971. While
More informationMusic of the Classical Period
Music of the Classical Period 1750 1825 A new style in architecture, literature, and the arts developed. Sought to emulate the ideals of Classical Antiquity, especially Classical Greece Called Classicism
More informationOrpheus Chamber Orchestra January 9, 2019
Orpheus Chamber Orchestra January 9, 2019 Still Life James Matheson (b. 1970) Commissioned by the Orpheus Chamber Orchestra, Still Life celebrates its premier throughout the month of January, including
More informationBeethoven Gateway Digitization Sponsorships Price List (updated February 2014)
Beethoven Gateway Digitization Sponsorships Price List (updated February 2014) First editions (Works with Opus numbers) In order by opus number. Sponsorship costs based on the number of pages. All are
More informationRoyal Liverpool Philharmonic Orchestra Programme Notes Online. Henry E Rensburg Series Sounds like Shakespeare Thursday 4 May
Royal Liverpool Philharmonic Orchestra Programme Notes Online Henry E Rensburg Series Sounds like Shakespeare Thursday 4 May 2017 7.30pm OTTO NICOLAI (1810-1849) Overture: The Merry Wives of Windsor Among
More informationBeethoven: Pathétique Sonata
Beethoven: Pathétique Sonata Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Beethoven Score write each
More informationWinter Festival: Zukerman Performs Bach
NOTES ON THE PROGRAM BY LAURIE SHULMAN, 2016 Winter Festival: Zukerman Performs Bach ONE-MINUTE NOTES Bach: Violin Concerto No. 2 Marvelous give and take between soloist and orchestra make this exuberant
More informationSAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT Johannes Debus, conductor. December 9 and 10, 2017
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT Johannes Debus, conductor December 9 and 10, 2017 ENGELBERT HUMPERDINCK Prelude to Hänsel und Gretel WOLFGANG AMADEUS MOZART Concerto in C Major
More informationMusic in the Baroque Period ( )
Music in the Baroque Period (1600 1750) The Renaissance period ushered in the rebirth and rediscovery of the arts such as music, painting, sculpture, and poetry and also saw the beginning of some scientific
More informationMartinů, Madrigals for Violin and Viola
PROGRAM NOTES BY DR. MICHAEL FINK COPYRIGHT 2009. ALL RIGHTS RESERVED. Martinů, Madrigals for Violin and Viola We might term Bohuslav Martinů (1890-1959) the bad boy of Czech music. Although, historically
More informationConcerts of Thursday, March 9 and Saturday, March 11, at 8:00p, and Friday, March 10, 2015, at 6:30p.
Concerts of Thursday, March 9 and Saturday, March 11, at 8:00p, and Friday, March 10, 2015, at 6:30p. Michael Stern, Conductor Mark-André Hamelin, piano Dmitri Shostakovich (1906-1975) Festive Overture,
More informationCONCERTO NO. 2 IN F MAJOR, OP. 102 FOR PIANO AND ORCHESTRA BY DMITRI SOSTAKOVICI
Bulletin of the Transilvania University of Braşov Series VIII: Performing Arts Vol. 7 (56) No. 2 2014 CONCERTO NO. 2 IN F MAJOR, OP. 102 FOR PIANO AND ORCHESTRA BY DMITRI SOSTAKOVICI Maria Cristina BOSTAN
More information2018 ENSEMBLE CONNECT LIVE AUDITIONS
2018 ENSEMBLE CONNECT LIVE AUDITIONS LIVE AUDITIONS WILL TAKE PLACE IN NEW YORK CITY AS FOLLOWS: Monday, March 5, 2018, 9 AM 8 PM at Carnegie Hall Tuesday, March 6, 2018, 9 AM 8 PM at Carnegie Hall Wednesday,
More informationThis is the fifth year for Diocesan-wide Music assessments on the Elementary level so most should be familiar with the process.
TO: FROM: RE: All Principals, Teachers and Music Specialists Elementary Music Curriculum Committee Music Performance Assessments for Kindergarten through Grade 8 Cumulative Music Assessments for Grades
More informationMUSIC FOR THE PIANO SESSION FOUR: THE PIANO IN VICTORIAN SOCIETY,
MUSIC FOR THE PIANO SESSION FOUR: THE PIANO IN VICTORIAN SOCIETY, 1830-1860 As mentioned last week, today s class is the second of two on piano music written by the generation of composers after Beethoven.
More informationofmusic the GUEST ARTIST RECITAL GUSTAVO ROMERO, Piano Friday, September 26, and Sunday, September 28, :00 p.m. Lillian H. Duncan Recital Hall
GUEST ARTIST RECITAL GUSTAVO ROMERO, Piano Friday, September 26, and Sunday, September 28, 2008 8:00 p.m. Lillian H. Duncan Recital Hall RICE UNIVERSITY ~ the rd ofmusic Beethoven Sonatas - Program 9.
More informationMu 110: Introduction to Music
Reading/Attendance quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections F1 (Mondays 12:10-3) and F4 (Thursdays 12:10-3) Recap Meter is the
More informationClassical Music Appreciation Introductory
Classical Music Appreciation Introductory Session 6 notes Bill Buffam, instructor 21-Jul-2006 Tonight s agenda Tchaikovsky, Symphony No. 5 Tchaikovsky, Marche Slave Delius, On hearing the first cuckoo
More information