Collabora'ons. Produc'on Roles and the Filmmaking Process.

Transcription

1 Collabora'ons Produc'on Roles and the Filmmaking Process.

2 Director The Director interprets the script and unifies the components of the film into something that bears his or her signature. This individual is like an orchestra conductor. The Director must be able to lead and control people, have them do what he or she wants them to do, yet remain on good terms. While in produc'on, the Director not only oversees actors, but also advises the Director of Photography, instructs the major technical people, administrates the flow of people, consults on budgets, and deals with outside pressures. The Director is ul'mately responsible for what happens on the set. (Kodak Film Crew)

3 Surround yourself with people more talented than yourself, and learn how to get the best out of them.

4 Andrei Wajda The good Lord gave the director two eyes one to look into the camera, the other to be alert to everything that is going on around him.

5 Ashes and Diamonds (1958) Zbigniew Cybulski It was during this film that I really became a film director. The key to being a director was knowing what not to direct. (Andrei Wajda)

6 Line Producer The Line Producer runs the day- to- day opera'ons. This person makes the deals for loca'ons and transporta'on, secures extras for scenes, orders equipment, gets accommoda'ons for the cast and crew when they're on loca'on, and is on the set every day to ensure the produc'on runs smoothly. The Line Producer is generally employed from pre- produc'on through post- produc'on and reports to the Producer.

7 AD Assistant Director The Assistant Director (also A.D., First Assistant, or First A.D.) controls the shoo'ng schedule and is responsible for keeping the produc'on on schedule. By assuming responsibility for the rou'ne tasks, such as the call (summoning the actors, crew, and logis'cal support to the correct place at the right 'me), the Assistant Director allows the Director to focus on the crea've aspects of the film. The Assistant Director maintains order on the set, which is hopefully achieved by yelling "Quiet on the set!" The Assistant Director even has assistants of his/her own.

8 AD Quiet on Set Roll Sound Roll Camera Ac'on

9 DIRECTOR: Matthew Hawkins PRODUCER: Daniel Wyszynski DOP: Bartlomiej Sienkiewicz SATURDAY 25th JUNE 2009 LOCATION: 19 Queens Road, Brentwood, Essex Cm14 4HE PROSPECT FILM PRODUCTIONS DRIFT WEATHER: Partly Cloudy/ Sunny intervals/ Possible rain 22 C Producer: Daniel Wyszynski daniel@prospectfilm.com CALL SHEET 01 BREAKFAST: LUNCH FROM: ESTIMATED WRAP: UNIT CALL: 08:00am UNIT NOTES PLEASE ENSURE HEALTH AND SAFETY ON SET AT ALL TIMES. SATURDAY Location Scene Synopsis D/N Ext/Int set-ups Props CHARACTER 08:00-08:30 Breakfast Peter overhears the couple s conversation radio, dinner plate, 7 D Int 2 books,newspapers, Peter 9:00 BEDROOM photograph 10 Peter listens to the Arabic Radio N Int 2 Vest, trousers, radio Peter 2 Sylvia and Peter pass eachother on the stairs D Int 2 Shopping bags Sylvia, Peter 10:30/11:00 STAIRCASE Peter meets Andrew Mirror,lunch 11 D Int 2 bag,suitcase Peter,Andrew 13:30-14:30 Lunch Sylvia unpacks her shopping N 2 Shopping bags, pot, Sylvia 14:30 KITCHEN 4 Int potatoes 8 Sylvia and Peter clean after dinners 2 Plates, bin, bowl, meal Sylvia, Peter 16:30 SPARE ROOM 12 Andrew explores his old room D Int 3 3 cigarettes, old packet, old lighter Andrew 18:30 GARDEN 20:00 Wrap 9 Peter leaves bowl of food in the garden N Ext Freelance Bowl, remins of food, beer Peter CAST: 1 Peter Amr El-Bayoumi amrbay@gmail.com Sylvia Edyta Bubka edyta.bubka@googl .com Mirek Damian Dudkiewicz damiandudkiewicz@hotmail.co.uk Andrew Harry Macqueen hazmacca@hotmail.com Laura Joanna Pope jmlpope@hotmail.co.uk POLICE London Road Brentwood CM14 4QJ HOSPITAL Nuffield Health Brentwood Hospital Shenfield Road Brentwood CM15 8EH CREW 1 DOP Bartlomiej Sienkiewicz dop@bsienkiewicz.com 2 1st AD Malwina Sworczuk malwina_sworczuk@yahoo.co.uk 3 Focuspuller Tabitha Beckman tabitha.beckman@gmail.com 4 Clapper/Loader Zuza zuza-p@wp.pl 5 Grip Dawid Pietkiewicz dawid-pietkiewicz@wp.pl 6 Gaffer Daniel Russel danirussel@gmail.com 7 Spark1 Cullum Ross cullum.ross@googl .com 8 Spark2 Ian Stowe ian.stowe@yahoo.com 9 Sound recordist Marcel master3arts@gmail.com Journey Plan: Matthew, Marta, Ian, Bart - CAR Leaving UEL Car Parking Rest of the Crew -TRAIN 07:05 and 07:15-Liverpool Str. Station Amr- 07:45 Liverpool Str St Edyta- 09:22 Liverpool Str St Harry- 09:22 Liverpool Str St Pick up times from Brentwood Station: 07:41- Daniel, Malwina + 3 others 07:50 - rest of the crew 08:18- Amr 09:58- Edyta+ Harry 10 Make Up Basia Mazgaj basia_jm@hotmail.com 11 Art. Director/ Catering 12 Production Assistant/ Stills Marta Rabikowska rabikom2000@yahoo.co.uk Will Green willg1989@hotmail.com

10 Brentwood, Essex CM14 4HE, UK Link: < &sspn= , &ie=UTF8&ll= , &spn= , &z=16>

11 Loca'on Manager A Loca'on Manager scouts out loca'ons for shoo'ng and arranges for permission to shoot in specific places.

12 Filming in Public Spaces Local authority If you want to film on public land you will need permission from the appropriate local authority or council. They are responsible for public land, public buildings, roads and parking. The UK Screen Agencies can help you get in touch with the appropriate local authority contact.

13 Screen Agencies Crea1ve England T: +44 (0) E: W: Area: UK Film London T: +44 (0) F: +44 (0) E: W: Area: Greater London Crea1ve Scotland T: +44 (0) /1723/1724 F: +44 (0) E: m W: Area: Scotland

14 Police You will need the full co- opera'on of the local police force if you plan to film on a public highway or use special effects, explosives, fire arms (including replicas). You will also need permission to portray uniformed police officers or marked police vehicles on film. You should inform the local police force in wri'ng of any planned filming within its jurisdic'on. The UK Screen Agencies can help you arrange this process.

15 Filming on public roads Before filming on a public road you must contact the local police and the Highways Department of the local authority. Both will need to make sure that your plans are safe and pose no threat to road users. If you plan to stage stunts, a stunt co- ordinator should be involved in any planning discussions. You will need details of the safety condi'ons covering any tracking vehicles you hire and also find out what permissions and rights clearances have been granted at the loca'on for example, are you en'tled to film the signage on any commercial premises in the area?

16 Advice about permission and Rights clearances If you film an actor inside a store or restaurant you need wriden permission to use the loca'on and also to show the chain's name or trademark. If you film outside a store or restaurant you do not need permission to show its name or trademark however, if the loca'on chosen is used to communicate a nega've message in your film (for example, a film about 'poisoned restaurant food') you may risk legal proceedings. You do not need to ask passers- by for permission to feature their faces in a film. Under UK law, the copyright of film shot in a public place resides with the filmmaker.

17 Camera Department Director of Photography or Cinematographer Camera Operator Focus Puller Clapper Loader DIT

18 DOP or CInematographer The Director of Photography (also DP, DOP, or Cinematographer) is responsible for the quality of the photography and the cinema'c look of the film. The Director of Photography transforms the Screenwriter's and Director's concepts into visual images. Using his or her knowledge of ligh'ng, lenses, cameras, and film emulsions, the Director of Photography creates the appropriate mood, atmosphere, and visual style of each shot to evoke the emo'ons that the Director desires. Working closely with the Director, the Director of Photography determines the camera angles, shot composi'on, and camera movement for every shot. The Director of Photography then decides upon the ligh'ng equipment and the type and number of cameras that will be required for shoo'ng. The Director of Photography orders the lights and cameras to be set up in such a way to adain the desired effect.

19 Sound Team Sound Designer oversees all the audio elements of a mo'on picture Sound Recordist operates the sound- recording equipment on a set. Boom Operator operates the boom a long, adjustable bar used to posi'on a microphone during filming.

20 Line Producer Screenwriter Produc'on Designer Director Art Director Cinematographer Wardrobe Sound Designer Make- up

21 Kodak Film Crew hdp:// uploadedfiles/ US_plugins_acrobat_en_mo'on_newsleders_fil mess_10_film- crew.pdf