RX-V890. Natural Sound Stereo Receiver. Contents OWNER S MANUAL

Transcription

1 RX-V890 Natura Sound Stereo Receiver CAUTION OWNER S MANUAL Contents PROFILE OF THIS UNIT... 6 SPEAKER SETUP FOR THIS UNIT... 7 CONNECTIONS... 9 ADJUSTMENT BEFORE OPERATION BASIC OPERATIONS TUNING OPERATIONS... 1 USING THE DIGITAL SOUND FIELD PROCESSOR (DSP)... 5 SETTING THE SLEEP TIMER... 0 REMOTE CONTROL TRANSMITTER... 1 IMPORTANT! Pease record the seria number of this unit in the space beow. Mode: Seria No.: The seria number is ocated on the rear of the unit. Retain this Owner s Manua in a safe pace for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. Expanation of Graphica Symbos The ightning fash with arrowhead symbo, within an equiatera triange, is intended to aert you to the presence of uninsuated dangerous votage within the product s encosure that may be of sufficient magnitude to constitute a risk of eectric shock to persons. The excamation point within an equiatera triange is intended to aert you to the presence of important operating and maintenance (servicing) instructions in the iterature accompanying the appiance.

2 SAFETY INSTRUCTIONS 1 Read Instructions A the safety and operating instructions shoud be read before the unit is operated. Retain Instructions The safety and operating instructions shoud be retained for future reference. Heed Warnings A warnings on the unit and in the operating instructions shoud be adhered to. Foow Instructions A operating and other instructions shoud be foowed. 5 Water and Moisture The unit shoud not be used near water for exampe, near a bathtub, washbow, kitchen sink, aundry tub, in a wet basement, or near a swimming poo, etc. 6 Carts and Stands The unit shoud be used ony with a cart or stand that is recommended by the manufacturer. 6A An unit and cart combination shoud be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 7 Wa or Ceiing Mounting The unit shoud be mounted to a wa or ceiing ony as recommended by the manufacturer. 8 Ventiation The unit shoud be situated so that its ocation or position does not interfere with its proper ventiation. For exampe, the unit shoud not be situated on a bed, sofa, rug, or simiar surface, that may bock the ventiation openings; or paced in a buit-in instaation, such as a bookcase or cabinet that may impede the fow of air through the ventiation openings. A. The power-suppy cord or the pug has been damaged; or B. Objects have faen, or iquid has been spied into the unit; or C. The unit has been exposed to rain; or D. The unit does not appear to operate normay or exhibits a marked change in performance; or E. The unit has been dropped, or the encosure damaged. 16 Servicing The user shoud not attempt service the unit beyond those means described in the operating instructions. A other servicing shoud be referred to quaified service personne. 17 Power Lines An outdoor antenna shoud be ocated away from power ines. 18 Grounding or Poarization Precautions shoud be taken so that the grounding or poarization is not defeated. 19 Outdoor Antenna Grounding If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against votage surges and buit-up static charges. Artice 810 of the Nationa Eectrica Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the ead-in wire to an antenna discharge unit, size of grounding conductors, ocation of antenna discharge unit, connection to grounding eectrodes, and requirements for the grounding eectrode. EXAMPLE OF ANTENNA GROUNDING 9 Heat The unit shoud be situated away from heat sources such as radiators, stoves, or other appiances that produce heat. 10 Power Sources The unit shoud be connected to a power suppy ony of the type described in the operating instructions or as marked on the unit. 11 Power-Cord Protection Power-suppy cords shoud be routed so that they are not ikey to be waked on or pinched by items paced upon or against them, paying particuar attention to cords at pugs, convenience receptaces, and the point where they exit from the unit. 1 Ceaning The unit shoud be ceaned ony as recommended by the manufacturer. MAST GROUND CLAMP ELECTRIC SERVICE EQUIPMENT NEC NATIONAL ELECTRICAL CODE ANTENNA LEAD IN WIRE ANTENNA DISCHARGE UNIT (NEC SECTION 810-0) GROUNDING CONDUCTORS (NEC SECTION 810-1) GROUND CLAMPS POWER SERIVCE GROUNDING ELECTRODE SYSTEM (NEC ART 50, PART H) 1 Nonuse Periods The power cord of the unit shoud be unpugged from the outet when eft unused for a ong period of time. 1 Object and Liquid Entry Care shoud be taken so that objects do not fa into and iquids are not spied into the inside of unit. 15 Damage Requiring Service The unit shoud be serviced by quaified service personne when: Note to CATV system instaer: This reminder is provided to ca the CATV system instaer s attention to Artice 80-0 of the NEC that provides guideines for proper grounding and, in particuar, specifies that the cabe ground sha be connected to the grounding system of the buiding, as cose to the point of cabe entry as practica.

3 CAUTION: READ THIS BEFORE OPERATING YOUR UNIT 1 To ensure the finest performance, pease read this manua carefuy. Keep it in a safe pace for future reference. Insta your unit in a coo, dry, cean pace away from windows, heat sources, and too much vibration, dust, moisture or cod. Avoid sources of hum (transformers, motors). To prevent fire or eectrica shock, do not expose to rain and water. Do not operate the unit upside-down. It may overheat, possiby causing damage. Never open the cabinet. If a foreign object drops into the set, contact your deaer. 5 Do not use force on switches, knobs or cords. When moving the set, first turn the unit off. Then genty disconnect the power pug and the cords connecting to other equipment. Never pu the cord itsef. 6 Do not attempt to cean the unit with chemica sovents; this might damage the finish. Use a cean, dry coth. 7 Aways set the voume contro to before starting the audio source pay: increase the voume graduay to an appropriate eve after the pay is started. 8 To prevent ightning damage, pu out the power cord and remove the antenna cabe during an eectrica storm. 9 Be sure to read the Troubeshooting section on common operating errors before concuding that your unit is fauty. 10 Do not connect audio equipment to the AC outets on the rear pane if that equipment requires more power than the outets are rated to provide. 11 When not panning to use this unit for ong periods of time (ie., vacation, etc.), disconnect the AC power pug from the wa outet. The apparatus is not disconnected from the AC power source as ong as it is connected to the wa outet, even if the apparatus itsef is turned off. FCC INFORMATION 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when instaed as indicated in the instructions contained in this manua, meets FCC requirements. Modifications not expressy approved by Yamaha may void your authority, granted by the FCC, to use the product.. IMPORTANT: When connecting this product to accessories and/or another product use ony high quaity shieded cabes. Cabe/s suppied with this product MUST be used. Foow a instaation instructions. Faiure to foow instructions coud void your FCC authorization to use this product in the USA.. NOTE: This product has been tested and found to compy with the requirements isted in FCC Reguations, Part 15 for Cass B digita devices. Compiance with these requirements provides a reasonabe eve of assurance that your use of this product in a residentia environment wi not resut in harmfu interference with other eectronic devices. This equipment generates/uses radio frequencies and, if not instaed and used according to the instructions found in the users manua, may cause interference harmfu to the operation of other eectronic devices. Compiance with FCC reguations does not guarantee that interference wi not occur in a instaations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, pease try to eiminate the probem by using one of the foowing measures: Reocate either this product or the device that is being affected by the interference. Utiize power outets that are on different branch (circuit breaker of fuse) circuits or insta AC ine fiter/s. In the case of radio or TV interference, reocate/reorient the antenna. If the antenna ead-in is 00 ohm ribbon ead, change the ead-in to coaxia type cabe. If these corrective measures do not produce satisfactory resuts, pease contact the oca retaier authorized to distribute this type of product. If you can not ocate the appropriate retaier, pease contact Yamaha Eectronics Corp., U.S.A Orangethorpe Ave, Buena Park, CA 9060 The above statement appy ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. We Want You Listening For A Lifetime YAMAHA and the Eectronic Industries Association s Consumer Eectronics Group want you to get the most out of your equipment by paying it at a safe eve. One that ets the sound come through oud and cear without annoying baring or distortion and, most importanty, without affecting your sensitive hearing. Since hearing damage from oud sounds is often undetectabe unti it is too ate, YAMAHA and the Eectronic Industries Association s Consumer Eectronics Group recommend you to avoid proonged exposure from excessive voume eves.

4 SUPPLIED ACCESSORIES After unpacking, check that the foowing parts are contained. Remote Contro Transmitter Indoor FM Antenna Remote TRANSMIT USER /LEARN YPC LEARN POWER SLEEP TV VCR AUX SKIP DISC SKIP PHONO SEARCH PAUSE/STOP PLAY CD DECK A/B PRESET + A B C D E TUNER SEARCH STOP PLAY TAPE 1 REC MUTE REC/PAUSE DIR A DIR B TAPE MON SEARCH PAUSE/STOP PLAY LD/TV 70mm TV PRO LOGIC ENHANCED MOVIE THEATER THEATER CHAPTER/CH DISPLAY STOP VCR 1 + VCR 1 AM Loop Antenna SURROUND SPORTS STADIUM ROCK JAZZ CLUB CHURCH HALL EFFECT 9 10 DSP ON/OFF V AUX MASTER VOLUME + + CENTER LEVEL + DELAY TIME TEST REAR LEVEL + MUTING RESET CLEAR Batteries (size AA, LR6, UM-) User Program Sheets

5 Features Five Speaker Configuration Front: 100 W W (8Ω) RMS Output Power, 0.015% THD, 0-0,000 Hz 10 W + 10 W (6Ω) RMS Output Power, 0.0% THD, 0-0,000 Hz (USA Mode Ony) Center: 100 W (8Ω) RMS Output Power, 0.015% THD, 1 khz Rear: 5 W + 5 W (8Ω) RMS Output Power, 0.08% THD, 1 khz Digita Sound Fied Processor 10 Programs incuding Cinema DSP 70mm Movie Theater Automatic Input Baance Contro for Doby Surround Test Tone Generator for Easier Speaker Output Baance Adjustment Center Channe Modes (NORMAL/WIDE/PHANTOM) 0-Station Random Access Preset Tuning Automatic Preset Tuning (FM ony) Preset Station Shifting Capabiity (Preset Editing) IF Count Direct PLL Synthesizer Tuning System Video Signa Input/Output Capabiity SLEEP Timer Remote Contro Capabiity Program and status messages superimposed on connected video monitor 5

6 PROFILE OF THIS UNIT You are the proud owner of a Yamaha stereo receiver an extremey sophisticated audio component. The Digita Sound Fied Processor (DSP) buit into this unit takes fu advantage of Yamaha s undisputed eadership in the fied of digita audio processing to bring you a whoe new word of istening experiences. Foow the instructions in this manua carefuy when setting up your system, and this unit wi sonicay transform your room into a totay new istening environments movie theater, concert ha, and so on. In addition, you get incredibe reaism from Doby-encoded video sources using the buit-in Doby Pro Logic Surround Decoder. Pease read this owner s manua carefuy and store it in a safe pace for ater reference. Digita Sound Fied Processing What is it that makes ive music so good? Today s advanced sound reproduction technoogy ets you get extremey cose to the sound of a ive performance, but chances are you sti notice something missing: the acoustic environment of the ive concert ha. Extensive research into the exact nature of the sonic refections that create the ambience of a arge ha has made it possibe for Yamaha engineers to bring you this same sound in your own istening room, so you fee a the sound of a ive concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possibe to capture the acoustics of a variety of venues such as an actua concert ha, theater, etc. to aow you to accuratey recreate one of severa actua ive performance environments, a in your own home. Doby Pro Logic Surround The Doby Pro Logic Surround Decoder program ets you experience the dramatic reaism and impact of Doby Surround movie theater sound in your own home. Doby Pro Logic gets its name from its professiona-grade steering ogic circuitry, which provides greater effective front and rear channe separation for a much higher degree of reaism than the passive Doby Surround circuits found in ess sophisticated home audio/video equipment. Doby Pro Logic Surround provides a true center channe, so that there are four independent channes, unike passive Doby Surround which has in effect ony three channes: eft, right, and rear. This center channe aows isteners seated in even ess-than-idea positions to hear the diaog originating from action on the screen whie getting a stereo effect as we. This Doby Pro Logic Surround Decoder empoys a digita signa processing system. This system increases sound stabiity at each channe and minimizes crosstak between channes compared to conventiona anaog Doby signa processing. In addition, this unit features a buit-in automatic input baance contro. This circuit aways presents you the best surround conditions without performing manua adjustments. Doby Pro Logic Surround + DSP You can aso enjoy Doby Pro Logic with two modes of Digita Sound fied processing. These combinations expand the surround effect. One is the EN- HANCED Doby Pro Logic Surround which recreates the surround effect of the 5 mm fim movie theater. The other is the sound fied program 70 mm MOVIE THEATER. Which recreates the istening experience of a 70mm fim theater. CINEMA DSP The YAMAHA CINEMA DSP ogo indicates these programs are created by the combination of Doby Pro Logic and YAMAHA DSP technoogy. Directiona Enhancement Circuit + DSP The newy featured directiona enhancement circuit expands and focuses the digita sound fied by emphasizing position of sound. This effect puts you in the midst of the action, whie centering and focusing your attention to the screen. This circuit is avaiabe on the sound fied program TV THEATER and SPORTS. 6

7 SPEAKER SETUP FOR THIS UNIT SPEAKERS TO BE USED This unit is designed to provide the best sound-fied quaity with a fivespeaker configuration. The speakers to be used with this unit wi be front speakers, rear speakers, and a center speaker. The front speakers are used for the main source sound. These are usuay a much arger, high-quaity oudspeaker than you wi use for the surround sound effects. The center speaker is used for the center sound (diaog, etc.) encoded with the Doby Surround. And the rear speakers are used for specia effects that enhance the surround sound. The rear and center speakers do not need to be equa to the front speakers. However, a the speakers shoud have high enough power handing to accept the maximum output of this unit. SPEAKER CONFIGURATION Five-Speaker Configuration This configuration is the most effective and recommended one. In this configuration, the center speaker is used for diaog when you seect the digita sound fied program DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70mm MOVIE THEATER, TV THEATER, or SPORTS. Set the center channe mode to the NORMAL or WIDE position. (For detais, refer to page 16.) Front L Center Front R Four-Speaker Configuration The center speaker is not used in this configuration. If the digita sound fied program DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70mm MOVIE THEATER, TV THEATER, or SPORTS is seected, the center sound aong with the front effects are output from the eft and the right front speakers. However, the sound effect of other programs can be the same as that of the other configurations. Be sure to set the center channe mode to the PHANTOM position. (For detais, refer to page 16.) Diaogue Front L Front R Diaogue Surround sound Rear L Rear R Surround sound Rear L Rear R 7

8 SPEAKER PLACEMENT The recommended speaker configuration, the five-speaker configuration, wi require two speaker pairs: front speakers and rear speakers, pus a center speaker. When you pace these speakers, refer to the foowing: Front L Center Front R Rear R Front: Center: Rear: In norma position. (The position of a standard stereo speaker setup) Precisey between the front speakers. (To avoid interference with TV sets, use a magneticay shieded speaker.) When two center speakers are used, pace these to the right and eft of your TV set or video monitor. Behind your istening position, facing sighty inward. Neary six feet (approx. 1.8 m) up from the foor. Rear L 8

9 CONNECTIONS CAUTION Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made. CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure a connections are made correcty, that is to say L (eft) to L, R (right) to R, + to + and to. Aso, refer to the owner s manua for each component to be connected to this unit. Turntabe Compact disc payer Video cassette recorder 1 GND PUT AUDIO AUDIO IN VIDEO VIDEO IN Video cassette recorder AUDIO SIGNAL AUDIO SIGNAL VIDEO SIGNAL VIDEO S VIDEO Tape deck 1 LINE PHONO IN VCR 1 IN VCR 1 LINE IN LINE AM ANT GND CD TAPE PB TAPE 1 REC IN VCR IN VCR AUDIO VIDEO VIDEO IN AUDIO IN Tape deck FM ANT 75Ω UNBAL. TAPE PB TAPE REC LD/TV LD/TV MONITOR LINE IN GND MAIN IN FRONT CH VIDEO IN PRE FRONT LEVEL 0dB -10dB Monitor TV AUDIO VIDEO LaserDisc-Spieer 9

10 CONNECTING SPEAKERS Connect the respective speakers to this unit as shown beow: Right Front speakers A Left Right Rear speakers Left VIDEO SIGNAL S VIDEO SPEAKERS REAR IN VCR 1 PUT LOW PASS CENTER REAR IN VCR fo:00hz 8ΩMIN. /SPEAKER LD/TV A FRONT C CENTER C MONITOR B C D D C+D A OR B: 5ΩMIN. /SPEAKER A+ B:ΩMIN. /SPEAKER C: 8ΩMIN. /SPEAKER C+ D: ΩMIN. /SPEAKER Right Left Center speaker(s) Front speakers B Note on front speaker connection: One or two speaker systems can be connected to this unit. If you connect ony one speaker system, connect it to either the SPEAKERS A or B terminas. Note on center speaker connection: One or two center speakers can be connected to this unit. If you cannot pace the center speaker on or under the TV, it is recommended to use two center speakers and pace them on both sides of the TV to orient the center sound at the center position. When connecting two center speakers, be sure to press the CENTER speaker switch into the C+D position( ). When you use a singe center speaker, set the switch to the C position ( ). How to Connect: Connect the SPEAKERS terminas to your speakers with wire of the proper gauge, cut as short as possibe. If the connections are fauty, no sound wi be heard from the speakers. Make sure that the poarity of the speaker wires is correct, that is, + and markings are observed. If these wires are reversed, the sound wi be unnatura and wi ack bass. CAUTION Do not et the bare speaker wires touch each other and do not et them touch the meta parts of this unit. This coud damage this unit and/or the speakers. Note: Use speakers with the specified impedance shown on the rear of this unit. For connecting to the SPEAKER terminas Red: positive (+) Back: negative ( ) 1 1 Unscrew the knob. Insert the bare wire. [Remove approx. 5mm (1/ ) insuation from the speaker wires.] Tighten the knob and secure the wire. Banana Pug connections are aso possibe. Simpy insert the Banana Pug connector into the corresponding termina. (Not avaiabe on Singapore mode.) Note: Use ony singe type banana pug cabe. 10

11 AB THE ACCESSORY TERMINALS PUT LOW PASS CENTER REAR 1 fo:00hz 1 LOW PASS termina This termina is for output to a monaura ampifier driving a subwoofer. Frequencies above 00 Hz are fitered out so that ony the bass range remains. The output signa is from the front and center channes. You may wish to add a subwoofer to reinforce the bass frequencies. Connect the LOW PASS termina to the INPUT termina of the subwoofer ampifier, and connect the speaker terminas of the subwoofer ampifier to the subwoofer. With some subwoofers, incuding the Yamaha Active Servo Processing Subwoofer System, the ampifier and subwoofer are in the same unit. CENTER PUT termina This termina is for center channe ine output. There is no connection to this termina when you use the buit-in ampifier. However, if you drive a center speaker with an externa power ampifier, connect the input termina of the externa ampifier to this termina. REAR PUT terminas These terminas are for rear channe ine output. There is no connection to these terminas when you use the buit-in ampifier. However, if you drive rear speakers with an externa stereo power ampifier, connect the input terminas of the externa ampifier (MAIN IN or AUX terminas of a power ampifier or an integrated ampifier) to these terminas. GND termina (For turntabe use) Connecting the ground wire of the turntabe to this termina wi normay minimize hum. In some cases, better resuts may be obtained with the ground wire disconnected. GND AC LETS SWITCHED LETS and 1 UNSWITCHED LET (USA, Canada, and Genera modes) 1 SWITCHED LET (Austraa mode) SWITCHED LETS (Singapore mode) SWITCHED 10V 60Hz 10W MAX. TOTAL UNSWITCHED 10V 60Hz 00W MAX. (USA mode) Use these to connect the power cords from your components to this unit. The power to the SWITCHED outets is controed by this unit s POWER switch or the provided remote contro transmitter s POWER key. These outets wi suppy power to any connected component whenever this unit is turned on. The maximum power (tota power consumption of components) that can be connected to the SWITCHED AC LET(S) is 10 watts. The power to the UNSWITCHED outets cannot be controed by this unit s POWER switch or the provided remote contro transmitter s POWER key. (USA, Canada, and Genera modes ony). The maximum power (power consumption of component) that can be connected to the UNSWITCHED AC LET is 00 watts (USA mode), 180 watts (Canada mode) and 00 watts (Genera mode). 11

12 TAPE REC 5 MAIN IN FRONT CH PRE 6 FRONT LEVEL 0dB -10dB FRONT CH MAIN IN terminas These terminas are for ine input to the buit-in front channe ampifier. Leave the jumper bars connected to the PRE terminas when you use the buit-in ampifier. However, if you drive front speakers with an externa stereo power ampifier, remove the jumper bars. 6 FRONT LEVEL switch Normay set to 0 db. If desired, you can decrease the output eve at the FRONT SPEAKERS terminas by 10 db by setting this switch to 10 db. 5 FRONT CH PRE terminas These terminas are for front main channe ine output. Leave the jumper bars connected to the MAIN IN terminas when you use the buit-in ampifier. However, if you drive front speakers with an externa stereo power ampifier, remove the jumper bars and connect the input terminas of the externa ampifier (MAIN IN or AUX terminas of a power ampifier or an integrated ampifier) to these terminas. 1

13 8 VIDEO CONNECTING S VIDEO TERMINALS If your video cassette recorder, video disc payer, monitor, etc., are equipped with S (high-resoution) video terminas, connect them to this unit s S VIDEO terminas. Otherwise, use the composite video terminas of the unit. Note: If video signas are sent to both the S VIDEO input and composite input terminas, the input signas wi be sent to the respective S VIDEO output and composite output terminas independenty. VIDEO VIDEO SIGNAL S VIDEO IN VCR 1 S VIDEO VIDEO S VIDEO IN VIDEO IN IN VCR LD/TV S-VIDEO IN VIDEO IN S-VIDEO VIDEO Video Cassette recorder 1 MONITOR Video Cassette recorder VIDEO IN S VIDEO IN S VIDEO VIDEO LD payer Monitor TV ON SCREEN DISPLAY If you connect a video cassette recorder, video disc payer, monitor, etc., to this unit, you can dispay DSP program names and information about the other settings and adjustments on the video monitor screen. This information is superimposed over the video image. If there is no program materia on the monitor, the information wi be dispayed over a monochromatic background. Notes: If you use a video monitor that is connected to both the S VIDEO and composite terminas, the screen dispay information is ony output from the S VIDEO terminas. When no video signa is input to any of the S VIDEO or composite video input terminas, the screen dispay information is output from the S VIDEO and composite MONITOR terminas with a monochromatic background. CONNECTING TO VIDEO AUX TERMINALS (FRONT PANEL) These terminas are used to connect any video input source such as a camcorder to this unit. VIDEO AUX 8 VIDEO VIDEO L AUDIO R AUDIO AUDIO VIDEO R L VIDEO S-VIDEO Camcorder S VIDEO 1

14 ANTENNA CONNECTIONS Each antenna shoud be connected to the designated terminas correcty, referring to the foowing diagram. Both AM and FM indoor antennas are incuded with this unit. In genera, these antennas wi probaby provide sufficient signa strength. Nevertheess, a propery instaed outdoor antenna wi give cearer reception than an indoor one. If you experience poor reception quaity, an outdoor antenna may resut in improvement. Outdoor FM antenna Outdoor AM antenna PHONO AUDIO SIGNAL AUDIO AM oop antenna (incuded) CD AM ANT GND TAPE PB TAPE 1 REC 00-ohm feeder FM ANT 75Ω UNBAL. TAPE PB TAPE REC GND MAIN IN FRONT CH 75-ohm coaxia cabe 75-ohm/00-ohm antenna adapter PRE FRONT LEVEL 0dB -10dB Indoor FM antenna (incuded) Ground Connecting the AM oop antenna 1 ➀ ➂ ➁ Orient so that the best reception is obtained. The AM oop antenna shoud be paced apart from the main unit. The antenna may be hung on a wa. The AM oop antenna shoud be kept connected, even if an outdoor AM antenna is connected to this unit. 1 GND termina For maximum safety and minimum interference, connect the GND termina to a good earth ground. A good earth ground is a meta stake driven into moist earth. Notes: When connecting the indoor FM antenna, insert its connector into the FM ANT termina firmy. If you need an outdoor FM antenna to improve FM reception quaity, either 00-ohm feeder or coaxia cabe may be used. In ocations troubed by eectrica interference, coaxia cabe is preferabe.

15 SPEAKER BALANCE ADJUSTMENT ADJUSTMENT BEFORE OPERATION This procedure ets you adjust the sound output eve baance between the front, center, and rear speakers using the buit-in test tone generator. With this adjustment, the sound output eve heard at the istening position wi be the same from each speaker. This is important for the best performance of the digita sound fied processor. The adjustment of each speaker output eve shoud be done at your istening position with the remote contro transmitter. Otherwise, the resut may not be satisfactory. 1 6 TRANSMIT USER /LEARN YPC LEARN POWER SKIP SLEEP TV VCR AUX DISC SKIP PHONO 5 SEARCH PAUSE/STOP PLAY CD DECK A/B PRESET A B C D E + TUNER SEARCH STOP PLAY TAPE 1 REC MUTE SEARCH REC/PAUSE DIR A PAUSE/STOP DIR B PLAY TAPE MON LD/TV * If you have a video monitor connected to this unit, you shoud use it to dispay the on screen information. The easy-to-read information wi hep you to perform this adjustment. Note: Before adjustment, make sure that the mute circuit is not engaged. Whie mute is engaged, no sound wi be heard and an indicator on the master VOLUME contro fashes. See page 0 for detais. 1 Set to the position. Set the remote YPC-USER-LEARN switch to the YPC position. VOLUME USER YPC LEARN db 0 For detaied information about the remote contro transmitter, refer to REMOTE CONTROL TRANSMITTER on page 1. Set to the 0 position. BASS 0 TREBLE 0 5 POWER Press the POWER switch to turn on the power Set to the 0 position. BALANCE 0 L 5 5 R 6 Seect the main speakers to be used. SPEAKERS A B If you use two main speaker systems, press both the A and B switches. 15

16 7 70mm TV PRO LOGIC ENHANCED MOVIE THEATER THEATER CHAPTER/CH DISPLAY STOP VCR 1 + VCR 1 SURROUND SPORTS STADIUM ROCK JAZZ CLUB CHURCH HALL EFFECT 9 10 DSP ON/OFF + CENTER LEVEL + DELAY TIME REAR LEVEL + TEST MUTING V AUX MASTER VOLUME + 9 RESET CLEAR 8 7 Seect the center channe output mode according to your speaker configuration. (Refer to SPEAKER CONFIGURATION on page 7.) CENTER MODE NORMAL WIDE PHANTOM 9 MASTER Turn up the voume using the remote VOLUME contro transmitter. You wi hear a test tone (ike pink + noise) from the eft front speaker, then the center speaker, then the right front speaker, and then the rear speakers, for about two seconds each. The dispay changes as shown beow. 8 TEST Press the TEST button to run the Doby test. In step 7, when you seect the center mode, note the foowing. Five speaker configuration NORMAL: Seect this mode when you use a center speaker that is smaer than the front main speakers. In this mode, the bass tone wi be output from the front speakers. WIDE: Seect this mode when your center speakers are approximatey the same size as the front speakers. If your video monitor is on, the state of the test tone output is aso shown by an image of an audio istening room on the screen. The test tone from the eft rear speaker and the right rear speaker wi be heard at the same time. Four speaker configuration PHANTOM: Seect this mode when you do not have a center speaker. The center channe sound wi be output from the eft and right font speakers. 16

17 1 70mm TV PRO LOGIC ENHANCED MOVIE THEATER THEATER CHAPTER/CH DISPLAY STOP VCR 1 + VCR 1 SPORTS SURROUND STADIUM ROCK JAZZ CLUB V AUX CHURCH HALL EFFECT 9 10 DSP ON/OFF + CENTER LEVEL + DELAY TIME REAR LEVEL + RESET CLEAR TEST MUTING MASTER VOLUME Adjust the BALANCE contro so that the test tone sound output eve of the eft front speaker and the right front speaker are the same. 1 Cance the test tone. BALANCE 0 TEST PRO LOGIC 11 1 Adjust the test tone sound output eve of the center speaker to be at the same eve as that of the front speakers with the CENTER LEVEL keys. CENTER L 5 5 R Adjust the sound output eve of the rear speakers to be at the same eve as that of the front speakers with the REAR LEVEL keys. REAR LEVEL LEVEL The previous mode is seected. Notes: Once you have competed these adjustments, you can adjust whoe sound eve on your audio system by using the VOLUME contro (or the MASTER VOLUME keys on the remote contro transmitter). If you use externa power ampifiers, their voume contros may aso need to be adjusted to achieve the proper baance. If there is insufficient sound output from the center and rear speakers, you may decrease the front speaker output eve by setting the FRONT LEVEL switch on the rear pane to 10 db. Note: If the center channe mode is in the PHANTOM position, the sound output eve of the center speaker cannot be adjusted. This is because in this mode, the center sound is automaticay output from the eft and right front speakers. If you press the LEVEL +/ switch without previousy pressing the CENTER, or REAR switch, the ast channe seected wi be changed. 17

18 BASIC OPERATIONS 1,6 To pay a source 1 Set to the position. VOLUME 5 Pay the source. (For detaied information on the tuning operation, refer to page 1.) Adjust to the desired output eve. 0 VOLUME db 6 Press the POWER switch to turn on the power. POWER db 0 Seect the desired input source by using the input seector buttons. (For video sources, turn the video monitor ON.) TAPE MONITOR TAPE 1 TUNER CD PHONO VIDEO AUX VCR VCR 1 LD/TV The name of the seected input source wi appear on the dispay. Seect the front speakers to be used. SPEAKERS A B If you use two front speaker systems, press both the A and B switches. If desired, adjust the BASS, TREBLE, BALANCE contros, etc. (refer to page 0) and use the digita sound fied processor. (Refer to page 5.) Notes on using the input seector buttons Note that pressing on each input seector button seects the source which is connected to the corresponding input terminas on the rear pane. To seect the source connected to the VIDEO AUX terminas on the front pane, press VIDEO AUX. The seection of TAPE MONITOR cannot be canceed by pressing another input seector button. To cance it, press TAPE MONITOR again. When you seect a button other than TAPE MONI- TOR, make sure that TAPE MONITOR is not accidenty seected as we. If you seect the input seector button for a video source without canceing the seection of TAPE MONITOR, the payback resut wi be the video image from the video source and the sound from the audio tape. Once you pay a video source, its video image wi not be interrupted even if the input seector button for an audio source is seected. To turn off the power Press the POWER switch again. 18

19 1 To record a source to tape (or dub from tape to tape) 1 Seect the source to be recorded. REC SOURCE LD/TV TAPE 1 VCR 1 TUNER VCR CD VIDEO AUX PHONO Pay the source and press the corresponding input seector, then turn the VOLUME contro up to confirm the input source. (For detaied information on the tuning operations, refer to page 1.) TAPE MONITOR TAPE 1 TUNER CD PHONO VIDEO AUX VCR VCR 1 LD/TV VOLUME Set the tape deck or VCR to the recording mode. 8 6 db Note: When the REC seector is set to SOURCE, the source seected by the input seector buttons is output through the TAPE 1-REC, the TAPE -REC, the VCR 1-, and the VCR - terminas. When the REC seector is set to something other than SOURCE and you press an input seector button other than the one you pressed in step, the recording source wi not be changed and you can enjoy another source whie recording. To record from tape deck, set the REC seector to SOURCE, and press the TAPE /MONITOR input seector. If the tape deck connected to the TAPE REC termina has -head monitoring capabiity, you can monitor the signa just recorded on the tape by pressing the TAPE /MONITOR switch. DSP, VOLUME, BASS, TREBLE and BALANCE contro settings have no effect on the materia being recorded. To monitor a source seected by the REC seector, press the corresponding input seector button. 19

20 Seecting the SPEAKERS system Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches aow you to seect speaker system A or B, or both at once. SPEAKERS A B Using the TONE BYPASS switch Press this switch to revert instanty to the fat states of the BASS and TREBLE contros without changing the setting of these contros. TONE BYPASS ON OFF Adjusting the BALANCE contro Adjust the baance of the output voume to the eft and right speakers to compensate for sound imbaance caused by speaker ocation or istening room conditions. BALANCE 0 L 5 5 R Note: This contro is effective ony for the sound from the front speakers. Adjusting the BASS and TREBLE contros Using the BASS EXTENSION switch You can boost bass frequency response by setting this switch to the ON position. This switch is effective ony on the sound from the front speakers. BASS EXTENSION ON OFF MUTING Key (Remote Transmitter) Press this key to mute the master voume. Whie mute is engaged, an indicator on the master VOLUME contro fashes. Press again to un-mute the master voume. BASS Turn this cockwise to increase (or counter-cockwise to decrease) the ow frequency response. TREBLE Turn this cockwise to increase (or counter-cockwise to decrease) the high frequency response. MUTING SPORTS STADIUM ROCK JAZZ CLUB CHURCH HALL EFFECT 9 10 DSP ON/OFF CENTER LEVEL + + DELAY TIME TEST V AUX MASTER VOLUME + Fash VOLUME BASS 0 TREBLE 0 REAR LEVEL + RESET CLEAR MUTING 70 db Note: These contros are effective ony for the sound from the front speakers. 0 When you isten with headphones Connect the headphones to the PHONES jack. You can isten to the sound to be output from the front speakers through headphones. When istening with headphones privatey, set both the SPEAKERS A and B switches to the OFF position and switch off the digita sound fied processor (so that no DSP program name is iuminated on the dispay) by pressing the EFFECT switch. PHONES

21 TUNING OPERATIONS Normay, if station signas are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possibe. However, if signas of the station you want to seect are weak, you must tune to it manuay (MANUAL TUNING). 1,, AUTOMATIC TUNING,, MANUAL TUNING 1 Seect the reception band (FM or AM) whie watching the dispay. Seect the reception band (FM or AM) whie watching the dispay. FM/AM FM/AM AM or FM AM or FM TUNING MODE TUNING MODE AUTO TUNING AUTO TUNING goes off. DOWN TUNING UP Tune to a desired station manuay. DOWN TUNING UP To tune to a higher frequency, press the right side once. To tune to a ower frequency, press the eft side once. If the station where tuning search stops is not the desired one, press again. DOWN TUNING UP To continue tuning search, press and hod the button. Note: If you tune to an FM station manuay, it is received in monaura mode automaticay to increase the signa quaity. If the tuning search does not stop at the desired station (because the signas of the station are weak), change to the MANUAL TUNING method. Dispay information AM FM 1 STEREO khz MHz Dispays the band and frequency of the received station. Lights up when an FM stereo broadcast is received in stereo. Indicates the signa eve of the received station. 1

22 PRESET TUNING Manua Preset Tuning This unit can store station frequencies (seected by tuning operation) by using the preset station buttons. With this function, you can seect any desired station by ony pressing the corresponding preset station button. Up to 0 stations (8 stations x 5 pages) can be stored.,, To program stations 1 Tune to a desired station. (Refer to the previous page for tuning procedure.) Seect a desired page (A - E) of preset station buttons whie watching the dispay. To reca a preset station Seect the page of preset station buttons. A/B/C/D/E PRESET A/B/C/D/E PRESET FM MHz Seect the desired preset station button. PRESET STATIONS I MEMORY PRESET PRESET FM FM MHz MEMORY Fashes for about 5 seconds. Press a preset station button before the MEMORY prompt on the dispay switches off. PRESET STATIONS I PRESET Shows the dispayed station has been programmed to A1. In the same way, program other stations to A, A, to A8. You can program more stations to the preset station buttons on other pages in the same way by seecting other pages in step. FM Notes: A new setting can be programmed in pace of the former one. For presets, the setting of the reception mode (stereo or monaura) is stored aong with the station frequency. Memory back-up The memory back-up circuit prevents the programmed data from being ost even if the POWER switch is set off or the power pug is disconnected from the AC outet or the power is cut due to temporary power faiure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simpy foowing the PRESET TUNING steps.

23 Automatic Preset Tuning You can aso make use of an automatic preset tuning function for FM stations ony. By this function, this unit performs automatic tuning and stores FM stations with strong signas sequentiay. Up to 0 stations are stored automaticay in the same way as in the manua preset tuning method on page. 1 To program stations 1 FM/AM MEMORY PRESET FM MEMORY DOWN TUNING To tune to higher frequencies, press right side once. To tune to ower frequencies, press eft side once. UP FM MHz STEREO Press and hod for about seconds. Fashes If the TUNING button is not pressed, in a whie the automatic preset tuning begins automaticay toward higher frequencies. The automatic preset tuning begins from the frequency currenty dispayed. Received stations are programmed to A1, A, to A8 sequentiay. If more than 8 stations are received, they are aso programmed to the preset station numbers on other pages (B, C, D and E) in that order. If you want to store the first station received by the automatic preset tuning to a desired preset station number. If, for exampe, you want to store the first received station to C5, seect C5 by using the A/B/C/D/E button and the preset station buttons after pressing the MEMORY button in step. Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7, etc., sequentiay. If stations are stored up to E8, the automatic preset tuning is finished automaticay. When the automatic preset tuning is finished The dispay shows the frequency of the ast preset station. Check the contents and the number of preset stations by foowing the procedure of the section To reca a preset station on page. To reca a preset station Simpy foow the procedure of the section To reca a preset station on page. Notes You can repace a preset station by another FM or AM station manuay by simpy foowing the procedure of the section To program stations on page. If the number of received stations is not enough to be stored up to E8, the search is finished automaticay when it reaches the highest frequency after searching through a frequencies. With this function, ony FM stations with sufficient signa strength are stored automaticay. If the station you want to program is weak in signa strength, tune to it in monaura manuay and program it by foowing the procedure of the section To program stations on page.

24 Exchanging Preset Stations You can exchange the paces of two preset stations with each other as shown beow., (Exampe) If you want to shift the preset station on E1 to A5, and vice versa. 1 Reca the preset station on E1 (by foowing the method of To reca a preset station on page ). EDIT MEMORY Next, reca the preset station on A5 by foowing the procedure in step 1. MEMORY EDIT Shows the exchange of stations is competed. MEMORY

25 USING THE DIGITAL SOUND FIELD PROCESSOR (DSP) This unit incorporates a sophisticated, muti-program digita sound fied processor, which aows you to expand and shape the audio sound fied from both the audio and video sources, for a theater-ike experience in the istening/viewing room. This digita sound fied processor has 10 programs; 8 programs for digita sound fied processing and programs for the Doby Pro Logic Surround sound system (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED). You can create an exceent audio sound fied by seecting the suitabe program and adding desired adjustments. In addition, when the DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, or 70 mm MOVIE THEATER program is seected, the buit-in automatic input baance contro functions. This presents you the best surround condition without manua adjustment CINEMA DSP TAPE MONITOR TAPE 1 TUNER CD PHONO VIDEO AUX VCR VCR 1 LD/TV G WIDE PRO LOGIC SLEEP PRESET STATIONS PRO LOGIC DIGITAL SOUND FIELD PROCESSOR ENHANCED 70mm MOVIE THEATER TV THEATER SPORTS STADIUM CHURCH HALL EFFECT 9 10 DSP ON/OFF + CENTER LEVEL TEST DELAY + TIME MASTER VOLUME + 7 CENTER MODE DELAY TIME CENTER REAR LEVEL ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT REAR LEVEL + MUTING RESET CLEAR TREBLE BALANCE REC VIDEO AUX 0 0 LD/TV SOURCE TAPE 1 8 VIDEO VIDEO L AUDIO R VCR 1 TUNER VCR CD VIDEO AUX PHONO 5 5 L 5 5 R 5 6 1CENTER MODE Seects the center channe output mode. (For detais, refer to page 16.) Dispays your seection on the DSP or other informations. DELAY TIME /+ Adjusts the deay time. (For detais, refer to page 9.) CENTER and LEVEL /+ REAR and LEVEL /+ Adjusts sound output eve at each speaker. (For detais, refer to page 8.) 5Seects a digita sound fied program. 6EFFECT Switches on/off the digita sound fied processor (DSP). 7TEST Used for speaker baance adjustment. (For detais, refer to page 16.) 5

26 Description of Each Sound Fied Program The foowing ist gives brief descriptions of the sound fieds produced by each of the DSP programs. Keep in mind that most of these are precise digita recreations of actua acoustic environments. The data for them was recorded at the ocations described using sophisticated sound fied measurement equipment. Note: The channe eve baance between the eft rear effect speaker and the right rear effect speaker may vary depending on the sound fied you are istening to. This is due to the fact that most of these sound fied recreations are actua acoustic environments. PROGRAM FEATURE PRO LOGIC This program is effective for payback of sources encoded with Doby Surround. The empoyment of the digita signa processing system reduces crosstak and transfers the sound source more smoothy and precisey, compared to conventiona types. A stabe movie sound fied is recreated. PRO LOGIC ENHANCED This program is effective for payback of sources encoded with Doby Surround. Enhancing the Norma Doby Pro Logic, the DSP technoogy simuates the muti-surround speaker systems of a 5 mm fim theater, thus widening the surround-sound fied with greater presence. 70 mm MOVIE THEATER This program is effective for payback of sources encoded with Doby Surround. The Yamaha DSP technoogy is ideay combined with the Doby Pro Logic to present you the incredibe istening experience of the 70 mm movie theater. This program is idea for precisey reproducing the sound design of the newest movies. The sound fied is made according to the design of the atest movie theaters, so the reverberations of the sound fied itsef are restrained as much as possibe. The three-dimensiona feeing of the sound fied is emphasized and diaog is precisey oriented on the screen. You can enjoy watching sciencefiction, action, and adventure movies with this program. TV THEATER This program is suitabe for dramas, variety or music programs, etc. Much surround effect can be gained for stereo sources. SPORTS This program is furnished with a tight sound fied in which the sound wi not spread excessivey on the front side, but the rear surround produces a dynamic sound expansion. This program is most suitabe for sports programs encoded with Doby Surround STADIUM This program gives you ong deays between direct sounds and effect sounds, and the extraordinariy spacious fee of a arge stadium. ROCK CONCERT This program is suitabe for rock music. A big, powerfu sound is reproduced ivey and dynamicay. JAZZ CLUB This is a sma, cosy jazz cub with a ow ceiing. The sound is very cose and intimate. CHURCH This program recreates the acoustic environment of a modern church with a high pointed dome and coumns aong the sides. This interior produces very few primary refections. CONCERT HALL In this program, the center seems deep behind the front speaker pair, creating an expansive, arge ha ambience. Description of Doby Pro Logic Surround DOLBY PRO LOGIC SURROUND: This unit empoys the Doby Pro Logic Surround system. This system is simiar to professiona Doby Stereo decoders used in movie theaters. By empoying a four-channe system, the Doby Pro Logic Surround system divides the input signas into four eves: the eft and right main channes, the center channe (to characterize diaog), and the rear surround-sound channes (to characterize sound effects, background noise and other ambient noise). Doby Surround is encoded on the sound track of commerciay avaiabe video cassettes and video discs as we. When you pay a source encoded with Doby Surround on your home video system, the Doby Pro Logic Surround system in this unit decodes the signa and feeds the surround-sound effects. The Doby Pro Logic Surround mode may not be aways effective on video sources not encoded with Doby Surround. Manufactured under icense from Doby Laboratories Licensing Corporation. Additionay icensed under Canadian patent number 1,07,877. Doby, Pro Logic, and the doube-d symbo are trademarks of Doby Laboratories Licensing Corporation. 6

27 To pay a source with the digita sound fied processor 1 Foow steps 1-6 shown in BASIC OPERATIONS on page 18. Seect the desired program that is suitabe for the source. PRO LOGIC ENHANCED DIGITAL SOUND FIELD PROCESSOR 70mm MOVIE THEATER ROCK CONCERT JAZZ CLUB CHURCH TV THEATER SPORTS STADIUM CONCERT HALL PRO LOGIC The seected program name is shown on the dispay. Notes: If you prefer to cance the DSP, press the EFFECT switch. The sound wi be the norma -channe stereo without surround sound effect. When STADIUM, ROCK CONCERT, JAZZ CLUB, CHURCH, or CONCERT HALL is seected, no sound is heard from the center speaker. When a monaura sound source is payed with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the front speakers and the rear speakers. Sound is heard ony from the center speaker. However, if the center channe mode is in PHANTOM, the front speakers output the sound of the center channe. When this unit s Doby Pro Logic Surround system is used, if the main-source sound is consideraby atered by over adjustment of the BASS or TREBLE contros, the reationship between the center and rear channes may produce an unnatura effect. If desired, adjust the deay time and the output eve of each speaker. (For detais, refer to the corresponding descriptions on page 8, 9.) 7

28 The foowing adjustments can be done on the remote contro transmitter as we as on the front pane. Adjustment of the CENTER LEVEL You can adjust the sound output eve of the center channe speaker even if the output eve is aready set in Speaker baance adjustment on page 15. CENTER LEVEL Press the + or CENTER LEVEL key on the remote contro transmitter. As you change the voume eve, the front pane LCD wi dispay the vaue. If you press the + or key continuousy, the eve wi continuousy change except for a momentary pause at the preset point (80). The center channe speaker is used ony in DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70 mm MOVIE THEATER, TV THEATER and SPORTS modes. Once the output eve is adjusted, the eve vaue wi be the same in a the digita sound fied programs. Note: If the digita sound fied program STADIUM, ROCK CONCERT, JAZZ CLUB, CHURCH, or CONCERT HALL is seected, the CENTER LEVEL contro wi not function. Adjustment of the REAR LEVEL You can adjust the sound output eve of the rear speakers even if the output eve is aready set in Speaker baance adjustment on page 15. Once the output eve is adjusted, the eve vaue wi be the same in a the digita sound fied programs. REAR LEVEL Press the + or REAR LEVEL key on the remote contro transmitter, the eve vaue changes continuousy. However, the vaue stops changing momentariy at the preset point (80). 8