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1 The Way Back Home North America Tour Technical Rider General: The company consists of two performers and one company stage manager. We will arrive in a medium sized van. Please make provision for parking. Load in including focus should take 4 hours. Our Company Stage Manager will operate both lighting and sound for the show, please make sure both lighting and sound positions are accessible to one person, if this cannot be done please inform us at the earliest opportunity. We understand some theatres are subject to union regulations, in which case our Company Stage Manager can call the show. Set: Our set consists of a main unit 8ft high and 12ft wide. This breaks down into various panels and sections. There are also two small free standing units and various props and costumes. We will require a clear playing space of at least 6m width x 4m depth and the stage must be swept prior to our arrival due to the nature of the performance. Please supply helium gas to fill five standard balloons per performance (small party canisters are available at most large supermarkets). Lighting: Lx plot supplied. We will require full use of the theatre s lighting facilities. It would be most helpful if you could pre-rig the lx rig prior to our arrival. If you cannot pre-rig please inform the Company Stage Manager well in advance as this may mean an extended get-in time. We will bring the colors and gobos listed on the plot. If you feel it is more convenient to use your own colour stock feel free to do so but please confirm any substitutions with the Company Stage Manager. Sound: We require one mini disk or cd player and mixing desk. Your standard FOH speaker rig will be sufficient, in addition we will require monitor speakers/fold back. Please also supply two wireless lapel microphones, headset preferred, otherwise clip-on will suffice. Personal Rider: Please provide refreshments for the company on arrival: tea/coffee, soft drinks and light snacks. Please also provide bottled water for during the performance. Contacts: Pre-tour technical enquiries: Will Evans, willevans79@hotmail.com Pre-tour general enquiries: Adam Bampton-Smith, adam@bigwoodenhorse.com, tel: (UK) Emergency Contact: (UK) Please sign and return one copy. Technical Rider received by: Signed: Date: Name: Position: Venue: BIG WOODEN HORSE (UK) LTD, 30 NORTHFIELD ROAD, WEST EALING, LONDON W13 9SY Tel: info@bigwoodenhorse.com - Company Reg VAT Reg
2 The Way Back Home Lighting States USA Tour 2 Lighting By Will Evans STATE A STATE B STATE B1 STATE C STATE C1 STATE D STATE E STATE F STATE G STATE G1 STATE H Preset: Bluey/night, top light on units and a little front on set 8@ 30% / 19+20@ 70% / 23+24@ 65% / 16-18@ 35% Cue: 1 + hse Interior, warm and bright 1-6@ 35% / 9+10@ 65% / 16-18@ 80% Cue: 2, 23, 31 Add 33@ FF (Wardrobe light) Cue: 3 Flying: Bright, cooler, airy 7+8@ 80% / 9@ 50% / 14+15@ FF Cue: 4 Add 23+24@ FF (Unit top lights) Cue 5 Plane crashing: Darker, moody 7@ 80% / 19+20@ FF / 14+15@ FF Cue: 6 Pull to DSC 27@ 80% / 7@ 30% / 19+20@ FF Cue: 7 DSC Dim 12@ 50% / 19@ 60% / 27@ 80% Cue: 8 Moon, warm and a bit greeny 7+8@ 30% / 9+10@60% / 12+13@ 50% Cue: 10,15, 19, 25, 25.5 (+hse) Add 33@ FF (Wardrobe light) Cue: 11 SL special, dark and funky 7+8@ 40% / 14+15@ FF / 19+20@ 70% / 23@ 80% Cue: 12 Will Evans Lighting designer
3 STATE I STATE J STATE K STATE L STATE M STATE N STATE O STATE P STATE Q STATE R Dark moon 7+8@ 30% / 12+13@ 60% Cue:13 Green and Scary 22@ 70% / 7+8@ 40% Cue: 14 Funky/Showy, loose green, add colours 19+20@ FF / 1-6@ 40% / 7+8@ 30% / 9 +10@ 60% / 16-18@ 50% Cues: 16, 18 Loose Backlight, add chase LOOSE: from above. Add CHASE Cue: 17, 18.5 Swimming state, greeny/blue, gobos and special 7+8@ 40% / 12-15@ 50% / 19+20@ 80% / 25@ FF Cue: 20 TV Scene DSL only, contained but not dim 3@ 50% / 18@ 70% / 35@ 70% Cues: 21, 22.5, 30 Snaps to Alien in special 30@ FF / 18@ 70% Cue: 22 Bright out side state, yellowy and fresh 7+8@ 40% / 9+10@ 60% / 14+15@ FF Cue: 24, 34 Flying home, Cool and side lights, space 7+8@ 55% / 14+15@ FF / 19+20@ FF Cues: 27 Dim and Blue 14+15@ 80% / 19+20@ FF Cues: 27.5 Will Evans Lighting designer
4 STATE S STATE T STATE U Just moon cloth 29@ 60% Cue: 28 Just Alien top special on Walkie Talkie 23@ 80% Cue: 32 Postset, Blue and spacey 8@ 50% / 19+20@ 80% / 23+24@ 60% Cue: 35 + hse STATE B/O Black Out Cues: 9, 29, 33 Will Evans Lighting designer
5 Large Rig Vs 2 (USA Tour 2) Focus Notes Lamp by lamp notes use in conjunction with plan. LX4 19 L 1K Fres Wide 22 L354 1K Fres Wide Back/top light covering left and right of centre, filling playing space, barn door to set and front of stage! Back Light covering whole stage, barn door to set and front of stage LX 3 13 L 1K Fres Wide 16 L 1K Fres Wide 15 L 1K Fres Wide High side light, on stage lamp covers SL, off stage lamp covers CS/SR. Include set, barn door to front of stage Top light covering left and right of up stage centre, filling US playing space, barn door to bottom set High side light, on stage lamp covers SR, off stage lamp covers CS/SL. Include set, barn door to front of stage LX 2 23 L 500w Fres Wide 20 L 1K Fres Wide 24 L 500w Fres Wide Top light on draw unit, barn door to box sides Top light covering left and right of down stage centre, filling DS playing space, barn door to front of stage Top light on draw unit, barn door to box sides General Notes: Back light (Channels 21 and 22) should ideally not cast a shadow of the set
6 Colour Substitutions LEE Original Rosco Equivalent Roscolux #74 #371 #372 #93 #99 #370 #361 #13
7 CL 4m 3m 2m 1m 1m 2m 3m 4m 5m LX 4 4m 3m LX 3 2m Box top Box top 24 LX 2 1m 0m 8 12 PLAYING AREA 6M X 6M Alien Top #67 # # GOBO GOBO LX 1 D.S. SETTING LINE FOH # #132 FOH TV Spec 27 DSC Special 2 3 Revisions: Vs 1 - Original Vs 2 - Ch 11, 21, 26, 28, 31, 32, 34 cut Key 1kw profile - Wide 1kw profile - Narrow Fresnel 1kw Fresnel 500w Par 64 (CP62) Other Things 29 Moon Flood 33 Wardrobe lights Notes: Rear LX bar (LX 4) not to be more than 5m from setting line/edge of stage All colour is Lee unless prefixed # which equals Rosco THIS DRAWING REPRESENTS DESIGN INTENT AND CONCEPT ONLY. The Designer and his associates are responsible for the visual aspects of this production, and all specifications provided relate solely to the appearance of the Lighting and not matters of electrical and structural soundness and/or safety. The implementaion of this design must comply with the most stringent applicable electrical safety and fire codes. This drawing and the design it represents are copyright of the lighting designer and licensed only to this Big Wooden Horse production for the duration of the tour. Will Evans 1 Director: Adam Bampton-Smith Lighting Designer: Will Evans Tour Plan - Large Venue - Vs2 Scale: A4 Date: 05/02/11
8 Large Rig Vs 2 (USA Tour 2) 12 L 1K Fres Wide 8 L Parcan (CP62) CP62-Wide High side light, on stage lamp covers SL, off stage lamp covers CS/SR. Barn door to front of stage Beams left to right across US playing area, include set, light as much of stage as possible 30 L+#132 Narrow Profile Narrow Alien Top light special for looks at watch scene. Round beam, no cuts, DS of SR unit 17 L 1K Fres Wide Top light covering down stage right of playing area, barn door to front of stage LX1 25 #67 and Gobo Narrow Profile Med/Narrow Gobo wash left and right on main set piece, slightly soft focus, waves go horizontally 18 L 1K Fres Wide Top light covering down stage left of playing area, barn door to front of stage 14 L 1K Fres Wide High side light, on stage lamp covers SR, off stage lamp covers CS/SL. Barn door to front of stage 10 L764 Parcan (CP62) CP62-Wide Beams left to right across US playing area, include set, light as much of stage as possible General Notes: Channels 12 and 14 join up with channels 13 and 15 on LX3 to form an even cover. Channels 17 and 18 join up with channel 16 on LX3 to form an even top light cover.
9 Large Rig Vs 2 (USA Tour 2) FOH #1 7 L Parcan CP62 Wide 4, OW + Profile Wide 9 L764 Parcan CP62 - Wide Beams left to right across DS playing area, light as much of stage as possible Up stage general cover, ensure even join and cut to top of set Beams left to right across DS playing area, light as much of stage as possible 1-3 OW + Profile Wide Even D.S cover, focus to edge of stage FOH #2 35 L764 + #132 Profile Narrow 27 L202 + #132 Profile Narrow TV special, used in both TV scenes, light general area DS of SL unit, include boy walking round unit with chair DSC special for crashing on moon, tight round spot allowing two people DSC, keep off set if possible
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